Victorian River Etchings

Etchings depicting serene river scenes with boats and structures, showcasing 19th-century British artistic styles and subtle color palettes.

Scaffolding with several persons and a moored boat, draughtsman: Willem Bastiaan Tholen, 1870 - 1931, paper, h 225 mm × w 308 mm

Canaletto (Italian, 1697 - 1768), Ale Porte del Dolo, c. 1735-1746, etching on laid paper

Thomas Daniell, 1749-1840, British, active in India, Boats near a Dutch Folly Fort, Canton, ca. 1785. Watercolor, graphite, gray wash, with pen, in gray ink on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, beige, wove paper.

Charles Holroyd, The Giudecca Canal with San Giorgio Maggiore, 1902, etching on laid paper.

Edward Millington Synge, 1860-1913, British, Littlehampton. Etching on laid paper.

EVENING AT SOUTHAMPTON, CANADA, NINETEENTH CENTURY ENGRAVING

James McNeill Whistler (American, 1834-1903), Dry-Dock, Southampton, 1887, etching

Scheepstimmerwerf on the water near Antwerp, Henri François Schaefels, 1861 print Left in the background the city of Antwerp. paper etching shipyard, shipdock - CC - more than one ship. landscapes with waters, waterscapes, seascapes (in the temperate zone). village Antwerp

View of Orléans from the Loire, c. 1670. Lambert Doomer (Dutch, 1623-1700). Pen and brown ink and brush and gray and brown wash; framing lines in brown ink; sheet: 23.8 x 41.2 cm (9 3/8 x 16 1/4 in.).

Thames Fishermen (First Plate), 1859. Francis Seymour Haden (British, 1818-1910). Etching and drypoint;

Abcoudermeer, Carel Nicolaas Storm van 's -Gravesande, 1851 - 1924 print paper. etching windmill in landscape. windmill. lake Abcoudermeer

Savoy Pigeons 1896 James McNeill Whistler American. Savoy Pigeons 372873

La Passerelle, Boulogne Made 1902 United States. Etching in black on Japanese paper . Donald Shaw MacLaughlan

Sea landscape with sailboat and view of the bank, Eugène Bejot, 1909 print paper etching sea (seascape). windmill in landscape. sailing-ship, sailing-boat To lead. Katwijk

Charles Meryon, L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, l651), 1866 L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, l651)

Reproduction of a painting: Brzozowski, Feliks (1836-1892), Lake Gopło; from: `Biesiada Literacka` 1886, II, 33. Brzozowski, Feliks (1836-1892), draughtsman, cartoonist, unknown, publisher

Mouren, Henri Laurent (n.1844 - D.1926), La Berge de la Seine at the Pont des Arts. (Dummy title). Carnavalet museum, history of Paris.

Thomas Goff Lupton, 1791-1873, British, Margate, 1826-1828. Engraver's proof.

Man on the quay of a harbor, Willem de Zwart, c. 1886 print paper etching / drypoint harbour. pier, quay, wharf

A Pier in England, 1879. Félix Hilaire Buhot (French, 1847-1898). Drypoint, roulette and aquatint; sheet: 35.7 x 25.8 cm (14 1/16 x 10 3/16 in.); platemark: 30.1 x 20.2 cm (11 7/8 x 7 15/16 in.).

City View. Date: December 1885-January 1886, Antwerp. Dimensions: 9.2 cm x 16.6 cm. Museum: Van Gogh Museum, Amsterdam.

View over Amsterdam to the IJ. Draughtsman: Jacob Isaacksz. van Ruisdael. Dating: 1647 - 1649. Measurements: h 86 mm × w 152 mm. Museum: Rijksmuseum, Amsterdam.

Six Marines: Low Tide , 1833. Eugène Isabey (French, 1803-1886), Morlot, Paris and McLean. Lithograph on chine collé; sheet: 56.2 x 36.1 cm (22 1/8 x 14 3/16 in.); platemark: 31 x 24.6 cm (12 3/16 x 9 11/16 in.).

The "Adam and Eve," Old Chelsea 1878 James McNeill Whistler American. The "Adam and Eve," Old Chelsea. James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). 1878. Etching and drypoint, printed in black ink on cream Japan; third state of three (Glasgow). Prints

The Alcazar, Toledo 1904 United States. Etching with drypoint on ivory wove paper . Joseph Pennell

Chelsea Wharf. Dated: 1863. Dimensions: plate: 9.21 x 19.05 cm (3 5/8 x 7 1/2 in.) sheet: 17.15 x 22.23 cm (6 3/4 x 8 3/4 in.). Medium: etching in black on blued white laid paper. Museum: National Gallery of Art, Washington DC. Author: JAMES ABBOTT MCNEILL WHISTLER.

Charing Cross Railway Bridge James Abbott McNeill Whistler (American, 1834-1903). , 1896. Lithograph, 7 7/8 x 10 11/16 in. (20 x 27.1 cm). American Art 1896

Quai de l'Hotel de Ville, Paris. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1900. Dimensions: 219 x 237 mm (image/plate); 230 x 245 mm (sheet). Etching in black on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Venetian Convent North Italian Set: No. 4, Sir David Young Cameron, 1865-1945, British, 1895, Etching on laid paper, Plate: 6 7/16 x 8 1/2in. (16.4 x 21.5cm) and Sheet: 8 x 10 3/8in. (20.3 x 26.4cm)

The Thames towards Erith , Boats, Waterfronts, Rivers. James McNeill Whistler (1834-1903). Lithographs

James McNeill Whistler, La Salute Dawn, 1879 1880 La Salute: Dawn

Un Débarquement en Angleterre (Landing in England). Dated: 1879. Dimensions: plate: 31.9 x 24 cm (12 9/16 x 9 7/16 in.). Medium: etching, drypoint, aquatint (dust ground and spirit ground), softground etching, and roulette in black with the artist's revisions in graphite on moderately thick cream wove paper. Museum: National Gallery of Art, Washington DC. Author: Félix-Hilaire Buhot.

West view of the central part of Wilmington, N.C. from the ferry.. Barber, John Warner (1798-1885). 1856 - 1860. Drawings. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Wilmington (N.C.), Cape Fear River (N.C.)

Mill at a farm, Etha Fles, 1867 - 1910 print paper drypoint windmill. farm (building)

Old Hungerford Bridge. Artist: James McNeill Whistler (American, Lowell, Massachusetts 1834-1903 London). Dimensions: plate: 5 3/8 x 8 1/4 in. (13.7 x 21 cm)sheet: 8 1/4 x 12 5/8 in. (21 x 32.1 cm). Series/Portfolio: Thames Set ("A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects" 1871). Date: 1861. Museum: Metropolitan Museum of Art, New York, USA.

Flats. Frank Wilcox (American, 1887-1964). Etching;

Haven in Cannes, Eugène Bejot, 1895 print print maker: Francepublisher: Parisprinter: Paris paper etching ship bound for the harbour Cannes

Quai des Grands Augustins, Paris 1906 United States. Etching in black on ivory wove paper . Donald Shaw MacLaughlan

The Old Thames: "Black Lion Wharf," an Etching Engraved by Carl Hentschel British After James McNeill Whistler American 1895

Isleworth, plate 63 from Liber Studiorum Published 1819 England. Etching and engraving in brown on ivory wove paper . Joseph Mallord William Turner

River Scene with Boat (Large plate) 1879 France. Drypoint on cream laid paper . Henri-Emile Lessore

Souvenir de Bordeaux (2nd state). Lalanne, Maxime (1827-1886). 1878. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Bordeaux (France), Haarlem (Netherlands), Trouville-sur-Mer (France), Amsterdam (Netherlands), Antwerp (Belgium), Boats

Old Hungerford Bridge, 1861. James McNeill Whistler (American, 1834-1903). Etching and drypoint; sheet: 24 x 18.1 cm (9 7/16 x 7 1/8 in.); platemark: 21.1 x 13.6 cm (8 5/16 x 5 3/8 in.).

Etching - The Convent from Atwater Avenue Ernst Neumann (1907-1956)

Cours-la-Reine, ou Bords de la Seine à Rouen. Camille Pissarro (West Indies, active France, 1830-1903). France, 1884. Prints; etchings. Etching

The arrival of Henri III of France at the Lido in Venice in 1574 1591 Anonymous Following his brothers death in May 1574, Henri III of France returned from Poland to France to claim the crown, traveling via Venice, where the triumphal arch shown here was raised to welcome him. The arch was designed by the architect Andrea Palladio (1508-1580) and based on the ancient Arch of Septimius Severus in Rome. It led onto a loggia set up on the Lido that was decorated with paintings by leading artists Jacopo Tintoretto (1519-1594) and Paolo Veronese (1528-1588). The members of each guild in Venice prepared a ship decorated to reflect their profession; fifteen of the most important are identified here with small inscriptions. This print was made in 1591, some seventeen years after the event—demonstrating how the visit, regarded as a state occasion, was seen as worthy of memorialization.. The arrival of Henri III of France at the Lido in Venice in 1574 669493

Arthur-Joseph Guéniot (1866-1951). The port of Algiers. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Palazzo Ca D'Oro, Venice 1883 United States. Etching in greenish-black on ivory wove paper . Frank Duveneck

Budapesth , Rivers, Castles & palaces, Boats, Night. Joseph Pennell (1857-1926). Prints and Drawings

Inner Harbor, Gloucester. Dated: 1923. Dimensions: image: 20 × 28.89 cm (7 7/8 × 11 3/8 in.) sheet: 24.45 × 32.39 cm (9 5/8 × 12 3/4 in.). Medium: etching in black on wove paper. Museum: National Gallery of Art, Washington DC. Author: Childe Hassam.

Oude Schans in Amsterdam. Draughtsman: Willem Witsen. Dating: 1870 - 1923. Measurements: h 325 mm × w 465 mm. Museum: Rijksmuseum, Amsterdam.

Finch, Alfred William, work, Thames in London, 1891, technique text: line etching, print, BUILT LANDSCAPE, harbor, cityscape, Sailboats; boats, buildings, Thames, London, plate width 19.9 cm, plate height 15 cm, leaf width 27.5 cm, leaf height 18 cm, image width 19.2 cm, image height 14.3 cm

Nocturne. James McNeill Whistler; American, 1834-1903. Date: 1878. Dimensions: 173 x 265 mm (image); 192 x 277 mm (sheet). Lithotint, in black ink, from a prepared half-tint ground, with scraping, on off-white plate paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

William Walcot, The Forth, 1922, etching and drypoint on wove paper.

Evening, San Giorgio Maggiore, Venice. Dated: c. 1900-1920. Dimensions: sheet: 24.45 × 29.85 cm (9 5/8 × 11 3/4 in.). Medium: charcoal on wove paper. Museum: National Gallery of Art, Washington DC. Author: Eugène Vail.

Maxime Lalanne (French, 1827 - 1886). To Antwerp, the Haque at Amsterdam (À Anvers, le Haag à Amsterdam), 19th century. Etching.

Waterloo Bridge Made 1893 United States. Etching on heavy ivory wove paper . Joseph Pennell

Gracht in rainy weather, Hendrik Henrichs, 1892 - 1937 print Figures walking on the canal, a horse with cart and trees with bare branches. In the background a bridge over the water. paper etching bridge in city across river, canal, etc.. rain

Chelsea, No II 1886 United States. Etching on ivory wove paper . Joseph Pennell

Pont-au-change, Paris 1854 Charles Meryon French This etching is among the most expansive views of Meryons Paris prints and contains more narrative detail than the majority of the works in the series. A drowning man in the foreground reaches out toward a boat whose occupants, distracted, gesture toward a balloon inscribed "Esperanza" (Hope, in Spanish) that hovers in the sky above. Pedestrians on the bridge also wave at the balloon as a funeral cortege passes by. Meryon composed a separate plate of verse to accompany this etching. It begins, "O divine hope! light balloon!" but concludes pessimistically, describing hope as a "false mirage.". Pont-au-change, Paris 371937

Francesco Guardi and Giacomo Guardi, The Island of San Clemente The Island of San Clemente

Max Klinger, Eine Mutter II (A Mother II), 1883 Eine Mutter II (A Mother II)

Apple Market, Viewed from the Pont Louis-Philippe, plate seven from Le Long de la Seine et des Boulevards. Louis Auguste Lepère (French, 1849-1918); published by A. Desmoulins (French, active c. 1908-1910). Date: 1890. Dimensions: 173 × 90 mm (image); 225 × 152 mm (sheet). Wood engraving in black on cream Japanese tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Buildings by the Thames at Chelsea, Walter Greaves, 1871, England, etching, Walter Greaves (1846-1930) was the son of a London boat-builder and trained as a shipwright. In 1863 Greaves met J. M. Whistler, who taught Walter and his brother, Henry, to paint. Greaves and Whistler remained close friends for over twenty years until Whistler, whose popularity was rising, surrounded himself with a new, posher circle of friends. Greaves then found it impossible to sell his work. In 1911 Greaves's work was exhibited at the Goupil Galleries to considerable acclaim, but it was not long before Whistler's admirers unjustly accused Greaves of plagiarism. This condemned him to obscurity for a decade or more. Finally, a number of prominent younger artists - Augustus John, William Nicholson and William Rothenstein - rescued Greaves and his reputation. Another exhibition was arranged, he was elected an honorary member of the Chelsea Arts Club and in 1922 a place of retirement was found for him at the Ch

Félix Hilaire Buhot, Une Jetée en Angleterre (A Pier in England), 1879 Une Jetée en Angleterre (A Pier in England)

Ships at Sea During Storm. Jules Dupré (French, 1811-1889); or possibly James McNeill Whistler (American, 1834-1903). Date: 1830-1849. Dimensions: 219 × 277 mm. Pen and black ink, with graphite, on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Illustrationen Aus "Breslau" (two illustrations); Müller-Bernburg, Ernst (1874-1941); around 1905 (1874-00-00-1935-00-00);

A fisherman sits in his boat fishing. In the background a drawbridge and a mill, The fisherman, print maker: Fredericus Jacobus van Rossum du Chattel, (signed by artist), Netherlands, 1873 - 1892, paper, etching, h 210 mm × w 139 mm

Colonial exhibition in 1937.

Watercolor painting by Anton Perko titled 'Transmissionkyk', created in 1889.

Méryon, Charles (n.1821-11-23-D.1868-02-13), Le Pont Neuf (main title), 1853. Eau-tie. Petit Palais, Museum of Fine Arts of the City of Paris.

Pittsburg, No II 1909 United States. Etching and drypoint on ivory laid paper . Joseph Pennell

The 'Adam And Eve' Old Chelsea, 1879. By James A McNeill Whistler

History of Spain. Madrid. Flood of the Manzanares River. Aspect of the river in the environs of the Bridge of Toledo, 6 April 1884. Drawing by Juan Comba. Engraving by Tomás Carlos Capuz (1834-1899). La Ilustración Española y Americana (The Spanish and American Illustration), April 15, 1884. Author: Juan Comba García (1852-1924). Spanish illustrator. Tomás Carlos Capuz (1834-1899). Spanish engraver.

The Town of Maaslins, Holland Johan Barthold Jongkind (Dutch, 1819-1891). The Town of Maaslins, Holland, 1862. Etching on thin Japan tissue paper, 8 13/16 x 12 7/16 in. (22.4 x 31.6 cm). European Art 1862

Donald Shaw MacLaughlan, Venetian Noontide, probably 1916 Venetian Noontide

Vue de la Ville de Maaslins, 1862. Johan Barthold Jongkind (Dutch, 1819-1891). Etching; sheet: 35.8 x 47.3 cm (14 1/8 x 18 5/8 in.); platemark: 23.7 x 32.3 cm (9 5/16 x 12 11/16 in.).

Sir Frank Short, 1857-1945, British, Strolling Players at Lidd, Kent, 1907. Etching.

A man walks along a snow-covered path by a canal. In the background two windmills, Winter Landscape with Canal and Windmills Winter , print maker: Willem Steelink (II), (mentioned on object), after: Louis Apol, (mentioned on object), printer: J. Bouwens, (mentioned on object), print maker: Netherlands, printer: Brussels, publisher: Amsterdam, publisher: Amsterdam, 1889, paper, etching, h 174 mm × w 255 mm

The Boobs, face on channel, draughtsman: Willem Wenckebach, Amsterdam, 1870 - 1937, paper, pen, h 168 mm × w 235 mm

Interior of a Port. Thomas McLean (England, London, 1788 - 1875)Eugène Isabey (France, Paris, 1803-1886). France, 1833. Prints; lithographs. Lithograph, laid down

MOLINO (BRUJAS) - 1903 - DIBUJO/PAPEL CRUDO -180X230. Author: FRANCISCO LLORENS DIAZ (1874-1948). Location: PRIVATE COLLECTION. MADRID. SPAIN.

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