Toulouse-Lautrec's Parisian Life

Lithographs capturing the vibrant nightlife of Paris, focusing on women in theatrical settings and social situations, blending realism with emotional depth.

Henri de Toulouse-Lautrec (French, 1864 - 1901), Rosmersholm; Le Gage, 1898, lithograph in black on china paper proof before letters

Henri de Toulouse-Lautrec (French, 1864-1901), Lender and Lavalliere in "Le fils de l'Aretin" (Lender et Lavallière dans "Le fils de l'Arétin"), 1896, lithograph

Elles: Elles: Woman In a Corset, 1896. Henri de Toulouse-Lautrec (French, 1864-1901). Color lithograph; Like Cassatt, Toulouse-Lautrec also made a series of color prints depicting the daily lives of women, but instead of portraying bourgeois wives and mothers, his subjects were prostitutes. His series of twelve lithographs entitled Elles boldly confronted the reality of late 19th-century Parisian brothels on the rue de Moulins and the rue de Richelieu, in which rich men's pursuit of pleasure with the daughters of the poor was legal and accepted. Although not portraits of classic beauty, his depictions of Parisian prostitutes embrace the poignancy of human experience. Here, a prostitute unhooks her corset in the presence of a client, her face sympathetically averted from the viewer's gaze.

Yvette Guilbert - sur la scène. Yvette Guilbert - sur la scène

Henri de Toulouse-Lautrec (French, 1864 - 1901), Rosmersholm; Le Gage, 1898, lithograph in black on china paper proof before letters

Lender Dancing the Bolero in "Chilperic" (Lender dansant le pas du boléro dans "Chilpéric"). Dated: 1895. Medium: lithograph in olive green. Museum: National Gallery of Art, Washington DC. Author: Henri de Toulouse-Lautrec.

Interior with a reading woman in a chair, 1859 - 1929 print paper etching / drypoint newspaper, news-sheet

Henri de Toulouse-Lautrec (French, 1864 - 1901), Seated Clowness (La Clownesse assise), 1896, color lithograph on wove paper bon a tirer proof

Love in Paris / -T'es a beast. Since I tell you it's gentlemen who are from the province.

Sad woman is sitting at a man; Human suffering; Misères Humaines.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), at the Salon (title given by the author), 1907. Black Pierre and Black Ink on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Yvette Guilbert-English Series: Sur la scene, 1898. Henri de Toulouse-Lautrec (French, 1864-1901). Lithograph;

Fan for the Gavarni Ball 1903 France. Color lithograph in black, white, orange, and red on cream wove paper . Jean Louis Forain

Edelfelt, Albert, work, Sketch book, drawing, 14 cm x 22.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Polaire 1895 after Henri de Toulouse-Lautrec French. Polaire 641158

Madame Réjane 1892-1898 England. Pen and brush and black ink, over traces of graphite, on cream wove paper, laid down on ivory wove paper . Imitator of Aubrey Vincent Beardsley

A line drawing signed J.L.B and entitled "The White Robe"; dated July 1914.

1893 Art Work - At the Opera: Madame Caron in Faust Henri de Toulouse-Lautrec.

The Courtesan Segawa of Matsubaya Watching Her Attendants Play Cat's Cradle 1768-1780 Japan. Color woodblock print; hashira-e . Isoda Koryusai

Portrait of Janet Braguin in the style of AubreyBeardsley. Artist, attributed to: William James Glackens, American, 1870-1938 Artist, style of: Aubrey Beardsley, British, 1872-1898

Tango, c. 1917 - c. 1919 Loose drawing between the front bract and page 1 from a sketchbook with 28 sheets. paper. pencil. chalk. ink brush one pair dancing; man and woman dancing as a couple

The Toilette of Salome Aubrey Vincent Beardsley (1872-1898 British)

Print, Circé, Planche 74, from La Gazette du Bon Ton, No. 10; France

Circus Scene (Svetlana). Waliszewski, Zygmunt (1897-1936), draughtsman, cartoonist

The Hairdresser, Program for the Thétre Libre Made 1893 France. Just as Japanese printmakers studied the lives of women in the Yoshiwara licensed pleasure quarters, Henri de Toulouse-Lautrec represented contemporary women in Parisian theaters, cafes, and brothels. The black outlines and flat colors in this work may have been inspired by ToulouseLautrecís own collection of Japanese prints. Since color lithography requires separate stone blocks for each color, Toulouse-Lautrec was able to parallel the effects achieved in the Japanese woodcut technique. He was also fond of the red seals visible on many Japanese prints, and eventually developed his own circular signature in a similar style.. Color lithograph on cream wove paper . Henri de Toulouse-Lautrec

Eastern Bulchuki (17th century); Czachórski, Władysław (1850-1911); 1870 (1870-00-00-1870-00-00);

Engström, Albert, work, Liquor from a beer glass, caricature, drawing, 28.4 cm x 40.8 cm

Japanese Divan Pl. 2 Z: The Masters of the Poster , Paris 1895 1900 Toulouse Lautrec, Henri de (1864 1901), Ancourt, Edward (1841 Ok. 1898), CHAIX printing (CHÉret workshops)

Photograph of Portrait of Mrs Kennard by Millais, from an album compiled by Sir John Everett Millais, Rupert Potter (Manchester, England, 1832 - 1914) c.1879

Look, mum, a Mariavite (Malczewski). Nowodworski, Henryk (1875-1930), draughtsman, cartoonist

Album "The new world" board relating to Parisian life (2nd series): you here, sir.L'ABBE (PL 6) SEM (1863-1934). "Album" The new world "board relating to Parisian life (2nd series): you here, Mr. Abb� (PL 6)". Lithograph Color�e by Jean SAUD�, 1923.

Drawing, Bank Note Design; Walter Shirlaw (American, b. Scotland, 1838-1909); USA; black crayon, grey and black gouache on paper; 12.5 × 20 cm (4 15/16 × 7 7/8 in.) Mount: 15.1 × 22.7 cm (5 15/16 × 8 15/16 in.)

Le BalMasque. Artist: Paul Gavarni, French, 1804-1866

Image reproduction: Aniela Biernacka (1858-1918), study; Z: "Tygodnik Ilustrowany" 1901, No. 32 (August 10), p. 617; Society of Foundry Foundry and Printing House S. Orgelbrand Sons (Warsaw; Drukarnia; 1896-1919), Tygodnik Ilustrowany (Warsaw; magazine; 1859-1939); 1901 (1901-00-00-1901-00-00);

Gathering Fruit. Artist: Mary Cassatt (American, Pittsburgh, Pennsylvania 1844-1926 Le Mesnil-Théribus, Oise). Dimensions: Plate: 16 3/4 x 11 11/16 in. (42.5 x 29.7 cm)Sheet: 20 1/2 x 15 7/8 in. (52.1 x 40.3 cm). Date: ca. 1893. Museum: Metropolitan Museum of Art, New York, USA.

The New World, 3rd Serie Related to Paris - Mr. F.W. In the performance of his duties SEM (1863-1934). The New World, 3rd series relating to Parisian life - Mr. F.W. In the performance of his duties. Color lithography.

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Two studies for Ophelia and Hamlet in the Play Scene inHamlet, Graphite, watercolor, gouache, Blue laid, 30.5 × 47 cm (12 × 18 1/2 in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

La gamme d'amour, James Ensor, 1929, literary work, 1929, Belgian Art

Pablo Picasso / 'End of the number', 1901, Pastel on canvas, 73 x 47 cm, MPB 4.270. Museum: Museo Picasso, Barcelona.

Henri de Toulouse-Lautrec (1864-1901), Clownesse Assisi, Miss Cha-U-Kao, 1896

Mary Cassatt, The Fitting, 1890 1891 The Fitting

Brush and feather drawing by Francesco Ponte from 1752 depicting Farnaspe (Mr. Venturini), with gray washes and watercolor highlighting figures and clothing.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), in Le Bon Faisor (title given by the author), 1906. Pierre Noire. Blue pencil and black ink on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Artisan Moderne, Toulouse Lautrec

An elegant lady out hunting for a man on a windy day, accompanied by Cupid. Date: 1920

Two women and a man on the street, Théophile Alexandre Steinlen, 1896 print. poster Right part of a three-part print of a poster for the printer Charles Verneau. Two women face a man in a suit. The front woman holds a basket and an umbrella. There are other figures behind and next to them. paper street. standing figure - AA - female human figure. container made of plant material other than wood: basket. standing figure. head-gear: hat. umbrella

The Laundresses, from the third album of L'Estampe Originale Made 1894 France. Soft ground etching with aquatint and roulette from three plates of ochre, red and blue on cream wove paper . Louis Auguste Lepère

Miss Gallmeyer , Josefine Gallmeyer on donkey, Jauner, Steiner title page of Die Bomb , László frecskay -, Caricaturist, Carl Angerer -, Engraver

Beautiful at night in a walking room, in the middle of the crowd Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Beautiful night in a prompt, in the middle of the crowd. Watercolor.

Josina Knap, Javanese Dancer, 1933, oil on cardboard, Amsterdam, Netherlands.

Promenade, II. Waliszewski, Zygmunt (1897-1936), draughtsman, cartoonist

Print (France)

Bound Print (France)

A draft design by Moritz von Schwind around 1865 showing a grotesque putto to the right, executed in ink and brush on oiled paper.

Illustration by alphonse Mucha for the book 'Clio' (1900); by French author, Anatole France. Anatole France (1844 - 1924); was a French poet, journalist, and novelist.

Songs of Innocence and of Experience, Plate 29, Experience Frontispiece (Bentley 28), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), angel, baby, branches, children, hills, infant, leaf, literary theme, man, religious and mythological subject, tree, wings

Modes et manières d'Aujourd'hui, 1922, pl. 3: Danse. Some couples in evening wear, dancing on the music of a band, of which the violinist is to see. The print is part of a series of 12 woodcuts by Fernand Siméon, with texts by Paul Valery, for the seventh part (10th Année 1922) of Modes and Manières d'Aujourd'Hui. Each edition had a circulation of only 300 pieces and was exclusively devoted to one artist who designed 12 prints around a certain theme. In this series the 'life of the fashionable woman in society is central.

A man allowing a stranger to kiss his wife. William watching a stranger kiss his wife Petronella. The kiss returned. Le baiser rendu. Lithograph handcoloured in pochoir (stencil) after an illustration by Charles Martin from Jean de la Fontaines Contes et Nouvelles en Vers, Tales and Novellas in Verse, Libraire de France, Paris, 1930.

The Ruler, chart 2, On Death part 2, Op. XIII. Klinger, Max (1857-1920), graphic artist, Giesecke und Devrient (Lipsk ; dom wydawniczy ; 1852- ), publishing house

One Hundred Million. Théophile-Alexandre Steinlen; French, born Switzerland, 1859-1923. Date: 1894. Dimensions: 317 × 290 mm (image); 450 × 411 mm (sheet). Lithograph in black with scraping on stone on cream wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

She was lying on a duvet and eating sausage with biscuits". Piotrowski, Antoni (1853-1924), draughtsman, cartoonist

La gamme d'amour, James Ensor, 1929, literary work, 1929, Belgian Art

Seven vignettes by Léo Schnug depicting medieval Spielmann in a landscape, lady and gentleman pendants, womens faces with flowers and cherries, a fratz, and a Malmed head in moonlight, executed in watercolor, pen, and pencil with cover colors and black edging line.

Compagnie Générale Transatlantique. 1928. Buttolph, Frank, 1850-1924. text. Menus. Rare Book Division

Dance on a Music Box. Norman Rockwell (1894-1978). Watercolor, pen and sepia ink and pencil and board. 44.5 x 38cm

George Moutard Woodward, ca. 1760-1809, British, Our Old Friend. Etching and aquatint.

Abruzzo L'Aquila L'Aquila Palazzo Centi7. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, frescoes, paintings, decorative arts (Baroque) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Edgar Degas, Virginie being Admired while the Marquis Cavalcanti Looks On, c 1880 1883 Virginie being Admired while the Marquis Cavalcanti Looks On

Girl is shocked by a balloon, Jony, c. 1875 - c. 1925 drawing A boy blows up a balloon that has the shape of a face with open mouth. A girl looks at the balloon and makes a shock. paper. India ink (ink). deck paint. pencil pen / brush (flying a) gas balloon

Illustration by Albert Bailey showing a fashionable woman in a black cloche hat posing in front of an art deco statue. Date: 1929

Chagall, Marc (1887-1985) © Museum of Modern Art, New York Graphic arts 36,8x47,6 Opera, Ballet, Theatre A Bandura Player, a Bear and Zemphira. Costume design for the ballet Aleko by P. Tchaikovsky

'The Scotch Wedding', 18th century. Artist: Unknown

Album Monte Carlo (2nd Series) - Four Men Not Identified SEM (1863-1934). Album Monte Carlo (2nd series). "Four unidentified men". Color lithography. 1901.

A study of a young woman sitting on a low bed with her hands covering her knees Ivanec ', Ivan (1893 1946)

Postcard of the Wiener Werkstätte No, Biedermeiermode, Urban Janke -, Artist, Wiener Werkstätte, Publishing House

Sem, lithograph, 1873-1934, lithograph on paper.

Without title woman and man, Karl Wiener -, artist

Ijin shishimai kenbutsu no zu | Library of Congress

Vov Zabajone by Cappadonia, Giuseppe (active ca 1900) / Private Collection / 1900 / Italy / Colour lithograph / Poster and Graphic design / Art Nouveau

Poster for the Thétre de la Renaissance, Gismonda. Mucha, Alphonse Marie (1860-1939), Artist.

The Pseudonym and Antonym Libraries by Beardsley, Aubrey (1872_1898) / Private Collection / 1895 / Great Britain / Colour lithograph / Poster and Graphic design / Art Nouveau

Without title female figure, Karl Wiener -, artist

Vanity Fair: Military and Navy; 'Sailor, Politician and Sculptor', Admiral the Right Hon. Lord Clarence Paget, December 25, 1875, Carlo Pellegrini, 1839-1889, Italian, 1875, Chromolithograph

Gardone Riviera. 1960. Buttolph, Frank, 1850-1924. text. Menus. Rare Book Division

Qui, L'Artisan Moderne Henri de Toulouse-Lautrec (1864-1901 French) Lithograph

Queen was in the Parlor eating Bread & Honey, Randolph Caldecott

SEM (1863-1934). Album "Le Nouveau Monde". Plate relating to Parisian life (2nd series): perfume bottle, Coco Chanel (pl. 4). Lithography colored by Jean Saudé, 1923. Paris, Musée Carnavalet. 36717-13 Chanel Coco, Couturier, bottle, Colorie lithography, female fashion, perfume, board 4, advertising, caricature

Album belonged to Juliette Drouet: Young man with rose Victor Hugo (1802-1885). Album belonged to Juliette Drouet: Young man in the rose (Folio 29 b). Paris, Victro Hugo House.

Viens, va!...Nous resterions là jusqu'à demain, un bal, c'est - toujours la même chose! ,. Paul Gavarni (1804-1866). Lithographs and Other Works

The Coiffure. Dated: 1890-1891. Dimensions: plate: 36.5 x 26.7 cm (14 3/8 x 10 1/2 in.) sheet: 43.2 x 30.7 cm (17 x 12 1/16 in.). Medium: color drypoint and aquatint on laid paper. Museum: National Gallery of Art, Washington DC. Author: Mary Cassatt.

Gottlob, Fernand-Louis (n.1873-02-23-D.1935-11-10), A VILLÉRAND (title given by the author). Black stone and black ink on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Auction of a sculpture; Les experts. Interior of an auction room with a man holding a sculpture of the Venus of Milo. The auctioneer notes that the poor of the image is missing, but that these are afterwards if they are found. One of those present asks Jules Féral or the scene is a reference to his work as an expert. The print is part of a magazine.

The two fury devils. // April 13, 1790 Two flying devils. (IT)

'Aphrodite', 1896, Artist: Antoine Calbet. French painter and watercolourist, made a name as an illustrator, notably of 'L'Aphrodite' by Louys and 'La Pecheresse' and 'La Sandale ailee' by Regnier.

Vlastimil Hofman (1881-1970), Pieta; Czernecki, Jan (Wieliczka, Kraków; Publisher; 1905-1939), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948), Husnik & häusler (Praga; Reprographic Department; 1888-1936); 1909 (1909-00-00-1909-00-00);

Hotel Davenport, 1900, 25x18cm folded; 25x36cm open

Till holy church incorporate two as one” - Act II, Scene VI, Romeo and Juliet. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

"Ihr klares Auge mit Vergnügen, Hing an den wohlgestalten Zügen". Winkler, Karl Gustav Adolf (1810-1893), draughtsman, cartoonist

Theatrical scenic painting by anonymous painter, painting, Russia, Yaroslavl, State Art Museum, 47, 5x31, 8

Loeff and Oyens, Albert Hahn (I), 1905 print The Ministers Loeff and the Marez Oyens cover a statue of the naked Abraham Kuyper with fig leaves. With four -line caption. Part of the press series 'Under Black Regime'. Amsterdam paper monument, statue. piece of sculpture, reproduction of a piece of sculpture. political caricatures and satires

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