Traditional Women's Costumes

A collection of traditional attire featuring women in historical costumes from Sweden, Persia, Scotland, and the Netherlands, showcasing cultural styles and rich details.

Woman with sleeve, Jan Gillisz. van Vliet, 1635

Swedish wife dressed on her Sunday, Bernard Picart, 1706 print Figure in contemporary costume. The print has a title in Swedish and a caption in French. Paris paper etching / engraving clothes, costume (+ women's clothes). Europeans (with NAME) (+ costume) Sweden

Woman with sleeve, Jan Gillisz. van Vliet, 1635

Mulier Persiana; Traditional costumes from different countries. Standing woman in traditional costume from Persia.

Mulier Scotica / A Scotsh Woman; Traditional costumes from different countries. Woman from Scotland, standing to the right, a dark short cape of fur around the shoulders, above which a wide folds. On the head a hat with flaps on the side. About the dark skirt a long white apron; Exhibition and knife at the belt. No 2 from series of twelve costumes from different countries.

Woman with sleeve, Jan Gillisz. van Vliet, 1635.

Costume of a bride of Laaland (Lolland, Denmark), 16th century. She wears a gold crown, long curly hair with a silk veil. The short robe and tunic are decorated with small tassels. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Gentleman in a Cape and Plumed Hat Seen from the Back 1629 Abraham Bosse French Bosse is best known for his etchings of everyday life. This print, from a series he created with the painter Saint-Igny, depicts stylishly dressed noblemen and women set in contemporary landscapes. They do not represent specific people but are fashion prints. This gentlemans costume was etched in great detail, from his broad-brimmed plumed cap to the stirrups on his boots.. Gentleman in a Cape and Plumed Hat Seen from the Back 387235

Munic woman in Bauiere going through the city, Anonymous, After Wenceslaus Hollar, 1662 Woman in traditional costume from Munich. paper etching München

Matrona Parisiensis; Theatrum Mechanic; European women in traditional costume. A married woman from Paris, half-turned right, a black hood on the head. High closed collar with long points over the shoulders. The dressing is suspended from behind so that the under patent with decorated zoom can be seen. Both hands in a mull of fur.

DMI major or Pretor London Hahem, / des herrn major oder burgemeisters Fraw von London, Wenceslaus Hollar, 1649 Mayor's wife from London, turned half to the left, with a hat with high, flat ball, hat band and raised edges. Big earrings. A folded flat collar trimmed with lace on a thick fur collar above the square necklace with fur. In the middle of the split of the shirt is visible, trimmed with lace. On the shoulders a switch chain that is fixed in the middle front with a rosette. The overjapon has a body that ends under the waist at a forward point and of which both fronts are connected by seven horizontal tire. The body has decorated wide sleeves with a passement and with fur cuffs. The overlay is folded away and backwards and hung to the body by means of three bow ribbons. The long underskirt is wrinkled from the hips and decorated with a passion. Solid long gloves and a stick favor with feathers on a ribbon tied on the right bow. paper etching head-gear: hat (+ women's clothes).

Ornatus Muliebris Anglicanus (The Clothing of English Women).The diversity of womens apparel in England is illustrated in this extensive costume series. Hollar represented women from all ranks of society, from the humble countrywoman 1 to the elegant noblewoman 2. The more fashionable costumes are based on eyewitness observation of the ladies at the court of the Earl of Arundel, Hollars primary patron. They are therefore among the more reliable visual sources for costume historians.

Ceremonial clothing of an English duke; George Villiers, 1st Duke of Buckingham, in ceremonial clothing; The Creation Robe of a Duke; Ceremonial clothing from the English nobility ..

Lady with hat, rosary and muff, seen from the front, to the left; La Noblesse de Lorraine. Standing lady, dressed in a wreath with a wide collar, a flat hat on the head, a rosary in one hand and a sleeve in the other. In the background figures and a carriage at a city wall. Late copy of No. 10 from La Noblesse de Lorraine: Series of 12 prints with nobles in costumes that were worn in Lorraine in the first quarter of the 17th century.

September: couple from England, 1604 - 1670 Man and woman, dressed according to the English fashion of approx. 1620. The woman has a feather stuck in hand. Next to the man a dog. A cityscape in the background. At the top right the sign of the scales. In the margin a two -way caption in Latin about the moderate climate and England. Print from a series with the twelve months displayed by signs of the zodiac and couples who wear clothing from different countries. paper engraving Europeans: Englishmen. clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). dress, gown (VLIEGER) (+ women's clothes). head-gear: hat (+ men's clothes). head-gear: hat (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). neck-gear: collar (+ women's clothes). neck-gear ~ clothing (with NAME) (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). coat (+ men's clot

Mulier Generosa Coloniensis; Theatrum Mechanic; European women in traditional costume. Woman from Cologne, standing to the left, with a hood consisting of a small round hat with a raised stake and plume on the forehead, to which a spacious, finely pleated cape that is included here to the elbows. Long curly hair falls to the shoulders. Two unmedged neckeries over each other: a double-folded square and one that lies over the shoulders. Jap with close-fitting body, semi-length cut sleeves closed with a bow and a skirt that has been lowered in the middle and up to the waist. The under-sleeves and pedestrian skirt are equipped with a motif with curls. Immilated truss cuffs. Gloves with wide decorated caps.

Femme de Munic and Bauiere Allant Par La Ville; Women in traditional costume; Livre Curieux. Woman in traditional costume from Munich.

Italy. Kingdom of the Two Sicilies, 1806-1808 part 3. 1910. Vinkhuijzen, Hendrik Jacobus. still image. Illustrations. General Research Division. Military uniforms , History, Italy

. A standing woman dressed in a dress with a flat, double sides collar has a hat with a feather on her head and holds a closed impeller in her hand. A carriage is driving in the background. Print is part of a series of different ladies and men's costumes.

An edict published in 1641 seeks to cut down on excess in fashionable men's dress : a gentleman reluctantly lays aside his fancy finery Date: 1641

Habitus et cultus mathematical nobilu et Rusticarum (clothing and manners of Noblewomen and countywomen), Adriaen Matham (Possibly), after Willem Pietlem Pietwech, 1619 - 162 Farmers girl from Hoorn at a house. A cat at her feet. In the background a hooischuit. Haarlem paper engraving folk costume, regional costume. cat. Europeans (with NAME) Hoorn (North Holland)

Engelse vrouw van stand met veren stokwaaier; Ornatus Muliebris Anglicanus; Vrouwen gekleed volgens de Engelse mode, ca. 1640.English lady, standing to the right, combed with the hair tightly back but on the forehead and from the sleeping frothed curls. On mind, a wrinkle seems visible. Drop-shaped earrings and around the neck a pearl necklace. Dressed in a wet consisting of a short body with low straight neck cutting, high waist, wide 7/8 sleeves, shot consisting of different buildings, on a long, spacious skirt slightly slipping on the ground. In the neck cutting a large, scalloped edge neckerchief that is closed mid-front with a brooch and a piece of jewelry. Diagonally on the body - from the right shoulder - three long pearl necklaces. In the elevated waist a stitched sash (Sluoyer). The sleeves are topped with passes, just like the skirt. Wide, ranked cuffs deposited with scalloped side. In the right hand a feather sticker. No 1 From the Series Ornatus Muliebris Anglicanus.

Laan, Adolf van der, Dutch costumes, Woman in mourning clothes, recto - stamped, Woman in a landscape, dressed according to the Dutch fashion of 1710-1720. Full-length, seen from the front. Dressed in mourning dress with engageantes, in her left hand a closed fan, in her right hand a glove. The print is part of a sixteen-part series of prints depicting Dutch costumes., costume print, prints, verso - stamped, height 146 mm, width 98 mm, 1690 - 1742-05-09, print maker, printmaker, 1710 - 1755, first quarter 18th century, second quarter 18th century, paper, etching, etchings, Work conception

Citizen London / Cittizens wife, Wenceslaus Hollar, 1643 Woman from London, seen on the back, with high -tapered hat, straight ball, hat tire and wide edge placed diagonally backwards on the head. Double folded neck cloth with a strip of lace. Covered with bragons, long wide sleeves. Taken from the front and inside out, under the armpits, folded backwards and taken together. Foot -long underskirt. Open shoes closed with rosette, high heel. Furmof can be seen in part. paper etching Europeans: Englishmen (+ women). fashion plates. clothes, costume (+ women's clothes). head-gear: hat (+ women's clothes). neck-gear ~ clothing (NECKERCHIEF) (+ women's clothes). dress, gown (+ women's clothes). skirt (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes). sleeves (+ women's clothes). shoes, sandals (+ women's clothes). muff (+ women's clothes) London

Femme de Paris Allant Par La Ville; Women in traditional costume; Livre Curieux. Woman in traditional costume from Paris.

Lady with mask and flower, seen from the front; La Noblesse de Lorraine.

Rustica Gallica / Country Woman Of France; Theatrum Mechanic; European women in traditional costume. Country woman from France, standing to the left, with a tip hat with a wrench on the smooth hair on the back of the head. From the neck (on the hat) Two loose slips hang to under the shoulders. Open body with low, square neck cutting, shoulder wrenches, long wide, cut-out sleeves in which the shirt is visible and shot consisting of different properties. It seems like the shirt is far open and lies along the sides of the neck cut. Hereby a neckerchief with plate collar that lies over the shoulders of from the front of the roof piece. The open body closes in the mid-front with horizontal tires - of which five visible - over the breastpiece. Immilated truss cuffs. Spacious ankle-length skirt above the zoom decorated with a number of horizontal tires. Long white apron. Open shoes with low heel. On the right arm an open, braided basket.

La Citella Romana (Maiden) ca. 1580 Attributed to Pietro Bertelli Italian These engravings illustrating the costumes of Roman women from different stations of life recall the more ambitious series by Cesare Vecellio and Giacomo Franco devoted to Venetian customs and modes of attire. Similar to those examples, these prints were likely created as book illustrations, though the enterprising Bertelli was known to reuse his inventions in a number of different contexts and formats.Courtesans were essentially cultivated prostitutes. The presence of one of them (plate 6) among the cast of otherwise "honest" women reflects the reality that courtesans were a staple in sixteenth-century society, their intractable presence either rued or tolerated depending on the prevailing moral and religious climate of the day. It is interesting that Bertelli's courtesan, like those of Franco, Vecellio, and Giulio Romano, wears a strand of pearls. Pearls were particularly associated with courtesans, as legal do

La Noblesse de Lorraine (The Nobility of Lorraine). Courtly fashion in the French ducal city of Lorraine was all about the details. Men adorned their hats with feathers, their breeches with ribbons and their shoes with rosettes. Women grew increasingly fond of lace collars, the most lavish of which consisted of several layers and a garland of pearls. Intriguingly, it is not clear whether Callot intended to portray the true nobility or the bourgeois citizens who emulated them.

Ceremonial clothing of an English duke; George Villiers, 1st Duke of Buckingham, in ceremonial clothing; The Creation Robe, or a Duke, Duke of Buckingham; Ceremonial clothing from the English nobility ..

French noble woman with book in hand, dressed according to fashion of approx. 1630; Le Jardin de la Noblesse Françoise (...); Costumes of the French nobility. French lady seen from the front, turns something to the left, a book in the hands. She is dressed in long clot with padded sleeves and very highly closed collar. On her head a flat small headdress and a scissor and a pouch as accessories to her belt. Landscape in the background.

Standing woman and man with snuff box, 1683 - 1733 The woman is dressed in a manteau with Engagantes, of which she holds the tow with the left hand. Under the manteau a skirt with decorative apron, both trimmed with a recommended strip. Fontange hairstyle and pearl necklace around the neck. The man with all -uniform wears a Justaucorps with wide cuffs about a Jabot. Knee pants with long stockings and shoes with buckles. Accessories: hat under the arm, Sierdegen with ribbon. In his hand a snuff box from which he offers the woman a pinch. paper engraving fashion plates. clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). dress, gown: manteau (+ women's clothes). head-gear: fontange (+ women's clothes). styles of hairdress (with NAME) - AA - ~ women. styles of hairdress (ALLONGE). shoes, sandals (+ men's clothes). skirt (+ women's clothes). apron (+ women's clothes). coat (JUSTAUCORPS) (+ men's clothes). wig. hacking and thrusting weapons. walking-stick, staff, can

Woman famous Spanish / ein Schpanische Dame, Wenceslaus Hollar, 1649 Noble woman from Spain, seen diagonally on the back, turned to the right, composite hairstyle with wrong round forehead and flowers on the back of the head. Overjapon with showpieces decorated with passion and body with close -fitting sleeves and pleated cuffs. Diagonally raised collar, supported by portefraes. In the right hand a hobby with ostriches. London paper etching fan (+ feathers used for clothes). coat (+ women's clothes). dress, gown (+ women's clothes). sleeves. sleeves (+ women's clothes). neck-gear ~ clothing (with NAME) (+ women's clothes). head-gear: cap (+ women's clothes). Europeans: Spaniards (+ women). clothes, costume (+ women's clothes). neck-gear: collar (+ women's clothes). neck-gear ~ clothing (PORTEFRAES) (+ women's clothes) Spain

Habillemens a la Mode, 1784-1785, No. 1.Standing woman dressed in a dress with trail and flower pattern on a matching skirt deposited with two tires. The curled hair is decorated with feathers. Accessories: bracelet, shoes with heels and bows. The print is part of the Almanak habillemens a la Mode, 1784-1785.

Fille de Chio, isle de l'archipel' by Jean-Baptiste Vanmour, created in 1714 in Paris, published by L. Cars. The image depicts clothing and dress from Turkey, specifically focusing on Greek attire. It is an engraving

Woman Irish or Ireland / ein Irische Fraw, Wenceslaus Hollar, 1649 Woman from Ireland, turned slightly to the left, with white headscarf and pleated cape with wide fur collar. Double folded neck cloth and necklace with a cross. paper etching head-gear: cap (+ women's clothes). necklace (+ women's clothes). cape (+ women's clothes). cape (+ fur used for clothes). clothes, costume (+ women's clothes) Ireland

Older woman in work clothes, to the left; Figures a la mode. Numbered 8

Ciuis Coloniensis VXOR; Citizen woman from Cologne; Theatrum Mechanic; European women in traditional costume. Burgerwoman from Cologne, standing to the right, shrouded in a hood with small, flat, around hat with stand-up stake with plume and a spacious, finely pleated cape. Large, thick folding college. Heilpang Jak deposited with fur in which a long, protruding chest with closure center front. Ankle-length skirt above the zoom decorated with horizontal tires. Wrinkled, long white apron that is worn over the yak but under the protruding part of the chest. Open shoes with low heel. On the left arm a braided basket with lid and handle (for the market).

Lady the Strasbourg Allant Par La Ville; Women in traditional costume; Livre Curieux. Woman in traditional costume from Strasbourg.

A woman, dressed in Frisian costume, with a young boy. The woman holds a cap in her hand, the boy wears wide knee pants and a hat. Print from a series of 6 prints depicting villagers wearing traditional costumes, Woman from Friesland Femme de Frise Dutch costumes, second series (series title), print maker: Pieter van den Berge, (mentioned on object), intermediary draughtsman: Pieter van den Berge, (mentioned on object), publisher: Pieter van den Berge, Amsterdam, in or after 1694 - 1737, paper, engraving, etching, h 265 mm × w 163 mm

Standing wealthy woman, turned to the left; Cavaliers and wealthy women. The print is part of a ten-part series of prints with performances of cavaliers and wealthy women, dressed according to Dutch fashion ca. 1625-1630.

Flandrensis; A woman from Flanders, dressed according to fashion of approx. 1550; Diversarum Gentium Nostrae Aetatis Habitus. Woman of the front view, in cloak with hood over the head. Print from album 'Diversarum Gentium Nostrae Aetatis Habitus'.

Ornatus Muliebris Anglicanus (The Clothing of English Women).The diversity of womens apparel in England is illustrated in this extensive costume series. Hollar represented women from all ranks of society, from the humble countrywoman 1 to the elegant noblewoman 2. The more fashionable costumes are based on eyewitness observation of the ladies at the court of the Earl of Arundel, Hollars primary patron. They are therefore among the more reliable visual sources for costume historians.

Brabantse Boerin; Diverses Modes Dessinées d'Apres Nature (...). Figure in traditional costume. The print has a title in French and in Dutch.

Fashionable woman in satin bonnet with long lace veil, frock coat with fur cape and rolls at hem and cuffs, holding a clasped purse. Chapeau de satin, redingote garnie de rouleaux. Handcoloured copperplate engraving by Jean Charles Baquoy after a fashion plate by Horace Vernet from Pierre de la Mesangeres Journal des Dames et des Modes, Magazine of Women and Fashion, Paris, 1814.

Navigatoris Hollandici Vxor / Ein Shiffers Weib Zu Amsterdam; Aula Veneris; European dressers. Skewers woman from Holland, standing to the right, half on the back, a market bucket (chips with metal hoops) at the right arm. A large, round point hat outstanding on either side of the face. Wide folding collar. Sleeveless, fitted jak along the zoom deposited with fur. Sleep falling, ankle-length skirt about the white apron. Kuilen with block heel.

Nobilis Mulier Anglicana / Noble Woman of England; Theatrum Mechanic; European women in traditional costume. English noble woman, slightly turned to the right. With her that is combed along the forehead to the rear, but on either side from the sleep along the face is curled to the shoulders. Wrong on the back of the head. Jap with square neck cutting, open body with lap, elbow long overwhelling with wide, long under-sleeves and spacious foot long skirt. Pointed and protruding brisket. Two transparent neckerchiefs are trimmed with scalloped strip side: a double folded cloth that closes on the neck and a flat, which lies on the shoulders. The body closes mid front with four horizontal tires. About the pointed elevated waist a ribbon that has been stretched with a long loop a feather sticker. Retired cuffs deposited with a strip side. Large drip-shaped earrings, a necklace around the neck and a large brooch with drip-shaped pendant in the middle of the breast piece.

Habit de bal. Mariette, Jean, 1660-1742. Prints. 1690 - 1699. Jerome Robbins Dance Division. Ballet , 17th century, Costume design , 17th century, Ballet , France , 17th century

Elegant couple in fashionable Spanish clothing L'Espaignol Costumes in Europe ( series title), Elegant couple on a platform, in fashionable Spanish clothing ca. 1615-1625. The woman is wearing a veil over her head and has an open fan in her right hand. On the floor a lute, music book and fruit. The print is part of a series with six prints about costumes in Europe., Veil (women's clothes), folk costume, regional costume, neck-gear, clothing (with NAME) (men's clothes), lute, and special forms of lute, eg: theorbo, clothes, costume (men's clothes), costume (women's clothes), Europeans: Spaniards (costume), head-gear: hat (men's clothes), coat (men's clothes), trousers, breeches, etc. (BREECHES), men's clothing, shoes, sandals, hacking and thrusting weapons: sword, dress, gown (women's clothes), Spain, Cornelis van Kittensteyn (mentioned on object), Netherlands, 1615 - 1625, paper, engraving, h 208 mm × w 152 mm

Woman in mourning clothes; Dutch costumes. Woman in a landscape, dressed according to Dutch fashion from 1710-1720. Fut out, seen from the front. Dressed in mourning juke with Engagantes, a closed range in her left hand, a glove in the right hand. The print is part of a sixteen-part series of prints with representations of Dutch costumes.

Dienstmeid uit Koblenz, bezem in de hand; Diverses modes Dessinées d'apres Nature (...).Figure in traditional costume. The print has a title in French and in Dutch.

Everything that shifts is not gold, c. 1690 - C. 1693 print Elegant woman, dressed according to French fashion ca. 1690. She has a collapsed fan in her hand, with a sheet of paper with the text: "Une Belle Apparence Soutient Le Credit" (a nice appearance supports the appearance). With 6-line verse in French in which it is stated that civil fashion imitates the nobility and participates in the latest fashion to stop, reputation and prestige. The print is part of a series of 92 moralistic proverbs (BN 45-137), which are provided with countless texts inside the image and captions of 12 lines in 2 columns in rhyme. paper engraving proverbs, sayings, etc.. fashion plates. styles of hairdress - AA - ~ women. head-gear: fontange (+ women's clothes). coat (+ women's clothes). braces, suspenders. necklace (+ women's clothes). dress, gown (+ women's clothes). painting of body or face - AA - (for) women. fan. shoes, sandals (+ women's clothes). stockings, socks (+ women's clothes)

Engelse vrouw van stand met maskertje voor het gezicht; Vrouwen gekleed volgens de Engelse mode, ca. 1640; Ornatus Muliebris Anglicanus.English lady, seen from the front, combed with the hair backwards but on the forehead and from the sleeping, frothed curls, in which a bow. She has a black fabric mask for the face that is confirmed with cords. High closed neckerchief with scalloped edge that falls over the shoulders and is closed in the mid-front with a bow. Dressed in a wisp consisting of a short body with a high waist, wide 7/8 sleeves, on a long, spacious skirt that is stopped from the front. Below is the light under skirt that falls to the shoes. The left forearm has been inserted into a large mull of fur. No 13. From the Ornatus Muliebris Anglicanus series

French lady who imitates the edict of 1633; La Dame Reformée Suivant l 'Edit Dernier. French lady who obeys the rules of "the last" edict. Lodewijk XIII issued Edicten in 1629 and 1633 that was exhausted by side, prohibited with lace. This lady follows the latest edict: so that of 1633.the, in a simple costume, in a room next to a table and holds a mirror () In hand. Around the neck a necklace with a cross. There are jewelry on the table (which she can no longer wear). The caption shares that ....

The Fair Penitent.; Actress Mrs. Yates in the role of Calista .. Portrait of actress Mrs. Mary Ann Yates (1728-1787) in the role of Calista during Act IV, scene 4. She is wearing a richly decorated dress with trail. The skirt consists of three layers, each decorated with springs and decorated tape. The hair has been baptized and decorated with feathers. To both wrists bracelets. The print has been issued for the Bells British Theater on July 16, 1776.

French lady in winter costume, Anonymous, Henri Bonnart, c. 1685 - c. 1695 print Lady with Fontange, seen from the front, dressed in winter costume according to the French fashion of around 1690. She holds her hands in a sleeve. paper etching / engraving dress, gown (+ women's clothes). muff. head-gear: fontange (+ lace used for clothes). necklace (+ women's clothes). styles of hairdress (with NAME) - AA - ~ women

Lady and her maid, both dressed according to the fashion of 1660,. Lady, dressed according to fashion around 1660, closed impeller in the left hand, with her right hand withstanding the overrun. She is dressed in a crisp with flat wide lace collar and sleeves with splits. She looks over her shoulder to her maid who is diagonably behind her. A house in the background.

Belgi: man and woman, dressed according to the Flemish fashion of approx. 1610-'20. Man and woman, standing, seen from the front, dressed according to the Flemish fashion of approx. 1610-'20. Cutting map Europe, Blaeu Exc.

La Noblesse de Lorraine (The Nobility of Lorraine). Courtly fashion in the French ducal city of Lorraine was all about the details. Men adorned their hats with feathers, their breeches with ribbons and their shoes with rosettes. Women grew increasingly fond of lace collars, the most lavish of which consisted of several layers and a garland of pearls. Intriguingly, it is not clear whether Callot intended to portray the true nobility or the bourgeois citizens who emulated them.

Maria, Archdukezogin of Austria.

Man with hat and walking stick, Adolf van der Laan, c. 1710 - 1755 Man in a landscape, dressed according to Dutch fashion from 1710-1720. Footed out, with a hat on the head and a walking stick in the left hand. The print is part of a sixteen -part series of prints with performances of Dutch costumes. paper etching clothes, costume (+ men's clothes). Europeans (with NAME) (+ costume)

Standing and sitting woman dressed in a manteau. Standing woman dressed in an Manteau with Engagantes, Devant-de-Gorge (breast piece), decorative apron and a skirt with falbalaas. Mouches on the face and cleavage. Accessories: Fontange, bead collier (pearl necklace), roll of paper in hand. Sitting woman on a chair with high backrest, dressed in a manteau with engagantes, devant-de-gorge (breast piece) and skirt. Four mockes in the face and cleavage. A Fontange on the head. An opened book on her lap.

View, 1675 - 1708 print A woman in an elegant dress, standing on a landing, looks in a mirror in her left hand. With the other hand she points to a sundial. paper etching / engraving sight, looking (one of the five senses). styles of hairdress - AA - ~ women. mirror. dress, gown (+ women's clothes). head-gear: cap (+ women's clothes)

Women's traditional costume from Basel in the early 16th century, Switzerland, Historic, digitally restored reproduction from the 19th century, exact date unknown, Europe

Noblewoman of France, 1581. Handcolored copperplate engraving from Robert von Spalart's "Historical Picture of the Costumes of the Principal People of Antiquity and of the Middle Ages," Vienna, 1811. Illustration based on Thomas Jefferys Collection of Dresses of Different Nations, Antient and Modern. After the Designs of Holbein, Van Dyke, Hollar, and others, London, 1757.

Lady, dressed according to the fashion of approx. 1630, seen on the back. Lady, dressed according to the fashion of approx. 1630, seen from behind, with impeller in the left hand. Figures, houses and a church in the background.

Elegant couple in Flemish clothing, Cornelis van Kittensteyn, After Dirck Hals, c. 1620 - c. 1630 Elegant couple in Flemish clothing, approx. 1620 for a building with a column. The woman has hands in a small sleeve. The print is part of a series with six prints about costumes in Europe. Netherlands paper engraving head-gear: hat (+ men's clothes). cape (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). shoes, sandals (+ men's clothes). bow (ornamental part of clothing) (+ men's clothes). neck-gear: collar (+ women's clothes). neck-gear ~ clothing (PORTEFRAES) (+ women's clothes). head-gear (BOOGMUTS) (+ women's clothes). muff (+ women's clothes). skirt (+ women's clothes). clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). Europeans (FLEMINGS) (+ costume). clothing for the upper part of the body (with NAME) (+ women's clothes)

Autumn, Wenceslaus Hollar, 1644 Standing woman with headscarves and open fichu about the cleavage, as a personification of autumn. A fiddling feast, attached to a chain, in the hand. In the background a face on Albury, the country residence of Thomas Howard, second count of Arundel. paper etching autumn, fall, 'Autumnus'; 'Autunno' (Ripa). dress, gown (+ women's clothes). head-gear (with NAME). piece of clothing covering the breast or décolleté (FICHU) (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). fan (+ women's clothes). skirt (+ women's clothes). apron (+ women's clothes). sleeves (+ women's clothes). country-house. fan. apron (+ women's clothes)

Gallery des Modes et Costumes Français, 1779, CC 158: Robe de Tafetas (...). Sitting woman with guitar. She is wearing a taficed dress, a devant-de-gorge and a skirt, with a wrinkled strip with a white fond, in which different colors in Ikat are woven. Hat, decorated with flowers, where around a ribbon is injured. Bead chain around the neck. Shoes with rosettes. Print from the CC series. 27th Cahier de Costumes Français, 21st Suite d'Habillemens à la Mode and 1779, Gallery des Modes et Costumes Français.

Gentlewoman with fan, 1640, France, History of Fashion, Costume History, Historical, digitally restored reproduction of a 19th century original, exact date unknown, Europe

Costume of a woman of Lolland (Denmark) or Gotland (Sweden), 16th century. She wears a short cape over a cassock-style robe, skirt with small colourful square. She has short hair and a multicoloured hat. Within a decorative frame engraved by H. Catenacci and Fellmann. Woodblock engraving by Gerard Seguin and E.F. Huyot after a woodcut by Christoph Krieger from Cesare Vecellios 16th century Costumes anciens et modernes, Habiti antichi et moderni di tutto il mondo, Firman Didot Ferris Fils, Paris, 1859-1860.

Gardener's dress Gardener's dress . Anonymous. Print.

Variium Gentium Ornatus (Costumes of Different Nations) Couple dressed in German fashion ca. 1610 Germanicvs habitvs (title on object) Costumes from different countries (series title) Variarum Gentium Ornatus (series title), Landscape with a couple dressed in German fashion from the early 17th century. The woman is holding up her skirt. On the left in the background a tavern with partying and drinking figures. Right in the background a forest and pigs by a cart. In the margin, in two columns, a caption in Latin. First print from a series of ten with costumes from different countries, Europeans: Germans, head-gear: men's clothes, head-gear: women's clothes, head-gear (with NAME) (women's clothes), cape (women's clothes), dress, gown (women's clothes), Pieter de Jode (I) (mentioned on object), 1605 - 1610, paper, engraving, h 230 mm × w 150 mm

Elegant pair of Terras, Conldra Goltz, 1595 print With caption in Latin. paper engraving clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). couple of lovers. sleeves (+ men's clothes). head-gear: hat (+ men's clothes). head-gear: hat (+ women's clothes). dress, gown (+ women's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). cape (+ men's clothes)

Poloni man and woman dressed according to Polish fashion of approx. 1610-'20. Man and woman, standing, seen from the front, dressed according to Polish fashion of approx. 1610-'20. Cutting map Europe, Blaeu Exc.

Lady with veil and folded fan, to the right, 1715 - 1720 print Young woman, three -quarters to the right, a lace veil over the head, closed folding range in the right hand. Body with sleeves up to the elbow. The skirt is recorded from the overspring so that the bottom skirt is visible. No. 5 From the series Figures a la Mode Dédiees a M. le Duc de Bourgogne paper etching dress, gown (+ women's clothes). veil (+ women's clothes). dress, gown: manteau (+ women's clothes). clothing for the upper part of the body (with NAME) (+ women's clothes). sleeves (+ women's clothes). skirt (+ women's clothes). skirt (UNDERSKIRT) (+ women's clothes)

Private gentlewomen; Ancient habits, modern et all over the world .....

Gustaf III's national costume. "Neue Schwedische Kleidertracht der Mannspersonen." Lord in the Swedish costume. Engraving of unknown dietary, trol. About 1780. Nordic

Graeci: man and woman dressed according to the Greek fashion of approx. 1610-'20. Man and woman standing from the front, dressed according to the Greek fashion of approx. 1610-'20. Cutting map Europe, Blaeu Exc.

Couple in Dutch clothing first quarter 17th century, Claes Jansz. Visscher (II), After David VinckBoons, 1618 Amsterdam paper etching clothes, costume (+ men's clothes). Europeans (with NAME). cape (HUIK) (+ women's clothes). head-gear: hat (+ men's clothes). cape (+ men's clothes). neck-gear ~ clothing (with NAME) (+ men's clothes). neck-gear ~ clothing (with NAME) (+ women's clothes). shoes, sandals (+ men's clothes)

Couple dressed in English fashion, ca. 1610 Adolescentis Angli and Ivvenclvae Habitvs (title on object) Costumes from different countries (series title) Variarum Gentium Ornatus (series title), Landscape with a couple dressed in English fashion. The woman has a handkerchief in her left hand and the man has a pair of gloves in his right hand. In the background various sailing ships on water. In the margin, in two columns, a caption in Latin about British shipping and the love games of the British. Tenth print from a series of ten with costumes from different countries., Clothes, costume (men's clothes), clothes, costume (women's clothes), folk costume, regional costume, handkerchief (women's clothes), gloves, mittens, etc. (men's clothes), head-gear: men's clothing, head-gear: women's clothing, clothing for the upper part of the body (DOUBLET) (men's clothes), trousers, breeches, etc. (BREECHES) (men's clothes), coat (men's clothes), sleeves (men's clothes), shoes, sandals (men's clothe

Venetian lady in a home gown; Donne per casa; Habiti Antichi, ET Moderni di Tutto Il Mondo ... Lady seen on the back. Dress with plant motifs, with drag. The hair with braids turned into a bun. According to the text of Vecellio, Venetian ladies wearing maps, made from Bartholomeo Bontempele fabrics. In his store, brocade fabrics, woven with silver and gold thread for sale.

Collection Consacrée Aux Modes d'Hommes et de Femmes, 1783-1813, no. 170: La Pensive Euphrosin (...). Woman dressed in a dress with trail. To the shoulders a transparent long scarf with dots. On the head a 'Chapeau a la pallas', decorated with an egret. Flat shoe with bow and pointed nose. A flower in the left hand. According to the caption, she walks through the 'Jardins de l'Elisée'. The print is part of a series of at least 82 fashion prints, Collection Consacrée Aux Modes d'Hommes et de Femmes, published by Basset, Paris, between 1783 and 1813

Costume design for the ballet Les femmes de bonne humeur (The Good-Humoured Ladies), Bakst, Léon (1866-1924)

Femme de qualité dansant. Prints. 1694. Jerome Robbins Dance Division. Castanets, Ballet , 17th century, Ballet , France , 17th century, Costume design , 17th century

Girl from fishing village on the North Sea coast; North Holland clothing forces. Standing young woman from a fishing village on the North Sea coast. Nr. 6 in a series of eight young women in North Holland market forces. With caption of two lines in Latin.

Couple dressed in the Milanese fashion, Pieter Lastman, Anonymous, Johannes Covens and Cornelis Mortier, 1720 - 1772.

The Face, Jacob Gole, 1695 - Before 1724 print A young woman looks at herself in the mirror. A young man watches from the doorway. The print is part of a series with the five senses. paper engraving sight, looking (one of the five senses). looking in the mirror; contemplation of own beauty. clothes, costume (+ men's clothes). clothes, costume (+ women's clothes). dress, gown (+ women's clothes). styles of hairdress (with NAME) - AA - ~ women. painting of body or face - AA - (for) women. head-gear: fontange (+ women's clothes). head-gear: hat (+ men's clothes). neck-gear: jabot (+ men's clothes). coat (JUSTAUCORPS) (+ men's clothes). shoes, sandals (+ men's clothes)

Dansend couple, Anonymous, Hans Schäufelein, 1554 - 1572 print Man and wife are dressed according to the German Hofmode from 1520-1530 with cow owls, among other things. paper dress, gown (+ women's clothes). head-gear: hat (+ women's clothes). head-gear: hat (+ feathers used for clothes). cape (+ men's clothes). clothing for the upper part of the body (DOUBLET) (+ men's clothes). trousers, breeches, etc. (BREECHES) (+ men's clothes). codpiece (cover for the genitals). shoes, sandals. hacking and thrusting weapons: sword. dancing at wedding feast

Equituis German domestic clothing, c. 1592 - c. 1594 print Uit: Pietro Bertelli. paper engraving

English woman with handkerchief in hand, Wenceslaus Hollar, 1640 English woman, with a hat on the hanging, curly hair and separation in the middle with border knocked back on the forehead that widens on either side of the face and out. Dressed in a dress consisting of a short, open body with V-neck, high waist, shot with different buildings, wide long sleeves and breastpiece, on a long, spacious, open skirt slightly dragging on the floor. Light colored underskirt. Around the neck a thin, knotted cord with hanging ends. Over the Décolleté a double -fierce, transparent neck cloth, which is closed in the middle of a piece of jewel and a bow. Below a flat, wide collar hangs over the shoulders. Or the body is slammed over the breastpiece, or the breastpiece is decorated with cross -placed ribbons with a bow at the bottom. Double, finely pleated, knocked back cuffs. The underskirt is in the middle of the front with two vertical, shocked strips of lace or passion placed against each other. N

Portrait captain Jan Bart, standing with Pijp, Jacob Gole, c. 1670 - c. 1724 print Captain Jan Bart, in fashionable clothing, a pipe smoking. With poem in the margin paper coat: overcoat (+ men's clothes). head-gear: hat (+ men's clothes). pipe ~ tobacco. neck-gear ~ clothing (CRAVAT) (+ men's clothes)

Two well-to-do women, dressed in fashions from Venice, Italy. The women are shown full-length, both en profil to the left, and dressed in dark gowns with veils. The left woman holds a fan, the right a rosary. The print is part of a twelve-part series of prints depicting Italian costumes, Two well-to-do women dressed according to Venetian fashion Habiti delle Gentildonne Venetiano (title on object) Costumes from Italy (series title), Pieter Lastman, print maker: anonymous, publisher: Covens & Mortier, Amsterdam, 1720 - 1772, paper, etching, h 166 mm × w 114 mm

French Guard Lieutenant of 1673, Justaucorps, with long wide skirt, History of Fashion, History of Costume, Historical, digitally restored reproduction of a 19th century original, exact date unknown

Portrait of Christina Ewartina from Saxony. Christina Ewartina, Duchess of Saxony with feathers in the hair. In addition to her the crown.

Woman Sueuica lower condition, Wenceslaus Hollar, 1644 Woman from Schwaben, walking to the right, with a flat basket under the left arm. A smooth, fitting hat with Bontrand on the head. A pleated question around the neck. Corny shirt with long sleeves. Low -cut rip. Rolled up skirt around the waist. Calf -long underskirt, about which there is. Ceintuur hang knife and large bunch of keys. paper etching neck-gear ~ clothing (with NAME) (+ women's clothes). head-gear: cap (+ women's clothes). container made of plant material other than wood: basket. belt, girdle, waistband. key ~ furniture. accessories (~ clothing) Spabs

Purchaser of second -hand clothing, Jacob Gole, after John Savage, After Marcellus Laroon (I), 1688 - 1724 print A purchaser of second -hand clothing. She wears a top hat and has a basket around her right arm. The print has an English, French, Italian and Dutch caption and is part of a series about the street vendors in London. after print by: Londonpublisher: Amsterdam paper engraving / etching 'cris de Paris', cries of London, etc. - BB - women engaged in trade and commerce. merchant, salesman (with NAME of trade or profession) - BB - women engaged in trade and commerce London

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