Triumph of Mordecai Artwork

Historical etchings depicting Mordecai on horseback, surrounded by a diverse group. Intense emotions, detailed characters, and classic etching technique reveal a vibrant historical scene.

Rijn, Rembrandt van, Peter and John healing a cripple at the temple gate, verso bottom left, print, prent, prints, Rembrandt f. 1659, bottom left, height 179 mm, width 218 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1659 - 1659, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, Work conception, after own design by

The Triumph of Mordecai. Rembrandt van Rijn; Dutch, 1606-1669. Date: 1635-1646. Dimensions: 175 x 215 mm (image/plate); 177 x 218 mm (sheet). Etching and drypoint on buff laid paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: REMBRANDT HARMENSZOON VAN RIJN.

Triumph of Mordecai, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Rembrandt Harmensz van Rijn, Dutch, 1606-1669, Etching on laid paper, Within a low archway, Mordecai, on horseback, is surrounded by a large group of people. In the foreground, left, a turbaned figure moves forward, gesturing to the viewer., ca. 1640, Print, Print

The Triumph of Mordecai, Rembrandt van Rijn, c. 1641 print paper etching / drypoint Mordecai's triumph: Mordecai, mounted on the king's horse, is led through the city by Haman (Esther and Ahasuerus may be looking on from the palace)

The Triumph of Mordecai Rembrandt Harmensz. van Rijn (Dutch, 1606-1669). , ca. 1641. Etching and drypoint on laid paper, Plate: 6 3/4 x 8 1/2 in. (17.1 x 21.6 cm). European Art ca. 1641

Autumn 18th century () Anonymous, German, 18th century German. Autumn 335270

Rijn, Rembrandt van, Peter and John healing a cripple at the temple gate, verso bottom left, print, prent, prints, Rembrandt f. 1659, bottom left, height 179 mm, width 218 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1659 - 1659, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, burin, Work conception, after own design by

SAVING HOME OF COMMITMENTS TO MONT-DE-POINT

Egyptian street scene. Draughtsman: Willem de Famars Testas. Dating: 1844 - 1896. Measurements: h 175 mm × w 225 mm. Museum: Rijksmuseum, Amsterdam.

Jean-Pierre Norblin de la Gourdaine (1745-1830). "Parade on the Quai de Gesvres". Drawing. Paris, Carnavalet museum. 24349-16 Artist, drawing, gestee quai, acrobat, seine, parade, bridge

Detail of the Ursula shrine of Hans Memling; Chasse de Ste-Ursule. Arrivée a Cologne. .

Street in Cairo according to the image of Walter C. Horsley. A clip from a German magazine. Horsley, Walter Charles (1855 1934), today, Horace (Ps. 1843 1891)

The Life of the Rich Citizens in Trastevere, District of Rome, c. 1820, Italy, Painting by Johann Heinrich Ramberg, Historic, digitally restored reproduction from a 19th century original, Europe

The Siege of Sluis. Scholtz, Julius (1825-1893), draughtsman, cartoonist

Entrance to Louis XI to Paris after Tettegrain

La Morgue; Stones, Antoni (1860-1933); 1917 (1917-00-00-1917-00-00);Goliński, Lech Andrzej (Fl. 1979) - collection, Paris (France), morgue, purchase (provenance)

Skating before the St. George's Gate, Antwerp After Pieter Bruegel the Elder Netherlandish Frans Huys Netherlandish Publisher Hieronymus Cock Netherlandish ca. 1558

Bauer, Marius, La multitude emplissait d'une allégresse grave les rues, recto - handwritten, A woman is carried through the street in a sedan chair by four men. Around the coach is a crowd of people, including two horsemen, figures riding an elephant, a veiled woman and a beggar. In the background a temple., print, prints, verso - stamped, Costumes richer. All figures in tone (dashes). the soldier with shield the bearers and the baldachin., height 281 mm, width 222 mm, Dutch, 1867-01-25 - 1932-07-18, print maker, printmaker, 1894 - 1894, paper, papier, chalk, kras, etching, etchings, plaattoon

He returned from the post office according to Fig. Kostrzewski Łoskoczyński, Józef (1857 1928)

Witte van Haamstede shows himself in Haarlem in armor, 1304, Jacobus Buys, 1788, Witte van Haamstede shows himself in Haarlem in armor, 1304. Design for a print in Kok, Vaderlandsch Woordenboek, dl. XIX1. Design for a print., draughtsman: Jacobus Buys, 1788, paper, pen, brush, h 149 mm × w 90 mm

The Tribute Money, Print made by James McArdell, ca. 1729-1765, Irish, after Rembrandt van Rijn, 1606-1669, Dutch, undated, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 16 1/4 × 20 3/8 inches (41.3 × 51.8 cm), Plate: 15 7/8 × 20 inches (40.3 × 50.8 cm), and Image: 15 × 19 15/16 inches (38.1 × 50.6 cm), archway, Christianity, crowd, disciples, halo, mantle, New Testament, pay, pew, religious and mythological subject, tax collectors, teaching, temple, turbans

January, Joos de Momper (II), 1590 - 1610 drawing The month of January. On the left is a man at the table with food and drink, he looks to the right where a city can be seen. Design for a print. paper. ink. chalk pen / brush January and its 'labours'. laid table: table-ware, table-decoration, etc.. mug, beaker, goblet. square, place, circus, etc.

The village fair , Fairs, Crowds. Thomas Rowlandson (1756-1827). Prints and Drawings

TAUROMAQUIA. LECCION DE TOREO. GRABADO DE UN CUADRO DE JOSE ALARCON. ILUSTRACION ESPAÑOLA Y AMERICANA , AÑO 1885.

GRABADO-CARAVANA DE EUROPEOS. Location: PRIVATE COLLECTION. France.

GRABADO-CARAVANA DE EUROPEOS. Location: PRIVATE COLLECTION, FRANCE.

Bodmin, Cornwall ,. Thomas Rowlandson (1756-1827). Prints and Drawings

Jan Baptiste de Wael II, The Prodigal Son Welcomed Home, 1658, etching on laid paper.

Let Him Be Crucified (Qu'il soit crucifié) James Tissot (French, 1836-1902). Let Him Be Crucified (Qu'il soit crucifié), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 8 15/16 x 5 7/16 in. (22.7 x 13.8 cm). European Art 1886-1894

Circassian horsemen, James Ensor, circa 1880-1890, drawing, Belgian Art

Reproduction of the illustrations of Antoni Gawi W Drowiec (Warsaw; magazine; 1863-1906); 1905 (1905-00-00-1905-00-00);

Marriage of Bedredeen Hassan and Nouredeen.. Cormon, Fernand, 1845-1924. 1891. Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Fairy Tales, Folklore, Courtyards, Weddings, Fans (Accessories)

Painters atelier by unknown painter, watercolour and ink on paper, 1820s, Russia, Moscow, State Pushkin Museum of Fine Arts, 17, 5x14, 5

Photo production of painting by Paul Delaroche: Les Pelerins a Rome.

Avercamp, Hendrick, Amsterdam, Ploos van Amstel, Cornelis, The Winter King on the Ice, Elegant company on the ice, verso - stamped, A richly dressed company, consisting of two men and two women, on the ice., print, prints, height 217 mm, width 226 mm, Northern Netherlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1766 - 1766, paper, papier, printtekening, etching, etchings, à la poupée, roulette, 1585 - 1634, intermediary draughtsman

Café in Constantinople, 1847. Alexandre Bida (French, 1823-1895). Brush and black and gray ink, graphite, and stylus on white wove paper coated with a white ground; sheet: 40.7 x 29.2 cm (16 x 11 1/2 in.); image: 38.2 x 25.9 cm (15 1/16 x 10 3/16 in.).

Rag Fair, Petticoat Lane , Fairs, Markets, Street vendors, Clothing & dress. Thomas Rowlandson (1756-1827). Prints and Drawings

Hameln rat according to the painting of Hermann Kaulbach. Brend'amour, Franz Robert Richard (1831 1915), Malm, C., Kaulbach, Hermann von (1846 1909)

Water Sellers refilling at a Well, Illustration from the Book, "From Pharaoh to Fellah" by C.F. Moberly Bell with Illustrations by Georges Montbard, engraved by Charles Barbant, Wells Gardner, Darton, & Co., London, 1888

Merry-go-round in Amsterdam. Draughtsman: Isaac Israels. Dating: c. 1900. Place: Netherlands. Measurements: h 510 mm × w 705 mm. Museum: Rijksmuseum, Amsterdam.

Hipolit Lipinski (1846-1884). Polish painter. Zwierzyniec Hobby-Horse, c.1881. Detail. 19th Century Polish Art Gallery (Sukiennice Museum). National Museum of Krakow. Poland.

Daniel Vierge, Au Jardin des Plantes, 1889 Au Jardin des Plantes

Ancient Rome, The Appian Way, Via Appia, Italy, engraving circa 1880.

Horizontal rectangle. Pulcinella carrying a horn in his right hand and pointing with the left forefinger upon someone, stands upon a podium in front of the corner of a structure in the neighborhood of the Castel Nuovo in Naples. Beside him stands a girl in the attire of a page of the later 16th century and playing violin. Two cloths with paintings hang as posters above the entrance door. Women and children are at right; children, a woman and men, among whom is a Franciscan monk are at left. Framing lines. Signature: "Gatta" at lower right. Date: 1827. Pen and black ink and water colors on paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Ragusa, heute Dubrovnik, im Jahre 1860, Piaristen Lyceum, Schule, katholische Ordensgemeinschaft, Kroatien, Illustration, Historisch, Reproduktion von einer Vorlage aus dem 19. Jahrhundert. Authentisch, Datei restauriert für optimale Verwendung, genaues Datum der Vorlage unbekannt 1f-4999884

Drawing, Water color; On the shore in Chiaja; Designed by Saverio della Gatta (Italian, 1777 - 1829); Italy; black chalk and various water colors on paper.; 20.1 × 25.5 cm (7 15/16 × 10 1/16 in.)

Artist, possibly by: G. Geissler, German, active 1780-1800, Jovial ruralscene, late 18thCentury, Etching, hand colored, platemark: 18.2 × 26.5 cm (7 3/16 × 107/16in.), Made in Germany, possiblyGerman, 18thcentury, Works on Paper -Prints

At the entrance on opening night at La Scala in Milan, 1886, Italy 19th Century.

Street live of the ancient city of Shushtar, Iran. Middle East. Drawing by Dieudonne Lancelot (1823 - 1895) Persia, Chaldea and Susiana 1881-1882 by Jane Dieulafoy (1851 - 1916) Le Tour du Monde 1886

French Revolution. Proclamation of the First French Republic, 21 September 1792. Chromolithography by Vicente Giné. "Los Girondinos" (Revolucion Francesa) (The Girondins, French Revolution), by A. de Lamartine. Volume I. Published in Barcelona, 1904.

Pencil and brown feather drawing by Rudolf Hausleithner depicting figures resting during an escape, with gray lavation and white highlights, showing posture and interaction.

Kleijn, Laurens Lodewijk, Wagner, L., Wilhelm von Oranien, Kaiser Karl's Page, Photo reproduction of William of Orange, Emperor Charles's Page by Laurens Lodewijk Kleijn, This photo is part of a cover with eight photos on eight sheets and two text sheets., photograph, photo, reproduction, photos, photographically illustrated books, height 306 mm, width 166 mm, photographer, 1879 - 1884, photographic paper, photo paper, albumen print, albumine print, Dutch, 1826-01-12 - 1909-03-06

Illustration to Beaumont and Fletcher, Michael 'Angelo' Rooker, 1746-1801, British, undated, Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper, Sheet: 6 7/8 x 4 inches (17.5 x 10.2 cm), actors, costume, hats, illustration, literary theme, men, plays, plumes, ruffs, stairs, swords, theater (discipline), women

The Procession on the Mount of Olives (Le cortège sur le mont des Oliviers) James Tissot (French, 1836-1902). The Procession on the Mount of Olives (Le cortège sur le mont des Oliviers), 1886-1894. Opaque watercolor over graphite on gray wove paper, Image: 8 5/8 x 5 9/16 in. (21.9 x 14.1 cm). European Art 1886-1894

Fish market. Engraving by Tacalli. The Artistic Illustration, 1887. Original painting by Hector Tito. Later colouration.

Fernando Richart Montesinos / 'The triumphal entry of King James the Conqueror in Valencia (1238)'. 1884. Oil on canvas. Museum: Museo del Prado, Madrid, España.

1820 Revolution. Naples. After liberal uprisings of July 1820 the powers of the Holy Alliance intervened sending the Austrian troops to quell the revolution. The Austrian troops arriving in Naples to quell the uprising started by the Carbonari. Nineteenth century colored engraving.

Bataille de Tannenberg, 1914. Auguste Louis Lepère (French, 1849-1918). Brush and brown ink heightened with white;

Ninette, Cecchina and Ersilia, the proclamation of the queens of the models, Rome, Italy, drawing by Fortunino Matania, from L'Illustrazione Italiana, Year XXXII, No 24, June 11, 1905.

Szene auf dem Marktplatz in Leipzig um 1880, viele Menschen auf dem Weihnachtsmarkt bei Schneefall, Deutschland, Historisch, authentisch, digital restaurierte Reproduktion von einer Vorlage aus dem 19. Jahrhundert, Record date not stated 1f-4904100

Klederdrachten van eiland Gozo. Costume de Ghozo (title on object). Voyage en Italie, en Sicile et à Malte - 1778 (series title). Draughtsman: Louis Ducros. Dating: 1778. Measurements: h 181 mm × w 225 mm. Museum: Rijksmuseum, Amsterdam.

Donnybrook Fair...

French crown, Moreau, Jean Michel, Patas, Charles Emmanuel, France, Baquoy, Jean Charles, Les petits Parains, Young godparents, verso - stamped, print, prints, height 413 mm, width 324 mm, 1721 - 1777-02-24, print maker, printmaker, 1777 - 1777, paper, papier, etching, etchings, engraving, engraving (printing process), French, 1748 - 1817, 1741-03-26 - 1814-11-30, intermediary draughtsman, after a drawing by, granter of privilege

United Kingdom. London. Pickle Hering Street. Engraving by Gustave Dore, 19th c. London: A Pilgrimage.

Perspective Picture (Uki-e): Theater District at Dawn on Opening Day of the Kabuki Season ca. 1780 Utagawa Toyoharu Japanese Like Broadway in New York, the Sakaichō and Fukiyachō quarters were the center of Edo's theater district, which was particularly lively on the night of kaomise, the opening ceremony of the Kabuki season. Toyoharu, founder of the Utagawa school, was known for using one-point perspective (uki-e), a Western technique. Okumura Masanobu (1686-1764) is credited as the first Japanese artist to use one-point perspective in depicting interior space, and Toyoharu was the first to master the device to depict outdoor scenes in ukiyo-e prints and paintings.. Perspective Picture (Uki-e): Theater District at Dawn on Opening Day of the Kabuki Season 36669

Water Engine, Cold-Bath Field's Prison 1808 Designed and etched by Thomas Rowlandson. Water Engine, Cold-Bath Field's Prison. Microcosm of London, pl. 19. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). 1808. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

High society in rococo, historic lithograph, ca 1880

Debucourt, Philibert-Louis, France, Le Menuet de la Mariée, Dancing Bride, verso bottom center - stamped, Open-air wedding party with the bride and the bailiff (administrative official) dancing a minuet in the center, surrounded by partygoers. A seated man points this out to the groom. In the background, people drinking and eating under the canopy of an inn. Below the representation a coat of arms., print, prints, verso center bottom - stamped, height 389 mm, width 266 mm, French, 1755-02-13 - 1832-09-22, print maker, printmaker, 1786 - 1786, fourth quarter 18th century, paper, etching, etchings, aquatint, color printing, Work conception, after own design by

Alfred Rethel, Der Tod als Freund (Death as a Friend), 1831 Der Tod als Freund (Death as a Friend)

Tsar's Alexei Mikhailovich Ride to the Hunt, Vasnetsov, Viktor Mikhaylovich (1848-1926)

Balthazar sings: Sigh no more, ladies, sigh no more; Men were deceivers ever,” illustration for Act II, Scene iii, Much Ado About Nothing. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

The Princess Who Never Smiled (Nesmeyana) by Vasnetsov, Viktor Mikhaylovich (1848-1926) / V. Vasnetsov Memorial Museum, Moscow / Russian Painting, End of 19th - Early 20th cen. / 1914-1916 / Russia / Oil on canvas / Mythology, Allegory and Literature / 2

BoerenHerberg, Hendrik Abraham Klinkhamer, After Cornelis Dusart, 1867 drawing paper. pencil. watercolor (paint) brush pavement, terrace in front of inn or restaurant. pavement, terrace in front of inn or restaurant

Tampbal fiance, odes and ballads VI Charles-Henri Pille. "Timbal Fiance, Odes and Ballades, Ballade VI". Feather and brunette ink on paper, 1879. Paris, Victor Hugo House.

Cinq-Mars and De Thou Led to Execution, drawn by A. de Neuville, Illustration, Ridpath's History of the World, Volume III, by John Clark Ridpath, LL. D., Merrill & Baker Publishers, New York, 1897

The Resurrection of the Widow's Son at Nain (La résurrection du fils de la veuve de Naïm) James Tissot (French, 1836-1902). The Resurrection of the Widow's Son at Nain (La résurrection du fils de la veuve de Naïm), 1886-1896. Opaque watercolor over graphite on gray wove paper, Image: 6 1/8 x 8 5/8 in. (15.6 x 21.9 cm). European Art 1886-1896

Series Viennese scenes, The alleys, Joseph d, Lanzedelly Lanzedelli -, Artist, Jeremias Bermann -, publisher

Bliżej Kultury Verlag Gerlach & Schenk in Vienna (1882 1901)

Dyeing and winding silk, 19th Century China - Drawn by T. Allom, Engraved by G Paterson

Europe. Spain. Spanish customs. Harvest. Drawing by Valeriano Becquer and engraving by Rico. Almanac. The Illustration, Spain. 1880.

Meidan" v Tiflise Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Philibert Louis Debucourt, Le Menuet de la mariée (The Bride's Minuet), 1786 Le Menuet de la mariée (The Bride's Minuet)

Ό Περικλῆςἀπὸτῆς Πνυκὸς, δικαιολογῶντὰςχάριντῆς Άκροπόλεως δαπάνας - Péricles pérorant de Pnyx justifie les dépenses pour l'Acropole , Forts & fortifications, Archaeological sites, Greek temples, Audiences, Statesmen, Parthenon Athens, Greece, Pericles, approximately 495 B.C.-429 B.C.. Nicholas Catsimpoolas Collection

The Antique Dealer, by Gerolamo Induno (1825-1890).

THE QUEEN AT GRASSE

Figures Among Ruins on Hill, Thomas Sully, 1783-1872, American, undated, Watercolor, graphite, and gouache on moderately thick, moderately textured, beige, wove paper, Sheet: 4 3/16 × 5 1/4 inches (10.6 × 13.3 cm)

Reproduction of drawing: Wojciech Kossak (1856-1942), Street in venice; from: `Tygodnik Ilustrowany`, 1876, 2, no. 36, p. 171. Kossak, Wojciech (1856-1942), draughtsman, cartoonist, Nicz, Edward (1851-1916), engraver, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

1842 watercolor by Franz Alt showing a city view of Zara with glossy highlights, scraped white accents, and pencil traces.

Drawing by Alexandre Gabriel Decamps depicting an Oriental scene, executed with brown brush over pencil, showing figures, architecture, and landscape elements.

GRABADO-ESCENA CHINA CON MANDARIN. Location: PRIVATE COLLECTION. MADRID. SPAIN.

Date: circa 1850

The fifth scourge of Egypt, 1755 - 1779 print The scourge of the cattle test. View of a city on a river where there are dead animals everywhere. People mourn or make gestures of despair. Under the image explanation in German and French. paper. watercolor (paint) etching / brush the plague of murrain in cattle: all the animals of the Egyptians die

La Conquista de México, Tabla XV. Date/Period: Last quarter XVII century. Painting. Height: 1,000 mm (39.37 in); Width: 520 mm (20.47 in). Author: Miguel GONZALES.

Prince's wedding in Spain in the 15th century according to the painting of Salvador Sanchez Barbudo. Shape out of ears 1887 (1) 252 253 Scheu, Heinrich (1845 1926), Barbudo Sanchez, Salvador (1857 1917)

Cossacks by Klavdi Vasilyevich Lebedev, Watercolor, Gouache on Paper, 1904, 1852-1916, Russia, Vologda, Regional Art Gallery, 42x37

Eugène Isabey (French, 1803 - 1886). Croix de Chaudesaigues, 1831. From Voyages Pittoresques et Romantiques dans l'Ancienne France. Lithograph. Second state.

Monument on the Coast of Syria, Plate II, created by Luigi Mayer in 1810. Published in London by T. Bensley for R. Bowyer. This artwork is an aquatint depicting a monument located in the Mediterranean region

Louis Adolphe Hervier, Sheet of Studies with Portraits of Women and Children, 1854, pen and ink with washes over pencil on wove paper.

Galway from the Claddagh, Ireland. Drawn by W.H.Bartlett, engraved by C. Cousen. From 'The Scenery and Antiquities of Ireland' by N.P.Willis and J.Stirling Coyne.Illustrated from drawings by W.H.Bartlett. Published London c.1841.

The Creditors, Matthijs Maris, c. 1855 - 1856 drawing paper. ink. watercolor (paint). pencil pen / brush

Victorian children watching a Punch and Judy show in the Tuileries Gardens, Paris. Colour woodblock after an illustration by Thomas Crane and Ellen Houghton from Abroad, Marcus Ward, London, 1882.

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