Urban and Street Scene Etchings

Etchings capturing intimate street scenes and architecture, portraying urban life with artistic flair and historical context.

Face in a street with groups of women, Daniel Urrabieta Vierge, 1861 - 1904 drawing paper. ink pen street (+ city(-scape) with figures, staffage)

Gray's Inn Place 1887 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Gray's Inn Place. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 126 x 176 mm (image, trimmed within plate mark); 129 x 176 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Face in a street with groups of women, Daniel Urrabieta Vierge, 1861 - 1904 drawing paper. ink pen street (+ city(-scape) with figures, staffage)

Chancellerie, Loches. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 269 x 165 mm (sheet excluding tab); 272 x 165 (sheet with tab). Etching with foul biting in black ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Venetian Mast. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 340 x 164 mm (plate); 361 x 180 mm (sheet). Etching in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Robert Smith, Figures on a Roman Piazza Figures on a Roman Piazza

Balcony,Amsterdam. Artist: James McNeill Whistler, American, 1834-1903

View of a street with a horse and a man. Draughtsman: Cornelis Springer. Dating: 1827 - 1891. Measurements: h 312 mm × w 242 mm. Museum: Rijksmuseum, Amsterdam.

Ex-Libris Edwin Edwards , Coats of arms, Greyhounds, Houses, Alphonse Legros (1837-1911)

Churchyard. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 210 x 173 mm (image); 312 x 208 mm (sheet). Transfer lithograph in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Fair 1895-96 James McNeill Whistler American. The Fair 372859

Alderney Street. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 7 × 4 7/16 in. (17.8 × 11.2 cm)Sheet: 8 7/16 × 6 1/4 in. (21.5 × 15.9 cm). Date: 1880-81. Museum: Metropolitan Museum of Art, New York, USA.

Thomas Shotter Boys, Ile de la Cité from the Institut, Paris, British, 1803-1874, c. 1832, graphite with stumping on wove paper

Back of the Gaiety Theatre Made 1895 United States. Lithograph on white wove paper, laid down on white wove paper (chine collÈ) . James McNeill Whistler

The Little Steps, Lyme Regis. James McNeill Whistler; American, 1834-1903. Date: 1895. Dimensions: 211 x 146 mm (image); 285 x 230 mm (sheet). Transfer lithograph in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Image of a city street with people milling about , Commercial streets, City & town life. James McNeill Whistler (1834-1903). Lithographs

Balcony, Amsterdam. James McNeill Whistler; American, 1834-1903. Date: 1889. Dimensions: 271 x 162 mm (image, trimmed within plate mark); 274 x 162 mm (sheet). Etching and drypoint in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Nocturne Palaces 1879-1880 United States. Etching and drypoint in black on ivory laid paper . James McNeill Whistler

Clothes Exchange, No.I. Dated: 1887. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Verlorener Winkel. Friedrich Kallmorgan (German, 1856-1924). Etching;

Quiet Canal. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 227 x 152 mm (plate); 278 x 187 mm (sheet). Etching and drypoint, with drypoint cancellation, in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Chancellerie, Loches James Abbott McNeill Whistler (American, 1834-1903).. Etching on paper, Sheet (trimmed to plate): 10 5/8 x 6 1/2 in. (27 x 16.5 cm). American Art

The Little Doorway, Lyme Regis. James McNeill Whistler; American, 1834-1903. Date: 1895. Dimensions: 234 x 157 mm (image); 282 x 277 mm (sheet). Transfer lithograph in black on cream wove proofing paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Union Square. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Sheet: 6 7/16 x 7 13/16 in. (16.4 x 19.9 cm)Plate: 4 1/4 x 5 11/16 in. (10.8 x 14.5 cm). Date: 1896-1916. Museum: Metropolitan Museum of Art, New York, USA.

Drury Lane, from the Second Venice Set (A Set of Twenty-sixEtchings). Artist: James McNeill Whistler, American, 1834-1903

Newspaper stall, Rue de Seine , Newspaper vendors, Stores & shops. James McNeill Whistler (1834-1903). Lithographs

Frontispiece for the ladies of Fr. Villon (dummy title)

Pottery in Wroclaw; Ulbrich, Hugo (1867-1928); around 1900 (1890-00-00-1910-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Wrocław (Dolnośląskie Voivodeship), church of St. Mary Magdalene (Wrocław), Cities, Modernism (Style), Landscapes, German drawings, streets

Tête-à-tête in the garden , Gardens, Whibley, Charles, 1859-1930. James McNeill Whistler (1834-1903). Lithographs

View of the Sint Nicolaasstraat in Amsterdam. Front figures. Page 52 From a sketchbook with 46 sheets manufactured in Amsterdam, Haarlem and Antwerp.

Justice Walk, Chelsea 1888 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

Artist: Edwin Austin Abbey, American, 1852-1911, M.A., 1897, Sketch of an outdoor stairway (Italian pergola, for bookillustration), Pen and ink, graphite, Wove, 50.5 × 35.3 cm (19 7/8 × 13 7/8in.), Made in United States, American, 19thcentury, Works on Paper - Drawings andWatercolors

Edelfelt, Albert, work, Sketch book, drawing, 22.5 cm x 30.5 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Goblins Bievre (Factitious Title)

The Butcher's Dog. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 7 1/8 × 5 3/16 in. (18.1 × 13.1 cm)Sheet: 12 5/16 x 8 1/2 in. (31.3 x 21.6 cm). Date: 1896. Museum: Metropolitan Museum of Art, New York, USA.

Design for a Stage Set at the Opéra, Paris 1830-90 Eugène Cicéri French. Design for a Stage Set at the Opéra, Paris 358434

James McBey, Rio dei Greci, Venice (Venice set no. 1), 1925, etching and drypoint on paper.

Garden with pond, in the foreground garden tools.design for a painting.

Musical instruments. (Title Title) | Illustrations for Jesus CARCO CARALE. (Title of the whole)

The Barber's (The Barber's Shop, Chelsea) 1886-95 James McNeill Whistler American. The Barber's (The Barber's Shop, Chelsea) 372612

La Belle Jardinière Made 1894 United States. Lithograph on cream laid paper . James McNeill Whistler

Francis Seymour Haden, British (1818-1910), Amalfi, in or before 1858, etching and drypoint

Toledo 1898-1908 United States. Oiled charcoal with stumping and erasing, on cream wove paper, perimeter mounted on off-white wood pulp laminate board . Joseph Pennell

Street in Seville. Charles Conder; English, 1868-1909. Date: 1905. Dimensions: 352 × 254 mm. Gouache and oil on paper. Origin: England. Museum: The Chicago Art Institute, USA.

A Venetian Courtyard. James Abbott McNeill Whistler (1834-1903). Charcoal and pastel on gray paper. 30 x 20.2cm.

The Butcher's Dog. James McNeill Whistler; American, 1834-1903. Date: 1896. Dimensions: 183 x 131 mm (image); 298 x 211 mm (sheet). Transfer lithograph in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Design for wallpaper painting. Design for a wall painting.

The Traghetto, No 2 1880 United States. Etching and drypoint in brownish black on cream Japanese paper . James McNeill Whistler

Turkeys. James McNeill Whistler; American, 1834-1903. Date: 1880. Dimensions: 208 x 131 mm (image, trimmed within plate mark); 222 x 132 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The White Square, 1926 Gustave Ferdinand Boberg (1860-1946), Swedish architect. The white square. Pencil. Paris (ix�me arr.), 1926.

The Gaiety Stage Door, James McNeill Whistler (Lowell, Massechusetts, USA, 1834 - 1903)

The vegetable store on the Rue de Grenelle in Paris, James Abbott McNeill Whistler, 1894 print Shop front of the greengrocer on the Rue de Grenelle in Paris. A woman is busy with the display. London paper shop-window, show-window Rue de Grenelle

The Embroidered Curtain 1889 James McNeill Whistler American. The Embroidered Curtain 372745

The Fireplace. Dated: 1893. Dimensions: image: 18 × 16 cm (7 1/16 × 6 5/16 in.) sheet: 25.3 × 19.1 cm (9 15/16 × 7 1/2 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The Long Gallery, Louvre. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 8 1/2 × 6 1/4 in. (21.6 × 15.9 cm)Sheet: 12 3/16 × 9 1/8 in. (31 × 23.2 cm). Series/Portfolio: The Studio. Date: 1894. Museum: Metropolitan Museum of Art, New York, USA.

The Steps, Luxembourg Gardens. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Image: 8 3/16 × 6 3/16 in. (20.8 × 15.7 cm)Sheet: 12 3/8 × 7 3/4 in. (31.4 × 19.7 cm). Date: 1893. Museum: Metropolitan Museum of Art, New York, USA.

Trial Sketch: An Interior. Dated: c. 1891. Dimensions: image: 4.4 × 4.9 cm (1 3/4 × 1 15/16 in.) sheet: 8.7 × 8.8 cm (3 7/16 × 3 7/16 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Little Maunder's. Dimensions: overall: 8.3 x 5.1 cm (3 1/4 x 2 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Moreau, Pierre Louis, view of the Bièvre. (Faithful title), 1899. Carnavalet Museum, History of Paris.

Victor Hugo (1802-1885). "Equestrian statue and dungeon". Brown ink pen and ink wash. Paris, house of Victor Hugo. 60599-13 Armure, rider, construction medieval, drawing, dungeon, flag, brown ink, equestrian statue, tower, 19th 19th 19th 19th 19th 19th century, feather

Chelsea Embankment, June, 5 pm 1889. Artist and engraver: Théodore Roussel (French, Lorient, Brittany 1847-1926 St. Leonards-on-Sea, Sussex). Dimensions: Image: 6 1/16 x 3 15/16 in. (15.4 x 10 cm). Date: 1889. Museum: Metropolitan Museum of Art, New York, USA.

TheDyer. Artist: James McNeill Whistler, American, 1834-1903

Under Old Battersea Bridge. Dated: 1879. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The Barber Shop. Joseph Pennell; American, 1857-1926. Date: 1905. Dimensions: 280 x 220 mm (image); 318 x 228 mm (sheet). Etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Rebuilding Broad Street. Dated: 1910. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

View of a street. Draughtsman: George Hendrik Breitner. Dating: c. 1912. Place: Amsterdam. Measurements: h 196 mm × w 116 mm. Museum: Rijksmuseum, Amsterdam.

Sir David Young Cameron, 1865-1945, British, Upper Green, Charterhouse, 1894-1910. Etching on laid paper.

Steps, Amsterdam. Dated: 1889. Dimensions: sheet (trimmed to plate mark): 23.7 x 16.4 cm (9 5/16 x 6 7/16 in.). Medium: etching and drypoint in brown. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Kensington Gardens , Parks, Trees. Joseph Pennell (1857-1926). Prints and Drawings

The Jewish Quarter in Amsterdam. Dated: 1906. Dimensions: plate: 18.9 × 24.6 cm (7 7/16 × 9 11/16 in.) sheet: 35.9 × 45.8 cm (14 1/8 × 18 1/16 in.). Medium: etching on laid cream paper. Museum: National Gallery of Art, Washington DC. Author: MAX LIEBERMANN.

Amalfi. Dated: in or before 1858. Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Francis Seymour Haden.

Sunday, Lyme Regis Made 1895 United States. Transfer lithograph in black on cream laid paper . James McNeill Whistler

Garden and Palace of Luxembourg ALFRED DEHODENCQ (1822-1882). Garden and Palace of Luxembourg. Black stone on peck paper.

James McNeill Whistler (American, 1834-1903), Courtyard, Rue P.L. Courier, 1888, etching

Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: city street scene/ fountain (insert after p. 120), 1937. Auguste Brouet (French, 1872-1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.).

La Fruitière de la Rue de Grenelle 1894 James McNeill Whistler American. La Fruitière de la Rue de Grenelle. James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1894. Transfer lithograph, drawn on thin, transparent transfer paper; only state (Chicago); printed in black ink on white machine made wove paper. Prints

House of the Swan, Brussels 1887 United States. Etching with foul biting in black ink on off-white laid paper . James McNeill Whistler

Rue des Marmousets (Old Paris), 1862. Maxime Lalanne (French, 1827-1886), A Cadart & F. Chevalier, rue Richelieu, 66 Paris. Etching; sheet: 52.7 x 32.8 cm (20 3/4 x 12 15/16 in.); platemark: 26 x 8 cm (10 1/4 x 3 1/8 in.).

Outside the Gate of S. Gallo, Florence, Sir Robert Smirke the younger, 1781-1867, British, 1802-1804, Graphite on moderately thick, moderately textured, beige, wove paper, Sheet: 5 3/4 × 8 15/16 inches (14.6 × 22.7 cm)

Turkeys. James McNeill Whistler; American, 1834-1903. Date: 1880. Dimensions: 209 x 131 mm (image, trimmed within plate mark); 219 x 134 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Yellow House, Lannion. James McNeill Whistler; American, 1834-1903. Date: 1892-1893. Dimensions: 242 x 162 mm (image); 379 x 280 mm (sheet). Transfer lithograph from six stones, in black (keystone), greenish gray, brown, green, yellow, and gray, with scraping, on tan wove Japanese vellum. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lepère, Auguste (n.1849-11-30-D.1918-11-20), the Golden Passage, View in Width, 13th Arrondissement, Paris (Fake title). Lead mine. Carnavalet museum, history of Paris.

Edouard Manet (1832-1883), the barricade. Scene of the municipality of Paris, 1871

James McNeill Whistler, The Long Gallery, Louvre, 1894 The Long Gallery, Louvre

Yard with a water jug, Henri de Braekeleer, 1850 - 1879 print paper etching courtyard. container of ceramics: jar, jug, pot, vase

The Lion Gardner House,Easthampton. Artist: Childe Hassam, American, 1859-1935

Central kitchen district VI. Draughtsman: Emile de Vries (signed by artist). Dating: 1945. Place: Amsterdam. Measurements: h 293 mm × w 230 mm. Museum: Rijksmuseum, Amsterdam.

Oil and chalk drawing by Johanna Kampmann-Freund showing Linz's main square with an old cathedral in the background, emphasizing architectural forms and public space.

The Palaces. James McNeill Whistler; American, 1834-1903. Date: 1878-1880. Dimensions: 252 x 359 mm (image, trimmed within plate mark); 255 x 359 mm (sheet). Etching, drypoint and open bite in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Street Scene, Capri by Eugene Berman, pen and ink drawing, 1958

Fontein with a statue of Moses, Johannes or Lucas van Doechum, after Hans Vredeman de Vries, c. 1600 Round fountain on the corner of a gallery. The pelvis is worn by water spitting spitxes. Above the pelvis stands on a console Moses that hits water out of the rock. It stands for a niche in the corner of the wall and under a round shelter. On the right a man leans against the balustrade. Another man creates water from the fountain with a jug. The print is part of an album. Antwerp paper etching Round fountain on the corner of a gallery. The pelvis is worn by water spitting spitxes. Above the pelvis stands on a console Moses that hits water out of the rock. It stands for a niche in the corner of the wall and under a round shelter. On the right a man leans against the balustrade. Another man creates water from the fountain with a jug. The print is part of an album. Antwerp paper etching

Side Wings in a Stage Set, Perspectives, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash on off-white laid paper, lined, Side Wings in a Stage Set, Perspectives., Rome, Italy, 1789-1793, theater, Drawing, Drawing

A Street in Jaffa James Tissot (French, 1836-1902). , 1886-1887 or 1889. Pen and ink on paper mounted on board, Sheet: 8 1/4 x 4 1/2 in. (21 x 11.4 cm). European Art 1886-1887 or 1889

Procession by a city, Corneille Seghers, 1824 - 1869 print paper etching / drypoint procession ~ Christian religion. bridge in city across river, canal, etc.

Design for wallpaper painting for T.A. van Iddekinge, Jurriaan Andriessen, c. 1752 - c. 1819, Design for a wall painting., draughtsman: Jurriaan Andriessen, c. 1752 - c. 1819, paper, pen, brush, h 282 mm × w 125 mm

Design for a garden view with a peacock on a fence. Draughtsman: Dionys van Nijmegen (possibly). Dating: 1715 - 1798. Measurements: h 300 mm × w 168 mm. Museum: Rijksmuseum, Amsterdam.

Das leere Café (The Empty Café). Dated: 1918. Dimensions: overall: 33.9 x 26.2 cm (13 3/8 x 10 5/16 in.). Medium: pen and black ink with crayons on wove paper. Museum: National Gallery of Art, Washington DC. Author: Walter Gramatté.

Victoria Club. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1887. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Northumberland Ave. , Monuments & memorials, Columns, Cities & towns, Nelson, Horatio Nelson, Viscount, 1758-1805. Joseph Pennell (1857-1926). Prints and Drawings

Place de l'Opéra, plate seventeen from Le Long de la Seine et des Boulevards 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste Lepère

of 2