Theatrical Family Gatherings

Engaging scenes featuring families in intimate gatherings, depicting both formal and casual interactions with rich backgrounds.

Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog, a Landscape Beyond. Sir Thomas Lawrence (1769-1830). Oil on canvas. 198.8 x 200cm.

The Harlowe Family, from Samuel Richardson's 'Clarissa', Joseph Highmore, 1692-1780, British, between 1745 and 1747, Oil on canvas, Support (PTG): 25 1/2 x 30 7/8 inches (64.8 x 78.4 cm), back, book, brother, cane, chair, chair, family, interior, men, room, seated, stick, women

The Dancing Lesson

Marriage a la Mode Scene with the quack From the original picture by Hogarth from The Works of Hogarth published London 1833, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,

Venetian dance (Fetes Venitiennes). Watteau, Jean-Antoine (1684-1721), painter

Group Portrait of Mrs Henry Baring and Two of her Children and a Large Dog, a Landscape Beyond. Sir Thomas Lawrence (1769-1830). Oil on canvas. 198.8 x 200cm.

What a Pity to Lose the Moustache Scared Ski, Leonard Ludwik (1827 1879)

Maria Mathilda Bingham with Two of her Children, Thomas Lawrence, c. 1810 - c. 1818 painting Maria Mathilda Bingham, wife of Henry Baring, with two of her children, probably James Bridgeman and Anna Maria. Mrs. Baring is portrayed out of it, sitting on a red sofa. Left behind the sofa her daughter who takes a comb through her mother's hair. On the right on the sofa the son, who embraces a large dog. A landscape in the background. The part of the canvas with the figure of Henry Baring was cut off by the painter during the manufacture. oil paint (paint). canvas mother and child(ren), woman and child(ren) (family group). dog. comb, brush and other tools (care of the hair)

The revelation of Olivia's betrothal, from 'Twelfth Night,' Act V, Scene i, William Hamilton, 1751-1801, British, ca. 1790, Oil on canvas, Support (PTG): 13 1/2 x 17 inches (34.3 x 43.2 cm), arches, city, cityscape, gesture, literary theme, men, monk, play, priest, stage, street, Twelfth Night; or, What You Will, play by William Shakespeare, women

Marriage a la Mode: The Inspection, 1743. Oil on canvas.Wiliam Hogarth (1697-1764) English painter and printmaker. Viscount with Quack and prostitute. Image of satirical moral series on an aristocratic marriage arranged for money.

'Actors Before a Performance'. Belgium, 1851. Dimensions: 53x68 cm. Museum: State Hermitage, St. Petersburg. Author: Constant Wauters.

fine arts, Troy, Jean Francois de (1679 - 1752), painting, ""Declaration of Love"", circa 1731, Foundation for Prussian Palaces and Gardens, Berlin,

An Embarrassing Proposition 1716 Jean-Antoine Watteau (1684-1721 French) Oil On Canvas State Hermitage Museum, St. Petersburg, Russia

Pierrot Content by Watteau, Jean Antoine (1684-1721) Thyssen-Bornemisza Collections ca 1712 Oil on canvas 35x31 France Rococo Genre Painting

VAN LOO, Louis Michel (1707-1771). Philip V, King of Spain, and his Family in 1745. 1745. Philp V of Spain, Isabel of Farnesio, Charles III, Maria Amalia of Saxony, MarÕa-Isabel of Spain, Felipe of Bourbon; Luisa Isabel of Bourbon, Luis Antonio of Bourbon, Ferdinand VI, MarÕa Teresa Antonia Rafaela and MarÕa Magdalena. Preparatory sketch for the work exhibited in the Prado Museum. Rococo. Oil on canvas. FRANCE. LE-DE-FRANCE. YVELINES. Versailles. National Museum of Versailles.

'Spanish Concert (Spanish onversation)'. France, 1754. Dimensions: 164x129 cm. Museum: State Hermitage, St. Petersburg. Author: Carle Vanloo (Charles-Andre).

Pastoral Gathering, Jean-Antoine Watteau, Jean-Baptiste Pater, 1718-1721, Art Institute of Chicago, Chicago, Illinois, USA, North America,

The Letter, or The Spanish Conversation 1773-1783 France. Jean-HonorÈ Fragonardís highly personal, powerful style emerged after periods of study with both FranÁois Boucher and Jean-SimÈon Chardin, and over five years at the AcadÈmie de France in Rome. Entitled The Letter, or The Spanish Conversation (because of the manís elegant attireówith a doublet of full sleeves and a wide, stiff neck ruffóa costume that was ìin the Spanish modeî), this lively sheet depicts with wit and teasing ambiguity an intimate incident in an upper-class drawing room. The artistís rapid, virtuoso draftsmanship evokes forms with what seems like a minimum of effort, and his powerful handling of brush and wash reflects his ability to capture the effects of light. The interplay between the drawingís broad, free underdrawing and its shimmering veils of wash lend this work its charm and vivacity. The woman in this drawing is said to be Fragonardís sister-in-law, the artist Marguerite GÈrard.. Brush and brown ink and

An Artist in His Studio, Painting The Portrait of A Lady. A painter works his studio to the portrait of a standing woman. The painter is behind his donkey, two other men look. On the left a dog.

A Game of Quadrille, Hubert-François Gravelot, 1699-1773, French, active in Britain (1733-45), ca. 1740, Oil on canvas, Support (PTG): 25 x 30 inches (63.5 x 76.2 cm), apron, bows (costume accessories), buckles, card game, chairs, coats, conversation piece, costume, curtains, dresses, envy, fan (costume accessory), fichus, food, furniture, genre subject, interior, leisure, maid, men, mob caps, paintings, pink (color), purple, quadrille, red, Rococo, rug, servants, slave, stockings, sword, tables (support furniture), tea service, tray, wigs, women

Breakfast in the countryside, by Vincenzo Morani (1809-1870), painting.

Love in the French Theatre, by Jean-Antoine Watteau (1684-1721).

The Marriage Contract Jean Leon Gerome Ferris (1863-1930 American) Oil On Canvas

TEAGENES Y CARICLEA - HACIA 1655 - LIENZO - 90X119,1 CM - NºINV.20289. Author: HORIONS HANS. Location: MUSEO CENTRAL. Utrecht. HOLANDA.

The chimney corner, engraving. France, 19th Century.

Pietro Ayres. 1794-1878. The Ferrero family of the Marquises of Marmora. 1828. oil painting on canvas. cm 123 x 215.

Portrait of Marie Antoinette with children by Marie Louise Elisabeth Vigee-Lebrun, oil on canvas, 1787, 1755-1842, France, Musee National du Chateau de Versailles et du Trianon, 275x215

'The Declaration of Love', 1731, Oil on canvas. Author: FRANCOIS DE TROY (1645-1730).

It's Not You, Lottchen. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1787. Prints; etchings. Etching

Mrs Mary Robinson 1757 or 1758 to 1800 accompanied by the Prince of Wales and her husband Thomas Robinson afterT Rowlandson Mary Perdita Robinson English poet novelist and actress

French 18th Century, Divertissement, 18th century, oil on canvas

Preparation for the coronation, Viger du Vigneau, Jean-Louis-Victor (Hector) (1819-1879)

The Rakes Progress Surrounded by artists and professors From the original picture by Hogarth from The Works of Hogarth published London 1833, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated

John Singleton Copley, 1738-1815, American, active in Britain (from 1776), Study for 'The Red Cross Knight', ca. 1793. Oil on canvas.

Two of a Kind (Tal para qual) Francisco de Goya y Lucientes (Spanish, 1746-1828). , 1797-1798. Etching, aquatint, and drypoint on laid paper, Sheet: 11 7/8 x 8 in. (30.2 x 20.3 cm). European Art 1797-1798

The Art Gallery of Jan Gildemeester Jansz by Adriaan de Lelie (1755-1820) oil on panel, 1794-1820) oil on panel, 1794-1795. In 1792. the merchant Gildemeester converted two large rooms in his house on Amsterdams Herengracht into a picture gallery. Here we see that the walls are densely hung with paintings in gilded frames. Gildemeester stands in the middle of the front room conversing with one of his guests. The visitors are studying the famous works, including a Rembrandt, visible above Gildemeesters head.

Louise Elisabeth de France, Labille-Guiar - -

Morning 1736. William Hogarth

Photo collection Government information service. Le Concert Champetre / Versailles. undated. France, Versailles

Jacques Louis François Touzé, The Kiss Returned, in or before 1795 The Kiss Returned

Portrait of Louise, Princess of Oranje-Nassau, William I Frederik, King of the Netherlands, and Frederik, Prince of Oranje-Nassau, 1790 print Portrait of Louise, Willem I Frederik and Frederik. Louise and Willem I Frederik hold a letter together. Frederik is sitting at a secretary, a bust of Willem I. in the lower margin their names and titles. print maker: Englandpublisher: London paper historical persons. historical persons - BB - woman. knighthood order (with NAME) - insignia of a knighthood order, e.g.: badge, chain (with NAME of order). piece of sculpture, reproduction of a piece of sculpture

José del Castillo / 'A stroll along the banks of the Retiro lake'. 1780. Oil on canvas. Museum: Museo del Prado, Madrid, España.

The Duke of Osuna and his Family', 1788. Artist: Francisco Goya. Francisco Goya (1746-1828) was a Spanish artist whose paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th and 20th century painters.

John Wilkes (1727-1797). British radical, journalist and politician. John Wilkes and his daughter Mary (1750-1802). Portrait by Johan Zoffany (1733-1810). Oil on canvas (126,4 x 100,3 cm), begun 1779, exhibed 1782. Detail. National Portrait Gallery. London, England, United Kingdom.

The Artist at Work with His Two Daughters, Pesne, Antoine, 1754.

Print made by unknown artist, eighteenth century, The Promenade, 1781. Mezzotint on medium, slightly textured, cream laid paper.

Marianne Dorothy Harland (1759-1785), Later Mrs. William Dalrymple. Artist: Richard Cosway (British, Oakford, Devon 1742-1821 London). Dimensions: 28 x 36 1/8 in. (71.1 x 91.8 cm).Cosway was a successful miniaturist. His few oil paintings focus on the figure and are small in scale and highly finished. This one was exhibited at the the Royal Academy in 1779 as "A Lady Playing on the Harp.". Museum: Metropolitan Museum of Art, New York, USA.

'Queen Victoria Giving the Bible to an African Chief (The Secret of England's Greatness)'. Great Britain, 1861(). Dimensions: 32x30,5 cm. Museum: State Hermitage, St. Petersburg. Author: THOMAS JONES BARKER.

Horsewoman (G. Pacini) Karl Pavlovic Briullov (1799-1852 Russian) Tretyakov Gallery, Moscow, Russia

Luncheon Party in a Park (Le Dejeuner de jambon); about 1735 Oil on canvas Nicolas Lancret French; 1690-1743

Watercolor depicting Don Quichotte protecting the basile, showing figures, posture, and 18th-century costume, mid-to-late 18th century.

Henri III by Richard Parkes Bonington

CARLOS IV. REY DE ESPAÑA. 1748 - 1819. " LA FAMILIA DE CARLOS IV " , GRABADO DE UN CUADRO DE FRANCISCO DE GOYA , EN LA ILUSTRACION ESPAÑOLA Y AMERICANA. AÑO 1891.

Gallant Conversation, Known as 'The Paternal Admonition', Gerard ter Borch (II), c. 1654

Lovers in a landscape, Pieter Jan van Reysschoot, 1702-1772, Flemish, active in Britain (1736-44), ca. 1740, Oil on canvas, Support (PTG): 19 1/2 x 21 inches (49.5 x 53.3 cm), conversation piece, dress, hand, letter, lovers, man, outside, paper, pink (color), portrait, woman

Marriage a la Mode Death of the Countess From the original by Hogarth from The Works of Hogarth published London 1833, Historisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated,

'Conversation in a Park', 1745, Oil on canvas, 73 x 68 cm. Author: THOMAS GAINSBOROUGH (1727-1788). Location: LOUVRE MUSEUM-PAINTINGS. France.

A man telling a lady's horoscope. Colour stipple engraving by J.P. Simon, 1786, after J.R. Smith.

Declaration of love, historical illustration, ca. 1893

Family going to the Guinguette (Revolutionary Period) Jean-Baptiste Lesueur (1749-1826). Family going to the guilinguette. Gouache on cut carton glued on a sheet of washed blue paper.

'The Family of Carlos IV' (detail), 1800, Oil on canvas, P00726. Author: FRANCISCO GOYA Y LUCIENTES DE (1746-1828). Location: MUSEO DEL PRADO-PINTURA. MADRID. SPAIN. Infante Francisco de Paula. Prince of Asturias Charles de Bourbon (Charles IV). CARLOS IV ESPOSA. INFANTA MARIA ISABEL. MARIA ISABEL INFANTA. ASIS FRANCISCO PADRE. BORBON FRANCISCO DE PAULA. FERNANDO VII HERMANO. FRANCISCO DE ASIS PADRE. BORBON MARIA ISABEL. MARIA LUISA DE PARMA (1751-1819). FRANCISCO DE PAULA ANTONIO DE BORBOM. MARIA LUISA DE BORBON-PARMA (1751/1819). MARIA LUISA DE BORBON-PARMA (1751-1819). MARIA LUISA DE BORBON (1751-1819).

Walk in a park Jean-Baptiste Hilaire (attributed to). "Walk in a park". Oil on canvas. Paris, Cognacq-Jay Museum.

Mrs. Cibber as Cordelia. Date/Period: 1755. Painting. Oil on canvas. Height: 2,134 mm (84.01 in); Width: 2,083 mm (82 in). Author: Peter van Bleeck.

'Dance under the Trees'. Triptych: "Musical Entertainment", "Dance under Trees" and "Scene in a Park". France, Late 1720s - first half of the 1730s. Dimensions: 147,5x101,5 cm. Museum: State Hermitage, St. Petersburg. Author: JEAN-BAPTISTE PATER.

Tapestry titled 'Winter' designed by Lodewijk van Schoor. The tapestry depicts a wealthy woman warming herself by a roaring fire during the winter period. Dated 18th Century

Francis Hayman, 1707/8-1776, British, Battledore and Shuttlecock, ca. 1740. Pen and brown ink, brown wash, gray wash and graphite on medium, slightly textured, beige laid paper.

unknown artist, eighteenth century, Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i, between 1770 and 1780. Oil on canvas.

Portrait by Angelica Kauffman (1741-1807) Austrian Neoclassical painter. Dated 1807

George Capel, Viscount Malden (1757-1839), and Lady Elizabeth Capel (1755-1834) 1768 Sir Joshua Reynolds British. George Capel, Viscount Malden (1757-1839), and Lady Elizabeth Capel (1755-1834) 437445

The Apology. Otto Erdmann (1834-1905). Oil on canvas. Signed and dated 1869. 62.2 x 51.4cm.

Cordelia Championed by the Earl of Kent, from Shakespeare's "King Lear," I, i. Date/Period: 1770s. Painting. Oil on canvas. Height: 1,045 mm (41.14 in); Width: 1,283 mm (50.51 in). Author: UNKNOWN.

The Ladies Waldegrave - Sir Joshua Reynolds, 1780

GRABADO-TIPOS RUSOS. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Age and infancy'. To Marshall with address from Tegg, print maker: Robert Mitchell, after: Augustus Marshall, publisher: William Tegg & Company, England, 1830 - 1873, paper, etching

Miss Chatelin making the portrait of Ms. Chatelin, surrounded by Mr. Brot, M. de La Myre and the Knight of Lussan Carmonelle. "Miss Chatelin making Ms. Chatelin's portrait, surrounded by Mr. Brot, Mr. de La Myre and the Knight of Lussan".

Pierre Alexandre Wille (1748-1821), French patriotism or the departure for the American War of Independence, 1785, oil on canvas, 162x129 cm.

People listening to man by Nicolas Bernard Lepicie, oil on canvas, 1766, 1735-1784, Russia, Moscow , State A. Pushkin Museum of Fine Arts, 137x148

Jan Tricius ( -1692), Jan III Sobieski from families; Hurkiewicz, Antoni and S-ka (Warsaw; Graphic AD); around 1905 (1900-00-00-1910-00-00);

Painting titled "The Ladies Waldegrave" by Joshua Reynolds dated 1780

King Lear and Cordelia, by John Massey Wright. Gift of Archdeacon F.H.D. Smythe, 1957.

Van Loo, Louis Michel (1707-1771) Museo del Prado, Madrid Painting 408x520 Portrait The Family of Philip V, King of Spain

Hoftrachten zur Zeit von Ludwig XIV, Versailles, um 1700, digital restaurierte Reproduktion einer Originalvorlage aus dem 19. Jahrhundert

Oliver Cromwell (1599-1658) English soldier and statesman, with his wife, standing in front a portrait of Charles I. 19th century engraving.

George Capel, Viscount Malden (1757-1839), and Lady Elizabeth Capel (1755-1834). Artist: Sir Joshua Reynolds (British, Plympton 1723-1792 London). Dimensions: 71 1/2 x 57 1/4 in. (181.6 x 145.4 cm). Date: 1768. Museum: Metropolitan Museum of Art, New York, USA.

A watercolor drawing by Matthäus Loder depicting a banquet in the knight's hall around 1812, showing figures, furniture, and interior arrangement.

States of Holland and West Friesland, Northern Netherlands, Gole, Jacob, Farewell of his KdH the Lord Prince of Orange done to his K. Consort Madame the Princess of Orange going to England to help the Protestants, Prince William III takes leave of his wife before his journey to England, 1688, 11 November 1688. Stadholder William III (right) and his wife Mary Stuart, stand centrally against a sober black background, with two gentlemen to the right of the Prince and four ladies to the left of the Princess. Willem has his hat in his left hand and raises his right hand, Mary has her white handkerchief in her right hand., print, engraving, prints, engravings, Frederik Muller Historieplaten, height 255 mm, width 347 mm, 1660 - 1724, print maker, printmaker, 1688 - 1688, fourth quarter 17th century, paper, mezzotint, Publication (Event), Publication, publisher, granter of privilege

BRYULLOV, Karl Pavlovitch (1799-1852). A Rider. 1832. Portrait of Giovanina and Amacilia Pacini, the Foster Children of Countess Yu. P. Samoilova. Romanticism. Oil on canvas. RUSSIA. MOSCOW. Moscow. Tretyakov Gallery.

Preparing for the Ball. Antoine Ducros (19th Century). Oil on panel. Signed and dated 1875. 50.8 x 39.5cm.

Portrait Of A Man And Woman, 1818. By William Owen

The Hall, Levens, Westmoreland Artist's working dates 1828-1878 England. Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card . Joseph Nash

David Garric as Richard III by William Hogarth, etching, 1746, 1697-1764, private collection, 38, 4x50, 4

As You Like It, Act I Scene II, 1800 After John Downman, Rosalind gives a trinket to Orlando, crowned with a laurel wreath, who has just defeated the wrestler, while Celia peeps from behind her friend, smiling at the two, in a garden with a colonnaded pavilion behind where the king walks thoughtfully., Watercolour, Literature, William Shakespeare, Frame, Printing, Etching, Theatre, Costume, Hat, Costume, Fashion, Laurel wreath, Legend, Hand-Tinted, Works on Paper

Portrait of Ekaterina Khrushchova and Countess Ekaterina Khovanskaya by Levitsky, Dmitri Grigorievich (1735-1822) / State Russian Museum, St. Petersburg / Neoclassicism / 1773 / Russia / Oil on canvas / Portrait / 164x129

The Roffey Family, 1765. Sir Joshua Reynolds

Andres de Islas (18th century). Casta Painting. De castizo y espanola, nace un espanol (From Castizo and Spaniard, a Spaniard is Born). Oil on canvas. Casta Painting. Viceroyalty of New Spain. Mexican School. 1774. Museum of the Americas. Madrid, Spain.

CARLOS III REY DE ESPAÑA. 1748-1819 "TRES PRINCIPES NIÑOS HIJOS DE CARLOS III" OLEO DE CHARLES DE TRAVERSE MUSEO BELLAS ARTES SAN FERNANDO. MADRID. Author: CHARLES DE TRAVERSE (1726-1787).

Queen Isabella II of Spain (1830-1904) and her husband Francisco de Asís de Borbón (1822-1902), king consort of Spain from 1846 to 1868. Illustration by Zarza. Engraving by Coderch. Historia General de España by Father Mariana, 1853. Author: SECOND HALF OF THE 19TH CENTURY. Eusebio Zarza (1842-1881). Spanish artist. Coderch. Spanish chalchograph.

GOETHE, Johann Wolfgang von (1749-1832). German humanist and writer. Goethe with his family. Oil on canvas. GERMANY. HESSE. Frankfurt. Goethe House and National Goethe Museum.

GOYA Y LUCIENTES, Francisco de (1746-1828). Blind Man's Buff. 1788. There are two versions of this work. Game also Known as 'Cucharn'. Oil on canvas. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. Prado Museum.

As You Like It.Act V. Scene IV. The Forest. Duke Senior, Amiens, Jaques, Orlando, Silvius, Oliver, Touch Stone, Audrey, Phebe, Rosalind, Celia and Hymen. From The Boydell Shakespeare Gallery published late 19th century. After a painting by William Hamilton.

Three half-length figures from a Venetian carnival 1750-1822 Niccolò Cavalli. Three half-length figures from a Venetian carnival. Niccolò Cavalli (Italian, Longarone, 1730-1822). 1750-1822. Etching and engraving. Prints

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