Vatican Loggias Architectural Designs

Detailed engravings featuring segments of Raphael's Vatican Loggias, showcasing intricate frescoes and architectural elements in vibrant colors.

Design for a corner of a carpet with an oval turquoise midfield, anonymous, c. 1850 - c. 1880 France paper. gouache (paint). cardboard

This 1772 colored copper engraving and etching by Giovanni Volpato depicts a segment of Raphael's Vatican Loggias, including architectural structures and fresco decoration.

Design for a Painted Ceiling. Artist: Anonymous, Italian, 19th century. Date: 1800-1900. Museum: Metropolitan Museum of Art, New York, USA.

Design for a corner of a carpet with an oval turquoise midfield, anonymous, c. 1850 - c. 1880 France paper. gouache (paint). cardboard

Copper engraving and etching by Giovanni Volpato depicting Raphaels loggia in the Vatican, Series I/13, created and colored in 1772. The print emphasizes architectural and fresco details in a classical interior.

Copper engraving by Giovanni Ottaviani depicting Raphael's loggias in the Vatican, Pilastro XIII showing a woman with a bird, colored in 1772.

Four designs for decorative panels 1830-97 Jules-Edmond-Charles Lachaise French. Four designs for decorative panels 385110

Raphael's Loggia in the Vatican Loggie di Rafaele nel Vaticano, plate IV, Giovanni Ottaviani, ca. 1735 - 1808, Pietro Camporesi, Italian, 1726 - 1781, Gaetano Savorelli, 1791, Raphael, (Italian, 1483-1520), Hand colored etching and gray ink, Description from left to right; top to bottom., Above all, a frieze of sunflowers-like circles., First column: Two putti holding a lyre above a cameo of a bird in a nest with putti standing on either side. Below: a cameo of a lamb and its offspring surrounded by two nude figures sitting above axeses. Below: a cameo with three men on horseback. Below: a cameo of a nude figure above two nude figures lying atop a pedement. Under pedement: a figure standing atop a pedestal. Below: profiles of front and rear figures. Below: Winged figure with spears sitting atop a globe., Second column: Vine of foliage and flowers. Below: a frieze of wavelike spirals atop a geometric decorative pattern., Third column: Semi circle cameo of a bird. Below: a brown panel

Design for the painted decoration of a coffered ceiling with initials: VR. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: sheet: 6 9/16 x 5 7/16 in. (16.7 x 13.8 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Martin Partyka, Hand Painted Wall, c 1939 Hand Painted Wall

Design for Ceiling Decoration in Neoclassical Style 1790 Anonymous, Italian, Roman, 18th century Italian. Design for Ceiling Decoration in Neoclassical Style 343278

Decorative Panel (England); block-printed paper, wood support; 101 x 57.5 cm (39 3/4 x 22 5/8 in.)

Designs for four stained glass windows with ships and ornaments, Anonymous, in or after 1907 - 1930 drawing Under the drawings it is indicated for which floor the design was made. Amsterdam tracing paper. paper. watercolor (paint). India ink (ink). pencil pen / brush sailing-ship, sailing-boat. ornaments ~ art

Design for Gallery Ceiling, Hôtel Cottier ca. 1879 Jules-Edmond-Charles Lachaise French. Design for Gallery Ceiling, Hôtel Cottier 345371

E Boyd, Retablo, 1935 1942 Retablo

Drawing, Design for stained glass; Designed by Alice Cordelia Morse (American, 1863-1961); USA; brush and gouache, graphite on paper mounted on tan illustration board; Image: 3.7 x 8.8 cm (1 7/16 x 3 7/16 in.) Sheet: 8.3 x 13.4 cm (3 1/4 x 5 1/4 in.)

Designs for two panels painted in rinceaux 1830-97 Jules-Edmond-Charles Lachaise French. Designs for two panels painted in rinceaux 385008

Glasmosaik an verschiedenen Decken und Wänden in der Markus-Kirche zu Venedig, 1842., 1842., Berlin. Publisher, bei G. Reimer. Subjects include decoration and ornament, mosaics, Italy, Venice, and chromolithographs

Design for Ceiling at Fontainebleau. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: 12 9/16 x 3 1/4 in. (31.9 x 8.3 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for Ceiling Decoration in Neoclassical Style. Artist: Anonymous, Italian, Roman, 18th century. Dimensions: 8-5/16 x 6-11/16 in. (21.1 x 17.0 cm). Date: 1790. Museum: Metropolitan Museum of Art, New York, USA.

Sidewall, distemper colors, Four fragments showing incompletely a design simulating masonry, with relief decoration of putti in oblong panel surrounded by raised molding intertwined by foliage scrolls. Clusters of fruit and foliage at chamfered corners of blocks., France, 1860-65, Wallcoverings, Sidewall

Design for a ceiling painted with grotesque motifs 19th century Jules-Edmond-Charles Lachaise French. Design for a ceiling painted with grotesque motifs 386011

GSELL-Laurent workshop. Album n ° 3; glass or window, stained glass with decorative patterns, gray with arabesque, 1 medallion and 2 diamonds. Chromolithography. Paris, Carnavalet museum. Album n ° 3, arabesque, chromolithography, two, gray background, window, diamond, medallion, decorative motif, project, glass, stained glass

Copper engraving by Giovanni Ottaviani depicting Raphael's loggias in the Vatican, Pilastro IV showing a young man stabbing an old man, colored in 1772.

Drawing, View of Coffered Ceiling with Papal Arms; France & Italy; pen and ink, brush and watercolor on paper

At center is a band or panel of ornament with a deep purple background featuring two golden winged griffons with ancanthus arabesque tails of blue, pink, and green, enclosing pink rosettes. Green branches with berries spring from the acanthus vines. At the center of this panel is a beaded closed. Date: 1776. Pen and ink, brush and watercolor over graphite on laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

Reinhold Rohde (1849-1913): men's room decoration. Monthly competition April 1878

Design for a decorative panel.Decorative design with classic in motifs Egyptian, arabesque in medalons, caught in sleek frames. Inscription front: This design started in Paris in the Year MDCCLXXXVII. was completed in Madrid in the year mdccviii. J Demosth. Dugourc. Architec. Inv. Dell. Decision Verso Los This Drawing was started in Paris in 1787 and finished in Madrid in 1808 by J. Demost Dugourgech Architect or King Joseph Napoleon.

Partial design for a ceiling painted in strapwork and pine cone motifs 19th century Jules-Edmond-Charles Lachaise French. Partial design for a ceiling painted in strapwork and pine cone motifs 385996

Frieze, Machine-printed paper, Art Nouveau style. Wide frieze, possibly meant to be cut into wide and narrow borders. Scrolling or scalloped vine with foliage centered between two rods at top. Scrolling flourishes and heart-shaped pendants suspend from foliate band. Stylized foliate motifs in voids under hearts. Printed in colors on horizontally-striped ground., Chicago, Illinois, USA, 1905-1915, Wallcoverings, Frieze

Section of wall, Guard Room, Palace of Fontainebleau, Frederick Marschall, Brush and watercolor, tempera on heavy paper, Elevation of section of wall. Lower portion, containing groups of painted panels, chiefly including royal monograms and escutcheons as motifs of decoration. Upper portion, framed fabric, showing royal monogram against all-over pattern., USA, ca. 1885, interiors, Drawing, Drawing

Eight designs for painted wall decorations; one for "chanteloup," another for "Nause" second half 19th century Jules-Edmond-Charles Lachaise French. Eight designs for painted wall decorations; one for "chanteloup," another for "Nause". Jules-Edmond-Charles Lachaise (French, died 1897). second half 19th century. graphite and pen and ink on various papers glued to cardboard. Drawings

Copper engraving and colored etching by Giovanni Volpato illustrating Series I/1 of Raphael's Loggies in the Vatican, showing architectural features, frescoed walls, and interior perspective.

Rudolf Seitz (1842-1910, as a painter): Ceiling and wall paintings executed in the German-National Art Trade Exhibition Munich 1888. (Verlag Callwey, 17 plates in color printing, recorded by Stefan Herweg, ed. By Friedrich Nauert)

Wallpaper Frieze Paper Wallpaper Frieze Paper. Printed paper Decorative Arts

European technique of inlaying colored semiprecious stones in Itimad-ud-Daula tomb, Agra, Uttar Pradesh, India Copyright: xMadhusudanxTawde/DinodiaxPhotox

Valentine, Embossed cut paper with gilt paint and chromo-lithograph additions, Within an embossed cut paper frame, with arabesque ornamentation is a vertical oval containing an inscribed printed paper heart, with a silk bow below and flowers in chromolithograph and gilt paint. Double sheet folded in half, horizontally., Germany, ca. 1850, Greeting card, Greeting card

Altar Frontal Made 1701-1800 Italy. Silk, satin weave; underlaid with hemp, plain weave; embroidered with silk, gilt-metal-strip-wrapped silk, and and hemp wrapped with gilt-metal strip and silk in satin stitches; laid work and couching; edged with woven tape .

Strack Johann Heinrich (1805-1880), room ceiling (without date): cover decoration. Tusche watercolor on the box, 38.7 x 33.1 cm (including scan edges) Strack Johann Heinrich (1805-1880): Zimmerdecke

Border (England); Manufactured by Adams, Desy & London; machine-printed

Design for the painted decoration of a ceiling with the monogram: AS. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: sheet: 10 3/8 x 7 1/16 in. (26.4 x 18 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Design for Stained Glass Window, Francis Augustus Lathrop, American, 1849 - 1909, Brush and watercolor, white gouache, graphite on paper, Three long, narrow panels, with pointed arched tops. Center: Three wreaths, joined together by ribbons, containing a crown, bible, and cross., USA, ca. 1895, architecture, interiors, Drawing, Drawing

The left side is shown. Sheaves, rising from acanthus calices, are intended to form there arcades, in which hang, above, nine festoons, and in the center, downwards, a circular medallion with a cross. Laterally a trophy of alter objects. Decorated border. Date: 1780-1790. Pen and brown ink, brush and brown wash on lined off-white laid paper. Museum: Cooper Hewitt, Smithsonian Design Museum.

MOTIVOS DECORATIVOS ARABES-COPIA DE LOS DIBUJOS DE SANCHEZ SARABIA PARA "LAS ANTIGUEDADES ARABES". Location: PRIVATE COLLECTION. MADRID. SPAIN.

Frieze, Carey Bros. W.P. Mfg. Co., Philadelphia, Pennsylvania, founded 1882, Machine-printed paper, Highly stylized square flowers arranged in alternating step-down triangles of seven and three blossoms. The triangles repeat horizontal atop a striped and beaded edge that borders the bottom of the panel. A Moresque border follows the top of the pyramids, and is filled with a cross-hatch pattern. This design is printed in shades of brown, dark red and beige on a tan background., Philadelphia, Pennsylvania, USA, 1905-1915, Wallcoverings, Frieze

Drawing, Embroidered frontal; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash; Image: 19.1 x 26.7 cm (7 1/2 x 10 1/2 in.)

Border, Prince of Babylon; Manufactured by Robert Graves Co. (United States); USA; machine-printed; 74.5 x 56.5 cm (29 5/16 x 22 1/4 in.)

Strack Heinrich (1841-1912), cover decoration (without date): Colored ceiling ornaments. Pencil watercolor on the box, 45.1 x 41.3 cm (including scan edges) Strack Heinrich (1841-1912): Deckendekoration

Design for the corner of a carpet with a light midfield with roses, anonymous, c. 1850 - c. 1880 France paper. gouache (paint). cardboard

Design for Wall Elevation with Diapered Wainscoting and a Coffered Ceiling. Artist: John Gregory Crace (British, London 1809-1889 Dulwich) , and Son; John Dibblee Crace (British, London 1838-1919 London). Dimensions: sheet: 13 1/8 x 8 1/8 in. (33.3 x 20.6 cm)mount: 15 7/8 x 10 9/16 in. (40.4 x 26.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Wall Decoration, Blue (South) Drawing Room, George IV, King of England, English, 1762 - 1830, Brush and watercolor over graphite on white wove paper, Vertical rectangle. Design for the Royal Pavilion, Brighton. A design for a wall panel, showing five paintings of Chinese scenes and figures, enclosed in lattice-work., Original album associated with this collection still exists. See 1948-40-1 accessory, 1815-22, interiors, Drawing, Drawing

Design for an advertisement for Sumatra cigars and a frame with ducks, Reinier Willem Petrus de Vries (1874-1953), 1884 - 1952 drawing paper. watercolor (paint). deck paint. chalk. pencil brush cigar. water-birds: duck

Schulz Bruno (1865-1932), Dom and S. Maria Fosca in Torcello (1899-1899): Mosaic jewelry of the vault over the southern side chapel. Watercolor, gold heighted on cardboard, 66.2 x 43.3 cm (including scan edges) Schulz Bruno (1865-1932): Dom S. Maria Assunta und S. Fosca, Torcello

Design for a coffered ceiling with alternative decorative patterns 1840-97 Jules-Edmond-Charles Lachaise French. Design for a coffered ceiling with alternative decorative patterns 385499

Quast Ferdinand von (1807-1877), baptismal basin in Trier () (Without Dat.): Perspective view and floor plan of the splendidly ornamented baptismal jewelry and gemstones equipped with gem. Pencil on paper, watercolor, 56 x 34.7 cm (including scan edges) Quast Ferdinand von (1807-1877): Taufbecken, Trier ()

Examples of historical ornament, Greek , Architectural decorations & ornaments, Capitals Columns, Vases. Louis Prang & Company Collection

Partial design for the decoration of a ceiling with scrollwork and a border of ribbons and berries. Artist: Jules-Edmond-Charles Lachaise (French, died 1897); Eugène-Pierre Gourdet (French, born Paris, 1820-1889). Dimensions: Overall: 8 3/4 x 11 1/4 in. (22.2 x 28.5 cm)image: 4 5/16 x 9 13/16 in. (10.9 x 24.9 cm). Date: 1830-97. Museum: Metropolitan Museum of Art, New York, USA.

Wall painting and ceiling decoration, Germany, early 19th century, (1898). 'Figs 1-6: Wall and ceiling decorations from King Frederick I's work-room in the castle of Ludwigsburg Ludwigsburg Palace, Baden-Württemberg...This new French Empire style was so esteemed that it was soon adopted all over Europe'. Plate 87 from "The Historic Styles of Ornament" translated from the German of H. Dolmetsch. B.T. Batford, London, 1898

Stöckhardt Heinrich (1842-1920), window for the house of the architect association in Berlin. Monthly competition January 1881 (2nd competition) (01.1881): View (see print image MK 54-049). Tusche watercolor on the box, 55.7 x 37.7 cm (including scan edges) Stöckhardt Heinrich (1842-1920): Fenster für das Haus des Architekten-Vereins zu Berlin. Monatskonkurrenz Januar 1881 (2. Wettbewerb)

Ceiiling of the Vestibule in the Germania, Berlin. Painted by C. Lange, architecture by Heinrich Joseph Kayser and Karl von Grossheim. Vestibueldecke Germania, Berlin. Kayser & von Groszheim Arch. C. Lange maler. Chromolithograph by G. Wehling and Borner from Ernst Ewalds Farbige decorationen, alter und never Zeit (Color decoration, ancient and new eras), Ernst Wasmuth, Berlin, 1889.

Wall carpet with Bacchus as personification of autumn, Manufacture Royale des Gobelins, c. 1722 - c. 1728 Portière with Bacchus, as a personification of autumn, surrounded by grotesken and the sign of scales, scorpion and archer, from a series of gods, seasons, elements and signs of the zodiac. ParisParisParisParisdesigner: Francemaker: Francemaker: Francemaker: Francemaker: France Ketting: Wool. Entry: Wool. Entry: Silk tapestry Portière with Bacchus, as a personification of autumn, surrounded by grotesken and the sign of scales, scorpion and archer, from a series of gods, seasons, elements and signs of the zodiac. ParisParisParisParisdesigner: Francemaker: Francemaker: Francemaker: Francemaker: France Ketting: Wool. Entry: Wool. Entry: Silk tapestry

N.N., Wilhelmstal Castle in Kassel. Wilhelmshöhe Castle in Kassel. (From: Atlas to the magazine for Building, ed. V. Ministry of Public Work (1908-1908): View door five-sensory room Wilhelmstal. Printed on paper, 45.8 x 29.7 cm (incl. Scan edges) N.N. : Schloss Wilhelmstal, Kassel. Schloss Wilhelmshöhe, Kassel. (Aus: Atlas zur Zeitschrift für Bauwesen, hrsg. v. Ministerium der öffentlichen Arbeiten, Jg. 58, 1908)

Tomb of Bishop Benozzo Federighi, by Della Robbia Luca, 1455, 15th Century, majolica. Italy, Tuscany, Florence, Santa Trinita Church. Detail cornice decorative tomb majolica ribbon motif ellipsis lilies triangular leaves green pink yellow.

Design for a tile tableau with a flower vase, Carel Adolph Lion Cachet, 1874 - 1945 drawing paper. ink. pencil. chalk pen wall-covering. chimney-piece, mantelpiece. tiles, bricks ~ building material. ornament derived from plant forms. work of applied art (+ ceramics ~ arts)

Vestigia delle Terme di Tito. Vault called volta dorata in room 21. Carlone, Marco (1742-1796), graphic artist, Smuglewicz, Franciszek (1745-1807), draughtsman, cartoonist, Brenna, Vincenzo (1745-1820), draughtsman, cartoonist, Mirri, Ludovico (1738-1786), publisher

Frieze in a room in the Fourth Pompeian Style, Pompeii. Wall panel below after Francois Mazois. Frise dune chambre du quatrieme style, Region I.2.25. Panneau extrait des originaux de larchitecte Francois Mazois, Les Ruines de Pompei. Handcoloured pochoir (stencil) lithograph by Pierre Guzman from his own Decoration murale a Pompei, (Wall decoration at Pompeii), Editions Albert Morance), Paris, 1924.

GSELL-Laurent workshop. Album n ° 3; stained glass project for Isle-Adam; 3 spans window: Saint Louis leaving at the crusade. Pencil, black stone, blue wash. Paris, Carnavalet museum. Album n ° 3, Catholic, Christian, pencil, Crusade, Depart, Fenetre, Lavis Bleu, Levi, Pierre Noire, Project, King France, Saint, Travee, three, stained glass

Renaissance ornament

Drunk Bacchus and satyr; below left, Hylas kidnapped by the Nymphs; up middle, Diana with two little deer, mural painting at the Stabian Baths, thermal complex in Pompeii, 4th-3rd century BC, Pompeii, Campania, Italy, chromolithograph by G Frauenfelder from a drawing by Abbate, from Le case ed i monumenti di Pompei (The houses and the monuments of Pompeii), by Fausto and Felice Niccolini, volume I, plate 8, 1854, Naples.

Decorative initial ABCD and boder elements from Jean de Sys illuminated Bible of King Jean II, Jean le Bon, No. 15397, 14th century. Alphabet tire de la Bible du Roi Jean, Bibl. Nat. Franc. 15397. Chromolithograph designed and lithographed by Ernst Guillot from his Ornementation des Manuscrits au Moyen-Age (Ornamentation from Manuscripts of the Middle Ages), Paris, 1897.

Lucae Richard (1829-1877), New Theater (Opera) in Frankfurt/Main (1871-1871): Detail of a wall decoration. Pencil watercolored, gold heighted on cardboard, 11.4 x 28.1 cm (including scan edges) Lucae Richard (1829-1877): Neues Theater (Oper), Frankfurt/Main

Reproduction of a fresco, from The Houses and Monuments of Pompeii, by Fausto and Felice Niccolini, Volume II, General Descriptions, Plate XXXVIII, 1854-1896.

Design for the Decoration of the Ceiling in the Hôtel de Pless, Berlin, or the Chateau de Cangé in the Loire second half 19th century Jules-Edmond-Charles Lachaise French. Design for the Decoration of the Ceiling in the Hôtel de Pless, Berlin, or the Chateau de Cangé in the Loire 384791

Turkish ornament

GSELL-Laurent workshop. Album n ° 4; stained glass project for Lourdes; Unique spans window: ornaments. Ink of China, watercolor and gouache. Paris, Carnavalet museum. Album Numero 4, Ink of China, Fenetre, Gouache, Lourdes, Ornament, Stained glass project, watercolor

Border, Block printed on paper, Two identical bands composed of gold molding and gold rope, blossoming wheat stalks surrounded by green floral wreaths alternating with leaves., H# 374, France, 1825-40, Wallcoverings, Border

12th century mosaics in Sicily: mosaic arches and corners in Syracuse Cathedral and floor in the Chiesa di San Cataldo in Palermo. Handcoloured lithograph by Scheurwasser after an illustration by Wilhelm Zahn from his Ornament of All Classical Art Eras, Ornamente aller klassischen Kunst-Epochen, Reimer, Berlin, 1834.

Félon, Joseph (n.1818-08-21-D.1896), stained glass project for Saint-Etienne-du-Mont (main title). Ink, watercolor and gouache on beige paper. Petit Palais, Museum of Fine Arts of the City of Paris.

Design for Fireplace Wall and Ceiling. Artist: Anonymous, British, 19th century. Dimensions: image: 14 7/8 x 11 7/16 in. (37.8 x 29.1 cm). Date: second half 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Design for wallpaper with Roman key border, rinceaux, and medallions 1830-97 Jules-Edmond-Charles Lachaise French. Design for wallpaper with Roman key border, rinceaux, and medallions 384896

Design for a window. Artist: Louis Comfort Tiffany (American, New York 1848-1933 New York). Culture: American. Dimensions: Overall: 24 1/8 x 12 3/4 in. (61.3 x 32.4 cm)Design: 19 3/8 x 4 1/4 in. (49.2 x 10.8 cm). Maker: Possibly Tiffany Glass and Decorating Company (American, 1892-1902); Possibly Tiffany Studios (1902-32); Possibly Tiffany Glass Company (1885-92). Date: late 19th-early 20th century. Museum: Metropolitan Museum of Art, New York, USA.

ALACENA DE LA CAPILLA DE LA CASA DE LOS PINELO CON AZULEJOS DE ARISTA EN AZUL Y DORADO - SIGLO XVI. Location: CASA DE LOS PINELO. Sevilla. Seville. SPAIN.

Piece 18th-19th century Japan. Piece 67403

Partial design for the decoration of a ceiling with an oval panel at center 1830-97 Jules-Edmond-Charles Lachaise French. Partial design for the decoration of a ceiling with an oval panel at center. Jules-Edmond-Charles Lachaise (French, died 1897). 1830-97. watercolor and gouache over graphite on wove paper; mounted on wove paper. Drawings

I was thirsty and ye gave me to drink, 1850-55. Top section of stained glass window in two parts. From the chapel of Union Workhouse, Summerfield Hospital, Dudley Road, Birmingham.. Manufacturer: Chance Brothers & Co. .

Decorated Initial D with Acanthus Leaves from a Choir Book 1300-1399 Europe. Manuscript cutting in tempera and gold leaf on vellum .

Valentine 1847-1870 Anonymous. Valentine. Anonymous. 1847-1870. Cameo-embossed, open-work lace paper, chromolithography, colored paper, graphite

Mural painting with a lunette on white background; in the middle a man seated on a rock holding an overturned urn from which some water is coming out; in the sides, two Caryatids; in the lower panel, a Nereid on a marine creature; the frame of the lunette is decorated with ornaments and amorini in bas relief on red background, frigidarium of the House no 18 Regio VIII Insula 2, Pompeii, Campania, Italy, chromolithograph by D Capri from a drawing by Discanno, from Le case ed i monumenti di Pompei

Alphabet from the illuminated Bible of King John, from the Bibliotheque Nationale de France 15397.. Ernest Guillot "Ornementation des Manuscrits au Moyen-Age" (Ornamentation from Manuscripts of the Middle Ages), 1897, chromolithograph.

Business card from Drukkerij Pierre Vande Steene in Ghent, c. 1841 - c. 1874 print. porcelain card Decorative frame with six putti and the weapon of Belgium. . Cupids: 'Amores', 'Amoretti', 'Putti'. Lithographer

Study for 'The Mermaid Window,' A.H. Barney Residence, New York, NY, Elihu Vedder, American, 1836 - 1923, Ashbel Holmes Barney, American, 1816 - 1886, Louis C. Tiffany & Co., American, active 1881-1883, Pastel crayon, brush and wash on wove paper, Narrow flanking panel for central composition. Pearl rocaille escutcheon swings from branch of under water plant, with fish swimming about. Large conch shell at bottom., New York, USA, 1882, architecture, Drawing, Drawing

Moreau-Néret, Adrien (n.1860-11-13-D.1944), decor project for the Lobau gallery of the Town Hall: day of day (main title). Ink, watercolor and gouache enhancement on bistre paper stuck on cardboard. Petit Palais, Museum of Fine Arts of the City of Paris.

Frieze (USA); machine-printed paper; 91.5 x 49 cm (36 x 19 5/16 in.)

John Garay, Wall Paper Border, c 1937 Wall Paper Border

Murals from the Palazzo del Te, Mantua, Italy, painted by Giulio Romano in the 16th century. Handcoloured lithograph by H. Asmus after an illustration by Wilhelm Zahn from his own "Ornamente aller klassischen Kunst-Epochen nach den Originalen in ihren eigenthumlichen Farben dargestellt." (Ornaments of all classical art epochs after the originals and depicted in their proper colours.), Dietrich Reimer, Berlin, 1870. It includes interior decorations by Giulio Romano in the Palazzo del Te, Mantua, medieval mosaics in Sicily, and Roman wall paintings from Pompeii and Herculaneum. Wilhelm Zahn (1800-1871) was a German artist, architect and academic who traveled around Europe documenting classical and Renaissance architecture.

Medieval ornament

Border with Strozzi emblems 16th-17th century Italian, Florence This splendidly woven fabric would have been appropriate for decorating a room beneath a cornice or as a bed valance. Although this particular textile may have been woven as late as the seventeenth century, its design surely goes back to the fifteenth and incorporates Filippo Strozzi's favorite motifs of a falcon on a branch and three half-moons with flames. Sprays of roses are tied together with banderoles bearing the motto "I wait and so does virtue" fitting for Filippo Strozzi, who patiently worked to restore the prestige of his family in Florence following their political exile.. Border with Strozzi emblems 227540

Têtes de chèvres, semis. Flamant, plaque cuivre fondu. Martins-pêcheurs, libellules, roseaux et nénuphars, encadrement de miroir cuivre repoussé. Lapins et muguet, frise.. Verneuil, M. P. (Maurice Pillard), 1869-1942. Prints. 1897. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Decoration and ornament , Animal forms

Door panel ca. 1751 Manner of Christophe Hüet French The close parallels with Christophe Huet's paintings on the paneling of the Hôtel de Rohan (also known as the Hôtel de Strasbourg), Paris, suggest that 07.225.460 may have been made for the "cabinet des singes" and removed during subsequent remodeling, or made for another room of the hôtel.. Door panel 189714

Dado (France); block-printed on handmade paper; 51.5 x 49.5 cm (20 1/4 x 19 1/2 in.)

Renaissance ornament

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