Verdant Landscapes and Figures

Watercolor and ink landscapes depicting serene natural scenes with figures, trees, and rural settings, conveying a peaceful and idyllic atmosphere.

Landscape with Abraham and the Three Angels in the Valley of Mambre; Joseph Anton Koch (Austrian, 1768 - 1839); Italy; 1797; Brown ink and brown wash with touches of white and reddish-brown gouache; 54 x 75.1 cm (21 1,4 x 29 9,16 in.)

Rowlandson sketching , Artists, Drawing, Trees, Streams, Rowlandson, Thomas, 1756-1827. Thomas Rowlandson (1756-1827). Prints and Drawings

Larici, Sir George Howland Beaumont seventh Baronet, 1753-1827, British, 1782, Graphite and gray wash on medium, slightly textured, blued white laid paper, mounted on moderately thick, slightly textured, cream, wove paper, Mount: 13 15/16 × 19 3/8 inches (35.4 × 49.2 cm), Contemporary drawn border: 12 1/16 × 16 1/16 inches (30.6 × 40.8 cm), and Sheet: 10 1/4 × 14 3/16 inches (26 × 36 cm), Grand Tour, landscape, trees, Campagna, Europe, Italy

Landscape with Abraham and the Three Angels in the Valley of Mambre; Joseph Anton Koch (Austrian, 1768 - 1839); Italy; 1797; Brown ink and brown wash with touches of white and reddish-brown gouache; 54 x 75.1 cm (21 1,4 x 29 9,16 in.)

Girl on Lane, Entering Wooded Area, Thomas Sully, 1783-1872, American, 1834, Watercolor, graphite, gouache, gum arabic, scratching out, and sponging on thick, smooth, beige, wove paper, Sheet: 10 1/16 × 7 7/8 inches (25.6 × 20 cm)

John Cleveley the younger, 1747-1786, British, View looking towards St. Margaret's, Rochester, Kent, undated. Watercolor and graphite on medium, slightly textured, cream wove paper.

The Rest on the Flight into Egypt. Dated: late 17th century. Dimensions: overall (approximate): 40.7 x 54.8 cm (16 x 21 9/16 in.). Medium: pen and brown ink with brown and white wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Claude Lorrain.

Classical Landscape with Figures, Jean B. C. Chatelain, 1710-1771, French, undated, Pen and gray ink, gray wash and graphite on medium, slightly textured, white laid paper, Sheet: 4 7/8 x 10 1/8in. (12.4 x 25.7cm), arches, fountain, Grand Tour, landscape, men, ruins, urn, women

Coplestone Warre Bampfylde, 1719-1791, British, In the Gardens at Stourhead, after 1772. Black chalk, white chalk, and graphite on medium, slightly textured, blue laid paper.

Terrace of an Italian villa. Robert, Hubert (1733-1808), draughtsman, cartoonist

New Radnor. Drawing. Watercolor and gray ink over graphite on medium smooth cream wove paper. Height: 168 mm (6.61 in); Width: 257 mm (10.11 in). Author: Francis Towne.

Thomas Hearne, 1744-1817, British, River Landscape with Figures, undated. Gray wash, pen and black ink, gouache, and graphite on medium, slightly textured, beige wove paper mounted on moderately thick, slightly textured, beige wove paper.

Transporting hay on a river. On the water a hay barge and on the bank figures near three haystacks. To the left a house and a figure and three horses on a path. On the horizon Haarlem with the St. Bavo church, among others. Twenty-first print in a series of 36 landscape prints, divided into six parts, Transport of hay on a river with Haarlem in the distance Playsante lantschappen ende vermakelycke gesichten (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, h 150 mm × w 280 mm

Landscape, Elizabeth, Viscountess Templeton, 1747-1823, British, undated, Gray wash and black chalk on medium, slighlty textured, cream laid paper, Sheet: 13 5/8 × 20 3/8 inches (34.6 × 51.8 cm)

Amsterdam, Meulen, Roelof van der, Walkers in a park, verso bottom center - stamped, Walkers in a park near a pond, in which two swans are swimming. In the background a bridge and a dome., print, prints, height 188 mm, width 229 mm, 1806-12-21 - 1833-01-11, print maker, printmaker, 1816 - 1833, paper, papier, etching, etchings, aquatint, hand colouring

Arcadian Landscape, with a fountain on the right, Louis Fabritius Dubourg, 1743 drawing paper. ink. watercolor (paint) brush / pen

Peter Tillemans, 1684-1734, Flemish, active in Britain (from 1708), Figures in a Landscape by a River, undated. Watercolor and graphite on medium, slightly textured, cream laid paper.

May, Jan van de Velde (II), 1616 print A landscape with an elegant company at a stagnant, with four horses made up, carriage, representing the month of May. The carriage stands with a ruin with five images above the gate. Two more carriages in the distance. Left and top right The symbols of the constellation twins this month. Fifth print from a series of twelve. Northern Netherlands paper etching landscape symbolizing May. Gemini (zodiacal sign of May). four-wheeled, animal-drawn vehicle, e.g.: cab, carriage, coach. landscape with ruins

Wooded Landscape with Two Country Carts and Figures, Thomas Gainsborough RA, 1727-1788, British, c. 1779-1780, Soft-ground etching on blue laid paper, in gray ink, laid on eighteenth-century mount, first state, Sheet: 11 7/8 x 15in. (30.2 x 38.1cm), boulder, carts, dog (animal), genre subject, landscape, mules (mammals)

Entrance to Brentford, William Henry Harriott, active 1811-m. 1839, British, 1809, Pen and black ink, watercolor and graphite on medium, slighlty textured, cream wove paper, Sheet: 11 7/8 × 16 1/8 inches (30.2 × 41 cm)

Combe near Sarum, John Baverstock Knight, 1785-1859, British, undated, Watercolor on medium, moderately textured, cream wove paper, Sheet: 5 1/4 × 9 1/8 inches (13.3 × 23.2 cm)

Paul Sandby RA, 1731-1809, British, The Gunpowder Magazine, Hyde Park, ca. 1793. Watercolor, pen and gray ink and graphite on medium, cream, moderately textured wove paper.

View of the river camps, Pieter Remmers, 1770 - 1810 drawing paper. watercolor (paint). ink pen / brush prospect of city, town panorama, silhouette of city. river Struggling. IJssel

Harvest Time. Drawing. Watercolor over graphite on thick, cream, rough wove paper. Height: 314 mm (12.36 in); Width: 489 mm (19.25 in). Author: Peter DeWint.

Netherlands, Weissenbruch, Isaac, Months of the year, Three men and two women fishing in a boat, verso bottom center - stamped, print, prints, height 65 mm, width 90 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, papier

Italian landscape, draughtsman: Jacob van Liender, 1706 - 1759, paper, brush, pen, h 95 mm × w 142 mm

The Hon. Sidney Herbert's 'Moonlight' prints, etchings, drypoints, roulettes, works on paper

Francis Towne, 1740-1816, British, A Bridge Between Florence and Bologna, 1781. Watercolor and black and brown ink over graphite on medium, slightly textured, cream wove paper.

Anne Rushout, ca. 1768-1849, British, Pavillion, Brighton, August 1828, 1828. Watercolor on moderately thick, slightly textured, cream wove paper.

C. Waller, active 1785-1788, Newark Castle, between 1785 and 1795. Watercolor and pen and brown ink on thick, rough, cream, laid paper.

David Lucas after John Constable, Stoke by Neyland, 1830 Stoke-by-Neyland

Two falconers near a tower, used as an inn, in a river landscape. Fifth print of a series of 36 prints of landscapes, divided into six parts, Two falconers near a tower, used as an inn Playsante lanscapes and entertaining poems (title series)., print maker: Jan van de Velde (II), Jan van de Velde (II), Northern Netherlands, 1639 - 1641, paper, etching, pen, brush, h 150 mm × w 280 mm

Thomas Rowlandson, 1756-1827, British, A Road by a Farm, undated. Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, slightly textured, blued white, wove paper.

William Woollett, 1735-1785, British, Shooting, Plate IV, 1771. Engraving with etching.

Yntema, Jacob, Rosenberg, Friedrich, Descourtis, Charles Melchior, Remarkable views of the mountains of the South of France, Chapel of William Tell on the Lake of the Quatre Cantons, Chapel of William Tell, verso bottom center - stamped, The chapel of Wilhelm Tell on Lake Lucerne in Switzerland. On the water a boat with three people. Below the representation text and a coat of arms., print, prints, Chalco-Graphia Hentziana, recto lower left - etchings, height 316 mm, width 443 mm, 1753 - 1820, print maker, printmaker, 1763 - 1785, third quarter 18th century, fourth quarter 18th century, paper, aquatint, etching, etchings, color printing, German, 1758-03-03 - 1833-05-15, after, after painting by, Publication (Event), Publication, Northern Netherlands, publisher

Figures Outside the Boar Inn, Robert Dixon, 1780-1815, British, undated, Watercolor, with pen, in browni ink, and graphite on medium, moderately textured, beige, laid paper, mounted on, very thick, moderately textured, beige, cardboard, Sheet: 19 3/4 × 17 1/8 inches (50.2 × 43.5 cm), architectural subject

Pitesti, Mayer, Luigi, 1810, London, Printed by T. Bensley for R. Bowyer, Aquatints depicting city and town life in the Mediterranean region, specifically Pitesti, Romania

Jacob More, 1740-1793, British, Falls near Terni, undated. Watercolor, pen and ink over graphite on slightly textured, medium, whtie wove paper.

John Warwick Smith, 1749-1831, British, The Priory of Beddgelert, Caernarfonshire, undated. Watercolor and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slighlty textured, cream wove paper.

Garden statues in Chiswick Park, William Henry Hunt, 1800 - 1864 drawing paper. ink pen / brush statues, sculptures in garden. public gardens, park Chiswick. Chiswick House

Joseph Mallord William Turner, Malmesbury Abbey from the North, c. 1794, watercolor with traces of graphite on tan wove paper.

Thomas Sully, 1783-1872, American, From "Charley's Hope" Mrs. Griffiths Place, Near Brunswick, New Jersey, undated. Watercolor and graphite on medium, slightly textured, beige, wove paper.

Landscape with a Ruined Temple. Date/Period: Between 1746 and 1750. Landscape. Graphite, brown ink, brown wash and brown ground on thin, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper. Height: 356 mm (14.01 in); Width: 438 mm (17.24 in). Author: ALEXANDER COZENS.

John Linnell, 1792-1882, British, Netley Abbey, 1810. Watercolor over graphite on moderately thick, moderately textured, cream laid paper.

Stoke-by-Nayland, Suffolk, 1829-1830, John Constable; Artist: David Lucas, British, 1776-1837, 5 5/8 x 8 5/8 in. (14.29 x 21.91 cm) (plate)5 5/8 x 8 5/8 in. (14.29 x 21.91 cm) (sheet), Mezzotint with additions in black ink, pencil, and white heightening, England, 19th century

On the Terrace at Haddon Hall, Derbyshire, Thomas Creswick, 1811-1869, British, 1840, Oil on panel, Support (PTG): 24 x 20 inches (61 x 50.8 cm), balustrade, costume, dog (animal), landscape, lovers, men, path, railing, stairs, steps, terrace, walking, women, Bakewell, Derbyshire, England, United Kingdom, Wye

Eeckhout, Gerbrand van den, Doomer, Lambert, Amsterdam, Ploos van Amstel, Cornelis, Village view with large tree, Inn in Anrath, verso - handwritten, Inn 'Zur blauen Hand am Kirchhof' in Anrath. In the doorway a woman with a child in her arms. Next to the inn a large tree and some figures underneath it. On the left a pig., print, picture, prints, pictures, verso - stamped, The 28th of November: 1781 to my art-loving friend Mr. Sim Fokke, This rare byprint after G. v. Eekhout's drawing made by me in 1758; is one of the first attempts when I was still searching for a way to make prints as drawings. PloosvAmstel JC, height 134 mm, width 183 mm, Noord-Nederlands, 1726-01-04 - 1798-12-20, print maker, printmaker, 1759 - 1760, paper, papier, printtekening, etching, etchings, roulette, handkleuring, 1624 - 1700-07-02, intermediary draughtsman, after a drawing by, 1621-08-19 - 1674-09-29

Forest face with a shepherd and sheep and three figures, Gerard van Nijmegen, 1794 - 1795 drawing paper. deck paint. ink. chalk pen / brush forest, wood

Et in Arcadia Ego. Dated: 1790/1800. Dimensions: sheet: 54.2 x 43.5 cm (21 5/16 x 17 1/8 in.). Medium: pen and gray and black ink with watercolor over graphite on wove paper. Museum: National Gallery of Art, Washington DC. Author: Johann Georg von Dillis.

John Roe of Warwick, active 1771-1812, British, Church, Churchyard and Figures (The Graveyard), undated. Watercolor, graphite and pen and black ink on moderately thick, slightly textured, cream laid paper.

The Hamlet, De Lindt, in the Zwijndrechtse Waard near Meerdervoort. Draughtsman: Aert Schouman (mentioned on object). Dating: 1742. Measurements: h 140 mm × w 254 mm. Museum: Rijksmuseum, Amsterdam.

Prévost-Dumarchais, Hippolyte Adrien Démetrius (or Provost-Dumarchais), the Batignolles square (dummy title), 1870. Lead mine, watercolor. Carnavalet museum, history of Paris.

Joseph Mallord William Turner, 1775-1851, British, Dent de Lion, Margate, ca. 1791. Watercolor, graphite and pen and brown ink on medium, slightly textured, cream wove paper.

A Stagecoach and Four Dashing Through a Village on the Bath-London Road, George Robertson, 1749-1788, British, ca. 1787, Pen and black ink and watercolor on moderately thick, slightly textured, cream laid paper, Sheet: 11 1/2 × 16 1/2 inches (29.2 × 41.9 cm)

Liber Studiorum: Hedging and Ditching. Joseph Mallord William Turner (British, 1775-1851). Etching and mezzotint;

Jan Wyck, ca. 1645-1700, Dutch, active in Britain (from ca. 1664), Staghunt, undated. Brown wash and white gouache on medium, slighlty textured, cream wove paper.

View of the landscaped garden with strolling figures on the south side of Soestdijk Palace. The print is one of a series of sixteen views of Soestdijk Palace and the surrounding estate, Garden on the south side of Soestdijk Palace, Gesigt over de Tuijn aande Zuijd Zijde met de Soeser-Engh Generale afbeeldinge Vant Lust-Huijs en Hof van sijn Koninklijcke Majestijt van Groot Britanie t Soest-Dijk (series title), print maker: Hendrik de Leth, unknown, 1725 - 1747, paper, etching, h 132 mm × w 161 mm

The print has a decorative frame in gold, View of trees on the waterfront near Karlsruhe An der Alp bei Carlsruhr , print maker: Carl Ludwig Frommel, (mentioned on object), publisher: Piloty & Löhle, (mentioned on object), München, 1799 - 1863, paper, engraving, etching, h 315 mm × w 360 mm

William Turner of Oxford, 1789-1862, British, The Exeter College Eight on the Isis, Oxford, 1824. Watercolor over graphite, witih gouache on moderately thick, smooth, cream wove paper.

Edward Dayes, 1763-1804, British, Appleby, Westmoreland, 1789. Watercolor, pen and black ink and graphite on medium, slightly textured, beige wove paper mounted to card.

Mount Vernon, by George Ropes, 1806, American painting, oil on canvas. Ropes works are known for their historical accuracy and wealth of minute detail. As this was painted six years after Washington's death, the portrait on the lawn is an invention (BSLOC_2016_5_72)

John Thirtle, 1777-1839, British, Young Girl Sitting on a Bank outside a Church, undated. Watercolor and graphite on moderately thick, moderately textured, cream wove paper.

Siberia in the pupils; Verso: Sketches for engravings "Brzeg Wis Y at Solec"; Gierymski, Aleksander (1850-1901); 1883-1884 (1883-00-00-1884-00-00);Aigner, Christian Piotr (1756-1841) - architecture, Czartoryski (residences), Kłosy (Warsaw - magazine - 1865-1890) - illustrations, Nowosielska, Zofia (Flow. 1931), Nowosielska, Zofia (Flow. 1931) - collections, collections, Puławy (Lubelskie Voivodeship), Solec (Warsaw), Sygietyński, Antoni (1850-1923), Sygietyński, Antoni (1850-1923)-collection, Society for the Encouragement of Fine Arts (Warsaw-1860-1940), Society of Zachpoczpie Piejni Fine Arts (Warsaw - 1860-1940) - collection, architecture, classicism (style), museums (architect), nocturnes, parks (gardens), garden pavilions (architect.), Poland (culture), Polish drawings, studies in the press illustration

unknown artist, Erlestoke Park, ca. 1825. Gray wash, blue wash, and graphite on moderately thick, moderately textured, cream, wove paper.

River Scene with Small Boats, Thomas Rowlandson, 1756-1827, British, undated, Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper, Sheet: 5 9/16 x 9 1/16 inches (14.1 x 23 cm), boats, cottage, landscape, river, sails

The Amstelveen Road from Amsterdam towards Amstelveen. Artist: Johann Edler Goll van Franckenstein (Dutch, Frankfurt 1722-1785 Velzen). Dimensions: 15-5/8 x 21-5/8 inches (39.6 x 32 cm). Date: mid-18th-late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Print made by Bradshaw & Blacklock, active ca.1850, British, View near Bingen, after 1850. Etching and aquatint, with color woodcut on moderately thick, smooth, cream wove paper.

The Gipsy, 1846. Artist: John Everett Millais

George Chinnery, 1774-1852, British, Figure with Cattle Standing in the Shadow of a Building, undated. Watercolor and graphite with scratching out on moderately thick, moderately textured, cream wove paper.

View of a canal in the vicinity of the city of Haarlem near Moonlight, Pierre François Basan, after Aert van der Neer, 1753 - 1797 print There are houses on the water and ships and boats lie on the water. In the foreground is a man with a stick in the water. publisher: Parispublisher: Amsterdamprint maker: Paris paper. cardboard. watercolor (paint) etching / brush canal (+ landscape with figures, staffage). sailing-ship, sailing-boat. rowing-boat, canoe, etc.. civic architecture; edifices; dwellings. moonlight Haarlem

Thomas Creswick, 1811-1869, British, The Well of St. Keyne, ca. 1838. Oil on panel.

Classical Landscape with Ruins, 1830. Samuel Rostill Lines (d.1833)

Lebret, Frans, Farmer on a hay wagon, recto - handwriting in pencil, A farmer on a hay wagon, drawn by an ox, drives through a dilapidated gate. On the left is a farmer's wife with a child in her arms, next to her a second child. On the right is a dog., print, engraving, prints, engravings, verso - stamped, 2, height 196 mm, width 138 mm, Dutch, 1820-11-07 - 1909-07-25, print maker, printmaker, 1901 - 1901, paper, papier, etching, etchings

Archery Meeting in Bradgate Park, Leicestershire. Date/Period: 1850. Painting. Oil on canvas. Height: 1,181 mm (46.49 in); Width: 2,515 mm (99.01 in). Author: John Ferneley.

View in the Île-de-France; Jean-Victor Bertin, French, 1767 - 1842; France, Europe; about 1810 - 1813; Oil on canvas; Unframed: 35.5 x 47.5 cm (14 x 18 11/16 in.), Framed outer dim: 47.9 x 60 x 5.7 cm (18 7/8 x 23 5/8 x 2 1/4 in.)

'Richmond, Yorkshire', 1923. Artist: John Sell Cotman.

Venice, Senate of Venice, Italy, Costa, Giovanni Francesco, Views of the River Brenta, Les delices de la Brenta, Le delicie della Brenta, Veduta dell' ingresso nelle vigne de NNHH Pisani, Entrance to the vineyard of NNHH Pisani on the Brenta, View of the entrance to the vineyard of NNHH Pisani on the river Brenta. Numbered lower center: LII and lower right: Tom: II. This print is part of an album., print, prent, prints, prenten, height 252 mm, width 334 mm, Italian - 1773, print maker, printmaker, 1750 - 1760, paper, papier, etching, etchings, verlener van privilege

The Towing Path, Print made by Francis Seymour Haden, 1818-1910, British, 1864, Etching and drypoint, with plate tone on medium, slightly textured, cream laid paper, Sheet: 7 15/16 x 10 5/16 inches (20.1 x 26.2 cm), Plate: 5 1/2 x 8 3/8 inches (13.9 x 21.2 cm), and Image: 5 1/2 x 8 3/8 inches (13.9 x 21.2 cm), animal art, banks, canal, cape, cloak, distance, dog (animal), dress, figures, foliage, genre subject, hat, hills, landscape, path, reeds, reflections, river, shore (landform), trees, walking, water, woman, East Molesey, England, Europe, Surrey, United Kingdom

Caernarvon Castle, Entrance to a Tower. Painting. Watercolor. Height: 260 mm (10.23 in); Width: 241 mm (9.48 in). Author: Thomas Rowlandson.

Francis Nicholson, 1753-1844, British, Westminster from the South Bank, ca. 1790. Watercolor with pen and black ink over graphite, sheet edged with pen and brown ink border on medium, slightly textured, cream wove paper.

John Constable , Salisbury Cathedral from the Bishop´s Grounds, Exhibited 1823 , Oil paint on canvas, London, England.

Forest face with classicist upholstery. Draughtsman: Jan Apeldoorn. Dating: 1818. Measurements: h 416 mm × w 560 mm. Museum: Rijksmuseum, Amsterdam.

Enraged Vicar March 1, 1807 Thomas Rowlandson. Enraged Vicar. Thomas Rowlandson (British, London 1757-1827 London). March 1, 1807. Hand-colored etching. Prints

Donati's comet, 1858. Donati comet, October 10, 1858. In the foreground a man with dog at a river. A church tower on the left.

Schloss Rosenau, Coburg, Unknown artist, nineteenth century, possibly Joseph Mallord William Turner, 1775-1851, British, 1841 to 1844, Oil on canvas, Support (PTG): 38 x 49 inches (96.5 x 124.5 cm), bench, bridge (built work), brushwork, castle, children, costume, fishing, landscape, path, river, riverbank, rural, walking, women, Bavaria, Bayern, Coburg, Germany, Itz, Oberfranken, Rosenau

George Chinnery, 1774-1852, British, An Indian Tomb, undated. Watercolor, gouache, and black ink on medium, cream, slightly textured wove paper mounted on board.

Young Girl Sitting on a Bank outside a Church, John Thirtle, 1777-1839, British, undated, Watercolor and graphite on moderately thick, moderately textured, cream wove paper, Sheet: 10 1/8 × 13 3/4 inches (25.7 × 34.9 cm), architectural subject

Rural sports. Buck hunting , Kissing, Soldiers, Rivers, Trees. Thomas Rowlandson (1756-1827). Prints and Drawings

A gray pen and watercolor drawing by Jacob Wilhelm Mechau depicting the Temple of Juno Lacinia in Agrigent, based on Jakob Philipp Hackert, with black edging line, created in 1777-78.

Miles Edmund Cotman, 1810-1858, British, Irmingland Hall, Norfolk, undated. Watercolor and graphite on medium, moderately textured, cream wove paper.

Samuel Howitt, 1756-1822, British, The Stone Gatherers, undated. Watercolor and pen and black ink over graphite on slightly textured, medium, cream laid paper, laid down on contemporary wash mount.

A Coach and Four Passing Through Chippenham, Wiltshire, Samuel Howitt, 1756-1822, British, undated, Watercolor, pen and black ink, gray ink, and graphite on moderately thick, slightly textured, cream, wove paper, Sheet: 6 1/8 × 19 3/4 inches (15.6 × 50.2 cm)

RomanRuins. Artist, school of: Pieter Brueghel the Elder, Flemish, ca. 1525-1569

Plate 26: A Flying Wagon, from "World in Miniature" 1816 Thomas Rowlandson One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." The Kendal Flying Machine, a wagon, is parked outside of an inn. A woman climbs up a ladder into the wagon. Three men stand at right.. Plate 26: A Flying Wagon, from "World in Miniature". "World in Miniature". Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Design for a room painting with face in a garden with lying dog, fountain and statue, Dionys van Nijmegen, 1715 - 1798 drawing paper. deck paint. ink. watercolor (paint). chalk pen / brush garden ornaments. garden fountain. dog

A Cottage in the Dutchy of Cornwall, from "Sketches from Nature" 1822 Etched by Thomas Rowlandson. A Cottage in the Dutchy of Cornwall, from "Sketches from Nature". "Sketches from Nature". Etched by Thomas Rowlandson (British, London 1757-1827 London). 1822. Hand-colored etching and aquatint. Prints

Prospect Park, Brooklyn William Merrit Chase (1849-1916 American) Pastel on paper canv

Port of Mahon in the 19th century, oil of Anton Schranz, Menorca Military Museum, old barracks of Cala Corb, central square of Es Castell, built by the British in 1771, Menorca, balearic islands, Spain.

Tsarskoye Selo. The Chesme Column by Traverse, Jean Balthazard, de la (2 half of 18th cen.)/ State Museum of A.S. Pushkin, Moscow/ 1780s/ France/ Watercolour on paper/ Classicism/ 23x45/ Landscape

Smuggling goods in the vicinity of Vilnius. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Bichebois, Louis-Pierre-Alphonse (1801-1850), graphic artist, Deroy, Isidore Laurent (1797-1886), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher, Kukiewicz, Konstanty Benedykt Antoni (1818-1840), painter

Design for Wallpaper Frieze, Pen and ink, brush and gouache, oxydized white, black on paper, Repeat consists of group of three girls and boy, dancing, and two boys playing marbles. Trees, plants. Lower margin, frieze transposing triglyph motif into rail and garland., France and USA, 1780-1800, wallpaper designs, Drawing, Drawing

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