Theatrical and Musical Gatherings

Illustrations depicting dramatic scenes and musical gatherings from historical contexts, featuring elegantly dressed figures in emotional interactions.

London, Simpson, Thomas, Westall, Richard, Schiavonetti, Luigi, Queen Elizabeth Receiving the News of the Death of her Sister Queen Mary, verso lower left, Left Queen Elizabeth I Tudor seated with an open book. On the right, three men kneel as they bring the news of the death of Queen Mary I. After Mary's death, she was succeeded as Queen of England by Elizabeth., print, prints, verso - stamped, height 384 mm, width 477 mm, Italian, 1765-04-01 - 1810-06-07, print maker, printmaker, 1792 - 1792, paper, papier, etching, etchings, stippelwerk, English, 1765-01-02 - 1836-12-04, after, after a painting by, Publication (Event), Publication, publisher, uitgever

Gluck, Christoph Willibald of.

DOROTHY FORSTER

London, Simpson, Thomas, Westall, Richard, Schiavonetti, Luigi, Queen Elizabeth Receiving the News of the Death of her Sister Queen Mary, verso lower left, Left Queen Elizabeth I Tudor seated with an open book. On the right, three men kneel as they bring the news of the death of Queen Mary I. After Mary's death, she was succeeded as Queen of England by Elizabeth., print, prints, verso - stamped, height 384 mm, width 477 mm, Italian, 1765-04-01 - 1810-06-07, print maker, printmaker, 1792 - 1792, paper, papier, etching, etchings, stippelwerk, English, 1765-01-02 - 1836-12-04, after, after a painting by, Publication (Event), Publication, publisher, uitgever

De Munck in his living room, At an astronomer's..., draughtsman: Gerrit Zegelaar, (possibly), draughtsman: Tibout Regters, (rejected attribution), 1729 - 1794, paper, pen, brush, h 201 mm × w 260 mm

Lady Smith and Her Children: George Henry, Louisa, and Charlotte, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Sir Joshua Reynolds RA, 1723-1792, British, 1789, Stipple engraving and etching on moderately thick, moderately textured, cream laid paper, Sheet: 16 11/16 x 12 1/2 inches (42.4 x 31.7 cm), Plate: 14 7/8 x 11 11/16 inches (37.8 x 29.7 cm), and Image: 11 9/16 x 9 1/4 inches (29.3 x 23.5 cm), baronet, bows (costume accessories), boy, buckles, children, columns (architectural elements), costume, curls, daughters, dotted print, family, feathers, girls, gloves, gowns (dresses), hat, holding, mother, mountain, nobility, portrait, ribbons (costume accessories), sashes (costume accessories), shawl, smiling, son, woman

Copper engraving and etching by William Hogarth from 1745 depicting the fourth scene of Fashionable Marriage, illustrating figures and domestic arrangements in interior.

The Promenade at Carlisle House, Print made by John Raphael Smith, 1752-1812, British, 1781, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 13 1/8 × 16 3/8 inches (33.3 × 41.6 cm) and Image: 12 × 15 3/8 inches (30.5 × 39.1 cm)

Interior with card-playing company, Jacques-Philippe Le Bas, After Nicolas Lancet, c. 1730 print print maker: Parisafter painting by: Francepublisher: ParisFrance paper etching / engraving drawing-room, 'salon'. playing-cards. the rich

See Mr the marshal ... I'm good his mother ... (IT)

Saloon at the Marine Pavillion (An Excursion to Brighthelmstone) June 1, 1790 Drawn and etched by Thomas Rowlandson One of a set of eight aquatints devoted to a journey from London to Brighthelmstone (Brighton), together with attractions of the seaside resort, this print represents an ornate oval interior in the Prince of Wales's residence. Related text tells us that the building is, "admirably calculated for the summer residence of the royal personage for whom it was built; and whose munificence and affability endear him to all who are not biased by party, blinded by prejudice, or hostile to dignified merit. This pavilion, correctly designed, and elegantly executed, was begun and completed in five months.-The furniture is adapted with great taste to the stile sic of the building. This grand saloon is beautifully decorated with paintings by Rebecca, executed in his best manner. The tout ensemble of the building is, in short, perfect harmony. The whole was executed by Mr. Holland, und

The Amusement of the Sultan. Michel-Honoré Bounieu; French, 1740-1814. Date: 1786. Dimensions: 376 × 485 mm (plate/sheet); 446 × 641 mm (secondary support). Mezzotint on ivory laid paper, laid down on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Saloon at the Marine Pavillion (An Excursion to Brighthelmstone). Artist: Drawn and etched by Thomas Rowlandson (British, London 1757-1827 London); Aquatinted by Samuel Alken (British, London 1756-1815). Author: Related author Henry Wigstead (British, 1745-1800 Margate). Dimensions: Sheet: 13 1/16 × 16 in. (33.1 × 40.6 cm)Plate: 10 13/16 × 13 3/4 in. (27.5 × 35 cm). Publisher: G. G. J. & J. Robinson (London). Series/Portfolio: An Excursion to Brighthelmstone. Date: June 1, 1790.One of a set of eight aquatints devoted to a journey from London to Brighthelmstone (Brighton), together with attractions of the seaside resort, this print represents an ornate oval interior in the Prince of Wales's residence. Related text tells us that the building is, "admirably calculated for the summer residence of the royal personage for whom it was built; and whose munificence and affability endear him to all who are not biased by party, blinded by prejudice, or hostile to dignified merit. This pavilion

Daniel Verorts one of the elders during the trial against Susanna, William Baillie, after Gerbrand van den Eeckhout, 1764 Daniel accuses the two elders of a false testimony against Susanna. Susanne dries her eyes with a handkerchief. Two children, a soldier and a crowd of people stand with her. Daniël is at the top of a staircase and speaks to an old man who was brought to him by three soldiers. The print is part of an album. paper etching Daniel accuses the two elders of a false testimony against Susanna. Susanne dries her eyes with a handkerchief. Two children, a soldier and a crowd of people stand with her. Daniël is at the top of a staircase and speaks to an old man who was brought to him by three soldiers. The print is part of an album. paper etching

The Banquet (Shakespeare, Macbeth, Act 3, Scene 3) October 10, 1786 John Baldrey British. The Banquet (Shakespeare, Macbeth, Act 3, Scene 3) 634335

The Reception by Richelieu, Photogravure Print from the Original Painting by Adrien Moreau, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

French Revolution: the farewell of Louis XVI to his family, on January 20, 1793. (TF)

Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), A Lecture on Gadding, 1789. Etching, stipple engraving, and mezzotint on medium, slightly textured, cream laid paper.

Escort scene in the interior (in the style of Dutch 17th century) Pitteri, Giovanni Marco (1702 1786)

'PERSUADING PAPA,' BY J. PETTIE, A.R.A., IN THE EXHIBITION AT THE GALLERY, 7, HAYMARKET, 1869, UK

Dancing couple at a party, draughtsman: Jan Verkolje (I), 1660 - 1693, paper, pen, brush, h 384 mm × w 448 mm

The Artist / Marion Delorme, Act 1st.

Die Eifersüchtige, Hinter einer Statue versteckt beobachtet eine Frau ein Paar das durch einen vornehmen Raum läuft, um 1800, nach einem Gemälde von Alessandro Ricci da Fermo, Historisch, authentisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4904218

Ball of European princes, 1742. The solemn ball of the European princes, 1742. Ball given by the Keurvorst of Bavaria in a ballroom-lit ballroom in which Central Aartshertogin Maria Theresia dances with King Frederik van Prussia. Theodor von Neuhoff, the king of Corsica, dances in a harlequin suit. Other princes watch. Allegory on the Austrian Succession War. Design for a print.

Literary Illustration Old Man Detaining Young Woman, Who is Accompanied by Older Woman Artist's working dates 1735-1780 France. Brush and black and gray wash, over traces of graphite, on cream laid paper, laid down on cream laid card . John Collet

Eduard von Engerth drew the bridal train using gray ink and chalk on paper mounted on canvas.

Farinelli (Carlos Broschi) (1705-1782) singing for the royal family.. Madrid, national library of fine arts. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

The Surrender of Callais, John Young, 1755-1825, British, after Edward Bird, 1772-1819, British, 1815, Etched outline proof, Sheet: 19 1/2 x 28in. (49.5 x 71.1cm)

Standing man with top hat, anonymous, in or after 1839 drawing paper. chalk standing figure. head-gear: hat

Count of Beust, Review of the carnival from , Austria caricature from Kikeriki, Carl von Stur -, artist

Vauxhall Gardens. Artist: After Thomas Rowlandson (British, London 1757-1827 London); Robert Pollard (British, Newcastle-upon-Tyne 1755-1838 London); Francis Jukes (British, Hertfordshire 1747-1812 London). Dimensions: Sheet: 21 x 30 in. (53.3 x 76.2 cm). Publisher: Published London by John Raphael Smith (British, baptized Derby 1751-1812 Doncaster). Date: June 28, 1785.Like his predecessor William Hogarth, Rowlandson satirized Regency society in all its squalor and splendor. At this evening outdoor concert in the poshest of London's pleasure gardens, he turned the fashionable crowd of spectators into the object of amusement. In the foreground, Georgiana, Duchess of Devonshire, and her sister Lady Duncannon stand arm in arm while, at right, the Prince of Wales whispers to his mistress Mary "Perdita" Robinson. Jukes and Pollard effectively captured in aquatint the delicate tonal gradations and animated line of Rowlandson's lively watercolor. Museum: Metropolitan Museum of Art, New York

Unknown, New York CityThe Social Event of the SeasonMarriage of Miss Caroline Schermerhorn Astor, 1884, wood engraving on paper.

Before the Duke's Palace-Rosalind, Celia, Orlando, the Duke & Attendants (Shakespeare, As You Like It, Act 1, Scene 2). Artist: After John Downman (British, Ruabon, Wales 1750-1824 Wrexham, Wales). Dimensions: image: 17 3/16 x 23 3/8 in. (43.6 x 59.4 cm)sheet: 22 1/16 x 28 1/16 in. (56 x 71.3 cm). Engraver: William Satchwell Leney (American (born England), London 1769-1831 Longue Pointe, near Montreal). Publisher: John & Josiah Boydell (British, 1786-1804). Series/Portfolio: Boydell's Shakespeare Gallery. Subject: William Shakespeare (British, Stratford-upon-Avon 1564-1616 Stratford-upon-Avon). Date: June 4, 1800. Museum: Metropolitan Museum of Art, New York, USA.

Engraved by John Raphael Smith, 1752-1812, British, A Lady and Her Children Relieving a Cottager, 1784. Mezzotint and line engraving on medium, slightly textured, cream laid paper.

Photo production of (presumably) a print to work by W. von Kaulbach: Clarchen (Egmont); Clärchen (Egmont) W. von Kaulbach. Part of photo album with 16 Cartes-De-Visite of women's figures from the work of J.W. Von Goethe.

Paolo in Francesca, Edouard Taurel, After Jean Auguste Dominique Ingres, 1885 print Gianciotto discovers the loving Paolo and Francesca. Amsterdam paper. etching Francesca. interrupted meeting, lovers caught by surprise

Paris, Gihaut frères, Villain, Jean-François, Delacroix, Eugène, Hamlet, C'est une intrigue scélérate; but what's important, Hamlet and the Comedians, Hamlet and King Claudius at the Play, verso - stamped, Print is part of a cover with fourteen prints., print, prints, height 343 mm, width 530 mm, 1798 - 1863-08-13, print maker, printmaker, 1835 - 1835, paper, papier, lithografie (techniek), Frans, 1790, printer, drukker, Publication (Event), Publicatie, publisher

Scene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa Fiora 1706 Matthieu Elias French. Scene 31: Foundation of a second Feuillant monastery in Rome, dedicated to Saint Bernard, in 1594, thanks to the generosity of Caterina de' Nobili, niece of Pope Julius III and widow of Count Sforza Sforza di Santa Fiora 387360

Nicolas Delaunay's 1777 etching and tombstick depicts farewell greetings, showing figures in social interaction and expressive gestures, typical of 18th-century ceremonial representation.

Savonarola at the Derfbed of Laurens de Medicis. Laurens De Medicis is in bed and makes a gesture in the direction of Savonarola who runs away from him. Stand around the bed and still have three nobles.

Three ladies in the lodge of a theater, Joseph Delboëte, After Jean François Portaels, 1835 - 1875 print paper etching boxes, loges ~ theatre, etc.

Scotin, Louis Gerard, inventor: Nicolas Lancret, work, Otollin tiläus, (1000 - 2000), copper engraving, graphics, plate width 31 cm, plate height 23.6 cm, leaf width 32.9 cm, leaf height 24.8 cm, image width 29.5 cm, image height 20.2 cm

Maria van Hasselt-Barth and Mr, Reichart in The Part of the Teufel by Auber costume image No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Anton Elfinger -, artist

Charles Warren, 1767-1823, British, The transport of Peregrine Pickle, on rushing from his concealment into the Presence of Emily, 1800. Engraving.

Photo production of painting by Paul Delaroche: Sainte Cecile.

De Swart (artist), Perspective image of the parade hall in which the corpse of Willem Karel Hendrik Friso (William IV) was shown to the people, stuck on cardplate, print visual material paper cardboard, Willem IV stadholder dead

A coal drawing by Ferdinand Laufberger depicting a dance.

Possibly a design for a print, King William III and Queen Emma in a workshop showing a show cup, draughtsman: Johan Braakensiek, c. 1868 - c. 1940, paper, brush, h 350 mm × w 420 mm

Line Drawing. King Henry VIII and Anne Boleyn.

Print made by Edward Fisher, 1722-1785, British, Lady Elizabeth Keppel and a Servant, 1760s. Mezzotint on medium, slightly textured, cream laid paper.

Gualt brightus, a Grribility, Francesco rahool, at Aled Aledward Kauffmann, 1785 print Gualtherus stands for the kneeling Griselda. On the right a house. A landscape in the background. London paper etching couple of lovers. Griselda

Photo Production of (Presumably) A Print to Work by W. von Kaulbach: Adelheid (Goetz von Berilingen); Adelheid (Goetz von Berilingen) W. von Kaulbach. Part Of Photo Album With 16 Cartes DE-Visite Of Women's Figures From The Work of J.Wt From Goethe.

Jack Falstaff and Doll Tearsheet, James S. King, 1852-1925, American, after Eduard von Grutzner, 1846-1925, German, 1885, Etching, Sheet: 11 x 14in. (27.9 x 35.6cm)

La Petite Loge, from Monument de Costume”. Artist: Jean B. Patas, French, 1744-1802 After: Jean-Michel Moreau le jeune, French, 1741-1814

Shakspeare. King Henry the Eighth, act V, scene IV : The palace : Alderman, Lord Mayor, Garter, Cranmer, Duke of Norfolk with his marshals, staff, Duke of Suffolk, Dutchess of Norfolk & Marchioness of Dorset, godmothers, etc. etc. , Castles & palaces, Interiors, Rulers, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Henry VIII. Thomas Pennant Barton Collection

Peter Simon, 1750-1810, Tom Jones. Engraving.

Rubens' family. Four children and two young women for a covered bow. One of the children entertaint with a hobby.

Man surrounded by women. Tronsens, Charles (1830-post 1870), draughtsman, cartoonist

Danse chinoise. Honoré Daumier (1808-1879). Lithographs

Picture (France); Woven by Michel-Marie Carquillat (Michel-Marie Carquillat (French, 1803-1884)); Manufactured by Fd Potton Rambaud Cie.; After Winterhalter; Client: Leaf Coles Smith Co (United Kingdom); silk; Warp x Weft: 112 x 68.5 cm (44 1/8 x 26 15/16 in.); Bequest of Elinor Merrell; 1995-50-369

Bliej Kultury Publisher by A.E. Seemann in Leipzig, Longhi, Pietro (1701 1785)

Childbirth of S.a.r. Madam Duchess de Berri. (IT)

Print made by unknown artist, eighteenth century, The Welcome Home, 1790. Mezzotint on medium, slightly textured, cream wove paper.

Portrait of Marie Sallé in a garden with temple, Nicolas de Larmessin (III), After Nicolas Lancet, 1694 - 1755 print publisher: Parispublisher: ParisFrance paper etching / engraving historical persons - BB - woman. portrait of dancer

Una and the Wood Nymphs, by W.E. Frost, A.R.A.. Caldesi & Montecchi (British, active 1850s)

Savatore Tresca, Les Apprets pour le Bal, 1760-1815, engraving on paper.

Seconde chambre des apartemens, Appartements de Versailles, Trouvain, Antoine, 1656-1708, engraving, etching, 1694-1698

Marie-Antoinette had secured the release of Mr Bellegarde and Mr Moustiers, who had been unjustly imprisoned. Mrs de Bellegarde thanked the Queen with a knee. The company is fashionably dressed. The ladies wear the 'dressing gown à la Polonaise', Announcement of the freedom of Mme. de Bellegarde's husband by the Queen., print maker: Antoine Jean Duclos, Charles Henri Desfossés, intermediary draughtsman: Charles Henri Desfossés, print maker: France, publisher: Paris, Paris, 1779, paper, etching, engraving, h 365 mm × w 480 mm

The royal family of England in the year 1787.. Stothard, Thomas (1755-1834). Prints. 1800. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. George III, King of Great Britain, 1738-1820 , Family

Photo production of (presumably) a print to a painting by Adolph Tidemand. Part of English family album with photos of people, travel, cricket and artworks.

Charles E. Wagstaff, 1808-, The Coronation of Queen Victoria, 1842. line engraving, stipple engraving, mezzotint and etching on thick, slightly textured, cream, wove paper, with cream chine colle.

Beatrice and Benedick (Shakespeare, Much Ado About Nothing, Act 4, Scene 1) August 12, 1784 Charles Gauthier Playter. Beatrice and Benedick (Shakespeare, Much Ado About Nothing, Act 4, Scene 1) 708000

The trial of the marriage between Henry VIII and Catherine of Aragon which ends in divorce.

Peter Paul Rubens (1577-1640). Flemish Baroque painter. Engraving after a painting by Rubens entitled "Self-Portrait with his wife Elizabeth Brant", 1609, during the first year of marriage. The Spanish and American Illustration (La Ilustración Española y Americana), 1884.

Judgment of Solomon. Draughtsman: Moses ter Borch (mentioned on object). Dating: in or after c. 1660 - 1667. Place: Zwolle. Measurements: h 213 mm × w 328 mm. Museum: Rijksmuseum, Amsterdam.

Black and White Illustration from John Bunyan's The Pilgrim's Progress; The Virgins Clothing Tender Conscience in Armour

War News. Engraving by Rico, after a painting of Jose Jimenez Aranda (1837-1903). Almanac of The Illustration, 1887.

Madame de Roncherolles and his three children. Carmonelle. "Madame de Roncherolles and his three children".

The ball of the Albe Hotel

An amorous masked man at an aristocratic French ball Date: 18th century

Eugène Delacroix (French, 1798 - 1863). Hamlet: Que lisez vous..., 1834-1843. From Hamlet. Lithographs.

Ludwig Xviii., King of France.

The incredible and the wonderful at the walk of the Italian boulevard ... (IT)

Etching by Richard Earlom from 1770 showing a singing lesson with a teacher instructing a student, depicting a domestic interior and musical education in the 18th century.

Madame Millin du Perreux and Her Son, with a Painted Portrait of Monsieur Jérôme-Robert Millin du Perreux, c. 1760. Louis Carmontelle (French, 1717-1806). Red chalk, black chalk, and watercolor, heightened with white chalk or paint; sheet: 31.5 x 20.1 cm (12 3/8 x 7 15/16 in.).

Baptism of the Duke of Bordeaux Bodin. Baptism of the Duke of Bordeaux, May 1, 1821. Drawing.

Visit young people marries Jean-Baptiste Mallet (1759-1825). "Visit young grooms". Gouache, around 1795-1800. Paris, Cognacq-Jay Museum.

Dood van Jean-Étienne Duranti, Pierre Pélée, After Paul Delaroche, 1838 print publisher: Parispublisher: ParisFrance paper steel engraving historical persons. persecuted believers (hiding), e.g. Huguenots, Pilgrim Fathers. violent death, being killed; being mishandled and maltreated; seeking death

'First meeting of George III with the Princess Charlotte...', 1761, (mid 19th century). Creator: J Rogers.

Queen Mary of Scots Landing in England, Print made by James Neagle, 1760-1822, British, after Robert Smirke, 1752-1845, British, Published by J. Stratford, active 1792-1813, British, 1810, Etching and line engraving on thin, slightly textured, cream wove paper, Sheet: 14 × 8 7/8 inches (35.6 × 22.5 cm), Plate: 11 7/8 × 7 5/8 inches (30.2 × 19.4 cm), and Image: 10 3/8 × 5 5/8 inches (26.4 × 14.3 cm), boats, boats, history paintings, monarchy, processions, rope, rowing, royalty, seas

Coloured illustration depicting Prince Charming approaching Cinderella to kiss her hand. Illustrated by Edmund Dulac (1882-1953), a French British naturalised magazine and book illustrator.

Portrait of George III, King of the United Kingdom, and his family, Richard Earlom, After Johann Zoffany, 1771 print On the left are the two oldest sons George and Frederik. For them Prince Willem with a parrot on the hand and Prince Edward with a dog. Queen Charlotte keeps her youngest daughter Sophia on her arm, while Princess Charlotta Augusta is standing next to her. On the right a table with the parapernalia of the kingship. London paper etching / engraving historical persons. family group, especially parents with their child(6) (6)

A Lady and Gentleman with Exaggerated Headdresses. Dated: 1778/1780. Dimensions: overall: 28.7 x 20.6 cm (11 5/16 x 8 1/8 in.). Medium: red chalk on beige laid paper. Museum: National Gallery of Art, Washington DC. Author: Pierre Thomas Le Clerc.

Jett, William, Rubens, Peter Paul, McArdell, James, The Gerbier family, print, prints, height mm, width mm, British, Irish, 1728 - 1765-06-01, print maker, printmaker, 1738 - 1765, paper, papier, mezzotint, Zuid-Nederlands, 1577-06-28 - 1640-05-30, after, after painting by, intermediary draughtsman

Marriage of his a.r. Monseigneur Le Duc de Berri with S.A.R. Marie / Caroline Princess of Sicily. (IT)

Stone, Frank, Photographic reproduction of a print after The gentle warning by Frank Stone, verso - printed, This photo is part of an album., photograph, foto, carte-de-visite, album sheet, reproduction, photos, 139., Stone., Le gentil avertissement, Die Gútige Warnung, The gentle warning, height 86 mm, width 53 mm, photographer, 1865 - 1900, photographic paper, photo paper, cardboard, albumen print, albumine print, Work conception, after a print by, British, 1800-08-22 - 1859-11-18

Spring, Print made by John Simon, 1675-1755, French, after Nicolas Lancret, 1690-1743, French, 1758, Mezzotint on moderately thick, moderately textured, blued white, laid paper, Sheet: 10 7/16 × 14 1/2 inches (26.5 × 36.8 cm), Plate: 10 × 13 7/8 inches (25.4 × 35.2 cm), and Image: 9 1/2 × 13 7/8 inches (24.1 × 35.2 cm)

Auguste La Brely (1838-1906). "Victorien Sardou (1831-1908), his wife and children in the large living room of their house in Marly-le-Roi". Oil on canvas. Paris, Carnavalet museum. 33448-3 French dramatic author, cheminee, writer, child, family, wife, large living room, furniture, firewall, portrait, oil on canvas, house

Persons of the four seasons on a terrace at a bust. .

La plus jolie femme deParis. Artist: James Tissot, French, 1836-1903

Jean-François Janinet, The King and the Farmer, 1772-1788, etching and aquatint on paper.

of 2