Victorian Portrait Photography

Portraits capturing fashion and social context of the Victorian era, with dramatic lighting and poses, reflecting the elegance of the period.

Portrait of Ms. Mirabeau-Martel (literary name: GYP) Otto. Portrait of Ms. Mirabeau-Martel (literary name: GYP). Draw on counterclated albuminum paper on golden cardboard on slice. 1904. Museum of Fine Arts from the city of Paris, small palace.

Helene Dönnige title page of Der Floh, Karl Klic -, Artist, Johann Tomassich, Zincographer

From the Old Judge series (N167) for Old Judge Cigarettes 1886 Issued by Goodwin & Company The "Old Judge" series of trading cards (N167) was issued by Goodwin & Company in 1886 to promote Old Judge Cigarettes. It was the first cigarette card series from Goodwin & Co. The series portrays actresses, baseball players, and boxers. The Metropolitan Museum of Art owns 22 cards in the series.. From the Old Judge series (N167) for Old Judge Cigarettes 400814

Mm. Epstein , Alexandre Benois Collection

Reproduction of a painting: Biernacka, Aniela (1858-1918), A study; from: "Tygodnik Ilustrowany" 1901, no. 2181, no. 32. Towarzystwo Akcyjne Odlewni Czcionek i Drukarni S. Orgelbranda Synów (Warszawa ; drukarnia ; 1896-1919), reproduction atelier, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Portrait of Jadwiga Zadziewska - Deotymy; Beyer, Karol (Warsaw; photographic zak; 1845-1872); around 1860 (1858-00-00-1863-00-00);Deotyma, Przewłocki, Janusz (1927-2007)-collection, poetry, women's portraits, Łuszczewska, Jadwiga (1834-1908)

Le dos. Artist: Pierre-Louis Pierson (French, 1822-1913). Dimensions: 8.3 x 10.2 cm. (3 1/4 x 4 in.). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Portrait d'Oswald Krell (large), state IV. Jasiński, Feliks Stanisław (1862-1901), graphic artist, Dürer, Albrecht (1471-1528), painter, Porcabeuf, Alfred (1867-ca 1946), printer of graphic prints

Beatrice. Artist: Julia Margaret Cameron (British (born India), Calcutta 1815-1879 Kalutara, Ceylon). Dimensions: 36.8 x 29.0 cm (14 1/2 x 11 7/16 in. ). Date: 1866.In this photograph, modeled closely on a painting then attributed to the Italian Baroque artist Guido Reni, May Prinsep plays the role of Beatrice Cenci, a sixteenth-century Roman woman whose sad tale of rape, revenge, and execution was retold in a nineteenth-century play by Percy Bysshe Shelley. While Cameron's portraits of "men great thro' genius" had the built-in appeal of celebrity, her portraits of "women great thro' love" most often depended upon literary, artistic, historical, or biblical allusion for broader commercial appeal. Museum: Metropolitan Museum of Art, New York, USA.

La Pensée. Louis Fleckenstein (American, 1866 - 1943)

Lutnist according to the painting of Rudolf Hirtha Du Frênes. A clip from a German magazine. Bong, Richard (1853 1935), Hirth du Frênes, Rudolf (1846 1916)

Photo production of a painting, representing a portrait of Margaretha van Eyck, c. 1875 - c. 1900 photomechanical print maker: Europeafter painting by: Bruges paper collotype historical persons - BB - woman. lace

Standing Portrait of a Lady with a Globe (from Sketchbook) 1810-20 Thomas Sully American. Standing Portrait of a Lady with a Globe (from Sketchbook) 16461

Photography of sculpture: Antoni Pleszowski (1859-1889), Over a grave unknown

Gilmer, L'Alouette (registered title (letter)), 1862. House of Victor Hugo - Hauteville House.

Lazio Roma Rome S. Maria in Aquiro42. Hutzel, Max 1960-1990 Post-medieval: Architecture, architectural sculpture, sculpture, painting, religious artifacts (reliquaries), decorative arts (tapestries, furniture). From Counter-Reformation, built in 1590 and finished in 1774. A picture gallery exists in the former convent, which also houses offices. Located on Piazza Capranica. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Italy, Lotto, Lorenzo, Bellini, Giovanni, Leonardo da Vinci, Argnani, F., Portrait of a young man, recto - blind embossing, straight from the front, set in a rectangular frame., print, prints, oval with text and figure, height 285 mm, width 214 mm, Italian, print maker, printmaker, 1836 - 1846, paper, papier, chine collé, engraving, engraving (printing process), Work conception, after a design by, 1452-04-15 - 1519-05-02, after, after a painting by, 1430 - 1516-11-29, 1480 - 1556

Princess Johanna Bismarck title page of Der Floh, Unknown

The Mirror. William Baxter Closson (United States, 1848-1926). United States, circa 1889. Prints; engravings. Wood engraving

Paul César Helleu, Jeune femme au chapeau, 1869-1927, drypoint on wove paper.

Hortensia.. Proofs, Cards. 1865 - 1899. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Wagenbauerin At the Macart Festival , Josef Löwy -, photographer, publisher

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Chapman 12 PC, circa 1920, Wellington, by Berry & Co.

French postcard, c1900. The artist is unknown and it is from a private collection.

Le Caracul (L'Astrakhan). Artist: Pierre-Louis Pierson (French, 1822-1913). Date: 1860s. Museum: Metropolitan Museum of Art, New York, USA.

Miss Bertha Ehnn title page of Der Floh, Karl Klic -, artist

Druidesse, by Odilon Redon, 1891, French Symbolist print, lithograph. Celtic priestess with the power of divination was created from Redon's imagination. He said he wanted to place 'the logic of the visible at the service of the invisible' (BSLOC_2017_5_129)

Bust with a textile turban decorated with beads, c. 1875 - c. 1900 photograph Europe cardboard. paper. printing ink collotype chest, bust. head-gear: turban Europe

Fig. 27.

This 1630 etching by Rembrandt van Rijn shows a laughing self-portrait, highlighting facial expression, posture, and detail with traces of a cold needle.

Mrs, Friedrich-Materna, Amalia Friedrich-Materna, singer title page of Humoristic Leaves , Karl Klic -, Caricaturist

Miss East 6 Panel, circa 1920, Wellington, by Berry & Co.

'Prevoyance; Attendant l'entrée triomphante: dans une penderie, sous des pantalons'. From "L'Album de la Guerre 1914-1919, Volume 2" L'Illustration, Paris, 1924.

Abruzzo, L'Aquila, L'Aquila, Museo Nazionale d'Abruzzo, Italy, 20th century, photo, photography, Europe

La sortie de cave (Une cuisinière) (The Exit from the Cellar (ACook)). Artist: François Bonvin, French, 1817-1887

Two Woodcuts showing Miss A before and after treatment

'Portrait of Carmen Gaminde de Hurtado', 1881, Oil on canvas, 118,3 x 63,3, Inv.02/253. Author: ROGELIO EGUSQUIZA (1845/1915). Location: MUSEUM OF FINE ARTS. Bilbao. Biscay. SPAIN.

Vittoria Colonna, Stan III; Jasi Ski, Feliks Stanis AW (1862-1901), Lefebvre, Jules Joseph (1836-1912); 1885-1886 (1885-00-00-1886-00-00);Colonna, Vittoria (1490-1547)-iconography, Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972)-collection, French (culture), French graphics, Polish graphics, reproductive graphics, state prints, stenographic magazine , poets, Poland (culture), women's portraits, purchase (provenance)

1912. text. 1911 - 1913. General Research Division. Art , Poland

L'artiste normand, magazine, photos, photographic illustrated books, height 375 mm, width 280 mm, thickness, 1 mm

Miss Einhof, soubrette title page of Die Bomb, Gábor Gabriel Schlesinger, Artist, Angerer , Göschl, Zincographer

New Orleans Lullaby. Arnold Genthe (American, born Germany, 1869 - 1942)

Marches Urbino Palazzo Ducale, Galleria Nazionale delle Marche91. Hutzel, Max 1960-1990 Post-medieval: First floor: Polyptychs, triptychs, crucifixes, panel paintings, sculpture, frescoes now housed in Museo; stucco decoration in private chapels Object Notes: See also Urbino, Museo Albani. With both sites the negs arrived separately from the prints, yet all negs were labelled as Urbino, Palazzo Ducale, making it difficult to match some negatives to their prints. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Photography.Photography with signature of widowed Sophie.inom glass and polished mahogany, polished.On the front of the frame over the photo royal crown of brass.

Florence La Due

Brasch 6, circa 1920, Wellington, by Berry & Co.

Wojciech Kossak (1856-1942), portrait of a woman; Salon Painters Publishing House (Kraków; 1895-1949), Anczyc, Władysław Ludwik and company (Kraków; Drukarnia; 1875-1948); around 1910 (1905-00-00-1915-00-00);

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Andrews 3, circa 1920, Wellington, by Berry & Co.

'Portrait of Varvara Yeliseyeva'. France, 1906. Dimensions: h. 63 cm. Museum: State Hermitage, St. Petersburg.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Snelbaker & Benton's Majestic Consolidation. Mme. Duclos.. Snelbaker & Benton's Majestic Consolidation. Mme. Duclos.

Berthe. Artist: André-Adolphe-Eugène Disdéri (French, Paris 1819-1889 Paris). Dimensions: Image: 20.1 × 23.3 cm (7 15/16 × 9 3/16 in.). Date: January 22, 1862- April 1862. Museum: Metropolitan Museum of Art, New York, USA.

Rose de Orth als Berliner Range

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

John Everett Millais as a dante

Portrait of Giovanni Martinelli (1885-1969), Wywak in the SKIE in a stage costume (a good character) - photography with dedication for Aleksander Rajchman from 1909; around 1909 (1905-00-00-1909-00-00);Martinelli, Giovanni (1885-1969), Martinelli, Giovanni (1885-1969)-dedication from, Martinelli, Giovanni (1885-1969)-iconography, Rajchman, Aleksander (1855-1915)-dedication for, Rajchman, Aleksander (1855- 1915) - collection, théâtre de la monnaie (Brussels), dedications, theater costumes, opera (artist), portraits, men's portraits, theater (artist), singers

Heliogravure by Albert Freiherr von Rothschild depicting Waidhof'ner 'Ninetta', printed in 1891.

Balustrade InfantryMeissen. Infantry Balustrade

Georgia O'Keeffe. Alfred Stieglitz; American, 1864-1946. Date: 1918. Dimensions: 24.1 x 19.3 cm (image); 25.1 x 20.1 cm (paper). Palladium print. Origin: United States. Museum: The Chicago Art Institute, USA.

Frank Eugenes Brother Fredy. Artist: Frank Eugene, American, 1865-1936

Tewanima of Carlisle

Queen Njinga ruled in Matamba from 1631 until her death in 1663. During this time she integrated the country into her domains and thousands of her former subjects who had fled Portuguese attacks with her settled there. She made several wars against Kasanje especially in 1634-5. In 1639 she received a Portuguese peace mission which did not achieve a treaty, but did reestablish relations between her and the Portuguese. When the Dutch took over Luanda in 1641, Njinga immediately sent ambassadors to make an alliance with them. During these years, she moved her capital from Matamba to Kavanga, where she conducted operations against the Portuguese. Though Ndongo forces won a significant victory over the Portuguese at the Battle of Kombi in 1647, nearly forcing them to abandon the country and laying siege to their inland capital of Masangano, a Portuguese relief force led by Salvador de Sa in 1648 drove out the Dutch and forced Njinga to return to Matamba. Although she maintained a symbolic c

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Detective. Christian Boltanski; French, born 1944. Date: 1972-1973. Dimensions: . Black-and-white photomechanical reproduction mounted on paper, glass, and tape. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

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