Theatrical and Dramatic Scenes

Engravings reflecting theatrical narratives and historical moments, highlighting emotions and interactions within ornate settings.

In a room, a young couple sits on a canap, print maker: Martial Deny, (mentioned on object), after: Lawrence, (mentioned on object), publisher: Gérard Vidal, (mentioned on object), print maker: France, publisher: Paris, c. 1782, paper, etching, engraving, h 414 mm × w 291 mm

Count Leicester flees in a house, Henricus Wilhelmus Couwenberg, After Lodewijk Anthony Vintcent, 1841 print Fleeing a rioting Muite flight Count Leicester in an inn. In front of the house there is a woman staring for herself and does not seem to notice him. Amsterdam paper steel engraving hiding, hiding oneself Alkmaar

French crown, Watteau, Jean Antoine, France, Audran, Benoît (II), Les entretiens badins, Seduction between men and women, verso - stamped, print, prints, height 233 mm, width 258 mm, 1698 - 1772-01-09, print maker, printmaker, 1708 - 1772, paper, papier, etching, etchings, French, 1684-10-10 - 1721-07-18, after, after painting by, granter of privilege

Wit Stwosz; Styfi, Jan (1839-1921), Matejko, Jan (1838-1893), Lewental, Samuel (Warsaw; Drukarnia; 1866-1890); 1876 (1876-00-00-1876-00-00);

Christ and the woman of Samaria at the well, from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Piazzetta 1743-63 Pietro Monaco Italian The engraving was based on a painting then in the Avogadro collection in Brescia.From the series of 112 prints of the sacred history, after paintings by various artists.. Christ and the woman of Samaria at the well, from the series of 112 prints of the sacred history, after the painting by Giovanni Battista Piazzetta. Pietro Monaco (Italian, Belluno 1707-1772 Venice). 1743-63. Etching and engraving. Prints

The Patriot Exalted, James Sayer, 1748-1823, British, c. 1788, Etching, hand-colored, Sheet: 14 x 10 3/4in. (35.6 x 27.3cm)

Mozart on the piano.

A dying man is surrounded by his family. Engraving by G. Presbury after J. Franklin, 1838.

Man and woman with life size business cards; Les Cartes the visits. Interior with a standing man with under his arm and on his neck life size business cards. For him a woman on a chair, her feet on a pouf, a range in her hands. Large business cards were stabbed behind the edge of the mirror on the fireplace.

Lauréus, Alexander, Tobias subject, drawing, 20.9 cm x 27.3 cm

Etching in punctuation manner by Alexandre Chaponnier between 1770 and 1830 titled 'Nina Prelude.'

Isidore-Stanislaus-Henri Helman, Le Roman Dangereux, 1781, engraving on paper.

Isaac Zegent Jakob.

Copper engraving and etching by Raffaello Morghen depicting the Holy Family on a cradle. Produced between 1773 and 1833, it shows religious figures, gestures, and Christian iconography.

Picking of the Red and White Roses (Shakespeare, King Henry the Sixth, Part 1, Act 2, Scene 4). Artist: After Josiah Boydell (British, Hawarden, Flintshire 1752-1817 Middlesex). Dimensions: Plate: 19 9/16 × 25 in. (49.7 × 63.5 cm)Sheet: 21 7/8 × 27 15/16 in. (55.5 × 71 cm). Engraver: John Ogborne (British, Chelmsford, Essex 1755-1837 London). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Boydell's Shakespeare Gallery. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: 1795. Museum: Metropolitan Museum of Art, New York, USA.

Burton, William Evans .

Little Dorrit, Society expresses its views on a question of Marriage

THE AMERICAN CENTENNIAL EXHIBITION: HOTEL LIFE AT PHILADELPHIA: THE ELEVATOR, US, U.S., U.S.A., UNITED STATES, UNITED STATES OF AMERICA, 1876

Priory Van Bolton, Samuel Cousins, After Edwin Henry Landseer, 1837 print With four -line caption in English. print maker: Englandafter painting by: Londonpublisher: London paper etching / engraving abbey, monastery, convent ~ Roman Catholic church. return from the hunt. monks and nuns. dog

Photo production of painting by Paul Delaroche: Jeanne d'Arc Malade Est Interrogee Dans Sa Prison.

Julius Caesar: Act IV Scene III: Brutus' Tent ..., Edward Scriven, 1775-1841, British, after Richard Westall, 1765-1836, British, 1802, Engraving on moderately thick, moderately textured, cream, laid paper, Sheet: 25 1/2 x 18 1/2in. (64.8 x 47cm)

Portrait of Willem II, Prince of Orange, and Maria Henrietta Stuart, William Unger, After Anthony Van Dyck, 1847 - 1932 print print maker: Germanypublisher: Amsterdam paper. engraving / etching / drypoint

Lawsuit Decided by Wouter Van Twiller, Print made by John Romney, 1786-1863, British, after Washington Allston, 1779-1843, American, 1823, Line engraving on medium, slightly textured, cream laid paper

Company in a Boudoir, Jean Baptiste Madou, 1835 - 1837 print print maker: Brusselspublisher: Brusselspublisher: Parispublisher: Rotterdam paper boudoir. making toilet. interior of the house. music

Le Petit Predicateur n.d. After Jean Honoré Fragonard French. Le Petit Predicateur 369323

Hugo de Groot steps into the book chest, March 22, 1621. He is assisted in this by his wife Maria van Reigersberg and the maid Els van Houweningen. In the caption a 2-line quotation (bl. 127), Hugo de Groot steps into the book chest, 1621, print maker: Walraad Nieuwhoff, (mentioned on object), intermediary draughtsman: Johannes Steyn, (mentioned on object), Netherlands, 1815 - 1837, paper, steel engraving, h 170 mm × w 115 mm

Flight of the Queen of James II, from "Illustrated London News" August 3, 1872 Richard Principal Leitch Mary of Modena, James II's queen, prepares here to leave England for France with her infant son (Prince James Francis Edward Stuart). Her husband has already fled before the advance of William of Orange (the latter soon to be crowned William III with his wife Mary II (the daughter of James II by his first marriage). This dramatic change would be dubbed the "Glorious Revolution" and ensured the succession of a Protestant monarch in Britain. In December 1688, as the queen left Whitehall Palace, London was gripped with anti-Catholic fever, so she huddles in fear on a street corner at Lambeth as a carriage is prepared to take her to a yacht at Gravesend. Related text in the "Illustrated London News" states: "Some time elapsed however, before the horses were harnessed. Mary, afraid that she might be recognised, would not enter the house. She remained with her child standing for shelter...

Sculpture, 1647 - 1718 print Sitting woman, with a hammer and chisel working on an antique bust. paper etching / engraving 'Sculptura', symbolic representations, allegories and emblems ~ sculpture; 'Scoltura' (Ripa). sculptor at work. tools, implements of sculptor (with NAME)

The Farewells. Horace Vernet (French, 1789-1863). Lithograph;

Interior with young woman standing next to an alchemist to his desk, Piet Verhaert (attributed to), after Joseph Lies, 1862 - 1908 print paper. ETCHING / ROUCH alchemist at work. interior of the house. alchemy

Landscape with three music -making Muses, Bernard Picart, After Eustache Lesueur, 1683 - 1733 print Landscape with a muse playing the Violoncello, a muse with an open songbook on lap and a third muse. (Melpomenene, Polyhymnia and Erato). Paris paper etching / engraving (story of the) Muses; 'Muse' (Ripa). viola, violoncello; double bass. vocal music, singing. printed edition of musical score - CC - out of doors

Hugo de Groot hides in the book box, 1621, 1754 print Hugo de Groot hides in the book box, 1621. Interior of his room at Slot Loevestein, next to him his wife Maria van Reigersberg. On the wall book a print, on the table and on the ground and manuscripts. Northern Netherlands paper etching law and jurisprudence (+ escape from prison) Slot Loevestein

Henry VI, Part I: Act II, Scene iii, The Countess of Auvergne's Castle, Robert Thew, 1758-1802, British, after John Opie, 1761-1807, British, 1803, Engraving, Sheet: 17 3/8 x 23 3/8in. (44.1 x 59.4cm)

The poetry by Mrs. Robinson. No. 1. Is it in mansions rich and gay, That nature owns the wintry day, On downy beds, or couches warm, And shrinks to hear the howling storm. ! No! Progress of female virtue, no. 1.. Prints. 1803-03-01. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The brucial cacuence, Charles Melchi descourse (attributed to), after Jean Baptists (Le Vieux), 1769 print A man sitting on a canapé, tries to seduce the woman next to him. She keeps her broken blow in her right hand. paper etching woman-chaser. unsuccessful love affair; seduction

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Molenaer, Jan Miense (1610 1668)

Young saleswoman in a bookstore, 1782 print A young saleswoman stands on a step in a bookstore. With her left hand she reaches a man down a book below, while she takes another work off the shelf with her right hand. Two men watch. Numbered at the top right: XLIV OU CXLIX. paper etching study; 'studiolo'; library

The Church of Saint Nicholas, Rouen 1823 Théodore Gericault French. The Church of Saint Nicholas, Rouen. Voyages pittoresques et romantiques dans l’ancienne France,” vol. II: Normandie. Théodore Gericault (French, Rouen 1791-1824 Paris). 1823. Lithograph on chine collé. Prints

A lithograph by Gerard ter Borch depicting a figure refusing a letter, showing gestures, expressions, and narrative interaction before 1821.

Apelles et Campaste. Honoré Daumier (1808-1879). Lithographs

Photo production of painting by Paul Delaroche: Derniere Priere des Enfants d'Edouard.

Children play a tragedy, Charles Howard Hodges, John Raphael Smith, 1785

Sta Czyk; Redlich, Henryk (1838-1884), Matejko, Jan (1838-1893), Angrer, Ludwig (London, Berlin, Vienna; Publisher; Fl. 1849-1930); 1886 (1886-00-00-1886-00-00);Stańczyk (CA 1480-Ca 1560), Poland (culture), bonuses of the Society of encouragement of Fine Arts

Album of the tales of Jean de la Fontaine: the three speakers. Achille Deveraia (1800-1857) and E. edit. Album of the tales of Jean de la Fontaine: the three speakers. Lithograph on China glued.

Which of Them Is the More Overcome (Quien mas rendido) Francisco de Goya y Lucientes (Spanish, 1746-1828). Which of Them Is the More Overcome (Quien mas rendido), 1797-1798. Etching, aquatint, and drypoint, Sheet: 11 7/8 x 7 7/8 in. (30.2 x 20 cm). European Art 1797-1798

Kaulbach, Wilhelm von, Lotte, Photographic reproduction of a drawing, depicting Werther sees Lotte with her brothers and sisters, photomechanical print, reproduction, page, photographs, photographically illustrated books, height 127 mm, width 98 mm, maker, producer, 1875 - 1885, paper, papier, collotype, German, 1805-10-15 - 1874-04-07, intermediary draughtsman

Children play a tragedy, Charles Howard Hodges, After Richard Morton Paye, 1785 print On the stairs of a classic building there are five children in Droevenis. One of the children points up with her finger and seems to nominate something, while another hides her face in her hands. There are a mask and a book on the floor. London paper tragedy. mask

Family group, draughtsman: Johann Georg Schwartze, (possibly), 1825 - 1874, paper, h 290 mm × w 420 mm

The Laundress 1788-1798 France. Engraving on paper . Julien et Moret

Sir Lancelot kneels before Queen Guinevere in her chamber.

Print made by John Young, 1755-1825, British, Lady Anne Lambton and Family, 1799. Mezzotint (first state) on moderately thick, slightly textured, cream laid paper.

The victory formed his cradle ... (IT)

Painting by Pieter van der Werff, the young Hercules; Rijksmuseum Amsterdam; Rijksmuseum - Amsterdam / 1624 Pieter van der Werff, the young Hercules.

Harmony - Two Nymphs Singing, Another Playing a Lyre 1784-88 Thomas Rowlandson British. Harmony - Two Nymphs Singing, Another Playing a Lyre 407322

Leopold discovers his murdered uncle George Roux (Alexandre-Georges Roux, says). Leopold discovers his murdered uncle. Pencil, ink and gouache on paper mounted on cardboard. 1890. Paris, Victor Hugo House.

A surgeon extracting a tooth from a patient, while the latter's concerned wife stands in the background. Etching by J. Taylor, 1811, after G. Dou.

King Henry VIII, act I, scene IV : York Place : Cardinal Wolsey, Lord Sands, Anne Bullen, King Henry, etc. , Kings, Cardinals, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Henry VIII. Thomas Pennant Barton Collection

Vegetable window and beggar, Robert Laurie, after Hendrik Willem Schweickhardt, after Gerard Dou, 1788 print London paper etching stall, booth (~ market). beggar. public road in village

Vignette from JuIIa Gründthal F.H. Unger (part II) Chodowiecki, Daniel Nikolaus (1726 1801)

Departure (seat in 2nd class). Szumacher, I. (Petersburg ; zakład graficzny ; ca 1860-1870), printing house, Pepke, E. (fl. ca 1860-1870), graphic artist, Solomon, Abraham (1824-1862), painter, Daugull, August (fl. ca 1860-1899), Drzeworytnia, woodcut atelier

Etching and aquatint by Josef Danhauser from 1848 depicting a poet, titled 'The Poet Love', showing seated figure, manuscript, and interior setting.

Charles IX of France

Richard Westall (1765-1836), "The circle parted" Scene fra Henry Gally Knight's Phrocyne, et graesk eventyr, 1817

Print made by Thomas Gaugain, 1748-1812, French, James Beattie, LL.D, 1805. Stipple engraving and etching on moderately thick, slightly textured, beige laid paper.

The Arrival of Bourdonnais. Charles-Melchior Descourtis; French, 1753-1820. Date: 1795. Dimensions: 375 × 410 mm (image); 420 × 465 mm (sheet, cut within platemark). Etching and engraving printed in yellow, blue, red, and black inks on paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Cries of London, No. 8: Hot Cross Buns March 4, 1799 Henri Merke. Cries of London, No. 8: Hot Cross Buns. Cries of London. Henri Merke (Swiss, Niederweningen, canton Zürich ca. 1760-after 1820). March 4, 1799. Hand-colored etching and aquatint. R. Ackermann (active 1794-1829). Prints

Triclinion de la maison athénienne Viollet-le-Duc, Eugène-Emmanuel, 1814-1879. still image. Reconstructions. 1875. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Dining rooms, Architecture, Domestic, Eating & drinking , Greece , To 499, Interiors , Greece , To 499, Greeks , Social life

Design works on paper, engravings

Flute player, Anonymous, After Gerard Pietersz. van Zijl, after Wallerant Vaillant, 1662 - 1726 print A young woman plays a whistle in the presence of two men, one of which keeps a music book open. paper flute, aulos, tibia. printed edition of musical score

Four putti with two pigeons in a basket of roses on a pillow, Jean Baptiste Vérité, c. 1788 - c. 1805 print print maker: Parisafter design by: Francepublisher: Paris paper engraving Cupids: 'Amores', 'Amoretti', 'Putti'. Other Birds: Where. Flowers: Rose

Print made by John Doyle ('H.B.'), 1797-1868, Irish, The Fates, 1847. Lithograph in tan and black ink on moderately thick, smooth, beige wove paper.

Scene in a French dining room, 15th century. A young bourgeois couple embrace at a dining table in front of a hearth. Prelude to a sexual assault. Un abus de confiance. From a MS of Gratian's Decretum, MS JL4, Bibliotheque de l'Arsenal. Chromolithograph by Emile Beau after an illustration by Claudius Joseph Ciappori from Charles Louandres Les Arts Somptuaires, The Sumptuary Arts, Hangard-Mauge, Paris, 1858.

Kissing couple are kneeling in the midst of a group of people, Reinier Vinkeles (I), 1808 - 1809 print Amsterdam paper etching / engraving (lovers) kissing each other. kneeling figure

Bliżej Kultury unknown

A woman walks towards the entrance doors of a church. On the right, a man with hat and walking stick approaches, followed by a dog. Woman Enters a Church, print maker: Johannes Philippus Lange, (mentioned on object), intermediary draughtsman: Cornelis Springer, (mentioned on object), publisher: Koenraad Fuhri, (mentioned on object), The Hague, 1848, paper, steel engraving, h 177 mm - w 137 mm

Les Amours du Bocage, Nicolas de Larmessin (III) (mentioned on object), in or after 1736, paper, engraving, h 379 mm × w 461 mm

Inkle and Yarico.. Singleton, Henry, 1766-1839. Prints. 1788. Schomburg Center for Research in Black Culture, Photographs and Prints Division. Servants, Merchants, Barbados, Indians, Yarico, Inkle, Thomas

The wonderful healing of Jeske Klaes, 1676, 1677 print The wonderful healing of Jeske Klaes, took place between 13-16 October 1676 in Amsterdam. The woman is standing in her box bed and thanks the angel, in the vom of a boy of about 10 years old, for the healing of her paralyzed legs. In the plate 3 verses of 4 lines, below the leaf a description of the miracle in 2 columns. print maker: Northern Netherlandspublisher: Amsterdam paper etching / letterpress printing miraculous healing. angels Amsterdam

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