Theatrical Scenes and Parties

Illustrated scenes featuring characters engaged in social gatherings and comedic moments, showcasing 18th and 19th-century clothing and settings.

Death of Prince William IV, 1751, 1751 print Death of Prince William IV, October 22, 1751. Interior with the Prince's deathbed on the left with crying woman and children; On the right visitors to the parade bed with the prince's brought -up body. Northern Netherlands satin etching / engraving deathbed. lying in state

King Henry the fourth, by Shakespeare Gallerie Droller Scenen to the theater newspaper, rd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Miseries of travelling, 6 , Dinner parties, Clothing & dress, Servants. Thomas Rowlandson (1756-1827). Prints and Drawings

Menagerie and optical room trip in Krähwinkel by the same and Hopp Gallerie Droller Scenen for the theater newspaper, st year, No, Johann Christian Schoeller -, artist

Derancourt, Comme on fair son droit à Paris (Cours Préparatoire rue de la Harpe), 1866(), partly hand-colored chromolithograph on wove paper.

Rowlandson, Thomas (N.1756-07-14-D.1827-04-22), Madame Romain, La Belle Limonadière at Café de Mille-Colonnes, Palais-Royal. (Dummy title). Carnavalet museum, history of Paris.

The Married Man. Medium: hand-colored etching and aquatint. Museum: National Gallery of Art, Washington DC. Author: Samuel Alken after H. Wigstead.

The inflexible porter - guarding the door againt unwanted visitors , Porters, Dogs, Doors & doorways. Thomas Rowlandson (1756-1827). Prints and Drawings

Death of Prince William IV, 1751, 1751 print Death of Prince William IV, October 22, 1751. Interior with the Prince's deathbed on the left with crying woman and children; On the right visitors to the parade bed with the prince's brought -up body. Northern Netherlands satin etching / engraving deathbed. lying in state

Reproductie van La cinquantaine door Herman Maurice Cossmann, Charles Michelez, after Herman Maurice Cossmann, c. 1872 - in or before 1877 photomechanical print paper painting, drawing and the graphic arts. banquet of elegant company (+ toast at meal, banquet)

Guy Fawkes and Humphrey Chetham rescuing Father Oldcorne and Viviana Radcliffe from the pursuivant , Rescues, Priests, Fawkes, Guy, 1570-1606, Ainsworth, William Harrison, 1805-1882. George Cruikshank (1792-1878). Prints and Drawings

Reserl, The Night Walker, Posse von Told Gallerie Droller Scenen for the Theaterzeitung, th year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

More miseries. Having so flaccid a cheek that the parish barber... , Barbers, Barbershops, Shaving, Dogs. Thomas Rowlandson (1756-1827). Prints and Drawings

Master Bates explains a professional technicality , Shoe shining, Twist, Oliver Fictitious character, Dickens, Charles, 1812-1870. Oliver Twist. George Cruikshank (1792-1878). Prints and Drawings

Saloon at the Marine Pavilion , Salons Social spaces. Thomas Rowlandson (1756-1827). Prints and Drawings

Doctor syntax in the studio of an artist, Thomas Rowlandson, 1821 print paper etching picture, painting. sculpture. glass of wine

Henry Bonaventure Monnier, La Vieillesse, lithograph.

Miseries of public places, 5 , Rain, Crowd, Sedan chairs, Theaters. Thomas Rowlandson (1756-1827). Prints and Drawings

Public School. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 1/16 in. × 13 in. (25.5 × 33 cm)Plate: 8 15/16 × 10 13/16 in. (22.7 × 27.5 cm). Date: May 10, 1802. Museum: Metropolitan Museum of Art, New York, USA.

Sir David Wilkie, 1785-1841, British, Shopping in the Rows, Chester, 1837. Watercolor with brown wash and brown ink over graphite on medium, slightly textured, cream wove paper, mounted on thick, slightly textured, beige card.

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), a girl to marry (registered title (letter)), 1826. Coloriated lithography, width paper. Balzac house.

Honoré Daumier (1808-1879). Imagination number 13: The preacher. Engraving. Paris, Carnavalet museum. 23967-13 Cardinal, Cheminee, Court, Humoristic, Humor, Imagination, Prettre, Rever, Serie, Caricature, Engraving

Legerdemain 1799 () Thomas Rowlandson. Legerdemain. After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). 1799 (). Hand-colored etching. Prints

Les Femmes savantes' after Charles Coypel, anonymous, after Charles-Antoine Coypel, after François Joullain, in or after 1726 - 1800, After an illustration for the play by Moliere (company III, scene 2)., intermediary draughtsman: Charles-Antoine Coypel, François Joullain, draughtsman: anonymous, in or after 1726 - 1800, paper, h 242 mm × w 320 mm

Les Voisins de Campagne, Villain, French, active 1822 - 1852, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Five older people seated left, one with a lap dog. Two young women, right, also seated, facing them. Title, artists' names and publisher's names below., Paris, France, ca. 1830, Print, Print

Miseries domestic. A cupboard in the parlour... , Courtship, Women domestics. Thomas Rowlandson (1756-1827). Prints and Drawings

The Feast of De Vrek, James Gillray, 1786 print Interior in which there is a fear of a meal, on the right is death as a domestic person in the attitude. The door is opened by the hunger for visiting two big ladies, a rich woman, possibly a prostitute, with a maid. paper etching miser. starvation, famine. house personnel, servants. Death as man. political caricatures and satires

The Jew,Schauspiel after the English of Brockmann , Theatrical picture gallery for the theater newspaper, nd year, No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, Artist, Johann Wenzel Zinke -, Artist

The imperial family on the dead bed of the crown prince Rudolf, Theodor Breidwiser Breitwieser, Breidwieser -, Drawer

Generosity of Catherine Defoy (TI)

Le Supreme Bon Ton, Le Thermomètre à 8 Degrés, 1800-1815, No. 20: Aye qu'il fait froid .. a company warms up at a fireplace. A man stands with his back to the fire and lifted one foot. Next to him is an older woman, a kneeling girl and a dog. A clerk looks smiling at them while holding a few items of clothing. According to the thermometer (and the caption) it is very cold in the room. Print from a series of 30 fashion prints, Le Suprême Bon Ton, Paris, 1800-1815.

Gihaut Frères (n. - d.), The English of the neighborhood (registered title (letter)). Lithography colored on woven paper. Balzac house.

Gentleman trying to play footsie with a beauty under the dining table but pressing the wrong foot. More Miseries. Handcoloured copperplate engraving designed and etched by Thomas Rowlandson to accompany Reverend James Beresfords Miseries of Human Life, Ackermann, 1808.

Henry Dawe, 1790-1848, British, The Life of a Nobleman: Scene the Sixth - The Usurer, undated. Brown wash and graphite on medium, moderately textured, cream wove paper.

The Letter Writer, from "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802" June 1, 1815 Thomas Rowlandson. The Letter Writer, from "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802". "Naples and the Campagna Felice: in a Series of Letters Addressed to a Friend in England in 1802". Thomas Rowlandson (British, London 1757-1827 London). June 1, 1815. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

The feeling "people play blind goat. Nordic

Quae Genus Reading to Sir Jeffery Gourmand, from "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax" March 1, 1822 Thomas Rowlandson. Quae Genus Reading to Sir Jeffery Gourmand, from "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax". "The History of Johnny Quae Genus, The Little Foundling of the Late Doctor Syntax". Thomas Rowlandson (British, London 1757-1827 London). March 1, 1822. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Bow Street Office March 1, 1808 Designed and etched by Thomas Rowlandson Londoners crowd the Bow Street courtroom, waiting to appear before a Westminster magistrate who sits on a podium in the left background. Established in the 1740s, the court addressed minor crimes such as drunkenness, fighting and prostitution, and helped relieve pressure on higher courts such as the Old Bailey. By focussing on the waiting crowd, instead of those who adminster justice, the print conveys the city's popular energy.. Bow Street Office. Microcosm of London, pl. 11. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). March 1, 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. Oh! It's positive, my dear, the search for paternity is prohibited". Colored lithography, 1829. Paris, Maison de Balzac. 34930-10 Pregnant, lithography colored, mothering, doctor, morality, personification, caricature

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), interior of an office -The Pantry (registered title (letter)), 1827. Maison de Balzac.

The ladies petition for two husbands. British Cartoon Prints Collection .

Playing war. Scholtz, Julius (1825-1893), draughtsman, cartoonist

Artists painting in an exhibition of paintings at the British Institution. Process print after A.E. Chalon.

Aue qu'il fair froid, Aaron Martinet, French, 1762 - 1841, Engraving, brush and watercolor on paper, Scene in a sitting room. A man warms himself before a fire, as do a dog and two women. A servant removes his coat, hat, umbrella and shoes. At top: 'Le Thermomètre à 8 degres'. At bottom, title, publisher's name and 'Le Suprême Bon Ton, No. 20'., France, 1810-1815, Print, Print

La manie de la Truelle, from La vie de chteau, Gihaut Frères, French, 1815 - 1871, Eugène Louis Lami, French, 1800 - 1890, Lami-Denozan Libraire, French, active 19th c., Lithograph, brush and watercolor on paper, Four women, two men and a boy on a ridge, right, overlooking the chateau, left. The men listen to a workman explain something., Paris, France, 1832, Print, Print

Jolig company of men in seventeenth -century clothing, Joseph Arnold Demannez, 1836 - 1902 print Belgium paper. engraving / etching banquet of elegant company. drunkenness

A Broad Hint of not Meaning to Dance. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1804. Dimensions: 250 × 375 mm (image); 255 × 380 mm (plate); 295 × 430 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Mr. Bannister and Miss Orser , Actors, Bannister, John, 1760-1836. Thomas Rowlandson (1756-1827). Prints and Drawings

Cartoon with Lord Palmerston, John Doyle, 1845 print Cartoon from 1845 with Lord Palmerston who lights the wick of a very small cannon with a huge match. Published as no. 841 in the HB Sketches series. paper firearms: cannon. match. political caricatures and satires

Midnight, Tom & Jerry at a Coffee Shop..., George Cruikshank, 1792-1878, British, August 31, 1820

Etching and copper engraving by Isidore Stanislas Henri Helman in 1776 showing a comforting interaction between two figures.

Philanthropic Consolations, after the loss of the Slave-Bill, Gillray, James, 1756-1815, engraver, 1796 , 1 print : etching, hand-colored, William Wilberforce and Samuel Horsley, Bishop of Rochester, cavort with two black women in a well-furnished room. Wilberforce and a woman, wearing a print dress with her breasts exposed, sit on a couch smoking cheroots. Horsely, in his bishop's robes, embraces a woman sitting on his knee holding a wine glass. A black servant boy brings in a tray of filled gl

Death bed by Pyotr Fyodorov, pen, ink, watercolor on paper , 1829, Russia, St. Petersburg , A. Pushkin Memorial Museum, 37, 5x44, 5

A table d'hote or French ordinary in Paris , Dinner parties, Eating & drinking, Dogs. Thomas Rowlandson (1756-1827). Prints and Drawings

Lithograph by Frans van Mieris the Elder depicting an unconscious woman, showing posture, attire, and interior setting, created in 1819.

A mad dog in a coffee house , Dogs, Coffeehouses, Surprise, Interiors. Thomas Rowlandson (1756-1827). Prints and Drawings

Princess of Orange arrested in Goejanverwellesluis, Gottfried Arnold Lehman, 1791 print paper etching historical events and situations; historical persons. arrest (of criminal) Goejanverwellensluis

Draftsman with a female model in a bust by Jean Cousin, Auguste Claude Simon Legrand, 1775 - 1815 print France paper etching artist's model, sitter. chest, bust

Viennese scenes and popular activities , sheet , The milk female, a Linz service girl and the coffee songs, La femme au lait, une servante de Linz et le caffétier, Georg Emanuel Opiz also Opiz -, Artist, Joseph Eder -, publishing house

Female Constitution for the Conservation of the Homeland and the Preservation of Bonaparte, London (1798) (IT)

Jakob in the Heymath , Posse von Kringsteiner Theatrical Image Gallery for the Theaterzeitung, Jg, No, After, Johann Christian Schoeller -, Artist, Johann Wenzel Zinke -, Copper Engraver

Mozart's death.

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. And in this request for separation, gentlemen, observe two things well". Colored lithography, 1829. Paris, Maison de Balzac. 34929-18 Divorce, humorous, jury, lithography colored, morality, personification, plead, separation, court, animal, caricature, couple, scene

Soap bubbles according to the image of Sigmund Eggert. A clip from a German magazine Walla, Józef (1844 CA 1907), Eggert, Sigmund (1839 1896)

Sylphide Das Seefräulein by Therese Krones Gallerie Droller Scenen for the Tehaterzeitung, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Melle monarchy (Félicité desired) holds men with weaning, the mow, the cuts, makes their education and happiness, all cheaply Anonymous. Press cartoon. "Miss Monarchy (Félicité desired) holds men with weaning, the mow, the cuts, makes their education and happiness, all cheaply". Board published in "caricature" of July 26, 1832. Lithography. Paris, House of Balzac.

The Apple Bee Artist's working dates 1856-1910 United States. Wood engraving on paper . Winslow Homer

You, So there are flees in the rooms , No, of the series Small Episodes , From the Great Drama, Vienna in Siege State , Lith, And published by , Zampis, Anton Zampis -, Lithographer, Johann Höfelich -, printer

Assassination of Jean-Paul Marat by Charlotte Corday. Simone Evrard tries to save the journalist on July 13, 1793 (25 Messidor An 1st). 107th painting, plank 7 of the historic gallery or paintings of the events of the French Revolution (1795-1799). (Factitious title)

Parisian Tea, or Supreme Good Taste at the beginning of the 19th century, engraving

Félix Hilaire Buhot, I Promessi Sposi (The Betrothed), 1879 1880 I Promessi Sposi (The Betrothed)

Nobody spoke there (Nemo Loquebatur), draughtsman: Abraham Delfos, after: Cornelis Troost, 1741 - 1820, paper, brush, pen, h 310 mm × w 400 mm

Getting cash for notes , Usury, Dogs, Fireplaces. Thomas Rowlandson (1756-1827). Prints and Drawings

M. de Mélincourt is happy that his wife is painting flowers, his sister is playing music, his elder son is learning to fence and is yoiunger son is playing with the dog. Engraving.

Salajedar make in Gesperlin l Geshak Museapplery, Daniel Nikolaus Chodovici, 1790 print Numbered at the top right: 2. With caption and page reference in German. print maker: Berlinpublisher: Lauenburg paper etching Literature

The Buxom Hostess, Hablot Knight Browne, 1815-1882, British, 1879, Graphite and wash, with white gouache on moderately thick, moderately textured, brown, wove paper, Sheet: 10 7/8 × 12 11/16 inches (27.6 × 32.2 cm), birds, buildings, genre subject, horse (animal), man, pitchers, woman

At an Old English Eating House 1776-1827 England. Pen and red ink with brush and watercolor over graphite, on cream wove paper . Thomas Rowlandson

The toilet of a Cleric of Prosecutor Philibert-Louis Debucourt (1755-1832). The toilet of a prosecutor cleric. Engraving (Color�e Aquatint), 1816.

Hot water Jean Fran�ois Bosio (1764-1827). The hot water bottle.

Prince Józef Poniatowski parting with his family. unknown, draughtsman, cartoonist, Fontana (Paryż ; wydawca ; 1822-1839), publisher

Vernet, Horace.

Thomas Rowlandson, 1756-1827, British, Comforts of Bath: The Pump Room, 1798. Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper.

Print, Vignette, Baptism; France; wood engraving on paper; 5 × 4.7 cm (1 15/16 × 1 7/8 in.); 1945-200-455

Shopping of printer Delpech in Paris, c. 1818 - c. 1825 print Six adults and a child view the prints in the shop window of printing and publisher Delpech in Paris. A boy wears a lithosteen on his head. paper shop-window, show-window. publishing, publisher. private soldier. art dealer

Cheerful company in an inn, draughtsman: Jan Anthonie Langendijk Dzn, 1805, paper, brush, h 215 mm × w 318 mm

The Undergraduate's Room, Thomas Rowlandson, 1756-1827, British, undated, Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, blued white, wove paper, Sheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm), bed (furniture), bed sheets, books, caps (headgear), chairs, chest, door, doorway, drapes, fireplace, genre subject, gowns, hat, interior, keys (hardware), linens, maids, map, men, models (representations), papers (document genres), reading, robes, room, scholars, shelf, sitting, student, table, windows, women

View of the decoration from the tragedy Die Räuber Gallerie Droller Scenen for the theater newspaper, th year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

More miseries. Being overpersuaded to stand up in a country dance... , Dance parties, Dancers, Musicians. Thomas Rowlandson (1756-1827). Prints and Drawings

Fedotov, Pavel Andreyevich (1815-1852) State Tretyakov Gallery, Moscow Graphic arts Genre The Consequences of Fidelka's Death

Regional assembly night at Mr Rudominas Illustration to the “Diaries of the Fundraiser". Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Bayot, Adolphe Jean Baptiste (1810-1866), graphic artist, Zaleski, Antoni (1824-1885), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

Philippe my father, will therefore leave me any more glory to acquire!, The caricature, no 178, pl. 376 Daumier, Honoré (1808 1879), lithography of Bénard, printing Aubert (Pary)

Woman showing prints on a square; La Defense des LAIDS. On a stage there is a woman with a pointer, next to her hanging three prints, attached to wooden sticks. These tones: Paul Scarron behind his writing table, aesopus between the animals and the actor Henri Louis Cain on the stage. On the corner of the stage is a man with a violin, behind him a bookcase on a pole. For the public a man with a bochel, under the image a song in 4 couplets on the melody: "Mon Pere Etoit Pot".

Thomas Rowlandson, 1756-1827, British, Viewing at the Royal Academy, ca. 1815. Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, blued white, wove paper.

At the Theatre, Constantin Guys, French, 1802 - 1892, Pen and brown ink, brush and rust, blue, and brown wash on paper mounted on blue paper, Horizontal rectangle. Interior of a theater showing groups of figures in three boxes and part of the pit. Women wearing low-cut dresses, tiaras, and earrings; men standing up in the pit with opera glasses trained on the boxes., France, ca. 1873, figures, Drawing, Drawing

Sensitive woman, do you hear the ramage, etc. etc. / N ° 6. (registered title) | Mr Mayeux's ways. (title of all)

The arrival SR, The Kaiser Ferdinand des Wütigen on August , in Nussdorf near Vienna, Ferdinand I, and Maria Anna Carolina, Josef Anton Bauer -, lithographic, after, Anton Perger Knight of -, Drawer, Johann Rauh -, Printer, Wilhelm Nowotny, Publisher

Scene from Bohemian Life. James McNeill Whistler; American, 1834-1903. Date: 1855-1857. Dimensions: 224 × 240 mm. Pen and black ink with touches of brush and gray wash over graphite, selectively heightened with touches of lead white (discolored), on cream wove paper laid down on tan card. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA. Author: JAMES ABBOTT MCNEILL WHISTLER.

The bound imagination, by Raimund Gallerie Droller Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, Copper Engraver

Reception of the envoys of the king of Kandy, 1785. Draughtsman: Jan Brandes. Dating: 10-Oct-1785 - 30-Dec-1785. Place: Colombo. Measurements: h 325 mm × w 416 mm. Museum: Rijksmuseum, Amsterdam.

Dr. Syntax Copying the Wit of the Window, Thomas Rowlandson, 1756-1827, British, between 1809 and 1812, Watercolor with pen and gray and brown ink, over graphite on medium, moderately textured, cream wove paper, Sheet: 5 3/8 x 8 3/16 inches (13.7 x 20.8 cm), bone, candles, candlesticks, chairs, copying, dinner, dishes, dog (animal), doorway, eating, elderly, fireplace, food, genre subject, hats, inn, kettle, kissing, linens, table, maid, meal, men, shelves, china, table (support furniture), teapot, window, Wit, woman, writing (processes), youth

Harpsichord Recital at Count Rumford's, Concord, New Hampshire. Dated: c. 1800. Dimensions: sight size: 18.7 x 26.3 cm (7 3/8 x 10 3/8 in.) framed: 24.4 x 32 cm (9 5/8 x 12 5/8 in.). Medium: watercolor on laid paper. Museum: National Gallery of Art, Washington DC. Author: Benjamin Thompson.

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