Venetian Architecture and Landscapes

Vibrant scenes of Venice, highlighting grand buildings, waterways, and bustling crowds, capturing the essence of the city’s historic charm.

Campo SS. Giovanni e Paolo, Venice. Circle of Michele Giovanni Marieschi (1696-1743). Oil on canvas. 71 x 92.2cm.

Campo SS. Giovanni e Paolo, Venice. Circle of Michele Giovanni Marieschi (1696-1743). Oil on canvas. 71 x 92.2cm.

The arrival of the fourth Earl of Manchester in Venice in 1707 by Luca Carlevaris (1665-1731)

The Arrival of the Earl of Manchester in Venice, 1707-1710 Luca Carlevaris, Landscape, Oil Painting, Italy, Topographic, Canal, Harbour, Townscape

Joseph Tasy - Paris - Gros-Caillou Fire Pump Joseph Tassy (18th century). "Gros-pebble fire pump". Drawing.

Francesco Guardi (1712-1793). Venetian painter. The Rialto Bridge after the design by Palladio, ca. 1770. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.

The Molo, Venice, Looking West. Artist: Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). Dimensions: 19 7/8 x 47 1/8 in. (50.5 x 119.7 cm). Date: ca. 1709. Museum: Metropolitan Museum of Art, New York, USA.

Antonio Joli (1700-1777). Saint Lucia district, Naples.

The fair at Largo di Palazzo, today Plebiscite Square (Piazza del Plebiscite), in Naples, by Antonio Joli (1700-1777), Italy 18th century, detail.

Scene in Venice; Oil on canvas (The Piazzetta) by Giovanni Antonio Canaletto (18 October 1697 - 19 April 1768)

The Return of the Bucentaur (Towing in of the Ship of the Venetian Doge on the Canale Grande) Canaletto (1697-1768 Italian) Oil on Canvas Aldo Crespi Collection, Milan, Italy

Imaginary Renaissance Palace, by Hendrick Aerts, 1602, Flemish painting, oil on canvas. Ornate fantasy architecture with a banquet with musicians and dancers taking place in an open gallery. A man plays a lute in the foreground as Cupid prepares to put and arrow in his bow at the couple in center left (BSLOC_2016_3_270)

Grand Canal, Venice, Looking North-West From The Palazzo Corner To The Palazzo Contarini Dagli Scrigni Canaletto (1697-1768 Italian) Oil On Canvas Christie's Images, London, England

Antonio Joli (1700-1777). Italian painter. View of Madrid, ca.1750. Detail. San Fernando Royal Academy of Fine Arts. Madrid. Spain.

Hendrick Mommers (1623-1693). "The Seine seen from Pont Neuf around 1665". Oil on canvas. Paris, Carnavalet museum. 27042-19 Boat, Carrossian, Seine river, crowd, Ile de la Cite, Pont Neuf, Panorama, French King, Scene Street, Equestrian Statue, View, City, Oil on canvas

Francesco Guardi (1712-1793).Venetian painter. Regatta on the Grand Canal by the Rialto Bridge, 1780s. Oil on canvas. Calouste Gulbenkian Museum. Lisbon, Portugal.

The siege of Lille, the proclaation of the decree of the convention, painting by Louis Joseph Watteau, known as Watteau de Lille (1737-1798), oil on canvas, 132x164 cm. French Revolution, France, 18th century.

Piazza San Marco, Venice ca. 1709 Luca Carlevaris Italian Populating the Piazza with energetic Venetians, Carlevaris gives this rendering of the Piazza San Marco a lively cast. The Square is framed by the Procuratie Vecchie on the left, and the Procuratie Nuove on the right. The basilica of San Marco and Torre dellOrologio rise in the distance. Carlevaris is known to have carefully studied his figures prior to laying them in on canvas, and while no such studies exist for the laborers and gondoliers in this painting, his numerous extant oil sketches of Venetian ladies and gentlemen in other museum collections attest to this practice.. Piazza San Marco, Venice. Luca Carlevaris (Italian, Udine 1663/65-1730 Venice). ca. 1709. Oil on canvas. Paintings

Nicolas and Jean-Baptiste Raguenet (active in the 18th century). "The game of the mariners between the Notre-Dame bridge and the Pont au Change". Oil on canvas, 1756. Paris, Carnavalet museum. Arrondissement, at Change, Bargee, Bateau, Boat, Seine River, I 1st 1, IST I 1st 1 arrondissement, Joust, Joute, Marinier, Oil on Canvas, Pont Notre-Dame, Seine River, House, Oil on canvas, House

J. M. W. Turner, Juliet and her Nurse , 1836 , Oil paint on canvas, London, England.

At the Rink Goyen, Jan van (1596 1656)

The Garden of Palazzo Contarini dal Zaffo 1775-1785 Italy. A member of a family of painters in Venice, Francesco Guardi is renowned for his lively views of the most recognizable monuments of this picturesque city and for his engaging architectural fantasies, or capricci. Wealthy travelers making the grand tour of Europeóconsidered an essential part of an education for upper-class menóprovided an important market for such views. In this case, however, the patron was not a foreigner passing through Venice, but John Strange, who lived in the city on the lagoon as the British resident, or representative.This view of the garden of a private house in Venice was highly unusual for Guardi. On the right is the rear facade of the Palazzo Contarini dal Zaffo; the front faces the Grand Canal. The artistís main subject here is the palaceís formal garden, a luxury in Veniceís crowded urban environment. Elegant couples stroll through the gardenís geometric parterres. Guardiís attention to the play of

The Grand Canal in Venice by Canaletto (1697-1768) State Art Gallery, Dresden 1723 Oil on canvas 65,5x97,5 Italy, Venetian School Rococo Landscape Painting

Gian Paolo Panini (Piacenza, 169-Rome, 1765). The Expulsion of the Money-changers from the Temple (1724). Oil on canvas. 73.2 x 98.4 cm. Museum: Museo Nacional Thyssen-Bornemisza, Madrid. Author: Gian Paolo Panini.

Cappriccio View Of The Campo Vaccino Bloemen, Pieter van(1657-1720 Flemish) Oil On Canvas Christie's Images, London, England

The Entry of the French Ambassador into Venice in 1706. Large-scale painted views of Venice were very popular among tourists and collectors throughout the 18th century. In this early example of the genre, the citys buildings provide the backdrop for an important event, the ceremonial entry of the French ambassador, Henri-Charles Arnauld de Pomponne. His elaborately decorated gondolas are being moored along the quay before the Doges Palace.

The Rapenburg in Leiden, Carel Lodewijk Hansen, 1807 painting View of the Rapenburg in Leiden, three days after the explosion of the powder ship on January 12, 1807. On the bridge in the foreground are viewers and soldiers, a group of officers on the left. Behind the bridge the ruins. Netherlands canvas. oil paint (paint) gunpowder disaster. canals, waters (in city) To lead. Rapenburg. Shed

Seyfert. "General view of Paris, taking the hill of Chaillot, 1818". Oil on canvas. Paris, Carnavalet museum. 27113-10 Arrondissement XVI, Carriere, Champ-de-Mars, Invalides Hotel, Seine, Works, Panoramic view, 16th 16th 16th 16th

Miracle of the Cross at the Ponte di Rialto, by Vittore Carpaccio, circa 1496, Galleria dell'Accademia, Venice, Italy, Europe

The conti wharf William Parrott (1813-1869). "The dock conti, 1846". Oil on canvas.

ESPAÑA. SIGLO XIX. TOLEDO. Panorámica de la ciudad a orillas del río Tajo. Pintura del siglo XIX. obra del pintor francés Adrien DAUZATS (1804-1868) .

The Forum, Rome, undated. Samuel Palmer (d. 1881)

Painting titled 'The Church of S Giorgio Maggiore' by Francesco Guardi (1712-1793) Venetian painter of veduta, a member of the Venetian School. Dated 18th Century

The Campo San Gallo, Venice. Michele Marieschi (1696-1743). Oil on canvas. Painted circa 1740s. 98.5 x 137.5cm.

Roman Capriccio with turreted walls and city gates, 1742-1747, by Bernardo Bellotto, known as Canaletto (1721-1780), oil on canvas, 116x131 cm. Detail.

View of Nijmegen; 1649 Jan van Goyen; Dutch (1596 Leiden -1656 The Hague)

Italian Marketplace, Jacob van der Ulft, 1650 - 1689 painting Italian market square in a city. In front of the columns of a church is a woman behind a stall, further on there are more market stalls. On the street a group of pilgrims, some riders and passers -by. canvas. oil paint (paint) square, place, circus, etc.. market

Grand Canal with the Rialto Bridge, Venice A10716 Painting; oil on canvas; overall: 68.5 x 91.5 cm (26 15/16 x 36 in.);

Palace with distinguished visitors, Vredeman de Vries, Hans (Jan) (1526-1606)

Attributed to Pieter Casteels. "Le Pont-Neuf, Seine and Louvre, around 1670". Oil on canvas. Paris, Carnavalet museum. 27099-7 Arrondissement I, ier 1 1 1, Louvre, Seine, oil on canvas, bridge

Attributed to Pieter Casteels (active in the second half of the 17th century). "La Tour de Nesle and Le Louvre, around 1650". Oil on canvas. Paris, Carnavalet museum. 27030-12 District V, Seine, Tour de Nesle, 5th 5th 5th, oil on canvas

Italian, 18th century. Venice. The historical boat race on the Grand Canal. Painted by the Venetian School.

Benares, 1913, Marius Bauer, 1913 painting Exchange of the stairs that end up in the river Ganges, India. In the middle a large stone staircase, on the left you can still see the Ramawahat Ghat (Ram Ghat) and the Rama Palace Missing on the right. Spread people on the stairs and a boat in the river on the left. canvas. oil paint (paint) city-view in general; 'veduta'. places and objects of worship ~ Hinduism, Buddhism, Jainism. ritual practices ~ Hinduism, Buddhism, Jainism. canals, waters (in city) Benares. Ganges

The people plundering Minister Prina's house in Piazza San Fedele in Milan, April 20, 1814, by Giovanni Migliara (1785-1837). Italy, 19th century.

The return of the Bucentaur to the pier on Ascension Day, ca 1760, by Giovanni Antonio Canal known as Canaletto (1697-1768), oil on canvas, 102x58 cm.

SNAYERS , PIERRE. PINTOR BELGICA . 1592 - 1667. " FIESTA DE LOS BALLESTEROS EN NUESTRA SEÑORA DEL SABLON " , TABLA. SEDE DEL BANCO EXTERIOR DE ESPAÑA.MADRID. Author: PEETER SNAYERS.

Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, ca.1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid).

The Victualling Office, Plymouth, Nicholas Condy, 1793-1857, British, ca. 1835, Oil on canvas, Support (PTG): 18 1/16 x 24 1/8 inches (45.9 x 61.3 cm), boats, brigs, brigs, hermaphrodite, buildings, cityscape, costume, gesture, luggers, men, navy, office, paddle steamer, river, rowboats, schooner, ships, shore (landform), smoke, woman, Devon, England, Plymouth, United Kingdom

Antique Bullfighting, 1552, Maerten van Heemskerck, (1498-1574/Dutch)

Dresden, 1843-1846. Thomas Shotter Boys .

The Arrival of the English Ambassadors at the Court of Brittany, by Vittore Carpaccio (ca 1465-1525 or 1526).

Francesco Guardi, Garn Canal y San Simeone Piccolo, siglo XVIII, óleo sobre tela, Museo Nacional de Bellas Artes (MNBA) ,Buenos Aires, republica Argentina, cono sur, South America.

View of the Quirinale and Piazza di Monte Cavallo, 1733, by Giovanni Paolo Pannini (1691-1765), oil on canvas, 270x254 cm.

MADRID DESDE LA SALIDA DEL PUENTE DE SEGOVIA,CON TOROS DESMANDADOS - 1650-60. Author: ANONIMO MADRILEÑO (S. XVII). Location: MUSEO DE HISTORIA DE MADRID-PINTURAS. MADRID. SPAIN.

A View of the Arno with the Ponte alle Gracie, Florence. Thomas Patch (1725-1782). Oil on canvas. 83 x 116cm.

Fantastical architecture. Ehrenberg, Willem Schubert van (1630-post 1687), painter

Martyrdom of San Gennaro in the Pozzuoli amphitheater, by Didier Barra (ca 1590-after 1652).

Illustration with Tiber and St. Peter's Basilica by Sylvester Feodosiyevich Shchedrin, oil on canvas, 1825, 1791-1830, Russia, Moscow, State Tretyakov Gallery, 63, 9x89, 8

Francesco Guardi, Italian (1712-1793), Temporary Tribune in the Campo San Zanipolo, Venice, 1782 or after, oil on canvas

Prà della Valle in Padua. Date/Period: 1741 - 1746. Canvas. Height: 39 mm (1.53 in); Width: 87.50 mm (3.44 in). Author: Giovanni Antonio Canal called Il Canaletto.

Detail from the painting titled 'The Courtyard of a Renaissance Palace' by Hendrik van Steenwijk II (1580-1649) a Dutch Baroque painter of predominantly architectural interiors. Dated 18th Century

Nicolas and Jean-Baptiste Raguenet (active in the 18th century). "The bedside of Notre-Dame and the Western Pointe of the Ile Saint Louis". Oil on canvas, 1769. Paris, Carnavalet museum. Cathedral, bedside, canvas oil, ile Saint-Louis, IVTH IV 4th 4 arrondissement, Notre Dame de Paris Cathedral, Notre-Dame, Oil on Canvas, Overview, Seine, View Together

Attributed to Amelia Long, 1762-1837, British, Rouen, 1819. Watercolor, pen and gray ink, and graphite on medium, slighlty textured, blued white laid paper.

This painting, titled Venice, is by the English Romanticist landscape artist J.M. W. Turner (1775-1851). Turner's ideal was light, and his ambition was to paint the sun. He loved painting the sea and water, especially if in the distance some beautiful city or country enabled him to play wih the effects of shadow and sunshine.

Saint Cuthbert's Holy Island. Date/Period: 1797. Architectural subject. Watercolor with pen in brown ink over graphite on thick, moderately textured, blued white, wove paper. Height: 349 mm (13.74 in); Width: 422 mm (16.61 in). Author: Thomas Girtin.

Painting by Francesco Guardi (October 1712 in Venice; - 1 January 1793 ibid), Italian veduta and landscape painter of the Rococo period, The Doge's Palace in Venice, Historical, digitally restored reproduction of an original from the 19th century, Painting by Francesco Guardi (October 1712 in Venice; - 1 January 1793 ibid), Italian veduta and landscape painter of the Rococo period, The Doge's Palace in Venice, Historical, digitally restored reproduction of an original from the 19th century'.

Marco Ricci, A Capriccio of Roman Ruins, 1727 1729 A Capriccio of Roman Ruins

ARTE SIGLO XVIII. ESPAÑA. "ORNATO DE LA PUERTA DEL SOL CON MOTIVO DE LA ENTRADA EN MADRID DEL REY CARLOS III (1716-1788) " Oleo realizado por Lorenzo de QUIROS. Real Academia de Bellas Artes de San Fernando. (Depositado en el Museo Municipal). Madrid.

View of Neva river by Fyodor Yakovlevich Alexeyev, oil on canvas, 1790, 1753-1824, Russia, St. Petersburg, State Russian Museum, 53x72, 5

Ulysses Returns Chryseis to Her Father, Lorrain, Claude, or Claude Gel, 1640.

Aggrypina with germanica ashes; Poussin, Nicolas (1594-1665); XVII century (1600-00-00-1699-00-00);AGRYPINA Older (14 PNE-33 NE), Gaius Claudius Germanicus (15 PNE-10 NE), Royal Castle (Warsaw)-collections, French painting, urn

View of the Ooster Oudehoofdpoort with paddle boats on the Meuse, Rotterdam, cityscape painting artwork linen oil paint, paint on canvas. Landscape format Rotterdam City triangle Ooster Oudehoofdpoort topography cityscape Roentgen platluis steam

Embellishment of the Puerta del Sol on the occasion of the entry into Madrid of Charles III, ca.1760. Attributed to Lorenzo de Quiros (1717-1789). History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid).

Characters in ancient ruins (whim); unknown painter of the oski; 18th century (1700-00-00-1799-00-00);Fantastic architecture, whim, Italian painting, ruins, relay

Sir Charles D'Oyly, 1781-1845, British, active in India, Album of 30 Views in the Tyrol and Italy: The Rialto - Venice 8th Nov.r 1840. Pen, brush and black ink over graphite.

Marie Antoinette receiving the ambassadors from Tiphoo - Sahib in the park of Saint Cloud, August 8, 1788, watercolour by Asselin. France, 18th century.

Ascribed to Lorenzo de Quiros (1717-1789). Spanish painter. Embellishment of the Plaza Mayor on the occasion of the entry of Charles III in Madrid, ca.1760. Detail. History Museum. Madrid. Spain. (On loan, San Fernando Royal Academy of Fine Arts, Madrid). History Museum. Madrid. Spain.

Capriccio with Palladian Buildings, by Canal Giovanni Antonio known as Canaletto, 1755, 18th Century, oil on canvas. Italy: Emilia Romagna: Parma: National Gallery of Art. Detail. View capriccio Palladian palaces canal Venice Rialto bridge loggia boats ships small figures gondolas

The Kranenhoofd on the Scheldt, Antwerp (Winter Pastime on the Scheldt in Antwerp). Dating: 1622. Measurements: h 58.5 cm × w 113 cm; d 8.5 cm. Museum: Rijksmuseum, Amsterdam. Author: Sebastiaan Vrancx.

View of Saint-Marc Square in Venice Francesco Guardi (1712-1793). "View of Saint-Marc Square in Venice, between 1760 and 1770". Oil on canvas. Paris, Cognacq-Jay Museum.

View of Naples, by Francois de Name (known as Monsu' Desiderio), Italy 17th Century.

PUENTE DE PIEDRA Y,AL FONDO,PUERTA DE LAS MUJERES BLANCAS,EN UTRECHT,1654. Author: BEMMEL GERRITSZ VAN. Location: MUSEO CENTRAL. Utrecht. HOLANDA.

An Architectural Capriccio of the Roman Forum with Philosophers and Soldiers among Ancient Ruins, including the Arch of Janus Quadrifrons, the Sarcophagus of Santa Constanza, the Farnese Hercules and the Cincinnatus. Date/Period: Ca. 1745-50. Painting. Oil on canvas, in a carved and gilt wood frame Oil on canvas, in a carved and gilt wood frame. Height: 984 mm (38.74 in); Width: 1,350 mm (53.14 in). Author: Giovanni Paolo Panini.

Bacchanale; Alessandro Magnasco (Italian (Genoese), 1667 - 1749); about 1720 - 1730; Oil on canvas; 118.1 x 148.6 cm (46 1,2 x 58 1,2 in.)

The Apotheosis of St Gaetano Thiene, by Tiepolo Giambattista, 18th Century, oil on canvas. Italy, Veneto, Rampazzo, Vicenza, Santa Maria Maddalena Parish Church. Detail. Church on the background scaffolding small figures.

French Revolution. Paris. Siege of the Bastille. 14 July 1789. Gauache by Claude Cholat. Carnavalet Museum. Paris. France.

Bologna, View in the Strada Maggiore, John Augustus Atkinson, 1775-1831, British, 1819, Watercolor, pen and brown ink and graphite on moderately thick, slightly textured cream wove paper, Sheet: 8 1/2 × 11 1/8 inches (21.6 × 28.3 cm) and Image: 5 1/2 × 8 3/8 inches (14 × 21.3 cm), arches, cityscape, dogs (animals), figures, Grand Tour, horses (animals), men, women, Bologna, Europe, Italia

The Maison Carre, at Nimes, Robert, Hubert, 1796.

Italian marketplace, Jacob van der Ulft, 1650 - 1689

A View of Modern Rome During the Carnival, 1838. Samuel Palmer

Piazza Navona Te Rome, Giovanni Battista Piranesi, 1748 - 1778 print View of Piazza Navona in Rome with the Sant'agnese on the left in Agone and in the middle the four -stream fountain by Gian Lorenzo Bernini. Title on banderol right. Rome paper etching square, place, circus, etc.. ornamental fountain. church (exterior). parts of church exterior and annexes: façade Piazza Navona. Sant'Agnese in Agone. Vierstromenfontein. Rome

Chiaia's Riviera (Riviera di Chiaia) from Esterhazy Palace, 1839, by Giacinto Gigante (1806-1876), Italy 20th century.

Sir Charles D'Oyly, 1781-1845, British, active in India, Album of 30 Views in the Tyrol and Italy: The Church of St. Maria della Salute 10th Nov.r 1840. Pen, brush and black ink over graphite.

Regatta on the Grand Canal near Rialto in Venice, by Francesco Guardi (1712-1793). Detail.

Evening in Venice, Veneto, Italy, authentic reproduction of a school mural, historical, around 1900

The Church of Santa Maria della Salute, Venice. Michele Marieschi; Italian, 1710-1743. Date: 1740-1741. Dimensions: 55.7 × 84.2 cm (21 7/8 × 33 1/8 in.). Oil on canvas. Origin: Venice. Museum: The Chicago Art Institute, Chicago, USA.

Press ambulance in Joinville during the siege of Paris, 1871, by Alfred-Charles-Ferdinand Decaen (1820-after 1893) and Jacques Guiaud (1811-1876), oil on canvas. City of Paris, France, 19th century.

Landing of Princess Leopoldina in Rio de Janeiro, painting by Jean-Baptiste Debret (1768-1848) for the book A colourful and historic journey to Brazil. Brazil, 19th century.

Plague scene in market square, Naples, Italy, 1656 (detail)

Italy, Venice, The Friars' Cloister painting

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