Victorian Satire and Caricature

A collection of humorous and satirical illustrations depicting domestic life, musicians, and barber scenes with exaggerated expressions and vibrant colors.

The hopes of the fammily : Or Miss Marrowfat at home for the holidays , Musicians, Butchers, Dogs, Meat. Thomas Rowlandson (1756-1827). Prints and Drawings

The hopes of the fammily : Or Miss Marrowfat at home for the holidays , Musicians, Butchers, Dogs, Meat. Thomas Rowlandson (1756-1827). Prints and Drawings

Barber / No. 4 (dummy title) | Caricature of J. J. (IFF 1) (Title of the whole)

The Poacher May 1, 1806 Thomas Rowlandson. The Poacher. Thomas Rowlandson (British, London 1757-1827 London). May 1, 1806. Hand-colored etching. Prints

(17) / - So go, eh! great censored - So go yourself, species of censored

Comfort in the Gout July 1, 1802 Thomas Rowlandson. Comfort in the Gout. Thomas Rowlandson (British, London 1757-1827 London). July 1, 1802. Hand-colored etching. S. W. Fores (London). Prints

Say, Coachman, Vaolez-vo Condouire No ........ Attal Miousie Ancient [... / N ° 23

An old butterfly. A laughing idea. (Dummy title)

French table d'hote , Eating & drinking, Dogs. Thomas Rowlandson (1756-1827). Prints and Drawings

The Triumph of Sentiment January 15, 1787 Thomas Rowlandson. The Triumph of Sentiment. After Samuel Collings (British, active 1784-95). January 15, 1787. Hand-colored etching and aquatint. Elizabeth Jackson (British, active 1785-87). Prints

The law of elections is happily delivered by a child marked on the forehead of a large r and blood spots on the hands (IT)

Card players in an interior, c. 1660 Zwolle Paper. Watercolor (Paint). Framework lines:. Lines: Ink brush Zwolle Paper. Watercolor (Paint). Framework lines:. Lines: Ink brush

The Chamber of Genius. Artist and publisher: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 in. × 13 1/16 in. (25.4 × 33.1 cm)Plate: 9 11/16 × 12 7/16 in. (24.6 × 31.6 cm). Date: April 2, 1812. Museum: Metropolitan Museum of Art, New York, USA.

Doctor, late 1800s or early 1900s. Imitator of Thomas Rowlandson (British, 1756-1827). Pen and brown ink with watercolor wash;

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), incompatibility of moods. A consultation. Fashionable (registered title (letter)). Colored lithography, woven paper. Balzac house.

The First Night of My Wedding, or Little Boney No Match For an Arch Dutchess April 25, 1810 Thomas Rowlandson A maidservant standing by a splattering sink at left, showing a plumber that it needs to be fixed. She gives him an alluring glance while he holds his plumbing tools. An angry old man stands behind them at right.. The First Night of My Wedding, or Little Boney No Match For an Arch Dutchess. "Tegg's Caricatures". Thomas Rowlandson (British, London 1757-1827 London). April 25, 1810. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

N ° 23 / News. / Look - So Fleury my wife who is dancing to do not stay / in my office (IT)

Grandville (Jean Ignace Isidore Gérard Dit, 1803-1847). "The metamorphoses of the day. Walse Perennial". Colored lithography, 1829. Paris, Maison de Balzac. 34930-18 Dance, dancing, farandole, fete, lithography colored, morality, personification, caricature

Miseries of the country , Eating & drinking, Intoxication, Alcoholic beverages. Thomas Rowlandson (1756-1827). Prints and Drawings

A sleepy congregation , Churches, Pews, Sleeping, Clergy. Thomas Rowlandson (1756-1827). Prints and Drawings

Crimping a Quaker March 1, 1814 Thomas Rowlandson A woman stands in the doorway of a brothel, tugging at the neck of a man, saying, "Wont you come, wont you come Mr Mug." He leans back, pushing against the door, trying to escape, and saying: "Avaunt thee Satan." Two other women press their posteriors against him and laugh at left.. Crimping a Quaker. Thomas Rowlandson (British, London 1757-1827 London). March 1, 1814. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

The wrong great Donna Gallerie Droller Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Staberl as Freifschütz, parody of Carl Gallerie Drollerie Scenen for the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

The Miseries of Human Life: Getting Up Early in a Cold Gloomy Morning...Before an Empty Grate October 9, 1807 Thomas Rowlandson. The Miseries of Human Life: Getting Up Early in a Cold Gloomy Morning...Before an Empty Grate. Miseries of Human Life. Thomas Rowlandson (British, London 1757-1827 London). October 9, 1807. Hand-colored etching. Prints

William Pitt and John Bull around a viewing cupboard; Billy's Rare show - OR John Bull Enlighten'd. William Pitt stands next to a viewing cupboard with a crown on the top, around his shoulder a trumpet with a banner with the coat of arms of England. With his right hand he pulls a cord that comes out of the viewing cupboard, while with his left hand stealing a bag of savings from John Bull's pocket, looking through a window in the viewing cupboard.

Nursing the Spawn of a Tyrant April 14, 1811 Thomas Rowlandson Marie Louise recoils from her infant son, seated in her lap, who threatens her with a dagger. Napoleon hides behind a curtain at right. A bishop at left raises a goblet inscribed "Composing Draught" to the Empress.. Nursing the Spawn of a Tyrant. Thomas Rowlandson (British, London 1757-1827 London). April 14, 1811. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Print made by George Cruikshank, 1792-1878, British, Illustrations from Mr. Lambkin, plate 11, undated. Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper.

The Rivals. Artist and publisher: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 1/2 × 14 15/16 in. (26.7 × 38 cm)Plate: 9 3/4 × 13 7/8 in. (24.7 × 35.2 cm). Date: July 14, 1807. Museum: Metropolitan Museum of Art, New York, USA.

Open me, it's me Rouher ...

Jules Favre at Ferrières Interview / N ° 2

The old lion at the epilatory lounge. ... / July 15, 1840. / 3e year. (Registered Title) | Ridiculous Modes Bulletin. (IFF 13) (Title of the whole)

Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day, James Gillray, 1757-1815, British, 1792, Etching, hand-colored, Sheet: 10 x 14in. (25.4 x 35.6cm)

The Black Woman by Meisl Gallerie Drollerie Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

(17). -You so, eh! Big ...

Quarrel in a bookstore, Robert William Smart, after William Henry Pyne, in or before 1822 print Interior with a counter with an angry man with a feather behind his ear. There are two women on the other side of the counter and there is an ink jar on the ground that stood on a fallen stool. In the doorway is a man who points out, behind him the faces of smiling spectators. paper etching secretary, scribe. ink-well. quarrel, argument. bookshelves. political caricatures and satires

Prussian puncture (1806) Anonymous. "The Prussian Punctuation (1806). Colored water, 1806.

The Lusty Traveler, 1789 print Cartoon in which a traveler in the bedroom of an inn takes on to a young woman. The woman holds a burning candle against the man's wig and a copper stitch in the other. On the right a servant leaves the room. paper etching amorousness, desire. hotel room. political caricatures and satires

Mr The owner sends me to put his horses with you because it would be unfair, he says, "that these poor beasts are more exposed than other tenants. / (13)

My good! .. We are made for each other .... / 22 (title registered (letter)) | Grotesque mirror (title of all)

A Catalanian pic nic society at private rehearsal , Cats, Servants, Dogs, Conversation, Accidents, Singing. Thomas Rowlandson (1756-1827). Prints and Drawings

Robert Macaire sends Bertrand away to recruit subscribers for his Bibles, Honoré Daumier, 1838 Paris paper letterpress printing caricatures (human types). production of printed matter, book-production

Satyrian picture, No, Terrible dream of a newspaper eater, Image supplement to the theater newspaper No, of June , Andreas Geiger -, Etcher, after, Anton Elfinger -, drawer

A Necessary War or Quixotism Revived, or The Knight of the Little House, Isaac Cruikshank, 1756-1810, British, 1792, Etching, hand-colored, Sheet: 8 1/2 x 13 1/8in. (21.6 x 33.3cm)

The Irish poets grace to a short allowance , Eating & drinking, Poor persons. Thomas Rowlandson (1756-1827). Prints and Drawings

The hopes of the fammily : Or Miss Marrowfat at home for the holidays , Musicians, Butchers, Dogs, Meat. Thomas Rowlandson (1756-1827). Prints and Drawings

N ° 8 / The beautiful days of the municipality. Requisitioned. (IT)

Journey for Eternity, No. 6 ca. 1839 J. J. Grandville. Journey for Eternity, No. 6. ca. 1839. Lithograph. Prints

The Fiaker as Marquis by Bäuerle Gallerie Droller scenes for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

The elegy woman. ... / 15 August 1840. / 3e year. (Registered Title) | Ridiculous Modes Bulletin. (IFF 13) (Title of the whole)

Here's your potatoes, four full pounds for two pence! Buy my moss roses or dainty sweet briar! Light, your Honor, coach unhired. Pray remember the blind , Peddlers, Potatoes, Flowers, Soldiers, Blind persons, Charity. Thomas Rowlandson (1756-1827). Prints and Drawings

The bad Liesel, Bäuerles comedy, template for printing in, Gallerie Drollerie Scenen for the theater newspaper, st year, No, Johann Christian Schoeller -, artist

Masquerading , Masquerades. Thomas Rowlandson (1756-1827). Prints and Drawings

Plate from Illustrations to Popular Songs 1822 England. Soft ground etching with hand-coloring and aquatint on paper . Henry Alken

Interior with a man for a bookcase, anonymous, c. 1750 - c. 1800 drawing In front of the open window is a man for a bookcase. With his right hand he reaches for a book by the writer Wieland that is on the table. On the wall hang a mirror, a portrait and a red jacket with a triangular stitch. Under the mirror is a table consisting of a man wearing a round table top. Germany parchment (animal material). deck paint brush bookshelves. book. mirror. head-gear: tricorn

The Return from the Continent, or the Family Puzzled. Artist: John Phillips (British, active 1825-31). Dimensions: Plate: 9 3/4 × 13 7/8 in. (24.8 × 35.2 cm)Sheet: 10 13/16 × 15 1/2 in. (27.5 × 39.4 cm). Publisher: Thomas McLean (British, active London 1788-1885). Date: 1835. Museum: Metropolitan Museum of Art, New York, USA.

A young woman preceded by a lap-dog is coming down the stairs of a grand house; a man is standing by an open door; servant carrying a tray in the background. Etching by J.A. Atkinson after himself, 1 March 1807.

The oyster woman , Dogs, Food vendors, Peddlers, Oysters. Thomas Rowlandson (1756-1827). Prints and Drawings

Christmas Eve , Nuns, Eating & drinking, Alcoholic beverages. Thomas Rowlandson (1756-1827). Prints and Drawings

Henry Bonaventure Monnier, Les Mécontens, lithograph.

More miseries. Endeavouring to make violent love under the table and pressing the wrong foot , Courtship, Dogs, Eating & drinking. Thomas Rowlandson (1756-1827). Prints and Drawings

Miseries of the country. While deeply, delightfully, and, as you hope, safely engaged at home... , Visiting, Surprise. Thomas Rowlandson (1756-1827). Prints and Drawings

Napoleon: -Dire that it is thanks to my nephew polison that ............. / n ° 13

News / No. 42 / Queen Augusta comes to surprise Guillaume.

Sportsman's Hall, or Fox-Hunters Relaxing. Artist: Thomas Rowlandson (British, London 1757-1827 London). Dimensions: Sheet: 10 1/4 in. × 13 in. (26 × 33 cm). Date: 1806. Museum: Metropolitan Museum of Art, New York, USA.

Miseries of Human Life: "While confined to your bed by sickness..." October 1807 Nicolaus Heideloff A woman sits in an armchair, sneezing, while a candle is overturned next to her, a pot is boiling over on the fire at right. Another woman is in bed behind her at left.. Miseries of Human Life: "While confined to your bed by sickness...". Nicolaus Heideloff (German, Stuttgart 1761-1837 The Hague). October 1807. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Mr, Joh, Fenzl and Mad, Rohrbeck in the parody Der Kobold by Fr, Told costume picture No, for the theater newspaper, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Comforts of Bath, Plate 1 January 6, 1798 Thomas Rowlandson. Comforts of Bath, Plate 1. Comforts of Bath. Thomas Rowlandson (British, London 1757-1827 London). January 6, 1798. Hand-colored etching and aquatint. S. W. Fores (London). Prints

Two archaans in an interior; Antiquarian. Octagonal print with two archaans in an interior. One of them points to a mummy, hanging on the ceiling, in the cupboards against the wall and on the table there are numerous objects. Two children look inside through an outstanding door.

Amsterdam, Maaskamp, Evert, Kuyper, Jacques, Netherlands, Portman, Ludwig Gottlieb, An Amsterdam Citizen and a Fishwife, Fishmonger and Customer, An Amsterdam fishmonger sits next to her baskets of fish. She accosts a gentleman in a blue coat to buy something from her. Part of the reduced copies from 1806 after the plates of Dutch costumes from the years 1803-1807., print, picture, book illustration, costume print, books, Frederik Muller Historieplaten, height 126 mm, width 88 mm, Noord-Nederlands, 1772-06-14 - 1828, print maker, printmaker, 1806 - 1806, paper, papier, stippelets, etching, hand colouring, 1761-06-29 - 1808-06-01, intermediary draughtsman, after a drawing by, supervision, Publication (Event), Publicatie, 1769-09-27 - 1834-01-31, publisher

Regency gentleman seated at an ecritoire with a feather pen writing a poem. Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's "The New Bath Guide," John Browne, 1807.

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), Le Grenier (title registered (letter)), 1828. Maison de Balzac.

The womens enemy in the terminal by Theodor Hell Gallerie Drollerie Scenen for the theater newspaper, nd year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Figure studies (fifth leaf), 1833, Christiaan Andriessen, 1833 print Leaf with figures: centrally a group of six women dancing to the music of a man with a barrel organ. Part of a series of six magazines with figure studies of Dutch traditional costumes, street figures and tuiks, 1833. print maker: Netherlandspublisher: Amsterdam paper folk costume, regional costume. street-trader

Let's go more distinctions this common misfortune makes us equal. (IT)

Un mariage de raison; A Reasonable Marriage, no. 28 in the series Les Métamorphoses du Jour (Metamorphoses ofToday). Artist: Jean Ignace Isidore Gérard, French, 1803-1847

Monnier, Henry Bonaventure (n.1799-06-07-D.1877-01-03), bankout (registered title (letter)). Colored lithography, woven paper. Balzac house.

Admiration. Artist: After George Moutard Woodward (British, ca. 1760-1809 London). Dimensions: Sheet: 10 3/8 × 7 5/8 in. (26.4 × 19.3 cm). Etcher: Thomas Rowlandson (British, London 1757-1827 London). Publisher: Rudolph Ackermann, London (active 1794-1829). Series/Portfolio: Le Brun Travested, or Caricatures of the Passions. Date: 1800. Museum: Metropolitan Museum of Art, New York, USA.

Off She Goes 1812 Thomas Rowlandson A portly woman falls from a ladder, knocking down her lover, who lies on his back beneath her. Both scream angrily, and a dog barks at them. The ladder leans against a window from which the unhappy husband looks out, holding a candle.. Off She Goes. Thomas Rowlandson (British, London 1757-1827 London). 1812. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Lami, Eugène (n.1800-01-12-D.1890-12-19), a visit to the vicinity (registered title (letter)), 1828. lithography colored on wove paper. Balzac house.

Citizens taking a country walk , Walking. Thomas Rowlandson (1756-1827). Prints and Drawings

Today / bulletin of ridiculous modes.

The Kitchen of a French Post House. Artist: After Henry William Bunbury (British, Mildenhall, Suffolk 1750-1811 Keswick, Cumberland). Dimensions: Sheet (Trimmed): 6 1/2 in. × 9 in. (16.5 × 22.8 cm). Etcher: () Thomas Rowlandson (British, London 1757-1827 London). Publisher: () Rudolph Ackermann, London (active 1794-1829). Date: 1803 ().Bunbury traveled through France and Italy in 1769, and produced a series of humorous drawings poking fun at foreigners. He showed "La Cuisine de la Poste" at the Royal Academy in 1770, and John Harris made a related etching in 1771.This later print was likely etched by Thomas Rowlandson and published by Rudolph Ackermann around 1803 as part of a set that revived Bunbury's early designs. Post houses were inns situated at regular intervals along busy roads to offer lodging, refreshment, and horses for hire. Post riders relied on them to change horses often and maintain a brisk schedule, and an example strides into the kitchen here at right wearing heav

George Moutard Woodward, ca. 1760-1809, British, The Everlasting Peruser, ca. 1808.

The National Assembly revivified , Kings, Cooks, Gossiping, Louis XVI, King of France, 1754-1793. Thomas Rowlandson (1756-1827). Prints and Drawings

The odd-dealer , Merchants, Consumers. Thomas Rowlandson (1756-1827). Prints and Drawings

A Real Rubber! At Whist. Artist: After M. Egerton (British, active London, 1821-27). Artist and publisher: George Hunt (British, active 1820-45). Dimensions: sheet: 16 3/4 x 11 7/16 in. (42.5 x 29 cm). Date: ca. 1825.This satire pokes fun at elderly whist players gathered in a fashionable home for an evening of cards. Whist, like bridge, involves two teams who vie for tricks, with a rubber being the best of three games. The lady at left has miscalculated and holds cards of low value in several suits, with little hope of taking further tricks. Scolded by her partner-the alternate meaning of "rubber" as a source of annoyance or rebuke gives the image its punning title-she scrutinizes her hand and inadvertently dips the feathered aigrette on her turban into a candle flame. Only the dandy standing by the fire and the servant have noticed the conflagration. The image encapsulates the emotional hold that games of chance exert even when played for social pleasure. Humor is generated by contr

Amputation February 20, 1785 Thomas Rowlandson A group of six surgeons and doctors surround a terrified man as he has his leg amputated.. Amputation. Thomas Rowlandson (British, London 1757-1827 London). February 20, 1785. Hand-colored etching. T. Smith (British, active London 1785-1800). Prints

The National Assembly petrified , Kings, Barbers, Gossiping, Louis XVI, King of France, 1754-1793. James Gillray (1756-1815). Prints and Drawings

Alexander in the cunning strokes of Nicolaus Gallerie Drolliger Scenen for the theater newspaper, th year, No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, artist

Catching an elephant , Seduction. Thomas Rowlandson (1756-1827). Prints and Drawings

Claude-Louis Desrais, Mode du Jour No. 7: La Tireuse de Cartes, 1766-1900, hand-colored etching on paper.

My Poll and my Partner Joe. James Gillray (English, 1756-1815); published by Hannah Humphrey (English, c. 1745-1818). Date: 1796. Dimensions: 245 × 281 mm (image); 281 × 320 mm (plate/sheet). Etching in dark brown, with handcoloring and stipling, on cream wove paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Peter Stieglitz,Magic Posses of the same theatrical picture gallery for the theater newspaper, Jg, No, Andreas Geiger -, Copper Engraver, after, Johann Christian Schoeller -, Artist, Johann Wenzel Zinke -, Artist

Ghost in the wine cellar , Armor, Wine cellars, Fear. Thomas Rowlandson (1756-1827). Prints and Drawings

Scotch training for a milling match , Cookery, Fireplaces, Dogs, Defecation. Thomas Rowlandson (1756-1827). Prints and Drawings

DALI Salvador(1904-1989) He broke the pitcher Capricho-25 1977 Based on Capricho Francisco Goya's etchings etching 39x31

The tax on cars. / No. 5.

John Rosedale Mariner, Exhibitor at the Hall of Greenwich Hospital April 26, 1807 Thomas Rowlandson An old sailor, John Rosedale, points with a pointer at a large decoration by Thornhill. He leans against an iron railing next to three sightseers at right.. John Rosedale Mariner, Exhibitor at the Hall of Greenwich Hospital. April 26, 1807. Hand-colored etching. Prints

Waddling In! August 1, 1799 Thomas Rowlandson A companion print to Waddling Out! (59.533.626), and one of series after Woodward showing city businessmen participating in the stock market. This shows a man headed into the stock exchange, with the lintel lettered "Stock...", signs at right advertize "New Loan..." and "Irish Lottery." A building in the right background is identified as "Hazard and Goodluck's Lottery Office.". Waddling In!. Thomas Rowlandson (British, London 1757-1827 London). August 1, 1799. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Set of twelve with title page: The Necessary Qualifications of a Man of Fashion., Daniel Thomas Egerton, c.1800-1842, British, 1823, Aquatint, hand-colored, Sheet: 7 5/8 x 5 1/4in. (19.4 x 13.3cm)

Allusion to the Abendity and Lower Napoleon

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