Venus and Love Themes

Prints depicting Venus and themes of love, featuring celestial and mythological elements, with romantic interactions portrayed in lush landscapes.

Sleeping Venus by Saters Spied, Jacob Matham, After Hans Rottenhammer (i), 1599 - 1601 print Haarlem paper engraving satyr(s) spying upon. Venus asleep

Antwerp, Jode, Gerard de, Broeck, Crispijn van den, Sadeler, Johann (I), Thesaurus sacrarum historiarum veteris testamenti, elegantissimis imaginibus expressum excellentissimorum in hac arte virorum opera: nunc primum in lucem editus, Creation and the Fall, Eve tempts Adam to eat from the tree, Eve offers Adam an apple from the tree of the knowledge of good and evil. The snake in the tree. Various animals in the background. At the bottom a reference to the Bible text in Latin. This print is part of an album., print, album page, prints, height 198 mm, width 267 mm, South Netherlands, 1550 - 1600-08, print maker, printmaker, 1575 - 1575, paper, engraving, engraving (printing process), Work conception, 1524 - 1591, after a design by, Publication (Event), Publication, Northern Netherlands, 1509 - 1591-02-05, publisher

Amsterdam, Muller, Harmen Jansz, Spranger, Bartholomeus, Jan Harmensz., Amor and Psyche, verso - stamped, Amor, who takes his quiver from his back, looks at the sleeping Psyche. On the ground lie his torch and bow. At the bottom in the margin four two-part verses about the representation in Latin., print, prent, prints, height 388 mm, width 530 mm, Noord-Nederlands, 1571 - 1628, print maker, printmaker, 1598 - 1602, paper, papier, engraving, engraving (printing process), Work conception, Zuid-Nederlands, 1546-03-21 - 1611-08, after a design by, Publication (Event), Publication, Nederlands, 1540 - 1617-10-07, publisher

Apollo with the skin of Marsyas, Richard Collin, After Joachim von Sandrart (I), 1675 - 1680 print Apollo proudly shows the skin of his conquered opponent Marsyas. Next to him is his winch on the floor. paper engraving piece of sculpture, reproduction of a piece of sculpture. punishment of Marsyas: he is flayed by Apollo

Landscape with Diana, the moon goddess, as evening personification. She is wearing an arrow and bow and is accompanied by two hunting dogs. A deer hunt in the background. In the margin a two-legged caption in Latin.

Prudence. Dated: c.1597. Dimensions: plate: 36.4 x 20.4 cm (14 5/16 x 8 1/16 in.) sheet: 36.8 x 20.9 cm (14 1/2 x 8 1/4 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Adriaen de Vries Jan Muller.

Jupiter and Leda. Ryland, William-Wynne (1732-1783), graphic artist, Buldet, Denis Charles (1724/25 - 1797 c.), publisher, Boucher, François (1703-1770), painter

Adam and Eve, by Rembrandt van Rijn, 1638, Dutch print, etching on paper. Adam and Eve at the moment of their temptation are depicted with realistic bodies and ordinary faces. A dragon like Devil watches from a tree. In the distance is an elephant (BSLOC_2016_3_30)

Two Lovers with Pan published ca. 1599-1622 Engraved by Anonymous, Italian, 16th century Italian. Two Lovers with Pan 371845

The toilet of Psyche who is seated in the centre being attended to 1531-76 Giulio Bonasone Italian. The toilet of Psyche who is seated in the centre being attended to 392670

. Mars, seen on the back, shield, helmet and sword. Left of him the astronomical symbol for his planet. Portrait in an oval cartouche with the two signs of the zodiac at the top: RAM and Scorpio.

Joseph and Putiphar's wife after Jacques Blanchard (Dutuit 25, White 1) Cornelis II Blloert, said U Young (1603-1692). Joseph and Aeme of Putiffrar of Unaves Jacques Blanch P. 25, The White 1). Burin, Curnitely sites. Museums of the city of the city of Paris, small palace.

The infant Herakles kills a snake which threatens him in his bed - an early sign of the heroic qualities he will display as an adult !

Copper engraving by Meister E.S. from the second third of the 15th century depicting two lovers on a lawn, showing figures and landscape details.

Garden of Venus with Bacchus Squeezing Grapes 1647 Giacinto Gimignani Italian. Garden of Venus with Bacchus Squeezing Grapes. Giacinto Gimignani (Italian, Pistoia 1606-1681 Rome). 1647. Etching. Prints

Jupiter Zeus and Juno Hera. Engraving by P. Bettelini after Annibale Carracci.

The personnification lust. In her hand a scorpion. Next to her a goat. Lust is on an ornamental stage with under a medallion with a show of Cupido who shoots an arrow to a woman and a wild boar. On either side of the stage ovals with portraits of classical figures: Alexander the Great, Elegabalus, Hannibal and Germanicus. Two leopards climb the stage. The print has a Latin caption.

Hero crowned by Victory, who places a laurel wreath on his head, Venus and Cupid at left, Envy at left in the background, Silenus on the ground, under the hero's foot. Artist: After Peter Paul Rubens (Flemish, Siegen 1577-1640 Antwerp); Pieter Tanjé (Dutch, Bolsward 1706-1761 Amsterdam); Intermediary draftsman Charles Hutin (French, Paris 1715-1776 Dresden). Dimensions: Sheet (Trimmed): 6 7/16 × 8 11/16 in. (16.4 × 22 cm). Date: ca. 1735-61. Museum: Metropolitan Museum of Art, New York, USA.

Act II, Scene II Oberon sprinkles his spell onto Titania as she sleeps; a mischievious Puck flitters behind him Date: Nineteenth century

Serpent Attacking a Naked Man 1799 Thomas Rowlandson. Serpent Attacking a Naked Man. Imitations of Modern Drawings or Classical Nudes. Thomas Rowlandson (British, London 1757-1827 London). 1799. Etching and stipple. Prints

Leda and the Swan, from 'The Loves of the Gods' 1531-76 Giulio Bonasone Italian. Leda and the Swan, from 'The Loves of the Gods' 391536

Adam and Eve Before the Tree of Knowledge. Jan Pietersz. Saenredam (Holland, Zaandam, circa 1565-1607). Holland, 1604. Prints; engravings. Engraving

Charles Nicolas Cochin II, Friendship, Useless Friendship, and Hate, 1774 1775 Friendship, Useless Friendship, and Hate

Allegory of the Deceptive Love, Raphaël Sadeler (I), After Hans von Aachen, 1591 print Venus, with painting brushes, a painting palette, a lute and a cello, with next to her amor, who puts his arm over her shoulder. A second amor with a mask (Amor Fucatus or the deceptive love) flies in the air. Cologne paper engraving / etching (Story of) Cupid, Amor (Eros). Mass. (Story of) Venus (Aphrodite). 'Falsita d'Amore Overo Inganno' (ripa)

Taste. Artist: After Edme Bouchardon (French, Chaumont 1698-1762 Paris); Engraved by Etienne Fessard (French, Paris 1714-1777 Paris); Etched by Anne Claude Philippe de Tubières, comte de Caylus (French, Paris 1692-1765 Paris). Dimensions: Sheet (trimmed): 15 5/8 × 11 1/16 in. (39.7 × 28.1 cm). Publisher: François Joullain (French, Paris 1697-1778 Paris). Series/Portfolio: The Five Senses(Les Cinq Sens). Date: 1730-65. Museum: Metropolitan Museum of Art, New York, USA.

Adam an Eva, 1660 drawing Zwolle paper. ink. chalk brush

Venus and Cupid; Sine Cerere et Baccho Friget Venus. Round representation of Venus and Cupid at a tree. Venus has a bunch of grapes in hand, Cupid gives her a bundle grain. In the background Ceres in the middle of grain harvesters and Bacchus amid from grape pickers. Around the show a peripheral in Latin.

Venus standing by the Sea, Two Cupids carry Masks, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after unknown artist, undated, Engraving

Clair-obscur woodcut by an anonymous artist depicting the Virgin and Child in an oval, created in the first half of the 16th century using two plates. The print presents religious figures in Renaissance engraving style.

Five nymphs in a landscape, print maker: anonymous, (mentioned on object), Cornelis van Poelenburch, (mentioned on object), publisher: Pieter Schenk (I), (mentioned on object), Amsterdam, 1680 - 1713, paper, engraving, h 247 mm × w 185 mm

. In an oval cartouche the goddess Venus, which is naked on a bed. On the ground next to her amor with arrow and bow. Two angels keep up the bed canopy. Around the car shower in the corners four putti with the four elements (from the top left to the right below: fire, air, water and earth). The print has a Latin caption.

The Body of Christ Taken by Engelen, Giovanni Cesare Testa, After Pietro Testa, 1637 - 1691 print The body of Christ lies on a rock. There are two grieving angels behind the body. Behind the angels are Maria and Johannes. In the background a soldier with a lance on horseback and a foot soldier. print maker: Italyafter design by: Italypublisher: Rome paper etching Christ lamented by angels

Love Instructed By Mercury 18th century Pierre François Basan. Love Instructed By Mercury. Pierre François Basan (French, Paris 1723-1797 Paris ()). 18th century. Engraving. Chez Basan. Prints

. Lucretia commits suicide by squeezing a dagger. She is naked on her bed. At the bottom of the margin a text line in Latin.

A Nymph Drying Herself 1790-99 Thomas Rowlandson. A Nymph Drying Herself. Classical Nudes. After Francesco Bartolozzi (Italian, Florence 1728-1815 Lisbon). 1790-99. Etching. Prints

Bacchus with basket full fruits, Jean Baptiste de Poilly, after François Verdier, 1679 - 1728 print France paper etching / engraving (story of) Bacchus (Dionysus), Liber

Jupiter and Antiope. Artist: Léon Davent (French, active 1540-56); After Francesco Primaticcio (Italian, Bologna 1504/5-1570 Paris). Dimensions: Sheet: 6 9/16 × 10 1/8 in. (16.6 × 25.7 cm). Date: ca. 1540-45. Museum: Metropolitan Museum of Art, New York, USA.

The element of earth as a woman, Nicolaes de Bruyn, Frederik de Wit, Francoys van Beusekom, 1581 - 1656

Vertumnus en bossa, Jan Network (i), After Caspar Netscher, 1681 - 1693 print Vertumnus, the Italian God and protector of gardens and orchards, and Pomona are in an intimate position at a fountain in a garden. There are two goats behind them. Delft paper Vertumnus and Pomona. goat

Venus and a Sater, 1592 print A Sater (possibly Jupiter in the form of a Sater) is approaching the sleeping Venus (possibly antiope). Behind Venus is Amor with his bow in his hand. In the background on the left a landscape. Italy paper etching / engraving Venus asleep. satyr(s) spying upon. (story of) Venus (Aphrodite). Venus and Cupid (Cupid not being mere attribute). Jupiter, disguised as a satyr, approaches the sleeping Antiope; the eagle may be standing nearby

Amor punishes a Sater. Amor punishes a Sater, which has dropped its pan flute to the ground. In addition, two nymphs, which were probably spied by the Sater. This print is part of an album.

shepherd and shepherdess in landscape, Cornelis van Dalen (II), Abraham Bloteling, 1648 - 1664

Two Lovers in a Landscape, Fortunato Duranti, Italian, 1787 - 1863, Pen and bistre ink, brush and ink wash on pricked paper, Two seated lovers in a landscape with a dog and winged putti. Verso: Sketch of a proscnium curtain, a stage set of a columned court and scene showing a figure seated in a room., Rome, Italy, 1800-1830, Drawing, Drawing

Relief with personification of the element of water above arch on the west side of the Burgerzaal in the town hall on Dam Square, Hubert Quellinus, after Artus Quellinus (I), 1663 - 1668 print Relief with personification of the element of water above the judge (northern) arch on the west side of the Burgerzaal in the town hall on Dam Square in Amsterdam. Instead of legs she has two fish tails. On her, a jug from which water flows, in her left hand a sphere from which water sprays. On her head a crown of aquatic plants. Shells under her fish tails. Marked under the right of the middle: e (crossed out). Numbering at the bottom right by hand added: CII N 1. Amsterdam paper. chalk. ink etching / engraving / pen water (one of the four elements). container of ceramics: jar, jug, pot, vase. merman - AA - mermaid, siren (+ tail). scallop, shell ~ ornament Burgerzaal. City Hall of Amsterdam (1655-1808)

Shepherd and shepherd in landscape.

The art disturbs the lust.

Water. Artist: After Edme Bouchardon (French, Chaumont 1698-1762 Paris); Johann Justin Preissler (German, 1698-1771). Dimensions: Sheet (trimmed): 10 1/8 in. × 12 in. (25.7 × 30.5 cm). Publisher: Georg Martin Preissler (German, Nuremberg 1700-1754 Nuremberg). Series/Portfolio: The Elements(Les Eléments). Date: 1735. Museum: Metropolitan Museum of Art, New York, USA.

Two Women Enjoying Their Time by a Stream, Robert Smirke, 1752-1845, British, and / or Mary Smirke, 1779-1853, British, undated, Watercolor, pena and red ink, gouache, and graphite on medium, moderately textured, beige, laid paper, mounted on, thick, smooth, brown, wove paper, Sheet: 3 1/2 × 4 3/16 inches (8.9 × 10.6 cm) and Mount: 14 3/8 × 10 1/16 inches (36.5 × 25.6 cm)

Allegories Op de Geboorte, Giorgio Ghisi, After Girolamo da Pontremoli, After Giulio Romano, 1560 print A woman gives a newborn baby to two putti. On the left is a woman with a burning torch. On the right is a woman who just gave birth. There are two women next to the bed. In the background Apollo on his solar wagon. print maker: Italyafter painting by: Mantuaafter design by: MantuaItaly paper engraving woman giving birth (lying-in). cupids: 'amores', 'amoretti', 'putti'. Apollo as sun-god, i.e. Sol (Helius), Titan

Naked woman in the clouds; "Academy" Dessinée et Gravée Par B. Picart. .

The nude Lucretia in a bedroom. She is about to stab herself with a dagger, Death of Lucretia Lucretia Romania , print maker: Jacob Gole, Amsterdam, 1670 - 1724, paper, h 250 mm × w 178 mm

Copy of the painting Jupiter et Danae; 1865 - 1875; Albumen silver print

Thetis, Jacob Binck, After Giovanni Jacopo Caraglio, Florentine Red After, 1510 - 1569 print The goddess Thetis is in a niche with a jug with water, a shell and a fish. paper engraving (Settry.) Thess; 'Hin the Men, Norfu't Mirgin' (rea)

Daphne Encountered by Apollo, Giovanni Volpato, Italian, 1740 - 1803, Johann August Nahl The Younger, German, 1752 - 1825, Engraving on paper, Within an oval engramement, Apollo, in the grab of a shepherd, encounters Daphne, seated under a tree. Landscape setting., Italy, ca. 1790-1800, Print, Print

Teutsche Academie der Bau-Bildhauer-und Maler-Kunst, Volume 4. Author: Written by Joachim von Sandrart (German, Frankfurt 1606-1688 Nuremberg). Dimensions: Overall: 15 7/8 x 10 15/16 x 2 1/16 in. (40.3 x 27.8 x 5.3 cm). Engraver: Carl Gustav Amling (German, Nuremberg ca. 1650-1703). Published in: Nuremberg. Publisher: Published by Johann Andreas Endterischen Handlung. Date: 1768-75. Museum: Metropolitan Museum of Art, New York, USA.

. The king of Cyprus, Pygmalion, makes a statue of a naked woman in his workshop. His students assist him. The print is part of a series about the story of Pygmalion.

Woman Standing near a Vase ca. 1514-36 Agostino Veneziano (Agostino dei Musi) Italian. Woman Standing near a Vase. Agostino Veneziano (Agostino dei Musi) (Italian, Venice ca. 1490-after 1536 Rome). ca. 1514-36. Engraving. Prints

Hero crowned by Victory, who places a laurel wreath on his head, Venus and Cupid at left, Envy at left in the background, Silenus on the ground, under the hero's foot ca. 1735-61 Pieter Tanjé. Hero crowned by Victory, who places a laurel wreath on his head, Venus and Cupid at left, Envy at left in the background, Silenus on the ground, under the hero's foot. Pieter Tanjé (Dutch, Bolsward 1706-1761 Amsterdam). ca. 1735-61. Engraving. Prints

Two sea gods accompanied by four nymphs. Artist: Giulio Bonasone (Italian, active Rome and Bologna, 1531-after 1576). Dimensions: sheet: 14 x 10 1/2 in. (35.6 x 26.7 cm). Date: 1531-76. Museum: Metropolitan Museum of Art, New York, USA.

Venus and Cupid, Print made by Charles Phillips, 1737- after 1783, after Francesco Salviati, 1510-1563, Italian, 1766, Mezzotint on medium, moderately textured, beige, laid paper, Sheet: 20 1/16 × 14 3/16 inches (51 × 36 cm) and Image: 18 5/8 × 14 inches (47.3 × 35.6 cm), buildings, child, cloth, crown, earring, goddess, holding, mother, nudes, pearls, quiver, religious and mythological subject, rocks, smiling, wings

A pair of cupids , Cupids, Hugging. Thomas Rowlandson (1756-1827). Prints and Drawings

Cupid Disarmed by Venus, Print made by Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after John Baverstock Knight, 1785-1859, British, after Correggio, ca. 1489/94-1534, Italian, Published by Rudolf Ackermann, 1764-1834, British, 1804, Etching and stipple engraving on moderately thick, moderately textured, cream wove paper, Sheet: 19 13/16 x 15 3/16 inches (50.4 x 38.5 cm), Plate: 16 3/8 x 12 3/8 inches (41.6 x 31.4 cm), and Image: 13 13/16 x 10 13/16 inches (35.1 x 27.5 cm), arrows, boys, children, costume, earrings, family, flowers (plants), goddess, Greek, headband, love, mother, mythology, nude, portrait, putti, quiver, religious and mythological subject, sleeping, sons, trees, Venus taking care of Cupid, wings, woman

Italy, Loli, Lorenzo, Amor sleeping in a tent, verso - stamped, print, prints, height 179 mm, width 135 mm, Italian, 1612 - 1691-04-05, print maker, printmaker, 1622 - 1691, paper, papier, etching, etchings

Diana and Endymion. Draughtsman: Louis Fabritius Dubourg. Dating: 1703 - 1775. Measurements: h 154 mm × w 131 mm. Museum: Rijksmuseum, Amsterdam.

Bernard Lens, 1659-1725, British, Cupid and Psyche, between 1690 and 1699. Mezzotint on medium, slightly textured, cream laid paper.

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), A Naiad, 1779. Engraving.

Anonymous feather drawing with laved technique and white highlights on brown paper showing Jupiter embracing Juno, emphasizing figures and gestures.

Two Children, One With A Sword, Another With A Helmet. Artist: After François Boucher (French, Paris 1703-1770 Paris); Gabriel Huquier (French, Orléans 1695-1772 Paris). Dimensions: sheet: 12 x 17 5/8 in. (30.5 x 44.8 cm)plate: 9 3/4 x 10 9/16 in. (24.8 x 26.9 cm). Publisher: Chez Huquier (French, 18th century). Museum: Metropolitan Museum of Art, New York, USA.

Leopold I., Roman-German Kaiser.

Element air as a child blowing bubbles on cloud, Cornelis van Dalen (II), Abraham van Diepenbeeck, Nicolaes Visscher (I), 1648 - 1665

A black chalk drawing with brush and wash over pencil by Andreas Ludwig Krüger depicting an allegorical studio scene with a lady, two female figures, and a lying female act, showing posture and interaction, 18th century.

Brown pen drawing by Bartolomeo Altomonte around 1720 depicting the biblical story of Joseph and Potiphar with figures and architectural details.

Lot and hisDaughters. Artist: Unknown

Allegory with Victoria and Roem, Jacopo De'barbari, 1498 - 1500 print Italy paper engraving Hunger; 'Fama', 'Good fame', 'Chiara fame' (Ripa). Victory

Allegorical Subject. Drawing. Black chalk and red chalk on thin, slightly textured, cream laid paper. Height: 159 mm (6.25 in); Width: 191 mm (7.51 in). Author: Mauritius Lowe.

La Foire aux amours - small plate. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, circa 1880. Prints; etchings. Etching

The Birth of Venus, George Siegmund Facius, and I. G., 1750-1804, after James Barry, 1741-1806, Irish, c. 1778, Engraving, Sheet: 13 3/4 x 10 1/4in. (34.9 x 26cm)

. Phyllis, from her clothing stripped, rides Aristotle who ranges on hands and feet in a study room. On the right a table on which a nature and a sky globe, books, well, and a candlestick. Left in the background in the background Aristotle as scholar.

Diana and Callisto; Metamorphoses from Ovid. Diana discovers that Callisto, one of her nymphs, is pregnant with Jupiter. She rejects accusing to Callisto, whose clothes are pulled out by nymphs. In the margin a four-line caption, in two columns, in Latin.

Depicts Adam and Eve during the Fall by Rembrandt, created as an etching in 1638, showing figures, gesture, tree, serpent, and biblical narrative.

Venus with a Swan and an Apple, print maker: Arnoud van Halen, (mentioned on object), Giovanni Antonio Pellegrini, (mentioned on object), Amsterdam, 1685 - 1732, paper, engraving, h 183 mm × w 141 mm

Sea god on a dolphin. Draughtsman: David Pièrre Giottino Humbert de Superville. Dating: 1780 - 1849. Measurements: h 120 mm × w 175 mm. Museum: Rijksmuseum, Amsterdam.

Allegorical representation about the origin of fire, Pierre François Beaumont, After Noël -Nicolas Coypel, 1729 - 1757 print print maker: Francepublisher: Paris paper etching / engraving burning as process. cupids: 'amores', 'amoretti', 'putti'. magnifying glass

Art repels the lust, draughtsman: Louis Fabritius Dubourg, 1703 - 1775, paper, pen, brush, h 191 mm × w 154 mm

Jupiter and Antiope, Pieter van Sompel, After Anthony Van Dyck, 1615 - After 1643 print Jupiter, in the shape of a Sater, bends over the sleeping antiope. In addition to Jupiter his eagle. With an explanatory caption in Latin. paper etching / engraving Jupiter, disguised as a satyr, approaches the sleeping Antiope; the eagle may be standing nearby

Nereid riding a sea creature, Herculaneum, Campania, Italy, engraving by Filippo Morghen from a drawing by G E Morghen, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume III, plate 16, 1757-1787, Naples.

Sayer, R., Willison, George, Green, Valentine, Leda and the Swan, print, prints, height mm, width mm, English, 1739-10-16 - 1813-06-29, print maker, printmaker, 1749 - 1813, paper, papier, mezzotint, British, 1741 - 1797, after, after painting by, Publication (Event), Publication, publisher

Der römische Gott Faun, Faunus, ein Waldgeist, ein Mischwesen der römischen Mythologie, Marmorstatue aus dem antiken Rom, Italien, digitale Reprodukti...

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Venus, Cupid and Satyr, 1767. Engraving.

Bernard Picarts drawing after Eustache Le Sueurs ceiling depicts the Triumph of Neptune, in reddish and black chalk with brown wash, made between 1702 and 1709.

Portrait of Louis XIII n.d. Pierre Philippe Choffard. Portrait of Louis XIII. Pierre Philippe Choffard (French, Paris 1730-1809 Paris). n.d.. Etching with stipple; first state. Prints

Vrouw omarmt vrouw met penseel.In a space lit by an oil lamp is a woman on a couch. She embraces a second woman with brush in hand, seen on the back. A putto points the woman with brush on the shadow on the wall right.

Commissioned by the Comte d'Artois - who would later become Charles X of France - this painting depicts the tale of that most famous love story between Helen of 'the face that launched a thousand ships' and her ardent young lover, Paris. In Greek legend, Paris was a Trojan prince, the son of Priam and Hecuba. When Eris, the Greek goddess of discord, was not invited to the marriage of the Greek leader Achilles, she threw a golden apple into the festivities, with the words "for the fairest" written on it. The goddesses Hera, Aphrodite, and Athena each claimed the apple, and Zeus, the king of the gods, had Paris choose which one should get it. Hermes, the messenger god, acts as a guide, arranging the meeting between the goddesses and Paris. Aphrodite promised Paris Helen, queen of Sparta, if he picked her, and so he did. The result was the Trojan War as the Greeks fought to Helen to Menelaus, the ruler of Sparta. Jacques-Louis David was a French painter in the Neoclassical style, consid

Matham, Jakob, work, Chimon and the sleeping Ephigenia, illustration for Boccaccio's 19th story, (1000 - 2000), copper engraving, graphic, plate width 22.8 cm, plate height 19.5 cm

Presentation of a child on Priapus, Agostino Veneziano, After Jacopo De'barbari, 1500 - c. 1536 print In an architectural space is the Priapus-Herme in the middle. On the left a woman with a child in her arms. On the right a woman who grabs the phallus of the Herme. Behind them is a third woman. Italy paper engraving Priapus-Herm

Venus Sleeping, After Francois Boucher; Le Sommeil de Venus, After Francois Boucher. Louis-Martin Bonnet (1736-1793). Chalk-manner etching with engraving printed in black and white. Dated 1771. 35.8 x 41.2cm.

Drawing by Jan Gossaert depicting the biblical Fall, executed in dark brown ink with black pen, around 1520-1525.

Statue of the Winter, Matthijs Pool, After Barend Graat, After Francis van Bossuit, 1727 print Front and back view of a statue of winter, an old man dressed in a cloak. Under the performance numbered: LXXII and LXXIII. Amsterdam paper engraving / etching piece of sculpture, reproduction of a piece of sculpture. winter, 'Hyems'; 'Inverno' (Ripa)

Diana and Callisto; Ceiling paintings of the Loggia di Galatea in the villa Farnesina in Rome. Diana with arrows and bow and Callisto are on cloud parts. One of Diana's dogs has bitten Callisto's clothing. In the undermaster a two-legged fresh in Italian.

Nude upper body of a woman; Ornament with a woman and a child between tendrils. Flat decoration. The outer body of the woman runs out in a full-light refuel and flowers. In addition to the woman, a child kneels.

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