← Religion & Culture

The Passion of Christ

Artistic representations of Christ's entombment, trial, and ascension, focusing on the emotional gravity and dramatic narratives in religious art.

The Entombment, from Speculum passionis domini nostri Ihesu Christi 1507 Hans Schäufelein German. The Entombment, from Speculum passionis domini nostri Ihesu Christi 665999

The Miraculous Source of Saint Philippus, Antonio Tempesta, 1591 print Saint Philippus performs a miracle with a miraculous source. A group of bystanders watches. Text in Latin in STUDMARGE. Numbered below: 10. Print Maker: Romevatican City paper etching prior general of the Order of the Servites, Philip Benizzi of Florence; possible attributes: book, cross, lily, tiara at his feet

Mozes breaks the Tables of the Law (second part), Andrea Andreani, After Francesco Vanni, After Domenico Beccafumi, 1590 print Moses holds a stone tablet above his head, ready to throw it on the floor. On the right the Golden Calf that is honored by the people. On the left the Israelites who throw gold jewelry in the fire to forge the Golden Calf of it. print maker: Italyafter design by: Siena paper. ink brush / pen on seeing the idolaters Moses breaks the tables of the law

Saint Veronica between Saints Peter and Paul, from The Small Passion 1510 Albrecht Dürer German. Saint Veronica between Saints Peter and Paul, from The Small Passion 387422

Christ preaches to the scribes and the Pharisees, 1629 print Christ preaches in the temple opposite the scribes and the Pharisees. There are letters with different elements from the performance. The print is part of an album. paper letterpress printing speeches of Christ against scribes and Pharisees (Matthew 23; Mark 12:38-40; Luke 11:42-52, 20:45-47)

Christ Speaking of the Shepherd and the Fold. 1509. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Jesus on the Mount of Olives 1644-52 Wenceslaus Hollar Bohemian Plate 1. Jesus kneels in prayer in the upper right of the print. Judas holds a purse but tries to conceal it from from the monk and the pilgrim standing at the gate at bottom left. After a follower of Hans Holbein. Jesus on the Mount of Olives 360710

Netherlands, Master of the Virgo inter Virgines, Master of the Delbecq-Schreiber Passion, Master of Delft, Miraculous multiplication of loaves and fish, Disciple shows Christ five loaves. Bystanders look on. Next to them are baskets with multiplied loaves., print, engraving, book illustration, prints, engravings, height 177 mm, width 142 mm, Northern Netherlands, unknown, 1480 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Southern Netherlands

The Holy Family with the Dove of the Holy Ghost 1520-1599 Germany. Etching on paper . Hieronymous Hopfer

Maria voedt het Christuskind; Virgo Mater S. Maria.Maria nourishes the Christ child. The angel standing next to her throne holds a plate, while Maria stops a spoon in the mouth of Christ. Other angels bring fruits. In the margin a three-legged bible quote from Jes. 7 in Latin.

. A monk lifts the body of Thomas from Aquino from his grave. Other monks watch. At the top left, Thomas van Aquino appears in the dream of an abbot. In the margin a five-line caption in Latin. Seventy-evening print from a series of thirty prints that depict the life story of Thomas of Aquino.

The Healing of the Woman with the Issue of Blood. 1511 - 1515. Graf, Urs, approximately 1485-approximately 1527. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

This 16th-century copper engraving by Marcantonio Raimondi depicts the burial of Christ, highlighting figures, gestures, and the solemn atmosphere in a religious scene.

Christ appears to the Holy Women, Cornelis Cort, After Giulio Clovio, 1584 - 1585 print Christ appears to the Holy Women, of whom one kneels for him. The other women stand behind her with troubled faces. Christ makes a blessing gesture. In the background a rolling, southern landscape. Rome paper engraving Christ appearing to the holy women, usually the three Maries

The Dance of Saint Mary Magdalene Made 1519 Netherlands. Engraving in black on ivory laid paper . Lucas van Leyden

The violence deceives the wisdom; Ghiericheid deceit the wisdom; Destruction of images image Scripture or Height letters that is. Hieroglifa .. One of eight moralizing spells. Giericheid carries silly in a basket surrounded by three men. Text under print.

Elia and the son of the widow of Zarfath, Anonymous, After Lucas van Leyden, 1525 - 1530 print Fragment of a leaf from a Biblia pauperum. Printed from two blocks. Widow of Zarfath and Elijah who raises her dead son. Frame with two prophets. paper Elijah lays the child of the widow of Zarephath on his bed and three times stretches himself out on the boy. other groups of prophets

Worship of the shepherds, Albrecht Dürer, 1510 print Maria, Joseph and some shepherds worship the Christ child in a dilapidated stable. In the background the proclamation to the shepherds on the field. This print is part of the press series 'De Kleine Passie', consisting of a title print and 36 Biblical scenes (mainly from the suffering story). Nuremberg paper adoration of the Christ-child by the shepherds; Mary and Joseph present

Burial, Jacob Cornelisz van Oostsanen, 1507 print Fragment of a print with four performances, from a series of seven. Christ laid in grave by two men in the presence of Mary, John and two of the three Maria's. Low Countries paper Christ's entombment (possibly by angels)

Christkind sleeps in De Wieg, Hieronymus Wierix, 1563 - Before 1619 print The Christ child sleeps peacefully in his cradle. On the headboard two angels, one of whom with the passion tools. Maria, Joseph, Elisabet and the young Johannes the Baptist are around the cradle. In the foreground a basket with fruit and a dog. In the margin a six -line caption, in two columns, in Latin. Antwerp paper engraving Holy Family with John the Baptist, Elisabeth present (+ angel(s)). cradle, crib. single instruments of the Passion. dog

Christ Taking Leave of his Mother, from the Life of the Virgin series, Albrecht Dürer, German, 1471-1528, Woodcut on laid paper, Germany, ca 1506, Print, Print

Unbeliever Tomas. Tomas feels with two fingers to the wound of Christ. The other apostles watch.

Crossbreak; The Great Passion. Christ carries his cross, followed by a crowd of people; Veronica stands next to him with the sweat cloth. This print is part of the 'De Grote Passie' print series, consisting of a title print and 11 scenes from the suffering story.

This late 15th-century copper engraving by Monogrammist IC depicts Christ before Annas, highlighting figure arrangement, gestures, and narrative focus.

Wenceslaus Hollar, Jesus Confronting His Detractors Jesus Confronting His Detractors

Woodcut by an anonymous artist around 1500 showing Christ on the cross, part of the Albertina Passion series, representing the crucifixion and Christian devotion.

James the superior is executed, Lucas Cranach (I), 1510 - 1514 print Jakobus the superior (Jacobus Major) is executed by order of Herod Agrippa. The apostle is kneeling on the floor, his head is held by the executioner that pulls his sword to behead the saint. Herod is on horseback on the right. On the ground is the pilgrim hat as an attribute of the saint. At the top of the tree there are two shields with the Electoral and Ducal Wapen van Saxony. Germany paper beheading of James

Scenes from the life of Saint Boniface, plates IX and X, approx. 672-754; Scenes from the life of Saint Boniface. Scenes from the life of Saint Boniface, Plates IX and X. The saint between popes and in the construction of a church. Sixth print in a series of prints about the life of Saint Boniface, consisting of a large image of the saint followed by 8 plates with two smaller numbered performances among each other.

Worship of Christ by three kings, Marcantonio Raimondi, After Albrecht Dürer, 1510 - 1515 print paper engraving adoration of the kings: the Wise Men present their gifts to the Christ-child (gold, frankincense and myrrh)

Presentation of Christ in the Temple, Albrecht Altdorfer, c. 1506 - 1538 print Mary with the Christ child in her hands, standing by the altar in the temple. A priest is opposite her. Twelfth print from a series of forty. Germany paper presentation of the Christ-child in the temple, usually Simeon (and Anna) present (Luke 2:22-39)

The circumcision. Priest knows the Christ child in the temple, in the background the ark of the covenant under a canopy.

Christ for Caiaphas The Passion (series title), Christ is brought before the high priest Caiaphas. Caiaphas stands on a raised platform between two torches and tears his garment. Through the gate the fire is visible in the courtyard where Peter is sitting., Christ before the Sanhedrin with Caiaphas as high priest, and possibly Annas, maybe a soldier about to strike Christ because he keeps silent (Matthew 26: 57-66, Mark 14: 53-64, Luke 22:54, 22: 66-71), anonymous, Netherlands, 1597 and/or 1597 - 1667, paper, engraving, h 200 mm × w 133 mm

Christ wears Kruis and meets Saint Veronica with sweat cloth on the way to Golgotha, Marcantonio Raimondi, After Albrecht Dürer, 1510 - 1515 print paper engraving Christ meets Veronica, who has a cloth to wipe Christ's face

Christ Nailed on the Cross. Artist: Albrecht Altdorfer (German, Regensburg ca. 1480-1538 Regensburg). Dimensions: Sheet: 3 1/8 × 2 9/16 in. (8 × 6.5 cm). Series/Portfolio: The Fall and Salvation of Mankind Through the Life and Passion of Christ. Date: ca. 1513. Museum: Metropolitan Museum of Art, New York, USA.

The birth of Christ; Maria's life. Joseph and Maria in a stable, kneel for the chistus child.

Specimen from beginning of Tyndale's first English translation of the New Testament printed Cologne 1525. From The National and Domestic History of England by William Aubrey published London circa 1890

Christ Appearing to His Mother, Albrecht Dürer, German, 1471-1528, Albrecht Dürer, German, 1471-1528, Woodcut on off-white laid paper, The Virgin, at left, kneels before a prie-dieu, her hands clasped before her. Christ stands at right facing the Virgin, his right hand raised in blessing, his left hand holding his banner. Monogram of Dürer on base of prie-dieu, lower left., Germany, 1509-1511, figures, Print, Print

Bewening, Virgil, 1552 print Nuremberg paper lamentation over the dead Christ by his relatives and friends (Christ usually without crown of thorns)

Three Maria's at the empty grave; Life of Christ. An angel tells the three Maria's or holy women at the empty grave that Christ has risen.

The crucifixion of Christ; Saint John and the four women lament. Engraving by Wierix after A. Dürer, 1509.

The Virgin and Child with Saint Anne at the Cradle Albrecht Altdorfer German. The Virgin and Child with Saint Anne at the Cradle 429750

Albrecht Dürer, The Little Passion: Christ Appearing to His Mother, 1509-1511, woodcut on paper.

Maria with child surrounded by saints, Alessandro Gandini, 1610 print Maria sits in the middle with the standing Christ child next to her. They are surrounded by saints and angels. On the right in the foreground is Saint John the Baptist. after painting by: Bolognapublisher: Mantua paper Madonna accompanied by saint(s) (+ donor(s), supplicant(s), whether or not with patron saint(s)). Mary (standing) with the Christ-child beside her (free-standing or leaning against her) - FF - Mary sitting or enthroned. John the Baptist; possible attributes: book, reed cross, baptismal cup, honeycomb, lamb, staff. angel(s) represented as youth(s) or adult(s)

Adriaen Huybrechts' 'The Capture of Christ' (1584) is a copper engraving depicting the moment Jesus is arrested, emphasizing figures, posture, gesture, and narrative composition.

Amsterdam, Pietersz., Doen, Cornelisz. van Oostsanen, Jacob, The Little Passion, Twelve-year-old Christ in the Temple, Cornelisz van Oostsanen, Christ sits as a twelve-year-old on a throne in the temple where he is talking to the scribes sitting around him. On the left Mary and Joseph who find him in the temple. The print is part of a book., print, book illustration, prints, height 112 mm, width 79 mm, height 141 mm, width 98 mm, Northern Netherlands, 1475 - 1533, print maker, printmaker, 1523 - 1523, paper, woodcut, Publication (Event), Publication, publisher

The proclamation and birth of Christ; The credo. Printed of two blocks. Ornamental picture frame around the performance with links Archangel Gabriel, the Holy Spirit and Kneeled Mary, on the right Maria and Joseph and the newborn Christ child.

Copper engraving by Israhel van Meckenem showing Christ driving dealers out of the temple, created in the last third of the 15th century, depicting figures, gestures, and architectural elements.

Rader, Matthäus, Kager, Johann Mathias, Munich, Sadeler, Raphael (I), Bavaria sancta I, Saints of Bavaria I, B. abbas anonymvs, Miraculous death of an anonymous abbot, verso lower left - stamped, In the foreground the intact body of an anonymous abbot who died in a burning house is shown by the people to the Duke of Bavaria. In the background the house where the abbot died is being extinguished. The print has a Latin caption and is the 53rd print in a 60-part series on the subject of the saints of Bavaria., print, prints, width 156 mm, height, 220 mm, South Netherlands, 1560, print maker, printmaker, 1615 - 1615, paper, papier, engraving, engraving (printing process), etching, German, 1575 - 1634, intermediary draughtsman, after a drawing by, Publication (Event), Publication, 1561 - 1634-12-22, publisher

Moses with singing and dancing women, Anonymous, After Hans Holbein (II), 1522 print paper song of Moses ~ Exodus

The passion of Christ: the betrayal of Judas. Third issue of a sequence of 21 pieces. (Passavant 111) Master at the S.. The passion of Christ: the betrayal of Judas. Third issue of a sequence of 21 pieces. (Passavant 111). Burin. 1500.

Christ before Herod. Dated: 1509. Medium: woodcut. Museum: National Gallery of Art, Washington DC. Author: ALBRECHT DURER.

Christuskind timmert een hek; Jeugd van Christus; De kindsheyd onses heeren Iesu Christi.Helped by two angels, the Christ child has a fence. Together with his father Jozef he works in the garden. Maria is sitting with them and lacks a flower wreath. Four lines of Dutch text in the underwear.

Rome, Papal court, Italy, Maratti, Carlo, Life of Saint Turibius de Mogrovejo, Mass celebrated by Turibius de Mogrovejo, verso - stamped, Saint Turibius de Mogrovejo, Archbishop of Lima, with mitre and crosier. Standing before an altar, the archbishop celebrates mass. Around him are a group of men, women and children. Cartouche with dedication in the lower margin., print, prints, height 324 mm, width 237 mm, print maker, printmaker, 1625 - 1625, paper, etching, etchings, Work conception, Italian, 1625-05-15 - 1713-12-15, after design by, granter of privilege

Amsterdam, Swelinck, Jan Gerritsz, Mai, The twelve months, May, verso middle - stamped, Christ sits at Jacob's well. He extends his hand to the inhabitants of the city of Sychar who come to him with a basket of bread. Next to the well is the jar that the Samaritan woman left behind. In the sky is the symbol for the constellation Gemini. Below the print four lines of verse in French with a reference to Joh. 4. On either side of the text a printer's mark., print, prent, prints, height 139 mm, width 92 mm, Noord-Nederlands, 1601, print maker, printmaker, 1624 - 1645, paper, papier, engraving, engraving (printing process), letterpress printing, letterpress

Anonymous (Italian). Nativity, late 15th century. Engraving (niello) on laid paper. Plate: 90 mm x 63 mm (3.54 in. x 2.48 in.).

Revival of Lazarus. Christ is at the opened tomb of Lazarus and raises him from death. Men and women, one of them covered his nose, watch.

Worship of the Christ child through the kings. Maria is sitting with the Christ child on her lap on a tree stump. A king kneels for the child and offers a gift, the other two kings are in hand on either side with their gifts. This worship is situated in the ruins of a church with a city in the background.

Vatican City, Papal Court, Rome, Tempesta, Antonio, Vita B. Philippi Benicii Florent. ord. servor B. Mariae virginis, The Life of Philippus Benitius, Saint Philip Blessing Two Women, Saint Philip Converting Two Prostitutes to Chastity, verso - stamped, Saint Philip Converting Two Prostitutes to Chastity. In the background a cityscape. Text in Latin in the bottom margin. Numbered lower right: 13., print, prent, prints, prenten, height 115 mm, width 80 mm, Italian, 1555 - 1630-08-05, print maker, printmaker, 1591 - 1591, paper, papier, etching, etchings, granter of privilege

Léonard Gaultier, Joseph, Mary and Jesus Returning to Nazareth, probably c 1576 1580 Joseph, Mary and Jesus Returning to Nazareth

Adoration of the Magi ca. 1480 Master IAM of Zwolle Netherlandish. Adoration of the Magi 336171

Death bed of Maria, Hans Springinklee, 1518 print Maria is located on her deathbed surrounded by the twelve apostles. Print is part of an album. Nuremberg paper the Dormition: Mary on her deathbed; the apostles are gathered around her (John the Evangelist may be shown sleeping or dreaming)

The Resurrection, from The Little Passion ca. 1510 Albrecht Dürer German. The Resurrection, from The Little Passion 387429

The Holy Philippus heals a leprosy, Antonio Tempesta, 1591 print Saint Philippus heals a leper and gives him a cloak. A cityscape in the background. Text in Latin in STUDMARGE. Numbered below: 9. paper etching prior general of the Order of the Servites, Philip Benizzi of Florence; possible attributes: book, cross, lily, tiara at his feet.

Woodcut by Lucas Cranach the Elder from around 1512 depicting the martyrdom of Saint James the Elder, showing figure, gesture, instruments, and composition.

The Justice, Anonymous, 1520 - 1560 print One of eight moralizing spells. Rechtvaerdicheid lies dead on the ground surrounded by mourning beggars, widows and orphans. Text under print. paper Proverbs, Sayings, etc .. Beggar. Justice; 'Force to the justice subly', 'justice', 'Recto justice', 'rigorous justice', 'Impatà and violence subject to justice' (Ripa) (+ personification)

Copper engraving by Israhel van Meckenem depicting Anna Selbdritt with Saints Katharina and Barbara, created in the last third of the 15th century.

Netherlands, Master of the Virgo inter Virgines, Master of Delft, Master of the Delbecq-Schreiber Passion, The Entombment, Christ laid in tomb by two men. Mary, John and other two Marys present., print, book illustration, prints, height 90 mm, width 68 mm, Southern Netherlands, unknown, 1490 - 1500, fourth quarter 15th century, first quarter 16th century, paper, woodcut, Northern Netherlands

The Annunciation to the Madonna Reduced facsimile of a drawing in bistre by Hans Holbein 1494 - 1543 German painter and wood engraver From A Catalogue of a Collection of Engravings Etchings and Woodcuts by Richard Fisher published 1879

Blindfolded Jesus Christ is mocked and beaten by his guards. Ceux qui tenoient Jesus, se moquoient de lui en le frappant. Luke XXII v. 63. From Le Passion de Notre Seigneur, The Passion of our Lord. Copperplate engraving by Christian Mechel after a portrait by Hans Holbein in Christian von Mechel's Oeuvre de Jean Holbein, Chez Guillaume Haas, Basel, 1784.

Exit of the Holy Spirit, 1523 Mary and the apostles are filled with the Holy Spirit. The Holy Spirit descends on them like a pigeon and fiery tongues appear above their heads. Print is part of a book. Amsterdam paper Mary and the apostles are filled with the Holy Spirit. The Holy Spirit descends on them like a pigeon and fiery tongues appear above their heads. Print is part of a book. Amsterdam paper

Forgive us our debts, as we too have forgiven who we were guilty, in or before 1646 print Imagination of the fifth sentence of the prayer of the Lord's Prayer. Men ask forgiveness to God the Father. They pray towards heaven, where he looks at the earth from a cloud. They also forgive each other: debts are canceled, chains are dissolved and argues settled. The print is part of an album. paper letterpress printing 'and forgive us our debts, as we also have forgiven our debtors' ~ the Lord's prayer. God the Father

Holy Eadmundus I; Saints attached to the Habsburg house.

Woodcut by Albrecht Dürer titled 'Christ before Kaiphas,' part of the Little Passion series (plate 14), created around 1508-1509, depicting Jesus before the high priest Kaiphas.

Entrance of Christ intoJerusalem. Artist: Albrecht Glockendon the Elder, German, ca. 1432-after 1485

Annunciatie, Albrecht Altdorfer, c. 1506 - 1538 print Maria, seen on the back, sitting at a reading table with a book. In front of her, the archangel Gabriël stands with a staff in his hand. Above the head of Mary the Holy Spirit in the form of a pigeon. Seventh print from a series of forty. Germany paper the Annunciation: Mary sitting

Depiction of Christ interacting with the Samaritan woman at a fountain, woodcut by Hans Schäufelin created around 1534.

Christ Before Caiaphas, from The Small Passion ca. 1508 Albrecht Dürer German. Christ Before Caiaphas, from The Small Passion 388049

Adoration by De Herders, Giuseppe Maria Mitelli, After Correggio, 1644 - 1718 print Face in a stable with Maria kneeling next to a manger with the Christ child. She shows the child to a group of shepherds on the right. In the background Joseph with the OS and the donkey. At the top right, angels float. Title in the end margin. print maker: Italyafter drawing by: Italyafter painting by: Italyprinter: Rome paper etching adoration of the Christ-child by the shepherds; Mary and Joseph present

Worship through the kings. The three kings worship the Christ child that is on his lap at Maria. Behind them are men from their effect with camels and horses. Achter Maria stands angels. Upstairs floating putti.

Woodcut by Urs Graf the Elder depicting Jesus delivering the discourse on the bread of life, created between 1505 and 1528.

Saint Lidwina of Schiedam, crucifix in hand, receives a blossom branch from her angel guardian. The angel makes a blessing gesture. In the margin a two-line caption in Latin, St. Lidwina of Schiedam, print maker: Hieronymus Wierix, (mentioned on object), publisher: Hieronymus Wierix, (mentioned on object), Piermans, (mentioned on object), Antwerp, 1563 - before 1619, paper, engraving, h 96 mm × w 64 mm

Tranking of Christ. The body of Christ is placed under a tree by Nikodemus and Joseph of Arimatea in a tomb. Mourning the other figures around the grave. The Doornenkroon is located on Maria's feet. An angel holds a cartouche with a latin text up.

Worship of the shepherds; The little passion. Maria, Joseph and a few shepherds worship the Christ child in a distant stable. In the background the proclamation to the shepherds on the field. This print is part of the 'De Kleine Passie' print series, consisting of a title print and 36 biblical scenes (mainly from the suffering story).

Copy of The Adoration of the Shepherds after 1553 after Heinrich Aldegrever German The Virgin, kneeling at left, with Joseph behind her and angels supporting the Christ Child at center. At right, the shepherds on a platform. Above, a group of angels under an arch.. Copy of The Adoration of the Shepherds 428350

The Adoration of the Magi, from The Life of theVirgin. Artist: Albrecht Dürer, German, 1471-1528

Christ Carrying the Cross, from The Passion 1512 Albrecht Dürer German. Christ Carrying the Cross, from The Passion 391187

The Adoration of the Lamb, from the series TheApocalypse. Artist: Albrecht Dürer, German, 1471-1528

Christ appears to Petrus at the gate of Rome, Martino Rota, After Rafaël, 1568 print Christ appears to Peter just outside the city gate of Rome. Peter asks Christ "Quo Vadis, Domine". Christ answers the question with "EO Romam Ierum Crucifigi" (I go to Rome to be crucified again). Peter holds keys in his hands. In the background on the right soldiers who leave the city. paper engraving Peter tries to leave Rome unnoticed: at the gate he meets Christ, who usually carries the cross ('Domine, quo vadis') Rome

The Adoration of the Shepherds. 1553. Aldegrever, Heinrich, 1502-. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

This 1513 woodcut by Hans Schäufelin depicts a meeting of saints, showing multiple figures, gestures, clothing, and religious iconography in early 16th-century German printmaking.

Christ heals a possessed man. Christ heals a possessed man who cannot speak and blind. All bystanders are amazed, except for the Pharisees. With various elements from the show are letters. The print is part of an album.

The presentation to the temple. (Passing, Volume V, page 204) Costa, Lorenzo (said Costa the Old). The presentation to the temple. (Passad, Volume V, page 204). Burin. 1475-1530.

A 1516 copper engraving by Agostino Veneziano depicting the Lamentation, showing detailed figures, gestures, and expressions in early 16th-century European religious art.

The Death of the Virgin. Dated: c. 1490/1500. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Israhel van Meckenem after Hans Holbein the Elder.

Joël's prophecy, 1645 - 1646 print The prophet Joël calls on his countrymen to convert and turn to God, and assures them of God's willingness to forgive them. In the background the outpouring of the Holy Spirit as a imagination of: "I will pour out my mind about everything that lives" (Joël 2:28). The print is part of an album. paper Joel's prophecies

Collection of Christ, Bartholomeus Willemsz. Dolendo (Possible), c. 1580 - c. 1625 print Judas kissed Christ in the crowd to show the soldiers who they are looking for. Christ is arrested immediately. Christ followers who try to stand by him are also tackled harshly. Leiden paper engraving the kiss of Judas: accompanied by soldiers with torches and lanterns, he kisses Christ

Cross out. The corpse of Christ has been taken from the cross. A group of women mourn him. The right is Johannes with folded hands. On the left is nikodemus that shows the nails and the thorn crown. The two murderers are still hanging on the crosses.

Funeral of Maria, 1629 print The apostles carry the body of Mary. A crowd of angels follows the body from above. Left in the background the funeral. The print is part of an album. paper letterpress printing the entombment of Mary

Mockery of Christ; The little passion. Christ blondered and mocked by four men.

Pentecost, from The Small Passion ca. 1510 Albrecht Dürer German. Pentecost, from The Small Passion 387435

Healing from the blind from Jericho. For the city of Jericho, a blind man is on his knees on the floor. He begs Christ to heal him. Christ surrounded by a crowd of people, extends his hand to the blind. With various elements from the show are letters. The print is part of an album.

of 5