Urban Scenes and Village Life

Etchings portraying bustling urban environments and serene village streets, featuring figures, architecture, and everyday activities from the late 19th century.

Figures on the street in a Belgian village, Willem Adrianus Grondhout, 1888 - 1934 print In the background the silhouette of a church. paper etching village street Belgium

James McNeill Whistler, The Rialto, 1880 The Rialto

Alderney Street. James McNeill Whistler; American, 1834-1903. Date: 1881. Dimensions: 172 x 108 mm (image, trimmed within plate mark); 185 x 108 mm (sheet). Etching with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Figures on the street in a Belgian village, Willem Adrianus Grondhout, 1888 - 1934 print In the background the silhouette of a church. paper etching village street Belgium

Gasthuismolensteeg in Amsterdam, Isaac Israels, 1968 print Gasthuismolensteeg in Amsterdam, seen from Herengracht 232. A group of people walk in De Steeg. paper etching lane, alley. urban housing Gasthuismolensteeg

James McNeill Whistler, Little Smithfield, c 1877 Little Smithfield

Alley with a lantern. Jabłczyński, Feliks (1865-1928), graphic artist

James McNeill Whistler, The Mast, 1879 1880 The Mast

The Mast, 1880. James McNeill Whistler (American, 1834-1903). Etching;

Figuurstudie en een stadsgezicht.Above a figure with a tub on the head. Under a bridge over a canal with buildings on either side and in the background. Leaf 11 Recto from a sketchbook with 69 sheets manufactured in the area of Delft, Rotterdam, Oudewater and Harlingen.

From Clark Street to Wall Street Joseph Pennell (American, 1860-1926). From Clark Street to Wall Street, 1924. Etching, Image: 8 7/8 x 7 1/2 in. (22.5 x 19 cm). American Art 1924

The mast; The mast; Venice: Twelve Etchings. A wide street in Venice with a mast. Women sitting in the street, are working on handicrafts.

Sir David Young Cameron, 1865-1945, British, Loches, 1902. Etching on laid paper.

Isabey, Eugène (n.1803-07-22-D.1886-04-27), street scene (main title). White and red charcoal and chalk on paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Road between Ruins, Willem van Nieulandt (II), 1594 - 1618 print A road with ruins on either side. On the right one is a signboard on the wall. On the road are a man with a stick and a donkey. Print from a series of Roman ruins. paper etching landscape with ruins

The School Street, Troyes. Gustave Leheutre; French, 1861-1932. Date: 1902. Dimensions: 220 × 135 mm (image); 227 × 143 mm (plate); 325 × 251 mm (sheet). Drypoint and plate tone on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Rue GALANDE (Title Title)

Järnefelt, Eero, work, Sketch book, 1905-08, pencil, watercolor, drawing, 10 cm x 16 cm, Järnefelt, Eero, 1905-08, pencil, watercolor, Erik 'Eero' Nikolai Järnefelt 1863 - 1937, Finnish painter and art professor. Known for his portraits and landscapes of the area around Koli National Park in Finland.

Frédéric Mistral: Mémoires et Recits by Frédéric Mistral: building/ figures on horse (insert after p. 224), 1937. Auguste Brouet (French, 1872-1941). Etchings; overall: 28.5 x 22.2 x 4.4 cm (11 1/4 x 8 3/4 x 1 3/4 in.).

The Rue Domat, Paris Made 1904 France. Etching, drypoint and plate tone on ivory laid paper . Gustave Leheutre

Camille Bourget. The rue de la Boucheminerie, arrest of a girl. Paris (5th arr.), 1801-1900. Pencil on light cream paper. Paris, Carnavalet museum. 77657-11 Arrest, stop, arrondissement, assist, pencil, drawing, girl, window, person, participate, Parisian district, watch, rue Parcheminerie, veme ve v 5e 5e 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th 5th

Figures in a street or rose in Amsterdam, George Hendrik Breitner, 1886 - 1923 Page 15 from a sketchbook with 13 sheets. Amsterdam paper. chalk street (+ city(-scape) with figures, staffage). lane, alley (+ city(-scape) with figures, staffage). urban housing Amsterdam

Lovis Corinth, Cemetery (Kirchhof), 1916 Cemetery (Kirchhof)

Hôtel de la Croix Blanche. James McNeill Whistler; American, 1834-1903. Date: 1888. Dimensions: 177 x 126 mm (image, trimmd within plate mark); 181 x 126 mm (sheet). Etching with foul biting in black ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Mast James Abbott McNeill Whistler (American, 1834-1903). The Mast, 1880. Etching on paper, Sheet (trimmed to plate): 13 1/2 x 6 7/16 in. (34.3 x 16.4 cm). American Art 1880

Augustin Hirschvogel, Landscape with a Lake (top plate), 1546 Landscape with a Lake top plate

From Fulton Street. Dated: 1910. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Study-Hoboken, N.J. John Marin; American, 1870-1953. Date: 1895-1900. Dimensions: 303 x 155 mm. Graphite on brown wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

On the left, a man with a basket on his arm is reading a billboard. Next to him a little dog. Above the gate a window and a lantern., Man with dog at a gate, print maker: Johannes Stroebel, (mentioned on object), Netherlands, 1831 - 1905, paper, etching, engraving, h 195 mm × w 126 mm

A Cheap Jack, Alexander Davidson Longmuir (Aberdeen, Scotland, 1843 - 1891) 1850-1874

The Bridge, 1886. James McNeill Whistler (American, 1834-1903). Etching and drypoint;

Auguste Louis Lepère (French, 1849 - 1918). Image from La Bièvre, Les Gobelins, Saint-Séverin”, ca. 1901. Wood engraving on wove paper. Sheet: 289 mm x 201 mm (11.38 in. x 7.91 in.) (sheet dimensions are approximate for each print).

Sidon. Dated: c. 1868/1869. Dimensions: sheet: 12.3 × 21.8 cm (4 13/16 × 8 9/16 in.). Medium: graphite on greenish wove paper. Museum: National Gallery of Art, Washington DC. Author: Sanford Robinson Gifford.

A Venetian Fountain North Italian Set: No. 7, Sir David Young Cameron, 1865-1945, British, 1894, Etching, architectural subject, birds, bridge (built work), buildings, canal, cherubs, cisterns, water storage, costume, crucifix, flags, man, piazza, procession, relief, staff, stairs, wells, windows, women, Europe, Italy, Mira, Veneto, Venice

Jean-Emile Laboureur, Broadway, New York, 1907, etching on paper.

Sunday, Lyme Regis. Dated: 1895. Dimensions: image: 19.6 × 12.2 cm (7 11/16 × 4 13/16 in.) sheet: 28.3 × 23 cm (11 1/8 × 9 1/16 in.). Medium: lithograph in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

View from the Nieuwe Kerk on Dam Square where the tree of freedom has been rigged. Some groups of people have gathered on the Dam Square. Probably the Alliance Feast on Dam Square in Amsterdam on June 19, 1795, The Feast of the Establishment of the Constitution on May 19, 1798., draughtsman: Jurriaan Andriessen, Amsterdam, 19-May-1798, paper, pen, brush, h 134 mm × w 203 mm

Street Scene in Japan. Artist: Mortimer Menpes (Australian, Port Adelaide 1855-1938 Pangbourne, England). Dimensions: Plate: 11 7/8 × 13 1/4 in. (30.2 × 33.7 cm)Sheet: 8 15/16 × 9 5/8 in. (22.7 × 24.5 cm). Date: 1887-88. Museum: Metropolitan Museum of Art, New York, USA.

Auguste Lepère, Rue Saint Severin, published 1901 Rue Saint-Severin

Lille: Liebesgässchen. Artist: Ernst Oppler (German, Hannover 1867-1929 Berlin). Dimensions: plate: 7 x 5 1/16 in. (17.8 x 12.8 cm)sheet: 10 1/16 x 6 7/8 in. (25.5 x 17.5 cm). Publisher: Ludwig Möller. Series/Portfolio: Lille, 6:10. Date: 1916. Museum: Metropolitan Museum of Art, New York, USA.

Jean-François Raffaëlli, Le Boulevard des Filles-du-Calvaire, 1877, drypoint on paper.

James McNeill Whistler, Sunday, Lyme Regis, 1895 Sunday, Lyme Regis

Street Scene (New York). Dated: 1922. Dimensions: image: 406 x 292 mm paper: 495 x 387 mm. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Jerome Myers.

Ruelle du Pêcheur. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1902. Dimensions: 218 x 149 mm (image/plate); 235 x 165 mm (sheet). Etching in black on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Verona. Jabłczyński, Feliks (1865-1928), graphic artist

La Rue d'Orchampt (Orchampt Street), plate 12 from Album de lithographies originales. Maurice Utrillo; French, 1883-1955. Date: 1925-1926. Dimensions: 204 × 296 mm (image); 285 × 370 mm (sheet). Lithograph in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Rue Saint-Lazare, Paris, 1897. Camille Pissarro (French, 1830-1903). Lithograph; image: 21 x 14.2 cm (8 1/4 x 5 9/16 in.); paper: 32.5 x 24.8 cm (12 13/16 x 9 3/4 in.).

James McNeill Whistler (American, 1834-1903), Little Market Place, Tours, 1888, etching

Demolition along the boulevard Haussmann near the department store on spring Gustave Ferdinand Boberg (1860-1946). Demolition along Haussmann Boulevard near the department store spring. Black pencil, charcoal and pastel faded on plason paper Grave.

Herberg in Anrath, Cornelis Ploos van Amstel, after Lambert Doomer, after Gerbrand van den Eeckhout, 1759 - 1821 print Inn 'Zur Blauen Hand Am Kirchhof' in Anrath. In the doorway a woman with child on her arm. Next to the inn a large tree and some figures underneath. On the left a pig. The print is loose in an album, see page 47. paper etching village. trees. pig

Hof van het Sint Antoniusklooster in Maastricht, in the winter. Draughtsman: Alexander Schaepkens. Dating: 1837. Measurements: h 302 mm × w 412 mm. Museum: Rijksmuseum, Amsterdam.

Sir Frank Short, 1857-1945, British, Kwakelburg, Edam, 1892. Etching.

The Salute. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 188 x 103 mm (image/plate); 191 x 104 mm (sheet). Etching in siena on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Sir David Young Cameron, 1865-1945, British, St. Mark's Place, Venice North Italian Set: No. 1, 1895. Etching.

Figures on the ice from near the burned out house on Leidsegracht, 1684, Jan van der Heyden, after 1684 - 1690, Study for the figures on the ice of the frozen canal in front of the ruin of a house on Leidsegracht after the fire on January 12, 1684. Design for the illustration in Jan van der Heyden's Book of Fire Sprays, 1690 and 1735., draughtsman: Jan van der Heyden, Amsterdam, after 12-Jan-1684 - 1690, paper, brush, counterproof, h 315 mm × w 246 mm

Chamber, Robert Frederick Blum, American, 1857-1903, Graphite, pastel crayon on wove paper, Sketch of a chamber opened for an audience., USA, 1892, architecture, Drawing, Drawing

Max Liebermann, The Jewish Quarter in Amsterdam, 1906 The Jewish Quarter in Amsterdam

Street face with figures. Leaf 28 Recto from a sketchbook with out of 75 blades.

Le Drageoir aux épices by J. K. Huysmans: p. 85, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

Print shows view of the works at Waterloo on the Thames River Works at Waterloo by Joseph Pennell; 1857-1926

Illustration by August Xaver Karl von Pettenkofen depicting a visit to the sick from Gil Blas, executed in ink and brush using laved technique, showing figures in interaction.

The yard of an old tenement house in pairs; Stones, Antoni (1860-1933); 1925 (1925-00-00-1925-00-00);Paris (France), Society for the Encouragement of Fine Arts (Warsaw - 1860-1940) - collection

View of the artist's garden in St. John's Wood in London., James Tissot, 1878 print paper etching / drypoint garden. ruins (garden ornaments) London

Drawing, Atlantic Basin, New York; Designed by George Reynolds; USA; pencil on gray-green paper

Study for King's Bench Prison, from Microcosm of London. Augustus Charles Pugin (English, born France, 1762-1832); Thomas Rowlandson (English, 1756-1827). Date: 1807-1808. Dimensions: 190 × 259 mm. Graphite on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Strzegom. The market on the market; Verso: Karkonosze - Sketch of the Szklarki waterfall; Lesser, Aleksander (1814-1884); 1834 (1834-00-00-1834-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, pillor (Strzegom), Strzegom (Dolnośląskie Voivodeship - Świdnicki poviat), Waterfall of Szklarki (Karkonosze), Dar (Przedencja) , markets, sculptures, waterfalls

Al Dolo, from Vedute 1735-1744 Italy. Etching in black on ivory laid paper . Canaletto

Munich. Sketches of buildings and details, including NIK from a circle knowing and the Lion and Kapitel; Verso: Two arcades of pecunts with decorations BIARSK; Lesser, Aleksander (1814-1884); 1836-1884 (1836-00-00-1884-00-00);Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) - collections, Lesser, Emiljan Stanisław (Baron - 1847-1912), Lesser, Emiljan Stanisław (Baron - 1847-1912) - collection, Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron - 1853-1935) - collection, Munich (Germany), architecture, brick architecture, arcades, gift (provenance), details, architectural details, houses, capitals ( architect.), Lions, sculptures, turrets

Jezuicka Street. Wyczółkowski, Leon (1852-1936), graphic artist

Baszta Łabędź w Gdańsku nad Motławą. Jabłczyński, Feliks (1865-1928), graphic artist

William Walcot, Place Vendôme, Paris, c. 1928, drypoint on wove paper.

The Little Steps, Lyme Regis James Abbott McNeill Whistler (American, 1834-1903). , 1895. Lithograph, 11 1/8 x 7 1/2 in. (28.3 x 19.1 cm). American Art 1895

La Rue Pirouette, 1896. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

St. Mark's Place, Venice North Italian Set: No. 1, Sir David Young Cameron, 1865-1945, British, 1895, Etching, Plate: 13 7/8 x 8 15/16in. (35.2 x 22.7cm) and Sheet: 14 1/2 x 9 1/8in. (36.8 x 23.2cm)

Sail Yard, Venice Made 1909 United States. Etching in black on white laid paper . Donald Shaw MacLaughlan

A Wedding Party atCairo. Artist: Marius A. J. Bauer, Dutch, 1867-1932

View of the Blekerspad in Amsterdam with mill De Victor, George Hendrik Breitner, c. 1885 - 1898 In front of women. Page 38 from a sketchbook with 32 sheets. Amsterdam paper. chalk street (+ city(-scape) with figures, staffage). windmill Short bleaching pad. Long bleacher pad. Molen de Victor

Untitled (TheEl). Artist: Joseph Pennell, American, 1857-1926

Le Pont Saint-Michel, plate twelve from Le Long de la Seine et des Boulevards 1890 France. Wood engraving in black on cream Japanese tissue . Louis Auguste Lepère

The Piazzetta, Looking Toward San Giorgio Maggiore (recto); Two Columns (verso). Artist: Francesco Guardi (Italian, Venice 1712-1793 Venice). Dimensions: 6 x 10 1/4in. (15.2 x 26.1cm). Date: 1712-93. Museum: Metropolitan Museum of Art, New York, USA.

Beadle knocking at the door Faat, Julian (1853 1929)

Lwów - Cerkiew św.Praksewii. Goryńska, Wiktoria (1902-1945), graphic artist

Venice, Casa dei Mori. Edgar Chahine; French, 1874-1947. Date: 1922. Dimensions: 318 × 221 mm (image/plate); 400 × 273 mm (sheet). Drypoint on blue laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Drawing by Ferdinand Boberg. Västmanland, Snevringe hd., Kolbäcks sn., Strömsholm Nordic

Liverdun. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 4 3/16 × 6 in. (10.7 × 15.3 cm)Sheet: 5 7/8 × 8 13/16 in. (14.9 × 22.4 cm). Series/Portfolio: French Set ("Douze eau-fortes d'apres Nature" 1858). Date: 1858. Museum: Metropolitan Museum of Art, New York, USA.

Color drawing by Pierre Bonnard of a street in the evening with rain, executed in 1899, showing street scene, lighting, and reflections.

Le stryge, Notre Dame , Gargoyles, Cities & towns, Towers, Notre-Dame de Paris Cathedral, Saint-Jacques-de-la-Boucherie Church : Paris, France. Joseph Pennell (1857-1926). Prints and Drawings

Campania Napoli Naples S. Lorenzo Maggiore54. Hutzel, Max 1960-1990 Medieval: Sculpture, architecture, architectural sculpture (including Roman spolia) 13-14th century Chapter house; sarcophagi, gravestones; wall painting. Fragment of mosaic; sculptural fragments in the Sala Capitolare. Post-medieval: Architecture, architectural sculpture, ceiling painting fresco cycle; prints depicting Venice c. 1845 (4), sculpture; life-size creche figures dressed in original Neapolitan costume Church restored in 1882, 1926, 1944; excavations under the transept undertaken between 1958-1962, and in the cloister in 1976, have revealed remains of a Roman macellum (market), street, and the paleochristian basilica of the 6th c. AD. Antiquities: Pottery: black-glazed, archaic banded, domestic wares, bucchero; architectural terracottas, statuettes, lamps, sculpture fragments Object Notes: 3 color negatives with no prints at the end. General Notes: Most objects/paintings/frescoes unidentified. Three batches

Florian Gate in Krakow. Jabłczyński, Feliks (1865-1928), graphic artist

A View of the Piazza del Duomo, Messina, with the Fountain of Orion, the Cathedral to the right. Artist: Willem Schellinks (Dutch, Amsterdam 1623-1678 Amsterdam). Dimensions: sheet: 12 x 12 1/4 in. (30.5 x 31.1 cm). Date: late 17th century. Museum: Metropolitan Museum of Art, New York, USA.

La morgue, Paris (The Mortuary). Dated: 1854. Dimensions: plate: 23.2 x 20.7 cm (9 1/8 x 8 1/8 in.) sheet: 25.4 x 24.3 cm (10 x 9 9/16 in.). Medium: etching and engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche9. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Rye,Suxsex. Artist: Charles A. Platt, American, 1861-1933

Serviceable Boxes Among the Rocks Stuart Davis (American, 1892-1964). Serviceable Boxes Among the Rocks, 1917. Graphite on cream, moderately thick, moderately textured wove paper., Sheet: 14 15/16 x 19 in. (37.9 x 48.3 cm). American Art 1917

Childe Hassam, Avenue of the Allies, 1918 Avenue of the Allies

Une Guinguette, 1886. Auguste Louis Lepère (French, 1849-1918). Wood engraving;

Theme from Venice. Jabłczyński, Feliks (1865-1928), graphic artist

Match of Gondels and Rowing Boths in Venice, Anonymous, 1610 Above: In the foreground a competition of gondolas and rowing boats. The Palazzi located on the water is watched. Below: two -line Italian text. The print is part of an album. print maker: Italypublisher: Venice paper engraving Venice Above: In the foreground a competition of gondolas and rowing boats. The Palazzi located on the water is watched. Below: two -line Italian text. The print is part of an album. print maker: Italypublisher: Venice paper engraving Venice

War Invalid and Workers. George Grosz; American, born Germany, 1893-1959. Date: 1919-1921. Dimensions: 355 x 286 mm (image); 485 x 390 mm (sheet). Lithograph on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

James McNeill Whistler (American, 1834-1903), Quiet Canal, 1880, etching and drypoint

Restaurant Cavalier, plate five from the Paris Set. David Young Cameron; Scottish, 1865-1945. Date: 1904. Dimensions: 204 x 230 mm (image/plate); 235 x 259 mm (sheet). Etching and drypoint on ivory laid paper. Origin: Scotland. Museum: The Chicago Art Institute, USA.

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