Venus and Love Themes

Prints depicting Venus and themes of love, featuring celestial and mythological elements, with romantic interactions portrayed in lush landscapes.

Sleeping Venus by Saters Spied, Jacob Matham, After Hans Rottenhammer (i), 1599 - 1601 print Haarlem paper engraving satyr(s) spying upon. Venus asleep

Fountain with Putti Riding Dolphins, last half 1800s. Alphonse Legros (French, 1837-1911). Brush and green wash over graphite; sheet: 27 x 28 cm (10 5/8 x 11 in.).

Print made by James Johnson, 1803-1834, British, Venus Bathing, undated. Mezzotint on moderately thick, moderately textured, cream, wove paper.

Paris, Duchange, Gaspard, Lesueur, Eustache, Picart, Bernard, Amsterdam, The paintings of Charles le Brun and Eustache The Sueur who is in the house of President Lambert, River God and a Naiad, verso - stamped, Niche with a river god, who is accompanied by a Naiad, a water nymph. In the middle below an ornamental cartouche with the vignette by Bernard Picart: a large star among other stars. After the grisaille painted by Lesueur in a niche at the entrance to the staircase in the Hôtel Lambert. Print is part of a series of prints after the paintings in the Hôtel Lambert in Paris., print, prints, height 367 mm, width 403 mm, Northern Netherlands, 1673-06-11 - 1733-05-08, print maker, printmaker, 1720 - 1720, first quarter 18th century, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), intermediary draughtsman, after a drawing by, French, 1617-11-19 - 1655-04-30, after, after a painting by, Publication (Event), Publication, 1662-04 - 1757-01-0

Sleeping woman groped by two saters. Two saters touched a sleeping, naked woman. In the background, two other saters are laughing. In addition to the woman, Amor says that his eyes precipitated.

Paradise, as promised to faithful Moslems, is chiefly noted for its HOURIS - a species of affable nymphs Date: circa 1840

Annunciation of the birth of Christ, Moses ter Borch, 1661 - 1662, draughtsman: Moses ter Borch, Zwolle, 1661 - 1662, paper, brush, h 201 mm × w 166 mm

Generosity, Philips Galle, c. 1585 - c. 1590 print Standing woman with a horn of abundance in both hands. Gold pieces fall from the left horn, from the right horn vegetables and fruits. Under the show two lines of text in Latin. The print is part of an album. print maker: AntwerpSouthern Netherlands paper engraving Generosity, Liberality; 'Generosití', 'Liberalití' (Ripa)

José María Avrial y Flores (Lithographer) (After Mignard, Pierre); José de Madrazo y Agudo (Director); Real Establecimiento Litográfico de Madrid (Printer) / 'Saint John the Baptist'. 1829 - 1832. Lithographic aquatint, Crayon lithography, Scraper on wove paper. Museum: Museo del Prado, Madrid, España.

Six Sayings about Fortune. Artist: Dirk Volckertsz Coornhert (Netherlandish, Amsterdam 1519/22-1590 Gouda). Date: ca. 1560. Museum: Metropolitan Museum of Art, New York, USA. Author: Dirk Volckertsz Coornhert.

SATER IN NIMF, MARCO DENTE, AFTER GIULIO ROMANO, 1498 - 1532 print A Sater wears a nymph. Italy paper engraving nymphs (in general); 'Ninfe in commune' (Ripa). satyr(s) (in general). satyr(s) pursuing nymph(s)

Two Angels Seated on Clouds. Artist: Claude Mellan (French, Abbeville 1598-1688 Paris). Dimensions: plate: 4 13/16 x 2 13/16 in. (12.2 x 7.2 cm). Museum: Metropolitan Museum of Art, New York, USA.

Photo production of (presumably) a print to a painting by Peter Paul Rubens, representing Putti with fruit.Part or Travel album with pictures of sights in Germany and Austria and or Artworks.

Italy, David, Giovanni, Icarus gets his wings put on by Daedalus, verso - stamped, Icarus gets his wings put on by his father Daedalus attaches his wings. Daedalus sits in a wicker chair and attaches a wing to Icarus' right arm with straps. In the foreground lie several plucked birds. In the background is a kettle of hot wax., print, engraving, prints, engravings, height 300 mm, width 213 mm, Italian, 1743 - 1790-01-25, print maker, printmaker, 1775 - 1775, third quarter 18th century, derde kwart 18e eeuw, fourth quarter 18th century, vier kwart 18e eeuw, paper, papier, etching, etchings, Work conception, after own design by

Brown brush drawing by an anonymous artist depicting Susanna in the bath being approached by two elderly men, with reddish highlights and deck white on light brown tinted paper, early 17th century.

Leda and the swan. Jupiter, in the form of a swan, seduces Leda.

Aestas (Summer), Print made by Pieter Schenck, 1660-1719, Dutch, undated, Mezzotint on medium, slightly textured, blued white, laid paper, Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm) and Image: 9 1/4 × 7 1/4 inches (23.5 × 18.4 cm)

Chalk and feather drawing by Giuseppe Cades depicting The Judgment of Paris, showing figures, posture, and composition.

Eve. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Heinrich Aldegrever.

Jacques-Louis David, Seated Woman and Man Sprawling on the Ground, French, 1748 - 1825, 1775-80, black chalk on laid paper

Venus desarmant l'amour. Medium: color aquatint. Museum: National Gallery of Art, Washington DC. Author: Jean-François Janinet after Jacques Charlier.

Ink and chalk drawing by Anton Baldauf depicting Melida and the young man from Salomon Gessners 'The First Shipper', highlighted with white, around 1800.

Copper engraving by Marcantonio Raimondi from 1515-1525 depicting a smoke barrel, showing cylindrical object, smoke emission, and mechanical detail.

Symbolic show in the 50th anniversary of Felix Meritis, 1827, Philippus Velijn, after Louis Moritz, 1827 print Allegory of the 50th anniversary in 1827 of the Felix Meritis Maatschappij in Amsterdam, founded in 1777. Father Time paints a show for a sitting female personification. Her chair is decorated with a Bijenkorf and the name Felix Meritis with the year 1777. Netherlands paper etching / engraving Father Time, man with wings and scythe Amsterdam

Etienne Delaune, America, 1575 America

Lorenzo and Jessica: The moon shines bright. In such a night as this” - Act V, Scene I, The Merchant of Venice. Artist: Edwin Austin Abbey, American, 1852-1911, M.A. (HON.) 1897

Water, Caspar Luyken, 1698 - 1702 print Two naked men, sitting at a fountain. A face at sea in the background. Third print from a four -part series with performances of the four elements. Numbering (3) is missing. Amsterdam paper etching water (one of the four elements). ornamental fountain

. Cloud cover with Venus and Amor. Amor wants to shoot an arrow. In addition to them a putto that has come through an arrow and two pigeons. The show is caught in a round frame. Second print from a series of three with goddesses.

Venus lying in the shell, behind her Cupid, Herculaneum, Campania, Italy, engraving by Pietro Campana from a drawing by Vanni, from Le antichita di Ercolano esposte (The antiquities of Herculaneum exposed), Vv.Aa., volume IV, plate 3, 1757-1787, Naples.

Depicts Acis and Galatea fleeing the revenge of Philomena on brownish paper with brush and white highlights, showing figures, gestures, landscape, and compositional layout.

Ceres, Venus, Bacchus and sleeping Amor. Draughtsman: Jacob de Wit. Dating: c. 1705 - c. 1754. Measurements: h 148 mm × w 153 mm. Museum: Rijksmuseum, Amsterdam.

Karel Van Mander in (1548-1606), the fall, 1597

Apollon couronnant les arts (Apollo Crowining the Arts), from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger) 1784 Jean Jacques Lagrenée French. Apollon couronnant les arts (Apollo Crowining the Arts), from Recueil de Différentes Compositions Frises et Ornements dessinées et gravées à la manière du lavis par La Grenée le Juene Se trouve chez l'Auteur, au Louvre et chez Basan, rue et Hôtel Serpente A Paris, in an album containing Recueil de Compositions par Lagrenée Le Jeune (Collection of Compositions by Lagrenée the Younger) 424216

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Venus, Ceres and Bacchus n.d. Jan (Pietersz.) Saenredam Netherlandish. Venus, Ceres and Bacchus. Jan (Pietersz.) Saenredam (Netherlandish, Zaandam 1565-1607 Assendelft). n.d.. Engraving. Prints

Joseph and Potiphar's wife 1837 Franz Seraph Hanfstaengl. Joseph and Potiphar's wife. After Carlo Cignani (Italian, Bologna 1628-1719 Forlì). 1837. Lithograph. Prints

Comedy and Tragedy 1814 Anne Louis Girodet-Trioson French. Comedy and Tragedy 354035

Double acanthus drink with putto; Curieuses Recherches The plusieurs Beaux Morceaux d'Orgenues Antiques and Modernes (...). The putto right sprouts from a wreath of leaves.

Pair of Lovers on a Grassy Bench. Artist: Master ES (German, active ca. 1450-67). Dimensions: Sheet: 5 1/4 × 6 1/2 in. (13.4 × 16.4 cm). Date: 15th century. Museum: Metropolitan Museum of Art, New York, USA.

Family of ancient Germanic hunters, showing their short capes and other clothes. Man with club, woman on animal skin with child. After Philipp Cluvers Germania Antiqua. Famiglia di Antichi Germani. Handcoloured copperplate engraving by Verico from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1837.

Shaftesbury House, unknown artist, after unknown artist, undated, Etching and line engraving on slightly textured, medium, white wove paper, Sheet: 2 1/2 × 3 3/4 inches (6.4 × 9.5 cm), architectural subject

Paris, Bonnet, Louis Marin, Boucher, François, France, L'Amour prie Venus de lui rendre ses armes, Cupid begs Venus to give back his arrows, Reclining nude Venus, holding Cupid's quiver in her left hand. Beside her Cupid with his hands folded. Below the image a text in French., print, prent, prints, height 354 mm, width 410 mm, 1736 - 1793-10-12, print maker, printmaker, 1768 - 1768, third quarter 18th century, paper, papier, etching, etchings, crayon method, color printing, French, 1703-09-29 - 1770-05-30, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

France, Louis XV (King of France), Larmessin, Nicolas de (III), Roy, M., Lancret, Nicolas, Suite d'Estampes Nouvelles pour les Contes de La Fontaine, Fables of Jean de La Fontaine, La servante justifiée, Unjustly accused maid, verso - stamped, print, prints, height 329 mm, width 368 mm, French, 1684 - 1755-02-28, print maker, printmaker, 1743 - 1743, first quarter 18th century, second quarter 18th century, paper, etching, etchings, engraving, engraving (printing process), 1690-01-22 - 1745-09-14, after, after painting by, writer, Publication (Event), Publication, publisher, 1710-02-15 - 1774-05-10, granter of privilege

Italy, Two women with a dog, verso - stamped, Two women with a dog. The woman on the left is wearing a crown., print, prent, prints, prenten, height 99 mm, width 148 mm, print maker, prentmaker, 1600 - 1649, paper, papier, etching

Touch. Dimensions: sheet (trimmed to plate mark): 17.5 x 12.5 cm (6 7/8 x 4 15/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jan Pietersz Saenredam after Hendrik Goltzius.

Venice Receiving the Homage of Neptune. Dated: 1745/1750. Dimensions: sheet: 19.5 × 36 cm (7 11/16 × 14 3/16 in.) plate: 19.4 × 35.7 cm (7 5/8 × 14 1/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Giovanni Battista Tiepolo Giovanni Domenico Tiepolo.

A courting couple sit by a tree and the man hands a flower to the woman. Engraving.

The Apollo Temple to Bassae in Arcadien Tablica XXI Marchetti, Domenico (1780 1844), Stackelberg, Otto Magnus von (1787 1837)

Classical figures and coins with allegorical representations of Africa, including a woman with an elephant-head helmet and cornucopia. Handcoloured copperplate engraving by Andrea Bernieri from Guilio Ferrrario's Costumes Antique and Modern of All Peoples (Il Costume Antico e Moderno di Tutti i Popoli), Florence, 1843.

Euterpe; 9 Muzes, Juno, Pallas and Venus to F. Primaticcio. The muse euterpe leaning on a bow. She blows on a trumpet. Her name in the Greek and a reference in Latin are on the bow.

The Fine Musetioners. Dated: 1775. Dimensions: image: 27.9 x 34.5 cm (11 x 13 9/16 in.) sheet: 31.4 x 37.5 cm (12 3/8 x 14 3/4 in.). Medium: chalk manner with applied gold leaf on laid paper. Museum: National Gallery of Art, Washington DC. Author: Louis-Marin Bonnet.

Hermaphrodite in cape with waterlily leaf (the nymph Salmacis described by Ovid), and naked young man with discus and olive branch (Pelops, founder of the Olympic Games). Copperplate engraving by Tommaso Piroli from his Antiquities of Herculaneum (Antichita di Ercolano), Rome, 1789.

'UNA AND THE LION,' BY JOHN BELL

Louis Jean François Lagrenée the Elder's drawing depicts a kneeling man and boy, executed on blue paper with black chalk, reddish accents, and white highlights in 1779.

Paris and Helene J. Dassy / According to Anne-Louis Girodet-Trioson (1767-1824). Parris and Helen. Engraving.

'Composition with Three Female Statues'. From the Album No 3 "Souveni d'Italie". 1807. Dimensions: 26,6x36,8 cm. Museum: State Hermitage, St. Petersburg. Author: Jean François Thomas de Thomon.

Amor with Pijl en Bow, Jean Daullé, After Charles-Antoine Coypel, 1755 print print maker: Francepublisher: Paris paper steel engraving Cupid handling his weapons

Madame Pompadour, the Maitresse of Louis XV as Venus, nude, nude woman on a bed, tinted red chalk drawing by Francois Boucher, 1850, digitally restored reproduction of an original 19th century master, exact original date not known

Venus awakens; Le Reveil de Venus. Venus lying on a bed with a pigeon.

Grieving Putti at a pedestal, Gerard de Lairesse, 1668 print Six putti mourn the death of Dido. The putto to the right of the middle holds a crown, on the left a second putto decorates the pedestal with a flowerguirle. The print is part of a six -part series of prints with scenes from the mythological story of Dido and Aeneas. paper etching Cupids: 'Amores', 'Amoretti', 'Putti'

Two young women and one old man, Francesco Bartolozzi, After Giovanni Battista Cipriani, 1786 print London paper etching old man. adult woman

The painter and his two models, copper engraving from France, circa 1770

Bethsabé au bain Ciappori-Puche, Claudius Joseph (1822-1887). 1500. still image. Illuminations, Reproductive prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection. Bathing, Nudes, Biblical events, David, King of Israel, Bathsheba (Biblical figure), Women , Clothing & dress , France , 1500-1599

Three graties; Les Trois Graces. The three gratients standing naked in a landscape.

Spring in form of child with basket with flowers in landscape in oval; Far; Four Seasons.

Heads of Goddesses (Flora, Diana, Ceres) ca. 1600 Anonymous, French, 17th century French. Heads of Goddesses (Flora, Diana, Ceres) 408994

Spring in the form of child with basket of flowers in landscape in oval, Cornelis van Dalen II, Anonymous, Joh. Christoph Schmidhammer, 1735 - 1750

The Orangerie; the Dutch Cupid reposing after the fatigues of Planting. William V, Prince of Orange, as a fat, naked Cupid, reclining on a platform of grass and flowers and leaning on a bag of money marked 24,000,000 ducats. In the foreground are a number of orange plants with each orange bearing the likeness of the prince. In the background, as if in a dream, are many heavily pregnant women: a milkmaid, a fishmonger, a house maid, and many farm women. Date 16 September 1796

Amours Architects (element of a set of nine circular thumbnails featuring loves and representing allegories of the arts and seasons). French school, way of François Boucher (1703-1770). Amours Architects (element of a set of nine circular thumbnails featuring loves and representing allegories of the arts and seasons). Watercolor and gouache on paper. Nineteenth century. Paris, Cognacq-Jay Museum.

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