Theatrical and Domestic Life

A variety of prints illustrating domestic scenes and theatrical performances, populated by characters in historical costumes and expressive actions.

Company at a table, Paul Legrand, After Aubry, 1823 print print maker: Francepublisher: Parispublisher: Paris paper table. open door

Etching in stipple manner by Thomas Burke in 1789 showing a man beside a reclining sleeping woman.

Two marriage proposals, Daniel Nikolaus Chodowiecki, 1781 print Numbered: 7 and 8. paper etching proposal, declaration of love

The Schuttersmalijd in the foot arch goals or St. Jorisdoel in Amsterdam to celebrate the closing of the Peace of Munster, June 18, 1648, Frans Molenaar (1821-1886), After Bartholomeus van der Helst, 1831 - 1886 print The militia meal in the foot arch goals or St. Jorisdoel in Amsterdam to celebrate the closing of the Peace of Munster, June 18, 1648. Proped: Captain Cornelis Jansz Witsen (with the silver drinking horn), lieutenant Johan Oetgens van Waveren (who shakes his hand ), The Vaandrig Jacob Banningh (sitting next to the Great Trommel), Dirck Claesz Thoveling and Thomas Hartog (Sergeanten), Pieter van Hoorn, Willem Pietersz van der Voort, Adriaen Dirck Sparwer, Hendrick Calaber, Govert van der Mij, Johannes Calaber, Benedictus Schaeck, Jan Maes, Jacob van Diemen, Jan van Ommeren, Isaac Ooyens, Gerrit Pietersz van Anstraadt, Herman Teunisz de Kluyter, Andries van Anstraadt, Christoffel Poock, Hendrick Dommer WZ, Paulus Hennekijn, Lambregt van den Bos and Willem (De Trommellager)

The torture of William Lithgow in the dungeons of the Inquisition in Malaga in 1620. Line engraving with etching by W. Raddon after Craig.

Adgild and Wilfrid, 679. Archbishop Wilfrid near Adgild I, King of Frisians. According to annotation, the performance played approx. 679.

Et le dimanche, que fais-tu mon garçon. - Ma cousine le dimanche nous allons dans un jardin qu'on appelle la - grande chaumière, où nous entendons de la musique religieuse. - Après Vêpres - Après Vêpres, ma cousine ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Les-Parents-Terribles series It's Pretty, But... Made 1852 France. Lithograph in black on cream wove paper . Paul Gavarni

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), Edouard! I'm going to go (registered title (letter)), 1827. lithography colored on woven paper. Balzac house.

Woman introduces a boy to her husband, Caspar Luyken, 1710 print Nuremberg paper etching / letterpress printing introducing

Until Death, plate 55 from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 190 x 132 mm (image); 215 x 150 mm (plate); 320 x 218 mm (sheet). Etching, burnished aquatint, and drypoint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Two mothers in a parlor with their sons, 19th century. She says, My little Charles isn't in the best of health. She thinks, Nor so common and clumsy. Handcoloured lithograph by the Gihaut brothers after an illustration by Swiss artist Jean Gabriel Scheffer from Petites Scenes du Monde, Ce qu'on dit et ce qu'on pense, Gihaut Freres, Paris, 1829.

This 1856 copper engraving and etching by Moritz von Schwind depicts 'Dress the Bare' from the Elisabeth Gallery, showing figures assisting others with clothing in a round composition.

An etching by Maria Anna Angelika Catharina Kauffmann from 1789 depicting Cupid among Bacchanals, showing mythological figures, gestures, and a classical narrative scene.

1830, declaration of a guard artifier (title registered) | nine declarations (title of all)

Amboise, Georges d '.

Ever Event of 5.8BRE.1789 (title registered (letter))

Charles X: I won! ... Charles IX: Yes, you take it from a point on me ... (IT)

Hunters meet in the morning, François Grenier, 1831 - 1846 print Paris paper hunter. firearms: rifle. gamekeeper

The penitent of 1830. (IT)

A comfortable nap in a post chaise , Sleeping, Carriages & coaches, Coach drivers. Thomas Rowlandson (1756-1827). Prints and Drawings

Jules Jacquemard (1837-1880). "Spanish scene from Goya". Etching. Museum of Fine Arts of the City of Paris, Petit Palais. 29510-2 Etching, Spanish, woman, man, dress, scene

Marat to immortality.

The CTE must that baron must be coarse to be scorn by Faith of Seigr. (...) (title registered (letter)) | History of the Count de Boursoufle. (title registered (letter))

Picking of the Red and White Roses (Shakespeare, King Henry the Sixth, Part 1, Act 2, Scene 4) first published 1795; reissued 1852 John Ogborne. Picking of the Red and White Roses (Shakespeare, King Henry the Sixth, Part 1, Act 2, Scene 4) 707778

Young woman who votes a Cister, William Unger, After Gabriël Metsu, 1847 - 1889 print Germany paper. etching tuning the lute. lute, and special forms of lute, e.g.: theorbo. violin, fiddle. drinking-horn

Interior of a Prentatelier, Jan Chalon, 1802 A work studio, possibly from the print maker himself. A man is making a print on the left in the foreground. Someone looks over his shoulder. A woman is drawing in the background in the middle of the print. On the right two women who eat a dog. The print is part of an album. print maker: Amsterdampublisher: LondonLondonLondon paper etching / drypoint A work studio, possibly from the print maker himself. A man is making a print on the left in the foreground. Someone looks over his shoulder. A woman is drawing in the background in the middle of the print. On the right two women who eat a dog. The print is part of an album. print maker: Amsterdampublisher: LondonLondonLondon paper etching / drypoint

The acceptance of the high regime by the three-manship in the name of the Prince of Orange, November 21, 1813. The acceptance of the high regime by the three-manship in the name of the Prince of Orange on November 21, 1813 at the Huize van Gijsbert Karel van Hogendorp, sitting to the right of the table. Behind him State van der Duyn van Maasdam and stands next to him, pointing to the officers, count from Limburg Stirum. On the right stands with raised hand Colonel van Oldebarnevelt, called Witte Tullenh, Behind Him Capitien Van Heynsbergen. Sitting left at the table is Elias Canneman, behind him women with children. Two paintings with portraits of Willem van Oranje and Maurits on the wall. The print is a separate message of subscription. The print published in 1863 at the first half century party.

Kiss papa with pinches Made 1833 France. Lithograph in black on ivory wove paper . Denis Auguste Marie Raffet

Monnier, Henry Bonaventure (N.1799-06-07-D.1877-01-03), you have not slept at Aglaé (registered title (letter)), 1827. Coloriated lithography on vellum paper. Balzac house.

Martínez, María.

King William I asks a walker De Tijd, 1829, Jean-Louis Van Hemelryck, 1829 print The king asks a walker in the park what time it is. With two -way caption. Part of the series of 24 records with meetings with King Willem I, published under the title 'Les RenContres' in 1829-1830. Brussels paper ruler in informal contact with his subjects

Gerhard Ludvig Lahde (1765-1833), Queen Sophia Friderika with the inheritance prince, (1794 - 1795)

Print made by E. J. Dumée, active 1790, British, Connubial Happiness, 1786. Stipple engraving on medium, slightly textured, cream wove paper.

Les Crepes, to E. Giraud.

Design for a room protectory with a musical young.

Ah ah! I make fun of your defenses ... get in. (registered title) | Metempsychosis carried out. (title of all)

J. M. H. Whistler and other members of jury , Artists, Galleries Display spaces, Whistler, James McNeill, 1834-1903. James McNeill Whistler (1834-1903). Lithographs

Maurits is welcomed on a quay, Reinier Vinkeles (I), 1808 print Amsterdam paper etching / engraving quay. sailing-ship, sailing-boat. dog. being welcomed ~ travelling

Elegant company; Title page for: J. van Lennep, Poetic works, eighth part, 1861. A group of ladies and gentlemen in evening clothing is conversing under a colonnade.

The steel vault / decorative panel. City Hall of Paris.

The happy presentiment.

Monnier, Henry Bonaventure (N.1799-06-07-D.1877-01-03), no one is free to love on the ground ... (attributed title), 1860. Maison de Balzac.

Photo pharmacy of painting Le Défi by J. Coomans, c. 1870 - c. 1890 photograph Photo production of painting Le Défi by J. Coomans. Paris paper. cardboard albumen print

May this Mr. Dauphin / So ways that's good tone! / N � 4 () | seventh album1827 (IFF 46) (set of all)

Young and good mother. / Old coquette. / 4 (title registered (letter)) | Contrasts. (Title of all)

Title page for: A. Loosjes, 'moral stories', 1804-1805, Reinier Vinkeles (I), after Adriaan Pietersz. Loosjes, 1804 - 1805 print print maker: Amsterdamafter design by: Haarlempublisher: Haarlem paper etching / engraving 'Cornucopia', Horn of Plenty. sun as celestial body

La visite.. Metsu, Gabriel (1629-1669). 1868 - 1868. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Salon. Artist: Auguste Lepère, French, 1849-1918

Honoré Daumier (1808-1879). "Anything we want. The fifth act at La Gaîté (pl.28)". Black lithography. Paris, Carnavalet museum. 77677-3 Balcony, caricature of manners, emotion, expression, group, person, public, spectator, 19th 19th 19th 19th 19th 19th 19th century, caricature

Les chantres Espagnols , Choirs Music, Singers, Alphonse Legros (1837-1911)

The cat who watch the mouse. (registered title) | Metempsychosis carried out. (title of all)

Knieczki from the vicinity of Druskininka; unknown, Kraszewski, Józef Ignacy (1812-1887), Ozi B łowski, Józef (Vilnius; Litographic Zak 1833-1863);

The Warm Bath, from "Poetical Sketches of Scarborough" 1813 Thomas Rowlandson Twenty-one plates etched by Thomas Rowlandson after James Green. The aquatint was added by John Bluck and Joseph Stadler. The sketches by Green were made as souvenirs and not intended for publication, but were ultimately published due to popular demand.. The Warm Bath, from "Poetical Sketches of Scarborough". "Poetical Sketches of Scarborough". Thomas Rowlandson (British, London 1757-1827 London). 1813. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

The Painter's Room. 1809. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Face in the hall at the start of the fire in the theater, 1772; The fire in the Amsterdamse Schouwburg, 1772. View in the hall at the start of the fire in the theater. The audience flight panic. Part of a series of four prints with title print over the fire in the Amsterdamse Schouwburg.

Haarlem, Loosjes, widow Adriaan Pietersz., Dordrecht, Backer, Hilmar Johannes, Netherlands, Oosterhuis, Haatje Pieters, Title page for: Mrs. F. Trollope, The Rock of Tremordijn, A marriage ceremony with witnesses, verso - stamped, In a church interior a bride, in the presence of her husband, a clergyman and witnesses, signs the marriage certificate., print, engraving, title page, prints, engravings, height 235 mm, width 145 mm, Dutch, 1784-11-28 - 1854-12-14, print maker, printmaker, 1836 - 1836, paper, papier, lithografie (techniek), Work conception, after a design by, 1804-09-17 - 1845-05-01, printer, drukker, Publication (Event), Publicatie, publisher

"The Old Sergeant" from The Complete Works of Béranger 1836 J. J. Grandville. "The Old Sergeant" from The Complete Works of Béranger. Oeuvres complètes de Béranger. 1836. Wood engraving. Fournier & Perrotin (French). Auguste Raffet (French, Paris 1804-1860 Genoa). Prints

Technical collotype by Victor Angerer showing still life with items from the Ambras collection and a Danube female model by Hans Gasser, made in 1882.

Apprentices at workbenches. Payne, Albert Henry (1812-1902), graphic artist, Payne, Albert Henry (Lipsk, Drezno ; wydawnictwo ; 1845-1920), publishing house, Hogarth, William (1697-1764), draughtsman, cartoonist

Photo production of painting The four mayors of Amsterdam hear the arrival of Maria de Medici by Thomas de Keyser, Franz Hanfstaengl (attributed to), after Thomas de Keyser, 1888 photograph The Hatepublisher: münchen paper. cardboard carbon print mayor, burgomaster Mauritshuis

Etching by Daniel Nikolaus Chodowiecki from 1786 depicting Ziethen sitting before his king, illustrating the figure, royal audience, and late 18th-century European print technique.

It Is Better to Be Lazy (Mejor es holgar) Francisco de Goya y Lucientes (Spanish, 1746-1828). It Is Better to Be Lazy (Mejor es holgar), 1797-1798. Etching and aquatint on laid paper, Sheet: 11 7/8 x 8 in. (30.2 x 20.3 cm). European Art 1797-1798

Reproduction of a painting: Bakałowicz, Władysław (1831-1904), A visit from a beggar monk; from: "Tygodnik Ilustrowany" 1891, 1, 49. Husnik & Häusler (Praga ; zakład reprograficzny ; 1888-1936), reproduction atelier, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

The lawyer -fiscal Kievit is taken to the Gevangenpoort, 1686, 1780 - 1795 print The lawyer-fiscal Johan Kievit is arrested for financial tampering in the admiralty of the Maze and brought to the Gevangenpoort under the supervision of soldiers, 1686. Northern Netherlands paper etching transport (of arrested person) Gateway

So if (...) chooses this (diary, July 26).

Woman Kneelt for a man who turns his head, Reinier Vinkeles (I), 1785 print Amsterdam paper etching / engraving kneeling figure. hand towards the forehead. screen, folding screen

Copper engraving and etching by Claude Antoine Littret de Montigny from 1766 depicting a Grand Sultan concert, showing figures, musicians, instruments, and interior setting.

Ticket for Milward's Benefit, Samuel Ireland, English, ca. 1744-1800, William Hogarth, English, 1697 - 1764, Etching on paper, Scene in a prison cell with four figures: two women and two men. One man is trying to kiss the hand of one woman whose other hand is held by the second man. The second woman is holding the coat tails of the first man., England, 1794, Print, Print

Monument by Major Arthur Rowley Heyland W: collection of twelve views of Waterloo, Brussels Ok. 1840 Gerard (ac. mid 19th century)

Photo production of an engraving by Pieter Tanjé to a painting by Cornelis Troost, Hendrik Herman van den Berg, after Pieter Tanjé, after Cornelis Troost, in or after 1890 - in or before 1894 photograph This photo is part of an album. Amsterdam baryta paper print, e.g.: engraving, etching, lithograph Amsterdam

The Origin of Painting 1790-1800 Edward Francis Burney British. The Origin of Painting 340973

Exhibition of Austrian sculptures during the world exhibition in Antwerp; Section de l'Autriche. .

Osages: A Small Savage Tribe from North America, in the State of Missouri 1827 Louis Léopold Boilly French. Osages: A Small Savage Tribe from North America, in the State of Missouri. Collection of Grimaces(Recueil de Grimaces). Louis Léopold Boilly (French, La Bassée 1761-1845 Paris). 1827. Lithograph. Prints

Erik break (1749-1790), Knud the Great and his Hofmaend, 1782

Graftombe of François II of Brittany in the cathedral of Nantes, Léon Auguste Asselineau, 1853 - 1856 print print maker: Rouenafter own design by: Rouenprinter: Parispublisher: Paris paper grave, tomb. parts of church interior Nantes

Title page for: Willem Bilderdijk, 'De Mensch', 1807, Reinier Vinkeles (I), After Jacques Kuyper, 1807 print Amsterdam paper etching / engraving serpent Ouroboros. nursing, suckling. bee-hive

Etching by Jonas Suyderhoef, 1630-1686, depicting the Mayor of Amsterdam in formal attire with detailed facial features and emblematic symbols of office.

The dog of the Louvre / he survives his master ... but it's to cry (TI)

De Staalmeesters, Johann Wilhelm Kaiser (I), After Rembrandt van Rijn, 1846 - 1900 print The steel masters: the College of Steelmeesters or Worthiness of the Amsterdam Laken Breiders Guild, together around a table on which a Persian rug is located. On the table the opened steel book. Are presented from left to right: Jochem de Neve (1629-81), Aernout van der Mye (ca. 1625-81), the servant Frans Hendricksz Bel (1629-1701), Willem van Doeyenburg (ca. 1616-87),,, Volckert Jansz (1605/10-81), Jacob van Loon (1595-1674). Above the fireplace a painting with a burning beacon. Netherlands paper. etching / engraving / brush control of quality Amsterdam

J. Bettannier, La Vie Parisienne #2: La Mazurka chez Mabille, 1840-1866, lithograph on paper.

Twee mannen bij kist vol kostbaarheden; Titelpagina voor: G. van Reyn, De geldzucht, een heerschend gebrek in de christelijke kerk, 1838.A man in Gown is at a coffin full of valuables such as money, vases and weapons. In his right hand he holds a book, possibly the Bible. To the left of him is a kneeling figure with his hands folded. A rose bush and a cross behind him. In the background a gazebo behind which the rays of the sun.

Memorie Print for Hendrik Danielsz. Hooft, 1716 - 1794, an Amsterdam regent who in 1769 became mayor of the city

Asylum Georges Sand, Street Stendhal; The sink

Wife and a spiritual in a landscape, Jacob Ernst Marcus, after Anonymous, 1784 - 1826 print The spiritual Kievan and the girl Malvina, characters from an Irish legend, in a landscape. Kievan makes a defend gesture to Malvina who looks hopeful with him with a bent head. Amsterdam paper etching monk(s), friar(s)

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