Theatrical Scenes and Characters

Artwork depicting allegorical and literary themes, often featuring expressive figures in dramatic settings. The images capture human emotions and narratives.

Christ and the adulterous woman, draughtsman: Jacob de Wet (II), draughtsman: Jacob de Wet (I), (rejected attribution), 1650 - 1697, paper, pen, h 120 mm × w 171 mm

The Lost Son wasted his money, Jacques de Gheyn (II), After Karel van Mander (I), 1596 print In the foreground a cheerful company. There is drinking, singing and music is played. Left in the foreground a fool with a fool. The lost son wastes all his money by leading a loose life in this cheerful company. In the background he is chased an inn by three women. The print has a Latin caption. Leiden paper engraving the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. when all his money is squandered the prodigal son is chased away by the harlots. fool's cap. bauble. buffoon (in general) (German: 'Schalksnarr')

A detailed study by Abraham van Diepenbeeck showing a young messenger standing before a principal, drawn with brown pen and graphite pencil.

Job on the Mesthoop, 1563 print Job is on a manure heap and is visited and mocked by his friends and his wife. His friends are in pocket and ash: they have scattered ashes on their heads. Under the performance an explanatory text in Latin. This print is part of an album. paper engraving Job on the dunghill visited by his friends (and wife)

Laërtes' house attacked, Theodoor van Thulden, After Francesco Primaticcio, 1632 - 1633 print The relatives of the deceased lovers want revenge and storm the house of Laërtes. Laërtes, Odysseus and the other men in the house arm themselves to compete. Paris paper etching / engraving the avenging relatives of the suitors attack Laertes' house

Large family in a forest, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing family life. clothed in rags. distaff. hand shovel-board

Christ and the adulterous woman, draughtsman: Jacob de Wet (II), draughtsman: Jacob de Wet (I), (rejected attribution), 1650 - 1697, paper, pen, h 120 mm × w 171 mm

Judgment of the secular power, 1563 - 1570 print A king or emperor sits on a throne. A prisoner is brought before a priest and two soldiers. It is the task of the king, together with the rest of the ruling class, to maintain and speak the rule of law. In the background an army and the execution of a criminal through a sword. Under the performance an explanatory text in Latin. This print is part of an album. paper engraving nobility and patriciate; chivalry, knighthood. juridical examples; exemplary judges; 'Gerechtigkeitsbilder'. king. violent death by sword (+ execution (by judicial verdict)). marching away (troops)

Ruler with his counselors and a lawsuit, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing administration of justice, trial. counsellor

Rome, Veronese, Paolo, Italy, Barri, Giacomo, Adoration of the Shepherds, verso - stamped, Under the roof of an old wooden stable, Mary kneels and shows the Christ Child in the manger to a group of shepherds. With the ox and the donkey. In the air angels, one of whom holds a banderole with the text: Gloria in excelsis Deo in her hands., print, prints, height 443 mm, width 366 mm, Italian, 1630 - 1684, print maker, printmaker, 1667 - 1667, paper, etching, etchings, counterproof, counter pressure, 1528 - 1588-04-19, after, after painting by, Work conception

Triumphant David with the head of Golia; Story of David and Saul. David runs with the head of Goliat in the hand next to Saul in the triomer. Women and people with palm branches for them. Behind them soldiers. In the margin a single caption in Latin from 1 Sam. (Incorrectly referred to as 1 kings on the print).

Cosimo de 'Medici in 1569, 1583 In the Sixtine Chapel, Cosimo de 'Medici is crowned by Pius V in 1569 as Grand Duke of Tuscany. In the background, Michelangelo's last judgment. In the lower margin two lines of text in Latin. With pen numbered 3. The print is part of an album. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Rome. Sixtine Chapel (Vatican) In the Sixtine Chapel, Cosimo de 'Medici is crowned by Pius V in 1569 as Grand Duke of Tuscany. In the background, Michelangelo's last judgment. In the lower margin two lines of text in Latin. With pen numbered 3. The print is part of an album. print maker: Antwerpafter design by: Florencepublisher: Antwerp paper engraving Rome. Sixtine Chapel (Vatican)

Heemskerck, Maarten van, Netherlands, Coornhert, Dirck Volckertsz., History of Tobias, Tobias heals the blind Tobit, verso lower left - stamped, With the gall of a fish Tobias heals his father's blindness. Next to him the angel Raphael and Anna, the mother of Tobias., print, engraving, prints, engravings, height 219 mm, width 186 mm, Northern Netherlands, 1522 - 1590-10-29, print maker, printmaker, 1548 - 1548, paper, papier, houtsnede, 1498 - 1574, intermediary draughtsman

Christ kneels and writes on the pavement at center, while the woman taken in adultery stands between three soldiers at right 1653 Luca Giordano. Christ kneels and writes on the pavement at center, while the woman taken in adultery stands between three soldiers at right. Luca Giordano (Italian, Naples 1634-1705 Naples). 1653. Etching; second state of two. Francesco Palmieri (Italian, active Naples, ca. 1653). Prints

Andreani, Andrea, Parmigianino, Italy, Vicentino, Niccolò, Adoration of the Magi, verso - stamped, On the left sits Mary with the Christ Child. The magi offer gifts and behind them stands a camel., print, prent, prints, enten, height 166 mm, width 239 mm, Italian, print maker, prentmaker, 1605 - 1605, first quarter 16th century, first quarter 17th century, paper, papier, chiaroscuro woodcut, Work conception, 1503-01-11 - 1540-08-24, after a design by, Publication (Event), Publication, 1559 - 1629, publisher

Maarten of Heemskerck (1498-1574), Ahasverus beder Haman for advice, 1563

Adoration of the Magi. Benedetto Caliari; Italian, 1538-1598. Date: 1589-1598. Dimensions: 208 x 306 mm (max.). Pen and brown ink and black chalk, with brush and brown wash, heightened with gouache, on green laid paper, laid down on tan laid card. Origin: Italy. Museum: The Chicago Art Institute, USA.

The Return of the Prodigal Son. Lucas van Leyden; Netherlandish, 1494-1533. Date: 1505-1515. Dimensions: 179 x 244 mm (image/sheet, trimmed within plate mark). Engraving in black on cream laid paper. Origin: Netherlands. Museum: The Chicago Art Institute, USA.

Holofernes for Nebuchadnezzar; The history of Iudith; History of Judit and Holofernes; Den Grooten Figuer Bibel (...). The king of the Assyrians Nebuchadnezzar is on a throne and has his supreme commander holofernes. He gives him the assignment to raise the neighborhood volker. Under the show a reference in Latin to the Bible text in Judit 2: 4. This print is part of an album.

Martyrdom of Paulus, Hendrick Goltzius, After Maerten de Vos, 1646 print Paul is beheaded with a sword in the city of Rome. On the left next to the scene of his torture death, he is shown again, with a sword in his hand. Under the performance an explanatory text in Latin. This print is part of an album. paper engraving Paul prays before his beheading. the apostle Paul of Tarsus; possible attributes: book, scroll, sword - martyrdom, suffering, misfortune, death of male saint

Worship by the shepherds, Titian (attributed to), Giovanni Britto, c. 1535 - c. 1540 print Under a shelter, the shepherds worship the Christ child that lies in a manger. Maria and Joseph are standing in the child. Two boys on the left and a landscape in the background. print maker: VeniceItaly paper adoration of the Christ-child by the shepherds; Mary and Joseph present. city-view, and landscape with man-made constructions

The brothers have entered the vestibule of a palace and observe the salutation of Benjamin by Joseph. One of them is shown in the lower left corner, kneeling and covering his eyes with the left hand. Framing lines. Chalk, pen and ink, brush and wash on paper. Date: 1782-1785. Museum: Cooper Hewitt, Smithsonian Design Museum.

Man with a sword and a book sitting on a throne for a crowd, Anonymous, 1541 print print maker: Netherlandspublisher: Antwerp paper letterpress printing adult man (+ sitting). book. hacking and thrusting weapons: sword. throne

Houtmarkt, Willem Pietersz Buytewech, 1620 - 1624 drawing paper. chalk. ink pen / brush

Victorious Soldiers with Trophy, 1550s. Pellegrino Tibaldi (Italian, 1527-1596). Pen and brown ink and brush and brown wash; framing lines in brown ink; sheet: 13.7 x 20.2 cm (5 3/8 x 7 15/16 in.); secondary support: 13.7 x 20.2 cm (5 3/8 x 7 15/16 in.); tertiary support: 21.8 x 27.7 cm (8 9/16 x 10 7/8 in.).

Odysseus in de onderwereld; Les Travaux d'Ulysse; De werken van Odysseus.Odysseus visiting the underworld. In the middle, Hades, the ruler of the underworld, with the three-sacking dog Cerberus. On the right meets Odysseus de Held Hercules. LEFT Three figures that exceed their punishment for a variety of crimes in the Tartarus: Tantalus, Sisyphus and Tityus. The print is part of an album.

Francesco la Marra etching and brush on limestone depicting the biblical scene of the adoration of the golden calf, created in 1792.

Parable of the Royal Wedding Festival: The man without party clothing is punished, Anonymous, After Ambrosius Francken (I), 1585 print At a long table, the guests of the king are on the wedding meal. They are people from the street: the woman in the middle of in front has crutches next to her. The king instructs the left to hide the man without party clothes and throw him in the extreme darkness. Under the show a reference in Latin to the Bible text in mat. 22. Antwerp paper engraving the king sees a guest without a wedding garment: 'bind him hand and foot .. and cast him into the outer darkness' ~ parable of the royal wedding-feast

Odysseus shoots the arrow through the twelve rings; Les Travaux d'Ulysse; Odysseus works. In the presence of Penelope's freemers, Odysseus spend the bow and shoots an arrow through twelve rings. The print is part of an album.

The Lost Son wasted his inheritance, Hans Collaert (I), After Chrispijn van den Broeck, 1646 print The lost son wastes his inheritance in a brothel. In a garden he is embraced by a prostitute. Another woman pours his glass full. On the left a dancing woman with tambourines and on the right an orchestra. Behind the lost son is a dar. Under the show a reference in Latin to the Bible text in Luc. 15:13. This print is part of an album. paper engraving the prodigal son in the midst of prostitutes feasting and dissipating his patrimony, usually in a brothel or inn. small group of musicians, chamber orchestra, jazz band. wind instruments. court jester, court fool

Chamor and Sichem ask Jakob for Dina's hand, Harmen Jansz Muller, after Maarten van Heemskerck, 1579 - 1585 print Sichem and his father Chamor come to Jakob and ask him to marry his daughter Dina to Sichem. Jakob is in his tent surrounded by his wife and twelve sons. Jakobs sons set the condition that Sichem and his people have to be circumcised because they only want to marry their wives from circumcised men. At the bottom of the margin a reference in Latin to the Bible text in Gen. 34. print maker: Amsterdampublisher: Antwerp paper engraving Hamor and Shechem come to Jacob, whose sons have just come in from the fields, to ask for Dinah in marriage; the sons agree on condition that the Shechemites will be circumcised

Romesese Solden, Marco Dente (ACTRUTED TO), 1498 - 1532 print A group of Roman soldiers with horses. Legal tents behind a wall on the right. Italy paper engraving the soldier; the soldier's life. warfare; military affairs (+ cavalry, horsemen) Column of Trajanus

Amnon, son of David, simulates illness in order to attract his half sister Tamar, who is preparing a meal; in the corner a physician is examining a urine specimen. Line engraving after M. van Heemskerck.

Tobias and the angel say goodbye to Tobit and Anna, 1643 print Tobias and the Engel Rafaël say goodbye to Tobias' parents Tobit and Anna. Right back Tobias and the angel at the Tigris River where Tobias removes and takes Tobias the heart, the liver and bile of the caught fish. Under the performance a reference in Latin to the Bible text in Tobit. 5:24. This print is part of an album. Amsterdam paper engraving Tobias taking leave of his parents; Anna mourns her son's departure. the angel Raphael tells Tobias to cut the fish to pieces

Pilate at the left washing his hands (left side of sheet). Artist: Andrea Andreani (Mantua, 1558/1559-1629); After Giambologna (Netherlandish, Douai 1529-1608 Florence). Dimensions: Sheet: 17 5/16 × 12 11/16 in. (44 × 32.3 cm). Date: 1585.Forms the left half of 22.73.3-99 (both are joined). Museum: Metropolitan Museum of Art, New York, USA.

Odysseus receives from Aeolus the bag with turns; Les Travaux d'Ulysse; Odysseus works. Odysseus, with a helmet on the head, receives aeolus the bag with turn. In this way Odysseus will not be bothered. The print is part of an album.

Job hears the bad news from messengers; History of Job. Job belongs from four messengers about the disaster that has happened to him. In the landscape you can see how jobs cattle and camels are stolen, how his shepherds and cattle died by lightning and how the house in the city links, in which the children of Job held a party, collapsed in the storm. After Job has heard the bad news, he shields his clothes and falls down on the ground. Under the show an explanatory text in Latin. This print is part of an album.

Lombard, Lambert, Karolus, Christ tells the parable of the sower, In a hilly landscape under the trees, Christ tells the parable of the sower to many bystanders (Luke 8). In the background, in addition to people, the outlines of a city and a ruin can also be seen. At the bottom is an explanation of the subject of the print in Latin., print, prent, prints, prenten, height 233 mm, width 307 mm, print maker, prentmaker, 1540 - 1560, paper, papier, engraving, engraving (printing process), Work conception, South Netherlands, 1506 - 1566

Saint John the Baptist Appearing Before Herod late 16th-mid 17th century Augustin Braun German. Saint John the Baptist Appearing Before Herod 381954

Dina overwhelmed and raped by Sichem, 1646 print On the left is Dina, with flowers in her hand, while she looks at the dancing men and women in the city of Sichem. On the right, Sichem grabs Dina and drags her in. At the top right, Dina is raped by him. At the bottom of the margin a reference in Latin to the Bible text in Gen. 34: 1. This print is part of an album. paper engraving the rape of Dinah by Shechem

Alkmaar, Schabaelje, Jan Philipsz, Amsterdam, Visscher, Claes Jansz. (II), Vos, Maerten de, Den Grooten Figuer-Bibel, History of Tobias, The History of Tobias, Departure of the Angel Raphael, bottom right - handwritten in brown ink, The angel Raphael makes himself known to Tobit, Anna, Tobias and Sara. They kneel on the ground. Tobit has returned home and is received on the left by his parents Tobit and Anna. Further in the background the reception of Tobias' wife Sara. On the right in the house the healing of Tobit. Below the representation a reference in Latin to the Bible text in Tobit. 12:4. This print is part of an album., print, prent, albumblad, prints, prenten, 297, height 209 mm, width 295 mm, print maker, prentmaker, 1585 - 1585, paper, papier, engraving, engraving (printing process), hand colouring, Work conception, Zuid-Nederlands, 1532 - 1603-12-04, after a design by, Publication (Event), Publication, Northern Netherlands, 1586 - 1652-06-19, publisher, 1592 - 1656-04

Sinorix is carried away after his poisoning, Pietro Testa, c. 1640 print The Tetrarch Sinorix was poisoned by Camma, a woman whose husband he had killed. Sinorix is worn to his car that is ready on the right. On the left a round temple of Diana. Scene from Plutarchus' 'De Mulierum Virtutibus'. paper etching to avenge the death of her husband upon his murderer Sinorix, Camma feigns consent to marry him, pours poison into the nuptial bowl and hands it over to Sinorix: the dying Sinorix is seen struggling out of the temple of Diana and trying to reach his carriage

February (one of a series representing the labors of the months) 1690 or slightly earlier Jonas Umbach German. February (one of a series representing the labors of the months) 334984

Jésus est Livré aux Juifs (Jesus is Delivered to the Jews), from La Petite Passion (The Little Passion) 1624-25 Jacques Callot French. Jésus est Livré aux Juifs (Jesus is Delivered to the Jews), from La Petite Passion (The Little Passion). La Petite Passion. Jacques Callot (French, Nancy 1592-1635 Nancy). 1624-25. Etching; first state of two (Lieure). Prints

Allegory of human life, Peregrino Mazzocati, 1645 - 1655 print Allegory of human life. A crowd of allegorical figures for the ruins of a building. Empty cartouche in the lower margin. Italy paper etching Life

François Chauveau drawing of a knight train with trombone blowers, executed in brown feder with gray-laved technique, featuring elliptical cutouts and borders on composition paper, circa 1648.

Umbria Terni Narni Palazzo Scotti7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture (16th century); frescoes (16th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Adoration of the Shepherds 1580-1599 Italy. Pen and brown ink, with brush and brown wash, heightened with lead white, on blue laid paper, laid down on ivory laid paper . Polidoro da Caravaggio

Two scenes from the history of Jozef, Elias van Nijmegen (Possible), 1677 - 1755 drawing Sketch magazine with two scenes from the history of Joseph, one with the caption: Joseph & Putifar, the other probably: Joseph explains the dreams of the Pharaoh. On Verso a quick sketch of figures. Design for a painting. paper. pencil. ink pen / brush Joseph in Potiphar's house; the chastity of Joseph (Genesis 37:36, 39:1-20). Pharaoh's dreams interpreted (Genesis 41:1-36)

Pilate at the left washing his hands (left side of sheet) 1585 Andrea Andreani Italian Forms the left half of 22.73.3-99 (both are joined). Pilate at the left washing his hands (left side of sheet). Andrea Andreani (Italian, Mantua 1558/1559-1629). 1585. Chiaroscuro woodcut from four blocks printed in green-brown ink. Prints

Beggars with a meal in a hut, Dirk van Hoogstraten, Cornelis Massijs, 1606 - 1640.

Copper engraving by Jean Duvet depicting the capture of a unicorn, created between 1545 and 1560.

A Family Carousing. Artist: David Teniers the Younger (Flemish, Antwerp 1610-1690 Brussels). Dimensions: 6 5/16 x 8 13/16 in. (16.1 x 22.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

The Wedding Feast at Cana (after Paolo Veronese). Artist: After Federico Zuccaro (Zuccari) (Italian, Sant'Angelo in Vado 1540/42-1609 Ancona); After Paolo Veronese (Paolo Caliari) (Italian, Verona 1528-1588 Venice); Traditionally attributed to Maerten de Vos (Netherlandish, Antwerp 1532-1603 Antwerp). Dimensions: 8 1/8 x 12 15/16in. (20.7 x 32.9cm). Date: 1540-1609. Museum: Metropolitan Museum of Art, New York, USA.

Sanguinisch temperament, 1566 print Jupiter, with lightning and eagle, and venus, with arrows and amor, are in heaven and depict the planets of the same name. Above them are three signs of the zodiac: Libra, Tweeling and Waterman, which match the air element. Among them, on earth, the people who have a sanguinic temperament: elegant love couples, bathing and dancing people in the open air. At the bottom of the margin a text in Latin about the sanguinics and the accompanying planets. This print is part of an album. paper engraving sanguine temperament. Jupiter (planet). Venus (planet). enjoying nature. couple of lovers

Batseba receives the letter from David; From David and Bathseba; History of David and Batseba; Den Grooten Figuer Bibel (...). Batseba, accompanied by servants, is on the edge of a water basin at a fountain. A servant presents her a letter from King David. David is on the balcony of the palace on the left in the background. Under the show a reference in Latin to the Bible text in 2 SAM. 11: 4. This print is part of an album.

Ecce Homo 16th century Maarten van Heemskerck Netherlandish. Ecce Homo 359446

'Adoration of the Magi'. Italy, Circa 1570. Dimensions: 21x30 cm. Museum: State Hermitage, St. Petersburg. Author: Luca Cambiaso (Luchetto da Genova).

October (one of a series representing the labors of the months). Artist: Jonas Umbach (German, Augsburg 1624-1693 Augsburg). Dimensions: 2 3/8 x 4 1/4 in. (6.0 x 10.8 cm). Date: 1690 or slightly earlier. Museum: Metropolitan Museum of Art, New York, USA.

Photo production of a painting by Paolo Veronese, presumably representing Markus led by the Sebastiaan to torture death, C., E Figlio Coen, After Paolo Veronese, c. 1870 - c. 1900 cabinet photograph photographic support. cardboard albumen print picture, painting. saints

King Josia destroys the temples of Astarte, Kemos and Milkom, 1579 print King Josia lets the temples in honor of the pagan gods destroy Astarte, Kemos and Milkom and put all the images of the idols to pieces. Two men are busy pulling a large statue of his pedestal. Other men hit the temple with hammers. Under the show a reference in Latin to the Bible text in 2 Kon. 23:14. Print is part of an album. paper engraving all the pagan shrines over the entire kingdom are desecrated and destroyed ~ story of Josiah

Sick King crowns his son and a lawsuit, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing court session (court of justice). family of the sovereign

The martyrdom of Saint Paul and the condemnation of Saint Peter 1524-27 Giovanni Jacopo Caraglio Italian Engraved just before the Sack of Rome in 1527, this print is the result of the collaboration of the Italian Mannerist artist Parmigianino and the skilled engraver Caraglio. A number of drawings by Parmigianino relating to the composition survive, including the actual model used by Caraglio to transfer the design to the plate (British Museum, London). Parmigianino may have created this design to decorate the Sala dei Pontefici in the Vaticana commission that was never realizedthough that is far from certain. The engraving shows the moments preceding the execution ordered by Emperor Nero of the apostles Peter and Paul. Saint Peter kneels in the foreground before his executioner, while behind him Saint Paul is pulled away by his beard to be crucified.A drawing by Parmigianino depicting an apparition of Christ in the Metrpolitan Museum (65.112.2) is drawn on the back of a fragment of

Cosimo I Medici enters the college of Cardinals in Rome; Mediceae Familiae Rerum (...), DL. 3. Design for a print.

Plate 5: Psyche carried on a litter to a mountain, from 'The Fable of Psyche' 1530-60 Master of the Die Italian. Plate 5: Psyche carried on a litter to a mountain, from 'The Fable of Psyche' 396187

Martha leading Mary Magdalene up a flight of stairs to Christ who is seated at right at the entrance to a temple. Artist: Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); After Giulio Romano (Italian, Rome 1499-1546 Mantua). Dimensions: 8 15/16 x 13 3/8 in. (22.7 x 34.0 cm). Date: ca. 1520-25. Museum: Metropolitan Museum of Art, New York, USA.

Holofernes for Nebuchadnessar, Anonymous, After Maerten de Vos, 1585 print The king of the Assyrians Nebuchadnessar is sitting on a throne and sees his supreme commander Holofernes. He instructs him to go to battle against the neighboring peoples. Under the performance a reference in Latin to the Bible text in Judit 2: 4. This print is part of an album. paper engraving Nebuchadnezzar gives Holofernes the command of an army to fight the neigbouring states

Two men spied a half -undressed woman, Anonymous, Hans Weiditz (II), 1514 - 1532 print Print is part of an album. paper letterpress printing spying on someone - AA - female human figure. peeping, voyeur

Jacob complains to Laban; Paintings in the Loggia of Rafaël. Jacob stands for Laban and complains, in the presence of Lea and Rachel, about the Laban's list. Laban Bedroog Jacob by letting him get married instead of with Rachel with Lea.

Departure of Tobias and Sara, Anonymous, After Maarten van Heemskerck, 1556 - 1633 print Sara says goodbye to Raguel and Tobias from Edna. The Archangel Rafaël watches. Tobias and Sara leave on horseback with camels and donkeys for them, which are packed with half of Raguels possessions as a gift for Tobias and his family. At the bottom of the margin a two -way caption in Latin from Tobit 10. print maker: Low Countriespublisher: Antwerppublisher: Antwerp paper engraving the leave-taking ~ Tobias' return

Campania Napoli Naples S. Lorenzo Maggiore82. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Bernardino India / 'August and the sybil'. XVI century. Wash, Pencil, Pencil ground, Grey-brown ink on yellow paper. Museum: Museo del Prado, Madrid, España.

Allegory on the East and West Indian Society, Romeyn de Hooghe, 1705- 1707 print Netherlands paper etching Justice, 'Justitia'; 'Giustitia divina' (Ripa) ~ one of the Four Cardinal Virtues

Parable of the bad winemakers Van d'Inrydingh Iesu, and some histories based on that (series title) Parables from the New Testament (series title) Den Grooten Figuer-Bibel (... ) (series title), In a fenced vineyard, winegrowers kill the servants of the vineyard owner. The servants came to collect the part of the harvest that the owner was entitled to. If his servants do not return, the owner decides to send his son. His son is thrown out of the vineyard and killed by the tenants in the foreground. Below the performance a reference in Latin to the Bible text in Luc. 20: 9. This print is part of an album, the wicked husbandmen kill the servants of the lord, who are sent to gather the fruits, at last the lord sends his son, '... they cast him out of the vineyard, and killed him ', Hans Collaert (I), 1585 and/or 1646, paper, engraving, h 223 mm × w 281 mm

Antwerp, Jode, Gerard de, Collaert, Hans (I), Francken, Ambrosius (I), Thesaurus sacrarum historiarum veteris testamenti, Parables from the New Testament, Parable of the treasure in the field, recto top right on mounting paper - handwritten, A man buys the owner's field after finding a treasure in a field. In the background we see how the man finds the treasure and buries it again. In the foreground the man stands with a purse of sticks in his hand to negotiate and buy the field. Below the representation a reference in Latin to the Bible text in Mat. 13: 1544 - 1618-10-16, after a design by, 1585 - 1585, paper, engraving, engraving (printing process), print maker, South Dutch (before 1775), 1540 - 1581, Publication (Event), Publication, North Netherlands, 1509 - 1591-02-05, publisher

Preparations for the wedding party, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1646 print A king instructs his servant to invite the wedding guests to his son's wedding party. In the foreground, servants slaughter the best manure cattle for the feast. In the middle of a cartouche with text. Under the show a reference in Latin to the Bible text in mat. 22. This print is part of an album. paper engraving first invitation to the feast ~ parable of the royal wedding-feast

Solomon builds the temple in Jerusalem, Pietro Aquila, After Rafaël, 1675 print A group of men are busy with tools and building materials. They build the temple of Solomon. In the background is King Solomon who supervises the work. Bible verse under the show. Print is part of an album. paper etching the building of the temple of Solomon. Solomon supervising the work ~ temple of Solomon

Diablerie: A Satire on the Medical Profession 1612-41 Andries Both Dutch. Diablerie: A Satire on the Medical Profession 343422

Tournament Scene; Jörg Breu the Elder (German, about 1475,1476 - 1537); Germany; about 1510 - 1515; Pen and black ink over black chalk; 25.4 cm (10 in.)

Holofernes for Nebuchadnezzar; History of Judit and Holofernes; Thesaurus Sacrarum HistoriaRu M Veteris Testame N Ti, Elega N Tissimis Imaginibus Expressu M Excelle N Tissimoru M in Hac Arte Viroru M Opera: now N C Primu M Luce M Editus. The king of the Assyrians Nebuchadnezzar is on a throne and has his supreme commander holofernes. He gives him the assignment to raise the neighborhood volker. Under the show a reference in Latin to the Bible text in Judit 2: 4. This print is part of an album.

Arthur Pond, ca. 1705-1758, British, Caricature portrait. Etching.

Caritas (Liefde) Caritas (Charity). Date/Period: 1559. Drawing. Pen in brown ink. Height: 223 mm (8.77 in); Width: 294 mm (11.57 in). Author: Pieter Brueghel The Elder.

This woodcut by Lucas Cranach the Elder illustrates the martyrdom of St. Bartholomew. The image shows the saint being flayed alive, a traditional depiction of his death. The composition captures the gruesome nature of the act, emphasizing the saint's suffering. The work is part of a series depicting the deaths of Christian saints.

Death of sanherib; History of Hizkia and Sanherib; Theatrum Biblicum Hoc Est Historiae Sacrae Veteris et Novi Testamenti Tabulis Aeneis Expressae. While king Sanherib van Assyria knelt down in the temple of his God Nisroch, he is murdered by two of his sons. Under the show a reference in Latin to the Bible text in 2. 19:37. This print is part of an album.

Judit for Holofernes, Philips Galle, After Maarten van Heemskerck, 1564 print Judit visits the army commander Holofernes in his tent camp. She kneels in front of him in her most beautiful clothes. Her maid kneels behind her. In the background you can see how Judit and Holofernes sit together at the table. Haarlem paper engraving Judith and her qualivant in Holofhnes' camp

Maarten Van Heemskerck (1498-1574), Peter Praediker I Jerusalem, 1571

Design for a Roman Procession. Artist: Attributed to Anonymous, French, 18th century. Dimensions: sheet: 4 7/16 x 9 1/2 in. (11.2 x 24.2 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Etching by Augustin Hirschvogel, 1548, showing Moses striking a rock to produce water, including figures, water flow, and landscape elements.

Punchinello is Helped to a Chair. Giovanni Domenico Tiepolo (Italian, 1727 - 1804)

Maarten van Heemskerck (1498-1574), Tobias' Hjemenganism, 1555

Martyrdom of Tomas, Hendrick Goltzius, After Maerten de Vos, 1646 print Tomas is stabbed to death with spears by Indians. To the right next to the scene of his torture death, he is shown again, reading in a book, a spear in his hand. Under the performance an explanatory text in Latin. This print is part of an album. paper engraving death of Thomas: he is brought out of the city by four soldiers, who kill him with their lances. the apostle Thomas; possible attributes: book, chalice, girdle, heart, lance or spear, scroll, square, stones - martyrdom, suffering, misfortune, death of male saint

Illustration for Boccaccio decamerone. Illustration for the Boccaccio decamerone, lxiii history. A woman points her husband on Brother Renaut, who lies with their child in his hands on a couch.

Jason in Medea, Giulio Bonasone, 1501 - 1580 print Four scenes from the story of Medea. On the right Creüsa, the bride of Jason, sitting in front of her father Creon. Behind Creüsa is a soldier. To the left next to the soldier, Creüsa collapses, due to the pain of the burns she received from the mantle that Medea had given her. To the left of Creüsa is Medea with her two children. On the far left, Medea is on a car that is drawn by dragons. She holds one of her children over her shoulder, whom she will later kill. In the background the Forum Romanum. paper etching / engraving Medea. Medea kills her two children; she flees from Corinth in a chariot drawn by winged dragons. Medea, through her children, sends Creusa wedding-gifts (a crown and a long robe) Roman forum

The Selling of Indulgences 16th century Designed by Hans Holbein the Younger German. The Selling of Indulgences. Designed by Hans Holbein the Younger (German, Augsburg 1497/98-1543 London). 16th century. Woodcut. Prints

Flagellation (), Jan van der Straet, called Stradanus, Flemish, 1523-1605, Brown ink, wash on paper, Vertical rectangle. A prison-like interior, with the main scene taking place in the background, possibly the flagellation of Christ. A saintly figure against a column, surrounded by other figures. Three men in foreground., Netherlands, ca. 1590, figures, Drawing, Drawing

Rome, Rossi, Giovanni Giacomo de', Italy, Romano, Giulio, Bartoli, Pietro Sante, History of Emperor Constantine, Constantinus Lebra mundatus p un dies latuit cum B. Silvestro a quo baptiz, Pope Silvester cures Constantine and Saint Helena finds the true cross, Maxenty Caput Hasta suffixum in Urbe in advenitur, Soldiers in a boat, verso - stamped, Sheet with two prints. Left: four soldiers on a boat. Right: two representations. Pope Silvester cures Emperor Constantine of leprosy and Saint Helena finds the true cross. Titles in the bottom margin., print, prints, height 101 mm, width 177 mm, width 176 mm, Italian, 1615 - 1700-11-07, print maker, printmaker, 1645 - 1700, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, 1499 - 1546-01-11, after a design by, Publication (Event), Publication, 1627 - 1691, publisher

A drawing depicting three prophets seated on a bench, each holding a book in their lap, executed with pen and gray wash.

France, French crown, Humbelot, Jean Baptiste, Bourdon, Sébastien, Holy Family with Elisabeth and Johannes, verso - stamped, print, prent, prints, prenten, height 328 mm, width 441 mm, print maker, prentmaker, 1600 - 1685, paper, papier, engraving, engraving (printing process), French, printmaker, 1616 - 1671-05-08, after, after painting by, Publication (Event), Publication, publisher, granter of privilege

Jason in Medea, Giulio Bonasone, 1501 - 1580 print Four scenes from the story of Medea. On the right Creüsa, the bride of Jason, sitting in front of her father Creon. Behind Creüsa is a soldier. To the left next to the soldier, Creüsa collapses, due to the pain of the burns she received from the mantle that Medea had given her. To the left of Creüsa is Medea with her two children. On the far left, Medea is on a car that is drawn by dragons. She holds one of her children over her shoulder, whom she will later kill. In the background the Forum Romanum. Italy paper etching / engraving Medea. Medea kills her two children; she flees from Corinth in a chariot drawn by winged dragons. Medea, through her children, sends Creusa wedding-gifts (a crown and a long robe) Roman forum

The Submission of the Emperor Frederick Barbarossa to Pope Alexander III. Federico Zuccaro (Italian, about 1541 - 1609)

Group of people at fountain; Genre scenes. A group of men and women at a classic fountain tries to ward up with hats and jackets against the water that sprays out. In the foreground is a broken corn list with a coat of arms. A man and child secretly explain from behind the fountain. On the side of the fountain an assignment in Latin.

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