Urban Life in Art

Artworks depicting bustling urban streets, featuring detailed etchings and sketches of historic architecture and lively scenes from various cities.

James McNeill Whistler (American, 1834 - 1903), Fleur de Lys Passage, c. 1886-1888, etching

Chancellerie, Loches. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 270 x 165 mm (image, trimmed to plate mark); 274 x 165 mm (sheet). Etching with foul biting in dark brown ink on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Chalk and brush-dythography by Camille Pissarro from 1897 depicting Rue Saint-Lazare in Paris, showing street, buildings, perspective, and urban activity on rolled Chinese paper.

The Rialto 1879-80 James McNeill Whistler American. The Rialto 365878

Lepère, Auguste (n.1849-11-30-D.1918-11-20), rue Galande. (Dummy title). Carnavalet museum, history of Paris.

James McNeill Whistler, Clothes Exchange, NoI, 1887 Clothes Exchange, No.I

Rossetti's House. Dated: 1906. Dimensions: plate: 21.59 × 26.67 cm (8 1/2 × 10 1/2 in.) sheet: 28.26 × 33.97 cm (11 1/8 × 13 3/8 in.). Medium: etching in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

James McNeill Whistler, The Piazzetta, 1879 1880 The Piazzetta

Rue Furstenburg 1894 James McNeill Whistler American. Rue Furstenburg 372835

James McNeill Whistler (American, 1834 - 1903), Fleur de Lys Passage, c. 1886-1888, etching

Campo Santi Giovanni and Paolo Ren� Marjolin (1812-1895). Campo Santi Giovanni E Paolo, Venice (Italy). Graphite pencil, feather, brown ink and wash. Paris, museum of romantic life.

Saint Sulpice, Paris La Grande Tour Made 1900 United States. Etching in black on cream wove Japanese paper . Donald Shaw MacLaughlan

James McNeill Whistler (American, 1834 - 1903), St. James Street, 1878, etching and drypoint

James McNeill Whistler, The Bridge, 1879 1880 The Bridge

Sir David Young Cameron, 1865-1945, British, St. Mark's No. 2, 1900. Etching.

Carrefour Sain-Séverin (dummy title)

Rustic Street Scene. Elizabeth Murray; English, c. 1815-1882. Date: 1831. Dimensions: 274 mm × 188 mm. Pen and brown ink and brush and brown wash, heightened with white gouache, over traces of graphite on brown wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Edmond Gosselin (French, 19th century) after Charles Meryon (French, 1821 - 1868). St. Etienne du Mont, 1881. From Eaux- Fortes sur Paris d'après C. Meryon. Etching.

The little mast , Waterfronts, Mooring masts. James McNeill Whistler (1834-1903). Lithographs

The Salute Made 1909 United States. Etching in siena on cream laid paper . Donald Shaw MacLaughlan

The Barber's Shop, Chelsea 1886 United States. Etching with foul biting in black ink on cream laid paper . James McNeill Whistler

Adam and Eve Street, Number One Julian Alden Weir (American, 1852-1919). , 1889. Etching on laid paper, 4 7/8 x 3 9/16 in. (12.4 x 9 cm). American Art 1889

Une jetée en Angleterre (A Pier inEngland). Artist: Félix Hilaire Buhot, French, 1847-1898

High Street, Brussels , Doors & doorways, Crowds. James McNeill Whistler (1834-1903). Lithographs

Liberty Bell. Dated: 1912. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Winter morning on the Quai de l'Hôtel-Dieu (The cab stand), 1876, France, by Félix Buhot. Gift of Sir John Ilott, 1964.

Interior of the Pantheon. Draughtsman: Thomas Cool. Dating: 1861 - 1904. Measurements: h 122 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

James McNeill Whistler (American, 1834-1903), Grand' Place, Brussels, 1887, etching on laid paper

The Forges. Dated: 1917. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Des Tuileries Street, Paris. Pankiewicz, Józef (1866-1940), graphic artist

1893 Art Work - The Clock-Makers; Paimpol - James McNeill Whistler.

Study for the print Kanonia in Warsaw". Łopieński, Ignacy (1865-1941), draughtsman, cartoonist

Rue Notre Dame, Paris. Thomas Shotter Boys (English, 1803-1874); published by Charles Joseph Hullmandel (English, 1789-1850). Date: 1839. Dimensions: 370 × 267 mm. Color lithograph on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), Virginie hung at the window of her palace. Eighth issue of the suite (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

The Manager's Window, Gaiety Theatre. Dated: 1896. Dimensions: image: 17.3 × 13.6 cm (6 13/16 × 5 3/8 in.) sheet: 28.7 × 22.1 cm (11 5/16 × 8 11/16 in.). Medium: lithograph in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Jesuit street; Stankiewicz, Zofia (1862-1955); Before 1914 (1910-00-00-1913-00-00);Jesuicka (Warsaw - street), young Poland (Styl), Old Town Square (Warsaw), Old Town (Warsaw), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - Collection, Warsaw (Masovian Voivodeship), Polish graphics, Kamienica Bourbachowska (Warsaw), Kamienica Falskiewicza (Warsaw), Tenement houses, street lanterns, Poland (culture), symbolism (style), streets, WUDUTY, city views, bayouts

The Steps, Luxembourg Gardens 1893 James McNeill Whistler American. The Steps, Luxembourg Gardens. James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1893. Transfer lithograph with stumping, drawn on fine-grained transfer paper, printed in black ink on ivory laid paper; only state (Chicago). Prints

The Sign of White Horse, Parson's Green Made 1906 England. Etching in black, with graphite, on cream Japanese paper . Theodore Roussel

Place. (Title Title) | Illustrations for Jesus CARCO Cars. (Title of the whole)

James McNeill Whistler, The Balcony, 1879 1880 The Balcony

Salvation Army, Sandwich. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 80 x 176 mm (image, trimmed within plate mark); 82 x 176 mm (sheet). Etching and drypoint with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Funeral of Jacob van Heemskerck in the Oude Kerk in Amsterdam, 1607, Simon Fokke, 1722 - 1784, Funeral of Jacob van Heemskerck in the Oude Kerk in Amsterdam, June 8, 1607. The funeral procession moves along the canal to the Oude Kerk. Design for a print., draughtsman: Simon Fokke, Netherlands, 1722 - 1784, paper, pen, brush, h 98 mm × w 53 mm

Rue Longue, 19th-20th century, Cadwallader Washburn, American, 1866 - 1965, 7 13/16 x 5 3/8 in. (19.84 x 13.65 cm) (plate)15 3/16 x 11 1/4 in. (38.58 x 28.58 cm) (sheet), Drypoint, United States, 19th-20th century

Festa della Sensa (second part), Jost Amman, 1679 print Procession of the Doge on Ascension Day over San Marcoplein in Venice. The procession leads to the Bucintoro, the Galei of the Doge. Once a year the doge 'married' during the Festa della Sensa in a ceremonial way with the Adriatic Sea by throwing a ring in the water from this Galei. print maker: Neurenbergpublisher: Frankfurt am Main paper procession ~ Christian religion. gondola. city-view in general; 'veduta' Clock tower. Dogepaleis. Basiliek Van San Marco. San Marcoplein. Venice

Reproduction of a detail of the tapestry of the School of Medicine: distribution of wheat to the people during famine in Paris on the quay of the conference. Paris. Photograph by Ferdinand Roux. Paris, Carnavalet museum. 123073-4

TrafalgarSquare. Artist: Joseph Pennell, American, 1857-1926

Bliżej Kultury Wyczółkowski, Leon (1852 1936), Cotty, Jan (print and lit.)

James McNeill Whistler, The Little Mast, 1880 The Little Mast

Cutler Street, Hounsditch. James Abbott McNeill Whistler (United States, 1834-1903). United States, 1887. Prints; etchings. Etching

William Walcot, Emperor Hadrian Entering Salonika, 1918, etching and drypoint on wove paper.

Pissarro, Camille Jacob, Rue de l'Epicerie à Rouen, Rue de L'Epicerie in Rouen, recto lower right - stamped, View in the Rue de L'Epicerie in Rouen, a street leading to the cathedral., print, prints, No 15, recto lower left - pencil, height 171 mm, width 149 mm, height 360 mm, width 274 mm, French, 1830-07-10 - 1903-11-12, print maker, printmaker, 1886 - 1886, fourth quarter 19th century, paper, drypoint, Work conception, according to own design by, 1907 - 1907

Place Saint Andr� des Arts during the work of the metro, November 1906 (title given by the author)

Sir Charles D'Oyly, 1781-1845, British, active in India, Album of 30 Views in the Tyrol and Italy: View on the Grand Canal 9.th Nov.r 1840. Pen, brush and black ink over graphite.

Chelsea Embankment, June, 5 p.m., 1889 1889 England. Etching in black on ivory laid paper . Theodore Roussel

The Morgue, 1854, Charles Meryon, French, 1821-1868, 8 3/8 x 7 3/8 in. (21.27 x 18.73 cm) (plate), Etching, France, 19th century, The Paris morgue was built in 1568 and stood on the south side of the Ile de la Cité along the small arm of the Seine. It was here that bodies of unknown persons who had drown or met with accidental death in the streets were laid on sloping marble tablets and displayed for three days. Relatives could come claim the bodies of their loved ones, or if unclaimed, the bodies were sent to the medical school for dissection. However, family members were not the only ones who came to view the bodies and the morgue became an unlikely tourist attraction. Meryon captures the morbid curiosity of this site in this print. His scene includes a body being pulled from the river witnessed by both weeping relatives and curious onlookers.

Camille Bourget. Domat Street. Paris (5th arr.), 1801-1900. Pencil on cream paper. Paris, Carnavalet museum. 77657-13 Arrondissement, seated, pencil, drawing, person, merchant, merchandise, Parisian district, rue Domat, sidewalk, Veme Ve V 5th 5th 5, Sell

Street face in Paris in rain. On the street carriages. Leaf 16 Verso from sketchbook Lix with 21 sheets.

James McNeill Whistler (American, 1834 - 1903), Gatti's, 1890, lithograph on cream wove paper

Quai d'Ana in pair U, state II; Pankiewicz, Józef (1866-1940); 1902 (1902-00-00-1902-00-00);France (state), young Poland (style), Paris (France), Seine (France-River), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, D`anjou , Quai (Paris - street), Dar (provenance), French (culture), Polish graphics, bridges (archite.), State prints, city landscapes, Poland (culture)

Quiet Canal James McNeill Whistler American 1879-80

Alderney Street. Whistler, James McNeill (1834-1903). 1880 - 1881. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Salute. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 189 x 103 mm (image/plate); 202 x 118 mm (sheet). Etching in siena on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Illustrationen aus "Breslau". Müller-Bernburg, Ernst (1874-1941), graphic artist

Warsaw, Old Town Square Norblin, Jan Piotr (1745 1830)

The Balcony. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 295 x 198 mm (image, trimmed within plate mark); 304 mm x 198 mm (sheet). Etching and drypoint with foul biting in dark brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Nuremberg. Samuel Prout (English, 1783-1852); probably printed by Charles Joseph Hullmandel (English, 1789-1850); probably published by Rudolph Ackermann (English, 1764-1834). Date: 1833. Dimensions: 290 × 425 mm (image); 310 × 445 mm (primary support); 345 × 500 mm (secondary support). Lithograph in black on grayish-ivory chine, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Joust on the Grand Place in Brussels, draughtsman: Willem de Famars Testas, 2-Aug-1891, paper, h 156 mm × w 220 mm

Sir David Young Cameron, 1865-1945, British, Old La Roche Belgian Set: No. 7, 1907. Etching.

Charles Frederick William Mielatz, Rainy Day, Broadway, American, 1864 - 1919, probably 1890, etching and aquatint

Fountain awarded around temple on square; Artis perspectiva (...). Square with a round fountain consisting of a pelvis where three water spitting children or men stand against. In the pelvis there is a round temple of two floors in which a woman stands with three lions under her feet. Around the fountain men and women with jugs. Around the square a corridor of railing. The print is part of an album.

Gabled Roofs. James McNeill Whistler; American, 1834-1903. Date: 1893. Dimensions: 204 x 161 mm (image); 368 x 245 mm (sheet). Transfer lithograph in black with stumping, on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

A Cathedral Nave. Dimensions: overall: 28.3 x 19.1 cm (11 1/8 x 7 1/2 in.). Medium: charcoal and black chalk on wove paper. Museum: National Gallery of Art, Washington DC. Author: Arthur Frederick Payne.

OldCathedral. Artist: Joseph Pennell, American, 1857-1926

William Radclyffe, 1780-1855, British, St. Julian's, Tours, 1833. Line engraving on moderately thick, slighlty textured, cream, wove paper.

The Market, Venice. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1908. Dimensions: 271 x 381 mm (image/plate); 275 x 382 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

The Cock and the Pump. James McNeill Whistler; American, 1834-1903. Date: 1887. Dimensions: 219 x 141 mm (image, trimmed within plate mark); 222 x 141 mm (sheet). Etching with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

James McNeill Whistler (American, 1834 - 1903), Temple, c. 1880-1881, etching

Garden of a palace with fountain on a hexagonal base; Artis perspectiva (...). Garden with a fountain located in front of a palace with large stairs. Hexagonal pelvis is supported by Hermen. In the pelvis there is a decorative crowning, formed by a canopy with a lantern on a foot, decorated with saters. In the garden are trees. The print is part of an album.

Passage of patriarchs (1895) F. Laughing. Passage of the patriarchs (1895). Feather, Chinese ink, 1895.

Ghent. Samuel Prout (English, 1783-1852); probably printed by Charles Joseph Hullmandel (English, 1789-1850); probably published by Rudolph Ackermann (English, 1764-1834). Date: 1833. Dimensions: 290 × 425 mm (image); 310 × 445 mm (primary support); 345 × 500 mm (secondary support). Lithograph in black on grayish-ivory chine, laid down on ivory wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

No 230 Strand Made 1903 United States. Etching on ivory laid paper . Joseph Pennell

Winter in Paris 1879 France. FÈlix Buhotís cityscapes explore society and the visual effects of weather. Drawing his street in Montmartre, Paris, Buhot established a technique in which sketchy images around the margins refer to elements of the main composition. These innovative prints often employed multiple media and many variant states. In Winter in Paris, Buhot used his ìsymphonic marginî to highlight the death of buggy-pulling horses from exposure to the cityís cold. In National Holiday on the Boulevard Clichy, the margins are filled with sketches of the street festival, including a top hat, carriage, and a variety of figures both nude and clothed.. Etching and aquatint on cream laid paper . Félix Hilaire Buhot

The Cliffs 1904 United States. Etching on cream laid paper . Joseph Pennell

Artist: Giovanni Battista Piranesi, Italian, 1720-1778, Obelisco Egizio (Egyptian Obelisk), from Vedute diRoma, Etching, platemark: 54.6 × 40.6 cm (21 1/2 × 16 in.), Italian, 18thcentury, Works on Paper -Prints

Royal Haymarket Theatre. Joseph Pennell; American, 1857-1926. Date: 1906. Dimensions: 280 x 203 mm (image); 293 x 216 mm (sheet). Etching on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Wooden Bridge, 1922. Max Beckmann (German, 1884-1950). Drypoint; sheet: 46.8 x 33 cm (18 7/16 x 13 in.); plate: 28.9 x 23.1 cm (11 3/8 x 9 1/8 in.).

Le bruit de deux sabots traînant... (The sound of two clogs shuffling...). Dated: 1878. Dimensions: plate: 17.4 x 11.4 cm (6 7/8 x 4 1/2 in.) sheet: 21.7 x 14.4 cm (8 9/16 x 5 11/16 in.). Medium: etching, drypoint, and roulette in black on moderately thick cream wove paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

Pavia. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1904. Dimensions: 198 x 237 mm (image/plate); 218 x 250 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Ericsson, Henry, work, Sketch book, civil war subjects, 39 leaves, 1931, drawing, civil war; prisoners of war; prison camps, 17.8 cm x 21.5 cm, Ericsson, Henry, part: Figures, Civil War series (Demonstration Procession, C VI 2582), timing : 1931, civil war, rebellions; red guards; processions, demonstrations, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

Two figures walk past a city canal, Omer Coppens, 1896 print paper etching / drypoint canals, waters (in city). street

Luxembourg Garden (registered title (letter))

The Gate, Chelsea. Theodore Roussel; French, worked in England, 1847-1926. Date: 1889-1890. Dimensions: 208 × 165 mm (image/plate); 216 × 165 mm (sheet, with signature tab). Etching and drypoint with plate tone in black on cream laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Old and New Rome, Victor Emanuel Monument. Dated: 1911. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Cityscape in rain, Egbert Rubertus Derk Schaap, c. 1877 - c. 1886 print A boy with a dog walks left in the foreground. On the right a man with a hat and left of it a woman with an umbrella. paper etching dog. city-view, and landscape with man-made constructions. city dwellers

La Place Pigalle en 1878 (Place Pigalle in 1878), 1878, etching, aquatint, drypoint, and roulette with burnishing in brown-black and brown-red on vellum, plate: 23.7 x 33.1 cm (9 5/16 x 13 1/16 in.), sheet: 31.4 x 44.3 cm (12 3/8 x 17 7/16 in.), Bourcard/Goodfriend 1979, no. 129, State vi/vi, Félix-Hilaire Buhot (artist) French, 1847 - 1898

Dinant, No. 1: Southwest View, Print made by George Arnald, 1763-1841, British, after George Arnald, 1763-1841, British, between 1818 and 1828, Etching on moderately thick, slightly textured, cream wove paper, Sheet: 8 9/16 x 11 11/16 inches (21.7 x 29.7 cm), Plate: 8 9/16 x 11 7/16 inches (21.7 x 29.1 cm), and Image: 7 3/16 x 10 9/16 inches (18.2 x 26.9 cm), arches, architectural subject, boats, bridge (built work), buildings, canoes, church, cityscape, cliffs, clouds, genre subject, labor, men, oars, onion dome, poles, river, riverbanks, rowing, sampans, shore (landform), spire, town, trees, women, workers, working, Belgium, Collegiate Church of Notre-Dame, Dinant, Meuse, Namur, Wallonie

The Arc de Triomphe (L'Arc de Triomph). Dimensions: 41 cm x 56.3 cm, 31 cm x 46 cm. Museum: Van Gogh Museum, Amsterdam. Author: PIERRE BONNARD.

The march of Józef Pi Sudski and Prime Minister Ignacy Jan Paderewski from the cathedral. John in the inauguration of the first deliberations of the Legislative Sejm on February 9, 1919; Wróblewski, Leon (1893-1975); 1919 (1919-00-00-1919-00-00);Idźkowski, Adam (1798-1879)-architecture, Paderewski, Ignacy Jan (1860-1941), Paderewski, Ignacy Jan (1860-1941)-iconography, Piłsudski, Józef (1867-1935), Piłsudski, Józef (1867-1935) -iconography, Old Town (Warsaw), Witke-Jeżewski, Dominik (1862-1944), Witke-Jeżewski, Dominik (1862-1944)-collection, cathedral of St. John the Baptist (Warsaw), Cathedral (architect), neo -Gothic (style), collective scenes, state ceremonies, purchase (provenance), collection signs

The Stock Exchange 1904 United States. Etching, drypoint and sandpaper ground on cream laid paper . Joseph Pennell

Le Pont Neuf, Paris. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1907. Dimensions: 116 x 327 mm (image/plate); 148 x 349 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Study for Drawing Room, St James, from Microcosm of London 1807-1809 England. Graphite on ivory wove paper . Augustus Charles Pugin

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