Urban Life and Architecture

Etchings showcasing bustling city streets and architectural elements, emphasizing daily life and details in historical urban environments, with a soft palette.

James McNeill Whistler (American, 1834-1903), Clothes Exchange, No.II, c. 1886-1888, etching

James McNeill Whistler, The Rialto, 1880 The Rialto

York Street, Westminster. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 127 x 216 mm (image, trimmed within plate mark); 130 x 216 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Tour Saint Antoine, Loches 1888 United States. Etching with foul biting in dark brown ink on cream laid paper . James McNeill Whistler

The Rialto., 1879-1880, Italy, by James Whistler. Gift of Sir John Ilott, 1963.

Billboards, New York , Commercial streets, City & town life, Carriages & coaches, Pedestrians. Childe Hassam (1859-1935). Prints and Drawings

Man on a barge in a canal between Huizen, Gijsbertus Johannes Verspuy, 1858 print A man trees a barge with a sailing tree in a canal between houses. A church building in the middle. Netherlands paper. etching poling, punting. canals, waters (in village)

James McNeill Whistler (American, 1834-1903), Clothes Exchange, No.II, c. 1886-1888, etching

Robert Henri, Paris Street Scene, 1904 Paris Street Scene

Windsor Terrace Looking Westward. Paul Sandby; English, 1731-1809. Date: 1809. Dimensions: . Color aquatint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Figures on the street, 1881 - 1883 Page 17 from a sketchbook with 27 magazines Rotterdam (possibly) paper. pencil street (+ city(-scape) with figures, staffage)

James McNeill Whistler, Ponte del Piovan, 1879 1880 Ponte del Piovan

New York, flags on Broadway , Streets, Flags, Cities & towns. Joseph Pennell (1857-1926). Prints and Drawings

In the port at the Motława River. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wyczółkowski, Leon (1852-1936), graphic artist

Artist: Canaletto (Giovanni Antonio Canal), Italian, 1697-1768, Landscape with a Woman at a Well, from the series Vedute(Views), Etching, platemark: 13.9 × 20.5 cm (5 1/2 × 8 1/16in.), Italian, 18thcentury, Works on Paper -Prints

Piazza de Montanara, Rome, Etienne Bosch, c. 1873 - In Or Before 1931 print View of a square with market stalls, different figures and a donkey. paper. printing ink drypoint market Piazza Montanara

James McNeill Whistler, Little Smithfield, c 1877 Little Smithfield

Saint Servan. Dated: 1917. Dimensions: Overall: 17.8 x 22.7 cm (7 x 8 15/16 in.) support: 25.9 x 30.5 cm (10 3/16 x 12 in.). Medium: graphite. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Spuistraat in The Hague, Herman Heuff, 1885 - 1945 print People walk in the street. On the left on a facade is the text 'Prices models'. A small sailboat under the show. paper etching street The Hague

Clothes Exchange, No.II. Dated: c. 1886/1888. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Skaters at a castle, Louis Smets, 1852 - 1868 print paper etching castle. skates (winter sports). ice ~ state of water

Bastille Day in Montmartre. Félix Hilaire Buhot; French, 1847-1898. Date: 1892. Dimensions: 320 × 490 mm (image); 348 × 552 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Adam and Eve, Old Chelsea 1878 United States. Etching and drypoint in black ink on cream Japanese paper . James McNeill Whistler

Buhot, Félix (n.1847-07-09-D.1898-04-26), winter in Paris. Instead Bréda (Boucard-Goodfriend 128) (main title), 1879. Strong water, aquatint on Vergé. Petit Palais, Museum of Fine Arts of the City of Paris.

St James's Street 1878 United States. Etching in black ink on off-white laid paper . James McNeill Whistler

James McNeill Whistler (American, 1834 - 1903), The Piazzetta, 1880, etching and drypoint

James McNeill Whistler, Ponte del Piovan, 1880 Ponte del Piovan

Moreau, Pierre Louis, rue Brillat-Savarin. (Faithful title), 1898. Carnavalet Museum, History of Paris.

A Mill Made 1830 England. Mezzotint on paper . David Lucas

Second Street Market, Philadelphia. Dated: 1920. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

James McNeill Whistler (American, 1834-1903), Justice Walk-Chelsea, c. 1886-1888, etching

Florence from the Chiesa al Monte, George Cooke, 1781-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1820, Etching and engraving on medium, smooth, cream, wove paper, with cream, chine colle, Sheet: 10 1/2 × 14 1/4 inches (26.7 × 36.2 cm), Plate: 10 1/8 × 13 1/4 inches (25.7 × 33.7 cm), Chine collé: 9 1/2 × 12 5/16 inches (24.1 × 31.3 cm), and Image: 4 9/16 × 8 5/8 inches (11.6 × 21.9 cm)

Calle del Paradiso. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 197 x 119 mm (image/plate); 219 x 142 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Balcony Made 1879-1880 United States. Etching and drypoint with foul biting, with drypoint cancellation, in black ink on ivory laid paper . James McNeill Whistler

The Hague, Weissenbruch, Jan, View of a corner house in Leiden, Two women standing in front of a corner house., print, prints, height 80 mm, width 55 mm, Dutch, 1822-03-18 - 1880-02-15, print maker, printmaker, 1837 - 1880, paper, papier, chine collé, etching, etsen

Little Court. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 4 15/16 × 6 7/8 in. (12.5 × 17.4 cm)Sheet: 4 15/16 × 6 7/8 in. (12.5 × 17.4 cm). Series/Portfolio: Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). Date: 1880-81. Museum: Metropolitan Museum of Art, New York, USA.

Shallow: The Council shall hear it” - Act I, Scene I, Merry Wives of Windsor. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Straatscape, in Saint-Ouen-L'Aumône, Maurits van der Valk, 1867-1914 print paper etching / drypoint street. urban housing

The Riva, Looking Towards the Caserna 1880 United States. Etching on cream wove paper . Frank Duveneck

English War Work: From othe Tops of the Furnaces, 1916. Joseph Pennell (American, 1857-1926). Lithograph;

Railway Arch, American Square. James McNeill Whistler; American, 1834-1903. Date: 1886-1887. Dimensions: 67 x 161 mm (image, trimmed within plate mark); 71 x 161 mm (sheet). Etching with foul biting in black ink on off-white laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

St. James's Street. James McNeill Whistler; American, 1834-1903. Date: 1878. Dimensions: 278 x 152 mm (plate); 322 x 181 mm (sheet). Etching in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Street face in De Rain, Félix Hilaire Buhot, 1877 print paper etching / drypoint city-view, and landscape with man-made constructions. rain. four-wheeled vehicle drawn by one animal Hospital

Figures on the ice from the burnt house at the Leidsegracht, 1684. Study for the figures on the ice of the frozen canal for the ruin of a house on the Leidsegracht after the fire on January 12, 1684. Illustration for the illustration in the fire spa book from Jan van der Heyden, 1690 and 1735.

The "Adam and Eve," Old Chelsea 1878-79 James McNeill Whistler American. The "Adam and Eve," Old Chelsea 372693

Villa Quintilli prints, etchings, works on paper

Way to the city; completely left one of the Barriers. Draughtsman: Georges Michel. Dating: 1773 - 1843. Measurements: h 101 mm × w 156 mm. Museum: Rijksmuseum, Amsterdam.

Unloading Ore. Dated: 1917. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

The Riva. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 201 x 297 mm (image, trimmed within plate mark); 207 x 297 mm (sheet). Etching and drypoint with foul biting in brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

View of a channel in Venice, Léon Gaucherel, 1875 print Print on uncut sheet with RP-P-1991-244. paper etching / drypoint canal Venice

Design for wallpaper painting. Design for a wall painting.

Conduct on Chandenton-Le-Pont, Matham Merian (i), 1603 - 1650 print paper etching bridge in city across river, canal, etc.. riding a horse, ass, or mule; rider, horseman. city-view in general; 'veduta' Charenton-le-Pont

Rio delle Verona, Venice. Dated: 1912. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Donald Shaw MacLaughlan.

View of the Paleisstraat in Amsterdam. Draughtsman: George Hendrik Breitner. Dating: 1908. Place: Amsterdam. Measurements: h 159 mm × w 131 mm. Museum: Rijksmuseum, Amsterdam.

Westminster Clock Tower. Félix Hilaire Buhot; French, 1847-1898. Date: 1884. Dimensions: 284 × 396 mm (plate); 310 × 432 mm (sheet). Etching, drypoint, roulette, aquatint, and spit-bite on ivory Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rete aux painsd’Tpices. Artist: Worcester, American, 1878-1926 Artist, possibly by: Albert Worcester, American, 1878-1935

An etching from 1895 by Auguste Lepère titled 'The City of the Pont des Arts', showing the bridge, surrounding urban buildings, and river scenery.

Quiet Canal,' an etching by James McNeill Whistler, created between 1879 and 1880

East Side Junk Shop. Dated: c. 1910. Dimensions: image: 178 x 171 mm paper: 318 x 238 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jerome Myers.

Kilgarren Castle, Pembroke, James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1827-1838, Open etching

Exeter, Thomas Jeavons, ca. 1800-1867, British, after Joseph Mallord William Turner, 1775-1851, British, 1819-1826, Line engraving, 1st state on moderately thick, slightly textured, cream, wove paper, with cream, chine colle, Sheet: 10 3/4 × 14 1/16 inches (27.3 × 35.7 cm), Plate: 10 1/16 × 12 1/16 inches (25.6 × 30.6 cm), Chine collé: 9 3/4 × 11 3/4 inches (24.8 × 29.8 cm), and Image: 6 1/2 × 9 1/8 inches (16.5 × 23.2 cm)

Albrecht Dürer (German, 1471 - 1528), The Nativity, 1504, engraving

The Street of the Grand Clock, Rouen 1885 Camille Pissarro French. The Street of the Grand Clock, Rouen 358720

The Rialto, Venice Frank Duveneck American Publisher Cincinnati Museum Association Printer Herman Henry Wessel American 1883 View more. The Rialto, Venice. Frank Duveneck (American, Covington, Kentucky 1848-1919 Cincinnati, Ohio). 1883. Etching, printed with plate tone. Cincinnati Museum Association. Prints

Face in a village. Draughtsman: Jan Veth. Dating: 1874 - 1925. Measurements: h 114 mm × w 159 mm. Museum: Rijksmuseum, Amsterdam.

Design for the title page for the play De Schoenlapper-Capityn or Krispyns koddy schinge. Design for the title page for the play of J.G.L.L.Loepddus 'De Schoenlapper-Capityn or Krispyns Kodige Schakene'.

Two figures at Ruin, Anthonie van den Bos, 1778 - 1838 print paper counterproof landscape with ruins

William Walcot, Venice in the Eighteenth Century, Festival, C. 1924, etching and aquatint on wove paper.

Slavery in the North. Dated: c. 1914/1919. Dimensions: overall: 26.6 x 37.6 cm (10 1/2 x 14 13/16 in.). Medium: pen and brown ink with brown wash over red chalk on wove paper. Museum: National Gallery of Art, Washington DC. Author: JEAN LOUIS FORAIN.

James McNeill Whistler (American, 1834 - 1903), The Riva, No.I, 1879-1880, etching

St James's Place, Houndsditch 1886 United States. Etching and drypoint with foul biting in black ink on ivory laid paper . James McNeill Whistler

View of the Large Waterfall at Tivoli, Jan Worst, c. 1647 - c. 1655 drawing Possibly shown Tivoli in Italy Tivoli paper. chalk. ink brush prospect of village, silhouette of village. waterfall. city-view, and landscape with man-made constructions Tivoli. Italy

The Rialto, Venice 1883 United States. Etching with drypoint on ivory wove paper . Frank Duveneck

Pencil illustration by August Xaver Karl von Pettenkofen showing a scene from Gil Blas with figures in motion and narrative gestures.

The Piazetta (The Piazzetta). Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 9 15/16 × 7 1/16 in. (25.3 × 17.9 cm)Sheet: 10 7/8 × 7 3/8 in. (27.7 × 18.8 cm). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

Lange Vijverberg, The Hague. Date: autumn 1872-spring 1873, The Hague. Dimensions: 22.2 cm x 16.9 cm. Museum: Van Gogh Museum, Amsterdam.

Rue des Bons Enfants, Tours. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1888. Prints; etchings. Etching and drypoint

Le Drageoir aux épices by J. K. Huysmans: p. 137, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

Old Street in Rouen. Artist: A. Paul Artigue (French, active 19th century). Dimensions: Sheet: 11 15/16 × 8 3/4 in. (30.3 × 22.3 cm)Plate: 9 15/16 × 6 7/8 in. (25.2 × 17.4 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Souvenir de Bretagne. Dated: 1832. Dimensions: image: 27.5 × 3.8 cm (10 13/16 × 1 1/2 in.) sheet: 49.6 × 33.5 cm (19 1/2 × 13 3/16 in.). Medium: lithograph on wove paper. Museum: National Gallery of Art, Washington DC. Author: EUGÈNE ISABEY.

Amsterdam Central Station, draughtsman: Carel Nicolaas Storm van 's-Gravesande, 1902, paper, h 121 mm × w 195 mm

Street face with figures near a harbor, Théodore Roussel, 1888 - 1889 print paper etching street. harbour Chelsea Embankment

Design for a Stage Set at the Opéra, Paris. Artist: Eugène Cicéri (French, Paris 1813-1890 Fontainebleau). Dimensions: Irregular sheet: 12 1/16 x 6 9/16 in. (30.7 x 16.7 cm). Date: 1830-90. Museum: Metropolitan Museum of Art, New York, USA.

Dam with town hall and daag and the outstretched banners at the announcement of William IV as stadholder, May 2, 1747, 1747 print Face from the water of Damrak on Dam Square in Amsterdam with town hall and ventilated with outstanding banners at the announcement of William IV as a stadholder, 2 May 1747. At the top of an orange branch and two medallions of the stadholder's inspection. Northern Netherlands paper etching festivities on events of national importance Dam. Royal Palace Amsterdam

Cutler Street, Hounsditch. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 175 x 125 mm (image, trimmed within plate mark); 178 x 125 mm (sheet). Etching with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Après la pluie (After the Rain). Dated: 1873 or 1874 (reworked 1877). Dimensions: plate: 11.7 x 15.9 cm (4 5/8 x 6 1/4 in.) sheet: 15.7 x 23.1 cm (6 3/16 x 9 1/8 in.). Medium: etching, drypoint, and aquatint in black-brown on cream laid paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Savoy pigeons , Pigeons, Bridges. James McNeill Whistler (1834-1903). Lithographs

An Imaginary Prison. Dimensions: plate: 27.5 x 21.8 cm (10 13/16 x 8 9/16 in.) sheet: 27.8 x 22.2 cm (10 15/16 x 8 3/4 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Vincenzo Mazzi.

Lokhorst or Oud-Teilingen, Roelant Roghman (possibly), 1646 - 1650, draughtsman: Roelant Roghman, (possibly), 1646 - 1650, paper, h 183 mm × w 303 mm

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Moreau, Pierre Louis, Le Pont Marie. (Faithful title), 1898. Carnavalet Museum, History of Paris.

Barth Erwin (1880-1933), Ceon Pichelswerder in Berlin-Spandau (1926): Perspective view with a view of the atrium with column oaks, stamp. Light break on the cardboard, 93.2 x 64.1 cm (including scan edges) Barth Erwin (1880-1933): Ehrenmal Pichelswerder, Berlin-Spandau

Ruins, Anthonie van den Bos, after Bartholomeus Breenbergh, 1778 - 1838 print Ruin of a castle, in the foreground two figures at a water basin. paper etching ruin of a dwelling, house, castle, etc.

Lake Steamers, Chicago 1910 United States. Etching on ivory laid paper . Joseph Pennell

Building a Power House. Dated: 1910. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Little Market Place, Tours. Dated: 1888. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

The Market, Venice. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1908. Dimensions: 266 x 378 mm (image); 271 x 382 mm (plate); 299 x 422 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

View of Heidelberg ca. 1588-89 Jan Brueghel the Elder Netherlandish This drawing, the earliest known by Jan Brueghel the Elder, records the city of Heidelberg seen from the west across the Neckar River. The castle appears as it did before additions were made between 1590 and 1592. Brueghel's sketch dates from about 1588-89, when the artist traveled from Antwerp to Italy, arrriving in Naples in 1590. The definition of forms with a combination of short, vertical lines in fine pen, which in places are blurred, and the broadly applied translucent washes are characteristic, as is the composition. Brueghel made several drawings of Heidelberg and used motifs from these travel sketches in paintings such as the Allegory of Spring of 1611 (private collection, Scotland), which shows Heidelberg castle as it appears in a copy after a drawing by Brueghel in the Kurpfalzisches sketchbook (Staatsgalerie, Stuttgart).. View of Heidelberg 337489

Castello Quarter, Riva. Otto Henry Bacher; American, 1856-1909. Date: 1879-1882. Dimensions: 218 x 346 mm (image/plate); 330 x 448 mm (sheet). Etching on ivory China paper, laid down on ivory wove paper (chine collé). Origin: United States. Museum: The Chicago Art Institute, USA.

Palaces, Brussels 1887 United States. Etching and drypoint with foul biting in black ink on cream laid paper . James McNeill Whistler

The Towering City, Toledo. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 218 x 282 mm. Oiled charcoal, with stumping and erasing, heightened with touches of white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA.

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