Theatrical Engravings

Illustrations from performances highlighting dance and jealousy. The scenes capture emotional narratives with dramatic expressions and elaborate attire of the era.

Grown ladies taught to dance,' an engraving published in London by M. Darly in 1768. The artwork features caricatures and cartoons depicting women in dance attire, accompanied by musicians. The plate mark measures 30.5 x 25 cm

The Duke of Alva standing before the governess Margaret of Parma, 1567. Alva visits the governess Margaret of Parma, 1567 Alba's visit to the governess , print maker: William Unger, (mentioned on object), intermediary draughtsman: Charles Rochussen, (mentioned on object), printer: Georg Friedrich Felsing, (mentioned on object), print maker: Germany, printer: München, 1871 - 1873, paper, etching, h 190 mm × w 260 mm

Man and a woman at the table, Jan van Somer, after Gerard ter Borch (II), 1655 - 1700 print In an inn is a man and a woman at a table. She pours wine and he stops his pipe. They are served by De Waardin. paper pipe ~ tobacco. wine ~ alcoholic drinks. inn, coffee-house, public house, etc.

A scene with a knight handing the lady of valuables Johannot, Alfred (1800 1837), Maulet, Amédée (1810 1835)

Country people deserting village due to enclosures

Tiziano e la Bella (Titian and hisBeloved). Etcher: Anthony van Dyck, Flemish, 1599-1641After possibly: Titian (Tiziano Vecellio), Italian, Venice, ca. 1488-1576

Death Comes to the Advocate, Todten-Tantz after Beck, Nöller a. other painters by Georg Max. Theodor Goetz, Historic, digitally restored reproduction from a 19th century original

Illustration for Le Page's 'Gil Blas'. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1783. Prints; etchings. Etching

Ugolino Conte della Gherardesca dies with three to his sons and one of his grandsons The hungry death in the dungeon .. Ugolino stands out right in front of it, while his grandson is on his knee. His sins are on the right, to the despair prey. From bottom left: Painted by Josua Reynolds ... 1774. In the middle: John Boydell Excudit 1774; Right: John Dinon Sculptit

Four O'Clock in the Country. Date/Period: Between 1788 and 1790. Painting. Watercolor. Height: 327 mm (12.87 in); Width: 400 mm (15.74 in). Author: Thomas Rowlandson.

Leopold II, In the district of his family, Ferdinand I welcomes Naples , Unknown

The Day, (1885).Artist: Eisen

Etching in punctuation manner by Géraud Vidal between 1770 and 1801, titled 'We Have Two, We Rape Three', showing a figurative arrangement.

Louis XIV (King of France), Paris, Duchange, Gaspard, Picart, Bernard, Man Paying a Woman, Man Paying a Prostitute, verso - stamped, A man gropes a woman and places coins on her lap. She is wearing a dress that leaves her breasts uncovered and pushes his hand away. In the margin a four-line caption in French warning against paid love: the heart is little involved in it., print, prent, prints, prenten, height 78 mm, width 104 mm, Noord-Nederlands, 1673-06-11 - 1733-05-08, print maker, prentmaker, 1705 - 1705, first quarter 18th century, paper, papier, etching, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, Publication (Event), Publicatie, 1662-04 - 1757-01-06, publisher, uitgever, Frans, 1638-09-05 - 1715-09-01, verlener van privilege

Woman with basket with fruits in hand by the window, Johannes de Mare, after Gerard Dou, 1853 print A young woman with a basket with fruits in hand hangs from a window. She holds the curtain aside so that the interior is visible behind her. In the departure, a man and a woman are making music. There is a birdhouse in the windowsill, there is a dead rooster and is a vase with flowers. Versailles paper steel engraving maid ~ house personnel. instrumental and vocal music together. human figure at (open) window, seen from outside. shop-window, show-window. nesting-box. attributes of Aesculapius: cock

Le Geste Napolitain. Artist: Pierre Etienne Moitte (French, Paris 1722-1780 Paris); Designed by Jean-Baptiste Greuze (French, Tournus 1725-1805 Paris). Dimensions: sheet: 16 1/8 x 19 1/8 in. (41 x 48.5 cm). Date: 1763. Museum: Metropolitan Museum of Art, New York, USA.

Haarlem, Emrik & Binger, Schreurs, Clemens Prosper, Nederland, Vrede van Utrecht, 1713, Netherlands, Onderteken van de Vrede van Utrecht, 11 april 1713. Numbered top right: LXIII., print, historieprent, prints, Frederik Muller Historical plates, height 161 mm, width 233 mm, print maker, printmaker, 1853 - 1861, paper, papier, toonlithografie, Work conception, Nederlands, 1820-04-27 - 1911-04-24, after a design by, printer, drukker

Engraver: Unknown, The farewell previous to the WesternExpedition, Mezzotint, sheet: 41 × 26.6 cm (16 1/8 × 10 1/2in.), Made in United States, American, 18thcentury, Works on Paper -Prints

Parson Adams Discovered in a Suspicious Situation with Mrs. Slipslop, from "The Adventures of Joseph Andrews, and his friend Mr. Abraham Adams" 1792 Thomas Rowlandson. Parson Adams Discovered in a Suspicious Situation with Mrs. Slipslop, from "The Adventures of Joseph Andrews, and his friend Mr. Abraham Adams". Adventures of Joseph Andrews. Thomas Rowlandson (British, London 1757-1827 London). 1792. Etching. James Sibbald (British, Whitlaw, Roxburghshire, Scotland 1747-1803 Edinburgh). Prints

Young Woman Chopping Onions 1724 Louis Surugue French The print reproduces (in reverse) Dou's small panel, dated 1646, in Buckingham Palace. Along with the young woman's glance, several motifs tease the viewer. The bird and the open jug symbolize male and female forms, which join together in a manner demonstrated by the mortar and pestle (next to an erect candlestick). The empty birdcage implies that virtue has flown the coop. Onions have been considered aphrodisiacs since ancient times. The French verse captures the spirit of Dou's picture by speaking for the viewer, who tells the kitchen maid that, although she surely knows how to make a tempting ragout, his appetite is for her.. Young Woman Chopping Onions 387966

Leden van het reisgezelschap in gesprek met de prinses van Biscaris. Conversation chés la Princesse de Biscaris (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 160 mm × w 227 mm. Museum: Rijksmuseum, Amsterdam.

Etcher: Anthony van Dyck, Flemish, 1599-1641, After possibly: Titian (Tiziano Vecellio), Italian, Venice, ca. 1488-1576, Tiziano e la Bella (Titian and hisBeloved), Etching by van Dyck, with added engraving by Lucas Vorsterman, image: 29.5 × 22.8 cm (11 5/8 × 9in.), Made in Flanders, Flemish, 17thcentury, Works on Paper -Prints

Girl with wings and fan in a gallery with girls, edme jeaurat, after Etienne Jeaurat, 1732 print print maker: Francepublisher: Paris paper etching / engraving girl (child between toddler and youth). fan. dog

Two Women in an Elegant Interior: a Singer Accompanied by a Lutenist 1771 Pierre Alexandre Wille French. Two Women in an Elegant Interior: a Singer Accompanied by a Lutenist 339858

The Dauphin Taken from His Mother / The Dolphin removed from his mother (IT)

Prince Willem III recalled Michiel de Ruyter and Cornelis Tromp, 1673; Willem III. Chasing the rider and trump with each other. Prince Willem III copies the Admiraals Michiel De Ruyter and Cornelis Tromp with each other, April 1673. Below at the top right: Pl. 2.

Miss George Miss Bourgoin / Come if you dare her to delight her to her mother ...

The Masqueraders, Print made by John Simon, 1675-1755, French, after Philippe Mercier, 1689 or 1691-1760, Franco-German, active in Britain (from 1716), undated, Mezzotint on medium, slightly textured, cream, laid paper, Sheet: 10 1/16 × 13 3/4 inches (25.6 × 34.9 cm) and Image: 9 3/16 × 13 5/8 inches (23.3 × 34.6 cm), figure study, genre subject, priests

Perfect Harmony 1776 Jean Michel Moreau the Younger French. Perfect Harmony 337860

Mary, Queen of Scots and Lord Darnley Various artists/makers ca. 1816 View more. Mary, Queen of Scots and Lord Darnley. After Renold Elstrack (British, 1570-1625). ca. 1816. Mezzotint; proof. Samuel Woodburn (British, 1786-1853). Robert Dunkarton (British, London 1744-1811). Mary, Queen of Scots (British, Linlithgow 1542-1587 Fotheringhay). Prints

Love at the little point Jean-Baptiste Mallet. "Love at the little point". Gouache on paper, between 1785 and 1790. Paris, museum cognacq-jay.

Plate Two, from A Rake's Progress 1735 England. Etching and engraving in black on ivory laid paper . William Hogarth

The Flower Girl (La Petite Marchande de Fleurs). Artist: Antoine Louis François Sergent Marceau (French, Chartres 1751-1847 Nice). Dimensions: 10 7/8 x 8 in. (27.6 x 20.4 cm.). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Serie deutsche Bühnendichter, Lessing, Minna von Barnhelm, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital restaurierte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei,.

Samuel Wale RA, 1721-1786, British, The Offer, undated. Gray wash with pen and black ink on medium, slightly textured, cream laid paper mounted on moderately thick, slightly textured, cream wove paper.

BORDEEL SCENE; The lost son at the whores. In a brothel, a young man fell asleep on the lap of a woman of light morals, she consumes him. While a woman lugplays a second man puts himself to rest on the bed.

Rzewuski, Kasimir Graf.

The death of Emperor Leopold II, his wife and a physician () in attendance. Engraving by J.G. Mansfeld, 1792, after V.G. Kininger.

Josef II., Roman-German Kaiser.

Titian and his mistress.

The Country Maid's Fortune Told, Print made by Andreas van Rymsdyck, active 1767- died 1786, ca.1790, Mezzotint on medium, moderately textured, cream, laid paper, Sheet: 13 7/8 × 9 15/16 inches (35.2 × 25.2 cm) and Image: 12 7/8 × 9 15/16 inches (32.7 × 25.2 cm)

Illustration showing Spinning wheel with flyer 1851

engraving depicting a French noblewoman at her morning toilette. 18th century

Monsieur and Madame Blizet with Monsieur Le Roy the Actor. Dated: c. 1765. Dimensions: overall: 27.8 x 18.5 cm (10 15/16 x 7 5/16 in.). Medium: watercolor and gouache over red and black chalks with touches of graphite on laid paper; laid down. Museum: National Gallery of Art, Washington DC. Author: called Carmontelle Louis Carrogis.

Two Women Listening to a Bird, with a Man Holding a Gun, Print made by Johann Gottfried Haid, 1704-1767, German, active in Britain, after Giovanni Battista Piazzetta, 1682-1754, Italian, Published by Johann Christian Leopold, 1699-1755, German, undated, Mezzotint on moderately thick, slightly textured, cream laid paper, Sheet: 13 7/16 x 17 5/8 inches (34.1 x 44.8 cm), Plate: 10 1/2 x 15 1/16 inches (26.7 x 38.2 cm), and Image: 9 7/16 x 15 1/16 inches (23.9 x 38.2 cm), bird, birdcage, caps, gaze, genre subject, gun (small arm), listening, man, peasants, rifle, sleeves, thoughtful, watching, women

A Jewish family together around the table . Wine is being drunk. In the background the women and children are entering, Jewish family at the table during a Jewish feast, Feast of the Jews , print maker: Jan Luyken, (mentioned on object), publisher: Daniel van den Dalen, publisher: Hendrik van Damme (II), print maker: Haarlem, publisher: Leiden, publisher: Leiden, 1702, paper, etching, h 145 mm × w 159 mm

Gehoor, Johann Jacob Haid (Possibly), after Gabriel Spitzel, 1714 - 1767 print With caption in German and French. Augsburg paper hearing, listening (one of the five senses). lute, and special forms of lute, e.g.: theorbo

Thomas Howard, 21st Earl of Arundel and Alethea Howard (née Talbot), 13th Baroness Furnival, Countess of Arundel, Lucas Vorsterman, 1595-1675, Flemish, after Sir Anthony Van Dyck, 1599-1641, Flemish, active in Britain (1620-21; 1632-34; 1635-41), 1624-1629, Engraving on thick, moderately textured, cream, laid paper, Sheet: 12 9/16 × 17 7/8 inches (31.9 × 45.4 cm) and Image: 11 3/16 × 16 3/4 inches (28.4 × 42.5 cm)

William Ward after William Owen, The Blind Beggar of Bednall Green, 1804 The Blind Beggar of Bednall Green

Dancing School. François Dequevauviller (French, 1745-1807); after Nicolas Lavreince (Swedish, 1737-1807). Date: 1785. Dimensions: 290 × 371 mm (image); 340 × 419 mm (sheet). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: François Dequevauviller.

Nicolas de Larmessin IV after Nicolas Lancret, Le midi, 1741 Le midi

Recueil des modes de la cour de France, 'Dame de qualité en habit desté'. Nicolas Bonnart (France, 1637-1717). France, Paris, 1678-1693. Prints. Hand-colored engraving on paper

Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last, Print made by John Finlayson, 1730-1776, British, after Johan Joseph Zoffany RA, 1733-1810, German, active in Britain (from 1760), Published by Johan Joseph Zoffany RA, 1733-1810, German, active in Britain (from 1760), John Finlayson, 1730-1776, British, and Henry Parker, 1725-1809, British, 1769, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 18 1/8 x 22 3/8 inches (46 x 56.8 cm), Plate: 18 x 21 7/8 inches (45.7 x 55.6 cm), and Image: 16 5/8 x 21 7/8 inches (42.2 x 55.6 cm), actors, cane, chairs, characters, costume, footstool, gesture, gloves, gown, hat, humor, interior, literary theme, men, microscope, play, pointing, president, satire, shoes, surprise, table, The Devil on Two Sticks (1707), novel, theater (discipline), wig

Genre scene "First Lesson";

Frederick the Great founded the League of Princes. The League of Princes of 1785 was an alliance of Prussia and the Electorates of Brunswick-Lueneburg and Saxony with 14 smaller princes of the Holy Roman Empire of the German Nation that lasted until 1791. It successfully opposed the plan of Emperor Joseph II and Elector Karl Theodor of Palatinate-Bavaria to exchange the Austrian Netherlands for Old Bavaria, Historical, digitally restored reproduction from an original of the time

La Vieilesse, Old Age, 'Senectus', 'Vecchiezza' (Ripa), Nicolas de Larmessin (III) (mentioned on object), 1735, paper, engraving, h 380 mm × w 462 mm

The candle game, woodcut, 1888

Portrait of a dancing Marie Camargo, Laurent Cars, After Nicolas Lancet, 1731 print publisher: ParisFrance paper etching / engraving historical persons. female dancer. musician - CC - out of doors

Caricature, anonymous, 1750 - 1850 drawing Caricature of a young man with turban and a young woman with cleavage. England paper. watercolor (paint). pencil pen caricatures (human types). head-gear: turban. political caricatures and satires

Published by Jacques Chéreau, Perruque à Face Dame en Robe Manche en Pagode, 1720s() Perruque à Face/Dame en Robe/Manche en Pagode

Farrowing room, draughtsman: Cornelis Troost, (mentioned on object), 1748, paper, brush, pen, h 260 mm × w 420 mm

Stage in the inn; Or after 1794 (1795-00-00-1810-00-00);Purchase (provenance)

Portrait of Michiel van Mierevelt, while he was Jacob Willemsz. Delff paints. Draughtsman: Aert Schouman. After Willem Jacobsz. Delff. Dating: 1792. Measurements: h 167 mm × w 137 mm. Museum: Rijksmuseum, Amsterdam.

Family group in Interieur, Anonymous, 1700 - 1800 drawing paper. oil paint (paint) brush family group, especially parents with their child(ren)

Schuppach, Michel.

Plate 2 for 'History of the Middle Ages'

Lucas et Cornelius de Wael, Wenceslaus Hollar, 1607-1677, Bohemian, after Sir Anthony Van Dyck, 1599-1641, Flemish, active in Britain (1620-21; 1632-34; 1635-41), 1646, Stipple engraving, line engraging and etching on medium, slightly textured, browned white, laid ppaer, mounted on, moderately thick, slightly textured, cream, laid paper, Mount: 15 1/16 × 11 inches (38.3 × 27.9 cm), Sheet: 11 5/8 × 9 inches (29.5 × 22.9 cm), and Image: 10 3/8 × 8 3/4 inches (26.4 × 22.2 cm)

Christoph Willibald Gluck and his wife Maria Anna, born Perg Inv,-No,

The Parliament of Oppressed Paris, exiled, in the irons. 7er: 1732. (IT)

The Punished Son 1777-1778 France. Etching with engraving on paper . Jean Michel Moreau, the Younger

Bernard Lepicie after Jean Siméon Chardin, La Maitresse d'ecole, French, 1698-1755, 1740, engraving

La Famille West. Pierre Verdeil (France, Nîmes, 1812-after 1874). France, 1857. Prints; engravings. Wood engraving

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