Urban Scenes in Art

Lithographs capturing urban life and architecture, featuring streets, markets, and daily activities portrayed with expressive detail.

Market in a Belgian village, Willem Adrianus Grondhout, 1888 - 1934 print In the foreground figures on a market on a square. In the background a church with air arches. paper etching market. square, place, circus, etc.. church (exterior) Belgium

The mast , Mooring masts, Sitting, Sewing. James McNeill Whistler (1834-1903). Lithographs

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

Market in a Belgian village, Willem Adrianus Grondhout, 1888 - 1934 print In the foreground figures on a market on a square. In the background a church with air arches. paper etching market. square, place, circus, etc.. church (exterior) Belgium

James McNeill Whistler, Clothes Exchange, NoII, c 1886 1888 Clothes Exchange, No.II

The Victoria Club, James McNeill Whistler (Lowell, Massechusetts, USA, 1834 - 1903)

The Bridge of Sighs 1883 United States. Etching, with drypoint, on cream China paper . Frank Duveneck

Verona, Willem Adrianus Grondhout, 1932 print A street market in Verona, Italy. Two gates above a street in the background. paper etching city-gate. market Verona

The Balcony 1879-80 James McNeill Whistler American. The Balcony 372585

Doorway and Vine. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: Plate: 9 1/8 × 6 5/8 in. (23.2 × 16.9 cm)Rabbet: 9 1/8 × 6 5/8 in. (23.2 × 16.9 cm). Series/Portfolio: Second Venice Set ("A Set of Twenty-Six Etchings by James A. McN. Whistler," 1886). Date: 1879-80. Museum: Metropolitan Museum of Art, New York, USA.

The Piazzetta. James McNeill Whistler; American, 1834-1903. Date: 1879-1880. Dimensions: 254 x 180 mm (image, trimmed within plate mark); 257 x 180 mm (sheet). Etching and drypoint with foul biting in brown ink on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Auberge du Compass d'Or, Montorgueil Street. Edmond de Beauregard. Auberge du Compass d'Or, Montorgueil Street. FEATHER, BRUNETTE INK ON BEIGE PAPER.

Drawing by Ferdinand Boberg. Västmanland, G: la Norbergs Blg., Norbergs sn., Norberg Nordic

The Mast (The Venetian Mast) 1879-80 James McNeill Whistler American. The Mast (The Venetian Mast) 372575

Nocturne Palaces 1879-1880 United States. In developing this image, Whistler exploited plate tone (ink left on the unetched surface of the copper plate) to an extraordinary degree. Etched and incised drypoint lines were used as a framework for painterly inking and wiping of the plate, which allowed for endlessly varied impressions. In fact, each example of Nocturne Palaces is different, conveying distinctive interpretations of light, darkness, and atmosphere.The impressions represent different states (second and eleventh); ink colors (black and brownish black); and wiping (inky at top and bottom and more nuanced overall plate tone). The earlier, more dramatic impression emphasizes architectural details and the velvety darkness of sky and water, while in the later example building facades are cloaked in mist and the dampness of a Venetian night is palpable.. Etching and drypoint in black, with selective wiping of plate tone, on ivory laid paper . James McNeill Whistler

Vincenzo Mazzi (Italian, active 1748 - 1790), An Imaginary Prison, etching on laid paper

Bridge ofAlcantara. Artist: Joseph Pennell, American, 1857-1926

Lépine, Stanislas (n.1835-10-03-D.1892-09-28), sketch: women at La Fontaine and Arche du Pont Marie Recto). (Dummy title). Carnavalet museum, history of Paris.

At a village a woman was on the line, Léopold Haeck, 1878 - 1910 print paper etching prospect of village, silhouette of village. hanging the wash to dry

Cologne Published 1833 England. Lithograph in black on grayish-ivory chine, laid down on ivory wove paper . Samuel Prout

Kanonia Street in Warsaw. Łopieński, Ignacy (1865-1941), graphic artist

Ericsson, Henry, work, Lövö villa, etching, graphics, plate width 39.8 cm, ehti width 53.6 cm, ehti height 37 cm, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

Up to the Woolworth , Skyscrapers, Cities & towns, Streets. Joseph Pennell (1857-1926). Prints and Drawings

The demolishers of the Sorbonne n ° 2: Victor Street Cousin (dummy title)

Via San Vitale, Bologna. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1904. Dimensions: 158 x 119 mm (image/plate); 186 x 149 mm (sheet). Etching in black on blue laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Méryon, Charles (n.1821-11-23-D.1868-02-13), Saint-Etienne du Mont (main title), 1852. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

Cemetery (Kirchhof). Dated: 1916. Dimensions: plate: 38.1 x 25 cm (15 x 9 13/16 in.) sheet: 48.2 x 38.1 cm (19 x 15 in.). Medium: lithograph in black on laid paper. Museum: National Gallery of Art, Washington DC. Author: Lovis Corinth.

Topfkram; Ulbrich, Hugo (1867-1928); 1900 (1867-00-00-1928-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, Wrocław (Dolnośląskie Voivodeship), architecture, German graphics, trade, baskets, modernism (style), German (culture), urban landscapes, genre scenes, generic scenes, relay, streets

Toledo, Street of the Arch. Joseph Pennell; American, 1857-1926. Date: 1903. Dimensions: 255 x 190 mm. Oiled charcoal with stumping and erasing, heightened with white chalk, on cream wove paper, perimeter mounted on off-white wood pulp laminate board. Origin: United States. Museum: The Chicago Art Institute, USA.

Pencil illustration by August Xaver Karl von Pettenkofen showing a Gil Blas scene with multiple characters and gestures, emphasizing narrative composition.

Village view with a river, Rodolphe Bresdin, 1861 print Village face with a river. On the right on the shore houses are in a row along the river that runs into the village with a bend on the left. In the foreground are fishermen with rods in the shallow water. Above the print is the title of the literary magazine Revue Fantaisistist. Paris . etching village

James McNeill Whistler (American, 1834-1903), Rue Furstenberg, 1894, lithograph

The Barber Shop Made 1905 United States. Etching on ivory laid paper . Joseph Pennell

Limebrander, James Abbott McNeill Whistler, 1859 print Workshop with a man standing at two ladders and leaning against a ton. This is the worker and lime burner W. Jones. A port is visible through a look. Printed on Old Dutch paper with wide margins, supplied by Carel Vosmaer. paper etching lime-burner

Street Grenier on the water, 1886 (dummy title)

Sunday, Lyme Regis James Abbott McNeill Whistler (American, 1834-1903). , 1895. Lithograph, 9 7/8 x 7 3/16 in. (25.1 x 18.3 cm). American Art 1895

Joseph Pennell, Down and Up the Hills to the Bay, San Francisco, American, 1857 - 1926, 1912, etching

L'Escalier (The Staircase) 19th century Rodolphe Bresdin French. L'Escalier (The Staircase) 429783

Paris: la Rue de la Montagne-Ste-Geneviève. Louis Auguste Lepère; French, 1849-1918. Date: 1886. Dimensions: 313 × 145 mm (image); 367 × 203 mm (sheet). Wood engraving in black on grayish-ivory China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

St. James's street. Whistler, James McNeill (1834-1903). 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Back by WayCanal. Artist: Mortimer Menpes, British, 1855-1938

James S. Storer, 1771-1853, British, Crosby Hall. Engraving.

Egyptian Street Scene Made 1842-1847 France. Black ContÈ crayon, with red chalk, graphite and stumping, on cream laid paper . Charles François Eustache

Old Paris, 1932 (Title Title) | Old Paris, 1932 (title of all)

Hadrian Entering Salonica, 1918. William Walcot (British, 1874-1943). Etching;

SS Giovanni e Paolo, Venice prints, etchings, works on paper

Theme from the Motława River, fragment of the Długi Most Street. Pruszyński, Aureliusz (Kraków ; zakład artystyczny ; 1873-post 1930), printing house, Wyczółkowski, Leon (1852-1936), graphic artist

Van Armand Guillaumin (1841-1927). "Vanves". Black pencil on white paper, 1872. Museum of Fine Arts of the city of Paris, small palace.

See -through under a bridge with rowing boat and Reiger, Arnoud Schaepkens, 1831 - 1904 print paper. etching / drypoint bridge. shore-birds and wading-birds: heron. rowing-boat, canoe, etc.

The Long Gallery, Louvre. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1894. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Venetian Courtyard. Artist: Sir David Young Cameron (British, Glasgow, Scotland 1865-1945 Perth, Scotland). Dimensions: Sheet: 7 3/4 × 9 1/8 in. (19.7 × 23.2 cm). Date: 19th-20th century. Museum: Metropolitan Museum of Art, New York, USA.

A MarketScene. Artist: Mortimer Menpes, British, 1855-1938

The Grand Piazza. Giovanni Battista Piranesi (Italy, Mogliano, 1720-1778). Italy, 1761. Prints; etchings. Etching

Souvenir de St. Denis, 1913. Auguste Louis Lepère (French, 1849-1918). Etching;

Street face with wall fountain; Artis perspectiva (...). Fountain for a bordes. The fountain consists of an elongated pelvis, supported by four sphinxes in rollerwork. There are four water squirting Hermen against the wall. In between there are three statues in Nissen. On the left on the street a woman with a child going on. The print is part of an album.

Victoria Club. James McNeill Whistler; American, 1834-1903. Date: 1879-1887. Dimensions: 206 x 134 mm (image); 234 x 156 mm (primary support); 487 x 360 mm (secondary support). Transfer lithograph in black with scraping, on cream chine laid down on ivory plate paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

The Bridge, Santa Marta 1879-80 James McNeill Whistler American. The Bridge, Santa Marta 372582

Forge of the Carmelites. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1900. Dimensions: 237 x 188 mm (image/plate); 241 x 188 mm (primary support); 285 x 227 mm (secondary support). Etching in black on tan laid paper, laid down on off-white wove paper. Origin: United States. Museum: The Chicago Art Institute, USA.

A Fragment of Piccadilly, 1886. James McNeill Whistler (American, 1834-1903). Etching;

Maunder's Fish Shop, Chelsea Made 1890 United States. Transfer lithograph in black with scraping, on cream Japanese paper . James McNeill Whistler

Copper engraving and etching by Jan Pietersz. Saenredam from 1618 depicting the parable of the lost son, showing figures, gesture, and composition.

James McNeill Whistler (American, 1834-1903), The "Adam and Eve," Old Chelsea, 1879, etching and drypoint

Piazza San Marco. Frank Duveneck; American, 1848-1919. Date: 1882-1883. Dimensions: 333 x 272 mm (image); 344 x 281 mm (plate); 475 x 407 mm (sheet). Etching, with drypoint, on cream wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Long Gallery at the Louvre, James McNeill Whistler (Lowell, Massechusetts, USA, 1834 - 1903) c. 1896

Marius enters the shadow (Ive Party, Book 13) Albert Morand. Marius enters the shadow (Ive Party, Book 13). Illustration project for Victor Hugo's novel, Mis�rables. Cont� Pencil or Industrial Black Stone on paper, circa 1920. Paris, Victor Hugo House.

The Butcher's Dog. James McNeill Whistler; American, 1834-1903. Date: 1895-1896. Dimensions: 190 x 131 mm (image); 284 x 201 mm (sheet). Transfer lithograph in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Figures and animals in an alley in Nuremberg; Slice in Nuremberg.links in the foreground a lamppost.

Old Paris taught "in the golden sun", 84 rue Saint Sauveur, 1896 Henri Chapelle (1850-1925), French draftsman. Old Paris. The sign in the golden sun, 84 rue Saint Sauveur. Feather, ink of China. Paris (ie Arr.), 1896.

The Long Gallery, Louvre Made 1894 United States. Transfer lithograph in black with stumping, on cream laid Japanese vellum . James McNeill Whistler

Drawing, Sketchbook Page: Study of Reno, Bologna; Verso: Architectural Details; Designed by Felice Giani (Italian, 1758-1823); Italy; pen and brown ink, brush and sepia wash over traces of graphite on cream laid paper; 12.7 x 10.9 cm (5 x 4 5/16 in.)

Le Maquignon 19th century John-Lewis Brown. Le Maquignon. John-Lewis Brown (French, Bordeaux 1829-1890 Paris). 19th century. Aquatint. Prints

Place de l'Opéra, plate seventeen from Le Long de la Seine et des Boulevards. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 119 × 202 mm (image); 233 × 300 mm (sheet). Wood engraving in black on cream Japanese tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The Lion, Chicago 1910 United States. Drypoint with plate tone on ivory laid paper . Joseph Pennell

La Rue Pirouette aux halles, Paris (Pirouette Street, Near the Markets, Paris). Dated: 1860. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: CHARLES MERYON.

The Bridge, Santa Marta 1879-1880 United States. Etching and drypoint with foul biting in black ink on off-white laid paper . James McNeill Whistler

The auto school , Schools, Automobile driving, Doors & doorways. Childe Hassam (1859-1935). Prints and Drawings

A coal illustration by August Xaver Karl von Pettenkofen showing a scene from the novel Gil Blas.

The Man on the Rack, plate 2 from Imaginary Prisons. Giovanni Battista Piranesi; Italian, 1720-1778. Date: 1761. Dimensions: 557 x 417 mm (image); 562 x 417 mm (plate); 788 x 583 mm (sheet). Etching and engraving on heavy ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA.

Two women by a sarcophagus serving as a fountain, on the left statues in niches, in the background a staircase, Two women by a sarcophagus serving as a fountain, draughtsman: Victor Jean Nicolle, 1787 - 1811, paper, pen, h 168 mm × w 124 mm

Sir David Young Cameron, 1865-1945, British, Porta del Molo, Genoa North Italian Set: No. 23, 1896. Etching.

A 1924 pencil sketch by Ludwig Rösch depicting a street scene with a concrete lantern.

Stadsplein with a round fountain, 1568 print Stadsplein with a round fountain surrounded by a balustrade with two entrances. The basin is worn by putti with a fish tail. This print is part of an album. paper etching ornamental fountain. civic architecture; edifices; dwellings

Fantasy - Study, Philip Zilcken, After Jacob Maris, 1867 - 1890 print paper etching / drypoint canals, waters (in city). urban housing Amsterdam

Rue des Marmousets (VieuxParis). Artist: Maxime Lalanne, French, 1827-1886Printer: Auguste Deltre, French, 1822-1907 Publisher: Alfred Cadart, French, 1828-1875

A pencil illustration by August Xaver Karl von Pettenkofen depicting a scene from the novel Gil Blas.

Le Drageoir aux épices by J. K. Huysmans: p. 53, 1929. Auguste Brouet (French, 1872-1941), J.K. Huysmans (French). Book containing 54 etchings; overall: 28.7 x 23.3 x 4.5 cm (11 5/16 x 9 3/16 x 1 3/4 in.).

Street face in Terneuzen, Carel Nicolaas Storm van 's -Gravesande, 1889 - 1902 print In the foreground, three women walk in traditional costume towards a staircase. There is a mill in the background. Netherlands paper drypoint sloping street; street with steps or stairs. folk costume, regional costume Terneuzen

WallStreet. Artist: William George Reindel, American, 1871-1948

Przeszo Przyszoci Norblin, Jan Piotr (1745 1830)

Bliżej Kultury Wyczółkowski, Leon (1852 1936)

The Lime-Burner, from the Thames Set (A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects). Artist: James McNeill Whistler, American, 1834-1903

Etchings of Paris: Tourelle, rue de l'Ecole de Médicine, 1861. Charles Meryon (French, 1821-1868). Etching;

'Saint-Germain des Prés'. France, Paris, 1980. Dimensions: 52,3x40,9 cm; 70x49,5 cm. Museum: State Hermitage, St. Petersburg. Author: Alexander Zhitomirsky.

Les toits de Saint-Severin. Dated: 1889. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Auguste Lepere.

Santa Maria della Tromba. Dated: 1886. Dimensions: sheet: 46 × 34.7 cm (18 1/8 × 13 11/16 in.) plate: 37 × 23.7 cm (14 9/16 × 9 5/16 in.). Medium: etching on wove paper. Museum: National Gallery of Art, Washington DC. Author: TELEMACO SIGNORINI.

Limebrander, James Abbott McNeill Whistler, 1859 print Workshop with a man standing at two ladders and leaning against a ton. This is the worker and lime burner W. Jones. A port is visible through a look. England Japanese paper etching lime-burner

Vision of the north of the Nighty city; Apple, Feliks (1865-1928); around 1925 (1920-00-00-1928-00-00);

View of a palace in Naples at setting sun, Anonymous, After Melchior Küsel (I), After Johann Wilhelm Baur, c. 1700 - c. 1710 The print is part of an album. print maker: Franceafter print by: Germanyafter design by: Germany paper etching Naples The print is part of an album. print maker: Franceafter print by: Germanyafter design by: Germany paper etching Naples

Hallway at Dr. Wister's. Dated: 1912. Medium: lithograph. Museum: National Gallery of Art, Washington DC. Author: Joseph Pennell.

Palazzo Contanni, Venice, 1920-1929. Andrew F. Affleck (British, 1874-1935). Etching and drypoint; sheet: 45.2 x 34.8 cm (17 13/16 x 13 11/16 in.); platemark: 35.2 x 19 cm (13 7/8 x 7 1/2 in.).

Frontispiece for the ladies of Fr. Villon (dummy title)

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