Theatrical and Allegorical Figures

Drawings and prints representing theatrical personas and allegorical subjects, characterized by dynamic poses and expressive drapery in classical styles.

Young woman by Alfons Marie Mucha, Color lithograph, 1860-1939

Player Sarah Siddons in De Rol van Euphrasia, William Hamilton, 1761 - 1801 drawing The theater player Sarah Siddons in the role of Euphrasia in the play The Grecian daughter. paper. chalk brush historical persons - BB - woman. portrait of actor, actress

St. Andrew, Facing Forward, Head Turned to Left before 1749 Anton Maria Zanetti the Elder Italian. St. Andrew, Facing Forward, Head Turned to Left. Anton Maria Zanetti the Elder (Italian, Venice 1680-1767 Venice). before 1749. Chiaroscuro woodcut from three blocks in black, green, ochre, with border in gold ink and watercolor frame. Prints

Diana Diana departing for the hunt Correggio, 1489-1534. still image. Reproductive prints. 1882. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Artemis (Greek deity), Chariots, Mythology, Diana (Roman deity), Goddesses, Drapery in art, Hunting , To 499

Drawing, Ceres; Attributed to Pierre-Paul Prud'hon (French, 1758-1823); France; pen and black ink, brush and blue and gray wash and white gouache on grayish-blue paper; 15.4 × 7.1 cm (6 1/16 × 2 13/16 in.)

Daege Eduard (1805-1883), figure drawings (1826-1829): View of a sculpture. Coal on cardboard, 57.9 x 36.2 cm (including scan edges)

Allegory on the Peace of Amiens, 1802, Christiaan Josi, 1802 print Allegory on the Peace of Amiens, on March 27, 1802, which put an end to the war between Great Britain and the French Republic, Spain and the Batavian Republic. Central floats through the clouds with an olive branch in hand. At the bottom two putti (commercial and abundance) with a horn of abundance, a city on the right destroyed by the war. In the caption a four -line verse in English and the weapon of the foundation. The print includes a statement. London paper engraving symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). 'Cornucopia', Horn of Plenty

Psyche, on her Quest to the Underworld, Gravure From Original Painting by Paul Alfred de Curzon, 1859

Depicts the personification of Prudence, illustrated by Marcantonio Raimondi around 1516-1518 using copper engraving, showing figure, attributes, and symbolic representation.

Young woman by Alfons Marie Mucha, Color lithograph, 1860-1939

Ancient dancing, 1800 - 1809, by Antonio Canova (1757-1822). Engraving, 34 x 26.7 cm

'The Creation of Eve', 1882. Artist: George Frederick Watts.

Adoration (No. 2) John La Farge (American, 1835-1910). Adoration (No. 2), ca. 1899. Tempera on canvas, 82 3/16 x 41 1/8 in. (208.7 x 104.5 cm). American Art ca. 1899

Ophelia In Her Madness Scene from Shakespeare's "Hamlet" After the Painting by F. Piloty

Spring, Jan Broedelet, Gerard Hoet, Caspar Specht, 1690 - 1700.

Portrait of woman of the Harem painting by Francisque Edouard Bertier (1842-1925) French painter, France. Old XIX century engraved illustration from La Ilustracion Española y Americana 1890

The virtues. Justice, depiction of Justice, the Roman goddess of justice, authentic, digitally restored reproduction from a 19th century model, exact date of presentation unknown, historical

The 'Charming and Fragrant' beauty of Constantinople - Mademoiseel Rosalia. Date: circa 1906

Good Bye, Sweetheart, Good Bye, from the Illustrated Songs series (N116) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco 1893 Issued by W. Duke, Sons & Co. Trade cards from the "Illustrated Songs" series (N116), issued in an unnumbered set of 25 cards in 1893 by W. Duke, Sons & Co. to promote Honest Long Cut Smoking and Chewing Tobacco.. Good Bye, Sweetheart, Good Bye, from the Illustrated Songs series (N116) issued by W. Duke, Sons & Co. to promote Honest Long Cut Tobacco. 1893. Commercial color lithograph. Issued by W. Duke, Sons & Co. (New York and Durham, N.C.)

Saint Augustine Octave Tassaert (1800-1874). Saint Augustine. Charcoal on cream paper, nineteenth century.

The Birth of Venus (detail);by Sandro Botticelli;Italian painter, circa 1445 - 1510. He belonged to the early renaissance, Florentine School under the patronage of Lorenzo de' Medici. The Birth of Venus (Nascita di Venere) by Sandro Botticelli generally thought to have been painted in the mid 1480s. It depicts the goddess Venus, having emerged from the sea as an adult woman, arriving at the shore.

West Window of the Chapel, New College Oxford: The Virtues - Hope, George Siegmund Facius, 1750-1804, after Sir Joshua Reynolds RA, 1723-1792, British, 1781, Stipple engraving on moderately thick, moderately textured, cream, laid paper, Sheet: 25 1/8 × 18 3/8 inches (63.8 × 46.7 cm), Plate: 19 3/4 × 13 1/8 inches (50.2 × 33.3 cm), and Image: 18 1/4 × 11 7/8 inches (46.4 × 30.2 cm), clouds, dress, hope, light, pedestal, religious and mythological subject, scarf, woman

Air, Willem Schaak, 1680 - 1726 print The element air. The goddess Iris is in the clouds with a peacock. Birds fly around them. Amsterdam paper engraving 'Aria', 'Carro del Air' (Ripa). Iris. clouds

Mary Magdalene or Mary of Magdala, sometimes The Magdalene. Saint. Repentant Mary Magdalene. Engraving by Perez at "La Ilustracion Espanola y Americana", 1885.

Egyptian tarabuk player, Egypt, Africa. Old 19th century engraved illustration, Le Tour du Monde 1863

Illustration of a Bronze statue titled 'Rèverie' which translates to the day dreamer. Dated 1870

Antwerp, Cock, Hieronymus, Floris, Frans (I), Cort, Cornelis, Goddesses and nymphs, Dryas, verso - stamped, The wood nymph Dryas collects oak leaves in the forest., print, prints, height 265 mm, width 192 mm, Northern Netherlands, 1533 - 1578, print maker, printmaker, 1564 - 1564, paper, engraving, engraving (printing process), Work conception, Southern Netherlands, 1520 - 1570-10-01, after a design by, Publication (Event), Publication, 1518 - 1570-03-10, publisher

Chaplin, Charles, Goupil & Cie, unknown, Le Nid, Reproduction of Le nid by Charles Joshua Chaplin, recto - printed, photomechanical print, reproduction, page, photos, photographically illustrated books, Chaplin, Cliché Suze., Galerie Contemporaine, 126, boulevard Magenta. - Paris, height 224 mm, width 127 mm, photographer, 1871 - 1876, paper, Woodburytype, French, cliché maker, Work conception, 1825-06-08 - 1891-01-30

Holy Catharina with sword and palm branch, Jacopo De'barbari, 1500 - 1509 print Italy paper engraving the virgin martyr Catherine of Alexandria; possible attributes: book, crown, emperor Maxentius, palm-branch, ring, sword, wheel

The Angels of the Hierarchy - Dominions, 1873. Artist: Sir Edward Burne-Jones (d.1898). Assistant: Charles Fairfax Murray (d.1919).. Manufacturer: Morris & Co. Design for Jesus College, Cambridge

On verso: study of sarcophagi after antique. Pen and ink, brush and watercolor washes on laid paper. Date: 1813-18. Museum: Cooper Hewitt, Smithsonian Design Museum.

Isolde, from the tragedy Tristan and Iseult, sitting on steps, History, digital reproduction of an original 19th century original

Music, Gerard de Lairesse, 1680 print A woman as a personification of music (Musica) plays violin in a radiant cloud sky. paper etching 'Musica', symbolic representations, allegories and emblems ~ music; 'Musica'(Ripa). viola, violoncello; double bass

Study for Louis Comfort Tiffanys center window for “Childrens Window”, St. Peters Church, Morristown, NJ. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Martin Schongauer (German, c. 1450-1491), Saint Catherine of Alexandria, c. 1480-1490, engraving

Die römische Göttin Diana, Marmorstatue aus dem antiken Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, Originaldat...

Mrs. Sophia (née Heywood) Musters as Hebe, Charles Howard Hodges, 1764-1837, British, after Sir Joshua Reynolds RA, 1723-1792, British, 1785, Mezzotint on moderately thick, moderately textured, beige, laid paper, Sheet: 23 3/4 × 15 1/16 inches (60.3 × 38.3 cm) and Image: 23 3/16 × 14 13/16 inches (58.9 × 37.6 cm), clouds, dish, drinking, eagle, ewer, god, goddess, gown, portrait, religious and mythological subject, sash

Portrait of a beautiful young woman with a pigeon. Old 19th century engraved illustration from El Mundo Ilustrado 1880

The Bride of Lebanon, Burne-Jones, Sir Edward Coley, 1891.

Allegory on the Death of George Washington. Artist: Jacques Kuyper (Dutch, Amsterdam 1761-1808 Amsterdam). Dimensions: Sheet: 5 1/2 × 3 11/16 in. (14 × 9.3 cm). Date: 1800. Museum: Metropolitan Museum of Art, New York, USA.

Print made by Samuel Freeman, 1773-1857, British, Iris, 1808. Colored aquatint on moderately thick, slightly textured, beige wove paper.

Spring 1869-70 Edward Burne-Jones (1833-1898 British) Gouache On Paper Roy Miles Gallery, 29 Bruton St., London W1 *ADDRESS MUST BE INCLUDED IN CREDIT!

Salomé Dancing Before the Head of St. John the Baptist mid to late 19th century After Gustave Moreau French Moreau has often been associated with nineteenth-century French depictions of the martyrdom of Saint John the Baptist, especially after he produced his famous Symbolist painting Salome Dancing before Herod (UCLA Hammer Museum, Los Angeles). This lovely watercolor, capturing the graceful, almost fairylike dance of Salome—who is enraptured by the music even in the presence of the gruesome decapitated head behind her—has often been associated with Moreau because of its subject matter. However, this vision of Salome as a young, almost childish girl in a simple, flouncy dress and floral headdress lacks the regal attitude of Moreau’s visions of her and casts doubt on a secure attribution to the artist.. Salomé Dancing Before the Head of St. John the Baptist 460053

Isolde, aus der Tragödie Tristan und Iseult, die auf Stufen sitzt, History, digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert

Saint Catherine. Line engraving by Schelte à Bolswert after Peter Paul Rubens.

John Collier (born 28 January 1850 in London, died 11 April 1934), British writer and painter in the Pre-Raphaelite style, here his work: Priestess of Delphi (1891), Mystical woman in an ancient setting with smoke and mysterious accessories

A woman leaning against the column of a temple, behind her a landscape with lake and pyramid; representing Fortitude. Coloured mezzotint.

This statue, Joan of Arc Virgin and Martyr was done by the French artist George Prosper Clare and exhibited at the exposition in Paris in 1875.

Portret van actress Eugénie Doche, Claude Régnier, after Pierre Asthasie Théodore Fenes, 1843 print Paris paper historical persons

Planter apartment, vintage engraved illustration.

Allegory ofTransportation. Artist: Alonzo Earl Foringer, American, 1878-1948

The Hora of Spring, Birth of Venus, detail, Sandro Botticelli, circa 1485, Galleria degli Uffizi, Uffizi Gallery, Florence, Tuscany, Italy

HOMER Blind Greek poet Date: 9th - 8th Century BC

Caritas, Abbott H. Thayer still image. Postcards. 1905 - 1915. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Photography Collection. Charity, Thayer, Abbott Handerson, 1849-1921

Samuel De Wilde, 1748-1832, British, An Actress, 1806. Watercolor, graphite, and red chalk on medium, slightly textured, cream wove paper.

The virtues: hope, allegorical figure of hope looking at a bright light in the midst of dark clouds with raised hands, authentic, digitally restored reproduction from a 19th-century model, exact date of presentation unknown, historical

Diana, Roman Goddess of the Hunt and Moon

LAUREL PERSONIFIED Date: 1906

Decorative panel, Block printed on handmade paper, Bacchus's female companion, Thyiades, dances and wears a long flowing robe while holding grapes and a cup. Figure is centered in an octagon-shaped frame. Shades of brown and blue, green., 1800-1825, Wallcoverings, Decorative panel

EL ENAMORADO TIMIDO-DET. Author: Jean Antoine Watteau. Location: PALACIO REAL-PINTURA. MADRID. SPAIN.

Tall, vertical composition with top arched. Center, figure standing holding a small column. His head turned to the left. Foliage left and right. A large rosette with a cross and foliage above. Fortitude written on base, above two panels with flowers. Date: ca. 1890. Brush and watercolor, white gouache, graphite on tracing paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Juno from the series Olympus, Block-printed paper, Depiction of Juno, in white dress, standing on a plinth with a large peacock. Printed on a blue background., Paris, France, 1826-50, Wallcoverings, Decorative panel, Decorative panel

The Nightingale Bushes (Detail: Prodigy with Flute Sitting on a Robinia Branch) 1810 Philipp Otto Runge (1777-1810 German) Ink with watercolor Kunsthalle, Hamburg, Germany

Photo album (empty), inside front cover - pasted, Photo album with 24 pages with either two passe-partouts for cabinet photos framed with green and gold lines, or 6 passe-partouts framed with green and gold lines for cartes-de-visite. In total, the album has room for 24 cabinet photos and 72 cartes-de-visite. The name Marie Otte is handwritten on one album page, which probably means that the album did contain photos and was emptied., photo album, insert album, photos, DIENST, VERSPREIDE, RIJKSKOLLEKTIES, A 978, height 393 mm, width 246 mm, thickness, 67 mm, width 478 mm, maker, verwerker, 1860 - 1920, cardboard, paper, papier, leather, leer, metal, metaal, kleurlithografie (process), kleur op rand, goudopdruk

Joanna I of Anjou, Giovanna d'Angio, Queen of Naples, 1326 - 1382, historic wood engraving, about 1897

The Destinies Ehrenberg, Carl Gottfried Ferdinand (b. 1840). still image. Art reproductions, Allegories. 1894. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Mythology, Fates (Mythology)

Allegory of the telegraph, 1878, by Antonio Zona (1814-1892), oil.

Study of an Angel', c1611-1666. Artist: Guercino. Guercino was an Italian Baroque painter and draftsman from Cento in the Emilia region, who was active in Rome and Bologna.

Contemporary History Book 1848 - 1880. Color Lithography, Historia Camtemporanea Cesar Cantu 1882

Venus by Lucas Cranach the Elder, 1531

Holy Julienne. (Rather than Josephine) Octave Tassaert (1800-1874). Holy Julienne. (Rather than Josephine). Charcoal and turned from white gouache on cream paper, nineteenth century.

Putto, Gapes Demarteau, After François Boucher, 1756 - 1776 print Putto seen from the side, his right hand puts forward. print maker: Francepublisher: Paris paper Cupids: 'Amores', 'Amoretti', 'Putti'

CERES EN EL TRONO - 1457 - RENACIMIENTO ITALIANO. Author: PANNONIO MICHELE. Location: MUSEUM OF FINE ARTS. BUDAPEST. Hungary. DEMETER. CERES DIOSA. DIOSA DE LA AGRICULTURA.

Lighting. Draughtsman: Jacques Kuyper. Dating: 1795. Place: Netherlands. Measurements: h 164 mm × w 117 mm. Museum: Rijksmuseum, Amsterdam.

The Blessed Damozel: "When Round His Head the Aureole Clings" Kenyon Cox (American, 1856-1919). 1886. Oil, grisaille on canvas, Design: 19 5/8 x 14 3/4 in. American Art 1886

Painting (From the series "The Arts"), Mucha, Alfons Marie (1860-1939)

Rebecca and Rowena, illustration forIvanhoe. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Study for "Greek Girls Bathing". Dated: c. 1872. Dimensions: sheet (irregular): 20.96 × 19.69 cm (8 1/4 × 7 3/4 in.). Medium: oil on prepared wove paper. Museum: National Gallery of Art, Washington DC. Author: Elihu Vedder.

Lilla Wened played in a harp in the world, illustration to the 3rd act of the drama of Juliusz Sczaki; Kruszewski, Józef Wincenty (1853-1920), Andriolli, Micha Elwiro (1836-1893); after 1879 (1879-00-00-1890-00-00);Méyet, Leopold (1850-1912), Méyet, Leopold (1850-1912)-collection, Méyet, Leopold (1850-1912)-seal, Słowacki, Juliusz (1809-1849), Słowacki, Juliusz (1809-1849)-Illustration , Słowacki, Juliusz (1809-1849). Lilla Weneda, gift (provenance), harp, illustrations, music, Poland (culture), Polish drawings, snakes (zool.), Collective signs

Stevenson Memorial 1903 Abbott Handerson Thayer

Fortitudo. allegorical representation of bravery, courage and strength, 1595, Historic, digitally restored reproduction from a prehistoric original

Decorative Panel, Juno from the series Olympus; Attributed to Delicourt; France; block printed paper

Mary Robinson (1757-1800), English poet and novelist, 1830.Artist: Henry Adlard

Mary Anderson (1859-1940). American actress. Mary Anderson in the role of Hermione, wife of Pyrrhus. Engraving in The Iberian Illustration, 1885. Colored.

William Etty, Seated Youth with a Staff, c 1815 Seated Youth with a Staff

The mirror, bare-chested woman looking into the mirror, historical colored etching by Maurin, 1900

Blanca I de Navarra (1385-1441). Reina de Navarra. Hija de Carlos III El Noble. Grabado de 1868.

Ophelia crazed

Wallpaper painting with Bacchante, 1786 painting. hanging Trompe l'Oeil: a white marble sculpture in a brown marbled niche. Above the niches, representations are also shown in Trompe L'Oeil, in grisaille on black stock. Bacchante with a dog and a bowl with grapes, her foot rests on a basket with coins. The Bacchante rests against a tree trunk. The niche is decorated with a climbing branch. The Frisian proposes the Musical Arts: Dans and Music. On the left is an amphorous on the ground. Amsterdam oil paint (paint). canvas painting Maenad (s), Female Bacchant (ES)

Hebe with jug, going to the left, David Pièrre Giottino Humbert de Superville, 1780 - 1849 drawing Design for a print. paper. pencil brush

The Times of the Day: Morning Awakening by Mucha, Alfons Marie (1860-1939) / Private Collection / 1899 / Czechia / Colour lithograph / Poster and Graphic design / 110x41 / Art Nouveau

Iseult of Ireland. Irish princess. Engraving by A. Closs. Germania, 1882. Colored.

VERVEINE vervain (verbena) Date: 1847

They All Moved to the Feast. Will Hicock Low; American, 1853-1932. Date: 1885. Dimensions: 448 x 347 mm. Black, gray and white gouache on cream wood-pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA. Author: Will Hicock Low.

China people young Chinese woman Japanese woodcut 19th century,

Ornament, Venus Admonishing Cupid; France; block-printed on handmade paper; 38 x 29 cm (14 15/16 x 11 7/16 in.)

Hand drawn statue of Nike of Samothrace.

In this 1917 illustration, Prospero's daughter, Miranda, watches the storm-scene from Shakespeare's tragedy The Tempest.

A cartoon commenting on King Louis-Philippe's visit to England in 1844: Queen Victoria shown as Calypso mourning the departure of the King.

Kunisada, work, Actor Nakamura Fukusuke in the costume of a Kagura dancer in a shosagoto play, 1856, color woodblock print, major category: graphics

Lazio Frosinone Casamari Abbazia di Casamari9. Hutzel, Max 1960-1990 Prints of views, the exterior and its portico, portals and other walls. Interior photos of the church and its vaulting with particular attention paid to the altar. There are also photos of the cloister and the abbey interior, particularly the Sala Capitolare and the Refectory. There are many details of the varied nature of the columns and capitals. There are also some negatives of manuscripts in the library. Object Notes: Hutzel photo campaign date: February 23, 1983. There are more than one set of notes. Also, there is a second set of negatives in 35mm which are listed at the end of the negative numbers. They were noted by Hutzel as general shots and are not the set from which the prints we have were made. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentati

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