Urban Life and Daily Activities

Etchings capturing everyday scenes and characters in urban settings, reflecting a narrative vibrant with life and moments of simplicity.

Meryon, Charles, France, La Rue des mauvais Garcons, Rue des mauvais Garcons with two talking figures in front of an old brothel in Paris, verso left - stamped, This old brothel in the Rue des mauvais Garcons in Paris was demolished in 1851. The sketchy nature of the representation, which we also see in the preliminary study, is striking. Few details have been worked out and the representation seems to consist mainly of light and dark areas. The poem in three stanzas above the representation is about the goings-on in this street where men visited the brothel., print, prints, height 127 mm, width 97 mm, height 297 mm, width 242 mm, French, 1821-11-23 - 1868-02-14, print maker, printmaker, 1854 - 1854, third quarter 19th century, third quarter of the 19th century, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, printer, drukker

Le Drageoir aux épices by J. K. Huysmans: p. 4, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

Drawing by Ferdinand Boberg. Uppland, Frösåkers hd., Hargs sn., Harg Nordic

Calvary Church inSnow. Artist: Childe Hassam, American, 1859-1935

Meryon, Charles, France, La Rue des mauvais Garcons, Rue des mauvais Garcons with two talking figures in front of an old brothel in Paris, verso left - stamped, This old brothel in the Rue des mauvais Garcons in Paris was demolished in 1851. The sketchy nature of the representation, which we also see in the preliminary study, is striking. Few details have been worked out and the representation seems to consist mainly of light and dark areas. The poem in three stanzas above the representation is about the goings-on in this street where men visited the brothel., print, prints, height 127 mm, width 97 mm, height 297 mm, width 242 mm, French, 1821-11-23 - 1868-02-14, print maker, printmaker, 1854 - 1854, third quarter 19th century, third quarter of the 19th century, paper, papier, etching, etchings, intermediary draughtsman, after a drawing by, printer, drukker

Little Court 1880-1881 United States. Etching and drypoint with foul biting in brown ink on cream laid paper . James McNeill Whistler

Rue des Halles, Vannes, Brittany Made 1906 United States. Etching in black on buff wove paper, laid down on cream wove paper (chine collÈ) . Donald Shaw MacLaughlan

RUILENITY MET AN OBELISH, KOOMPLAGS A TROMOZUILD, VERIGILIA, AFTER JACQUES Arrot, After Léonzard THERY, 1550 - 1562 print Nuremberg paper etching piece of sculpture, reproduction of a piece of sculpture. dome ~ architecture. ruin of a building ~ architecture. obelisk, needle

The Rialto. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 297 x 210 mm (plate); 305 x 210 mm (sheet). Etching with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Little Court. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1880 - 1881. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Piazzetta 1879-1880 United States. Etching and drypoint with foul biting in black ink on light green laid paper . James McNeill Whistler

Roman ruin; Roman ruins and coastal landscapes (series 2). On the right a ruin in a landscape, left three figures on a road. Print is part of a series of Roman ruins and coastal landscapes to the prints of Willem van Nieulandt. This series is a copy of the series, who made Claes Jansz Visscher to Van Nieulandt.

Lithograph by Frank S. Herrmann depicting an Italian court for a Sema folder, created in 1912.

Vitré: The Canal 1893 James McNeill Whistler American. Vitré: The Canal 372820

Carceri, VIII: The Staircase withTrophies. Artist: Giovanni Battista Piranesi, Italian, 1720-1778

The piazzetta , Plazas, Doves, Basilicas, Basilica di San Marco Venice, Italy. James McNeill Whistler (1834-1903). Lithographs

BUHOT, Félix (n.1847-07-09-D.1898-04-26), after the rain (Boucard-Goodfriend 27) (main title), 1873. Etching, dry and aquatin point added in 1877 on paper Verga. Petit Palais, Museum of Fine Arts of the City of Paris.

Lime burner; The Lime-Burner; Sixteen Etchings of Scenes on the Thames and Other Subjects. Workplace with a man standing with two ladders and leaning against a ton. This is the worker and lime burner W. Jones. A port is visible through a view.

Children playing on the water, Willem de Zwart, c. 1895 - c. 1896 print paper etching / drypoint pond, pool. civic architecture; edifices; dwellings. children's games and plays

Castello Estense, Ferrara, Felice Giani, Italian, 1758-1823, Pen and bistre ink on paper, Vertical rectangle. Castle in background, broken down coach in foreground with figures standing nearby. Verso: details of architectural ceiling decoration, with indications as to how it should be colored: 1) faccio doro (ground gold) 2) ovali donati e stucco (egg-shaped forms gold and stucco) 3) rose stucco e oro li fiori (roses in stucco and flowers in gold) 4) fondi azzurri robeschi finissimi doro (ground blue 'robeschi' finest gold) 5) fondi doro figure colorite (ground gold, figures colored) 6) campo celeste corona di putti nel mezzo la divinita del spirito santo in campo chiarissimo (blue ground, garland of angels, in the middle holy ghost on light ground) 7) meandro doro fiori doro campo biancho stucco (meander gold, flowers gold, ground white stucco). Tutto il comparto stucco e oro e varissimi colori (the whole stucco, gold and finest colors). Volte a botta., Italy, 1822, theater, Drawing

Street in Bologna; Apple, Feliks (1865-1928); around 1910 (1907-00-00-1913-00-00);Bolonia (Italy), Cieślewski, Tadeusz (1895-1944 - young), Cieślewski, Tadeusz (1895-1944 - young) - collection, young Poland (style), partage plus, Italy (state), gift (provenance), Polish graphics, street lanterns, luminism (style), nocturnes, Poland (culture), streets, WUDUTY

The corner of the street of the moon, 1890 (dummy title)

The Staircase with Trophies, plate 8 from Imaginary Prisons 1761 Italy. Etching and engraving on heavy ivory laid paper . Giovanni Battista Piranesi

Eine Mutter I boardt No. 3: Max KIInger, Dramen Opus IX, BerIIn, May 1883, printed and pubIIshed by Otto Felsing Felsing, Otto (1854 1920), Klinger, Max (1857 1920)

Saint Mark's, No 3 Made 1900 Scotland. Etching and drypoint on cream laid paper . David Young Cameron

Artist: Albrecht Dürer, German, 1471-1528, TheNativity, Engraving, 18.3 × 11.8 cm (7 3/16 × 4 5/8in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

James McNeill Whistler (American, 1834 - 1903), Mairie, Loches, 1888, etching

Maison Impasse des boeufs, business card of the printer Eugène Deltre. Dimensions: 21.8 cm x 16.1 cm, 18 cm x 10.8 cm, 18 cm x 10.8 cm. Museum: Van Gogh Museum, Amsterdam. Author: Charles Heyman.

James McNeill Whistler, The Piazzetta, 1880 The Piazzetta

Drawing by Ferdinand Boberg. Stockholm, Djurgårdens f.d. region 7292, Rosenvik 3A before the stone wall Nordic

Avenue of the Allies. Dated: 1918. Dimensions: image: 33.34 × 17.78 cm (13 1/8 × 7 in.) sheet: 45.72 × 29.85 cm (18 × 11 3/4 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.

The Edinburgh set. Old Playhouse, Close, Old Edinburgh prints, etchings, works on paper

The Manager's Window, Gaiety Theatre 1896 James McNeill Whistler American. The Manager's Window, Gaiety Theatre 372872

Liber Studiorum: Plate 33, Conway Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.9 x 12.6 cm (7 7/16 x 4 15/16 in.).

Pinched , City & town life, Streets, Law enforcement. George Bellows (1882-1925). Prints and Drawings

The Balcony. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 296 x 201 mm (image, trimmed within plate mark); 309 x 201 mm (sheet). Etching and drypoint with foul biting in dark brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Tourelle, Rue de l'École de Médecine, 22, Paris. Dated: 1861. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

Archway, Brussels 1887 United States. Etching with foul biting in black ink on cream Japanese paper . James McNeill Whistler

Snowstorm in the Village. John Sloan; American, 1871-1951. Date: 1925. Dimensions: 177 x 128 mm (image/plate); 283 x 232 mm (sheet). Etching on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Woman in a court, Henri de Braekeleer (attributed to), 1850 - 1888 print paper etching / drypoint courtyard. housing. adult woman

The Balcony 1879-1880 United States. Etching and drypoint with foul biting in dark brown ink on ivory laid paper . James McNeill Whistler

James McNeill Whistler, Temple Bar, c 1877 Temple Bar

Restaurant Cavalier , Restaurants. Sir David Young Cameron (1865-1945). Prints

Schlossgasse. Lyonel Feininger; American, 1871-1956. Date: 1916. Dimensions: 236 x 179 mm (image); 338 x 250 mm (sheet). Etching on buff laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Venice, The Lion of St. Mark. Artist: Walter Richard Sickert (British, Munich 1860-1942 Bathampton, Somerset). Dimensions: plate: 5 1/8 x 4 3/4 in. (13 x 12.1 cm)sheet: 8 7/8 x 5 15/16 in. (22.5 x 15.1 cm). Date: 1915. Museum: Metropolitan Museum of Art, New York, USA.

Giovanni Battista Piranesi, The Well, published 1750 1758 The Well

The Prisons: A Perspective of Arches with a Smoking Fire, 1745-1750. Giovanni Battista Piranesi (Italian, 1720-1778). Etching;

La barricade (TheBarricade). Artist: Édouard Manet, French, 1832-1883Printer: Lemercier & Cie, Paris, founded 1828

The lime-burner , Laborers, Warehouses, Interiors. James McNeill Whistler (1834-1903). Lithographs

Giovanni Battista Piranesi, The Smoking Fire, published 1750 1758 The Smoking Fire

The Stadsenplakker, in Amsterdam at Rain, Cornelis Stephanus Roos, 1881 drawing paper. chalk street. poster Amsterdam

Works at Waterloo. Works at Waterloo

Childe Hassam, New York Bouquet, 1917 New York Bouquet

Tom all alones, the desolate London street, that was Jo's home. Scene from Bleak House by Charles Dickens (London, 1852-1853) Satire novel on the iniquities of the Court of Chancery

Félix Hilaire Buhot, Les Voisins de Campagne (Country Neighbors), 1879 1880 Les Voisins de Campagne (Country Neighbors)

Sir David Young Cameron, 1865-1945, British, Chartres, 1902. Etching and drypoint on Japan paper.

Maunder's Fish Shop, Chelsea , Stores & shops, Merchants. James McNeill Whistler (1834-1903). Lithographs

Mortimer Menpes, French Street Scene with Bearded Passer-By, after 1880, etching and drypoint on laid paper.

FotoreProductory van La Paix Door Gustav Doré, Anonymous, After Gustave Doré, 1850 - 1900 Photograph. visit card This photo is part of an album. cardboard. photographic support albumen print symbols, allegories of peace, 'Pax'; 'Pace' (Ripa). prospect of village, silhouette of village

BOCKELDE Violin player for an inn, Adriaen van Ostade, 1652 - 1656 print A small man with a crooked back plays the violin in front of the entrance of an inn. In the doorway is a woman with a small child on her arm. On a fence a man smokes a pipe and a little boy is listening with a hoop in his hand. Haarlem paper etching one person playing string instrument (bowed). inn, coffee-house, public house, etc.

Woman with a bowl of food at the bottom of a staircase, Ben Linnig, 1880 print paper etching / drypoint house personnel, servants

Auguste Lepère, Souvenir of St Denis (Souvenir de Saint Denis) Souvenir of St. Denis (Souvenir de Saint-Denis)

Drawing by Ferdinand Boberg. Hudiksvall, harbor Nordic

James McNeill Whistler, Clothes Exchange, NoI, 1887 Clothes Exchange, No.I

From the series The Imaginary Prisons (Le Carceri d'Invenzione), Piranesi, Giovanni Battista (1720-1778)

Place de l'Opéra, plate seventeen from Le Long de la Seine et des Boulevards. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 119 × 201 mm (image); 229 × 302 mm (sheet). Wood engraving in black on cream Japanese tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Souvenir of St. Denis (Souvenir de Saint-Denis). Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Cour de Caserne 19th century John-Lewis Brown. Cour de Caserne. John-Lewis Brown (French, Bordeaux 1829-1890 Paris). 19th century. Aquatint. Prints

Ostade, Isaac van, Netherlands, Bos, Anthonie van den, House with wheelbarrow in front of the door, verso - stamped, print, prints, height 168 mm, width 130 mm, 1763 - 1838-01-01, print maker, printmaker, 1778 - 1838, paper, papier, etching, etchings, print drawing, Northern Netherlands, 1621-06-02 - 1649-10-16, intermediary draughtsman

The Sawhorse, plate 12 from Imaginary Prisons 1750 Italy. Etching and engraving on heavy ivory laid paper . Giovanni Battista Piranesi

View of the fair at the Botermarkt with the Regulierswaag in Amsterdam, Antonie Vink Tollenaar, 1815 - 1875 print Netherlands paper pleasure fair and circus. square, place, circus, etc. (+ city(-scape) with figures, staffage). garbage collection Botermarkt. Waag on the Botermarkt

James McNeill Whistler (American, 1834 - 1903), Hangman's House, Tours, 1888, etching in black on laid paper

A Good Suggestion For Stuffy Summer Nights. Please note: Credit must appear as Courtesy of the Estate of Mrs J.C.Robinson/Pollinger Ltd/ILN/Mary Evans Date: 1921

Liverdun. James McNeill Whistler; American, 1834-1903. Date: 1858. Dimensions: 109 x 154 mm (plate); 294 x 351 mm (sheet). Etching with foul biting in black ink on off-white China paper laid down on off-white wove paper (chine collé). Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Illustration for Sally in our Alley,” from Old Songs. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

À Gentilly (AtGentilly). Artist: Auguste Lepère, French, 1849-1918

Goat; Romanowicz, Walenty; X.1941 (1941-00-00-1941-00-00);

Vehicle with horse under an old gate The old gate , print maker: Willem Steelink (II), (mentioned on object), Willem Steelink (II), (mentioned on object), printer: Mouton & Co., (mentioned on object), printer: The Hague, publisher: Amsterdam, publisher: Amsterdam, 1889, paper, etching, h 174 mm × w 246 mm

Why Don't They Go to the Country for Vacation. George Bellows (United States, Ohio, Columbus, 1882 - 1925). United States, 1913. Prints; lithographs. Direct trace monotype and brush and pen black ink with scraping on wove paper (Previously "Transfer lithograph, reworked with pen")

Auguste Lepère, Les toits de Saint Severin, 1889 Les toits de Saint-Severin

Little Market Place, Tours. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 127 x 177 mm (image, trimmed within plate mark); 130 x 177 mm (sheet). Etching and drypoint with foul biting in black ink on ivory Japanese paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The two doorways. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1879 - 1880. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Houses on the Achterklooster in Rotterdam, Jan de Jong (1864-1901), 1874 - 1901 print Figures with hand carts on the street. paper etching street. hand-cart Novel

Four figures play a game with corks in an alley, Josué Dupon, 1887 print paper etching children's games and plays. lane, alley

Two women on the street at a gate, Henri de Braekeleer, 1850 - 1879 print paper etching street. gate, entrance

St. James's Street, 1878, James Abbot McNeill Whistler, American, 1834 - 1903, 11 x 6 in. (27.94 x 15.24 cm) (plate)12 7/16 x 7 1/8 in. (31.59 x 18.1 cm) (sheet), Etching, United States, 19th century

A Gate of Segovia. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 193 x 257 mm. Oiled charcoal with stumping and erasing, heightened with touches of white gouache, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA.

A Venetian Palace. David Young Cameron; Scottish, 1865-1945. Date: 1898. Dimensions: 337 x 221 mm (image); 441 x 224 mm (sheet). Etching on ivory laid paper. Origin: Scotland. Museum: The Chicago Art Institute, USA.

Petite Rue au Beurre, Brussels. James McNeill Whistler; American, 1834-1903. Date: 1886-1887. Dimensions: 134 x 97 mm (image, trimmed within plate mark); 137 x 97 mm (sheet). Etching with foul biting in brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Billboards. Artist: Childe Hassam, American, 1859-1935

Street in Königsberg (Strasse in Königsberg). Dated: 1918. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Charles François Daubigny, Lunch on the Way to Asnieres (Le Dejeuner du depart a Asnieres), 1862 Lunch on the Way to Asnieres (Le Dejeuner du depart a Asnieres)

Gate of the Zocodovar, Toledo Made 1904 United States. Etching on ivory laid paper . Joseph Pennell

James McNeill Whistler, 1834-1903, American, active in Britain (from 1859), The "Adam and Eve," Old Chelsea, 1879. Etching and drypoint, printed from canceled plate on medium, slightly textured, cream laid paper.

Gustave Doré (1832-1883), designer and HélioDore Pisan (1822-1890), engraver. "Resverries in the towers." Illustration for Honoré de Balzac, "Les Contes Drolatiques", Paris: Société Générale de Librairie, 1855 ". Wood engraving. Paris, Maison de Balzac. 101788-29 Wood engraving, illustration of literary work, 19th 19th 19th 19th 19th 19th century, engraving

James McNeill Whistler, American (1834-1903), The Bridge, 1879-1880, etching

Scheepswerf, Cornelis Vreedenburgh, 1890 - 1946 print Shipyard with figure working on a boat. Left part of the print is torn off. paper etching pier, quay, wharf

Anton Schutz, Wall Street, c. 1920, etching on wove paper.

Trade Card for F. Paton, Printmaker 1884 Frank Paton This object is housed in an album of British trade cards from the collections of Bella C. Landauer, Ambrose Heal, and others. The term trade card” is of nineteenth-century origin and refers to a card that advertises the services of an individual or business. Eighteenth-century trade cards were often printed on thin sheets of paper and referred to as tradesmen’s cards,” tradesmen’s bills,” or shopkeeper’s bills.” During the Victorian era, trade cards were often reinforced on pasteboard and closely resemble business cards today.. Trade Card for F. Paton, Printmaker. Frank Paton (British, 1855-1909). 1884. Etching

Plate 24: Mercury and Aglauros, from 'Ovid's Metamorphoses' 1641 Johann Wilhelm Baur. Plate 24: Mercury and Aglauros, from 'Ovid's Metamorphoses'. 'Ovid's Metamorphoses'. Johann Wilhelm Baur (German, Strasbourg 1607-1642 Vienna). 1641. Etching. Prints

Tourelle, Rue de l'École de Médecine, 22, Paris (House with a Turret, No. 22, Street of the School of Medecine, Paris). Dated: 1861. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

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