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Vintage Advertising Posters

Bold and eye-catching vintage posters promoting products and events, featuring art nouveau styles, vibrant colors, and iconic figures from the late 19th century.

French advertising poster by Jules Cheret, colour lithograph, 1889, 1836-1932, Private Collection
French advertising poster by Jules Cheret, colour lithograph, 1889, 1836-1932, Private Collection
132 assets in this story
6145-59036677
P.B. (initials), 24, quai Debilly/ near Trocadero/ Targe at Taurus/ Large attraction/ Every Thursdays & Sundays/ At 3am. (Registered title (letter)), 1880. Color lithography. Carnavalet museum, history of Paris.
1746-29956758
French satirical cartoon depicting Sultan Abdul Hamid II of Turkey before the 1908 Young Turks revolt which deposed him
6145-29941425
March 18th day
6145-29947913
ORIGINAL PAULUS Original Paulus "lithography. 1880-1900.
6145-52344903
Scribner's for October.. Penfield, Edward, 1866-1925. text. Posters. 1890 - 1907. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. United States, Dance, Violins
4266-3464
Italian advertising poster by Giuseppe Boano, colour lithograph, 1898, Private Collection
4408-2617
Lady in Red, Leonetto Capiello
1095-1190
The Letter 'I' (is for Industry, Iris...), from book ABC by Theodore Howard, USA, Illinois, Chicago, Newberry Library
6145-48723245
Hans Andersen's fairy tales , Dolphins, Books, Fairy tales
6145-43868611
Vanity, the new weekly paper, for sale here , Parrots, Periodicals
6145-58989650
Bernard, Emile (n.1868-04-28-D.1941-04-16), the Odyssey. Volume 2. (Main title), 1930. Book not connected on vellum. Petit Palais, Museum of Fine Arts of the City of Paris.
6145-48680672
Paint and clay club exhibition of 1896 , Organizations, Exhibitions. Charles H. Woodbury (1864-1940). Prints
6145-52340181
The farmer's boy.. Illustrations. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Picture Collection
6145-30079883
Rochet Cycles, 74, rue de la Folie-Regnault, Paris Printing Pochy. E. Cloud. Rochet Cycles, 74, rue de la Folie-Regnault, Paris. To post. Color Lithography. Around 1895.
6145-48552091
I's easy to dye with Diamond Dyes , Angels, Rabbits, Dyeing, 19th Century American Trade Cards
6145-58988257
Marc Mouclier. "Collection of criticism posters". Lithography, 1890-1900. Paris, Carnavalet museum. 50810-9 Advertising poster, collection, criticism, lithography, advertising
1899-18713173
Between the end of the First World War in 1918 and the outbreak of the Pacific War in 1941, Japanese graphic design as represented in advertsing posters, magazine covers and book covers underwent a series of changes characterised by increasing Western influence, a growing middle class, industrialisation and militarisation, as well as (initially) left wing political ideals and (subsequently) right wing nationalism and the influence of European Fascist art forms.
4409-21016409
Felicitación de Navidad. El basurero. Año 1930.
6145-30079789
The Arts of Women, Exhibition, 19 Street Good-Children Louis Morin (1855-1938). Printing G. of Malherbe and Cie. The arts of the woman, exhibition, 19 rue des Bonsons. Poster. Lithograph Color, in 1898.
4409-17522721
Sheet music Berceuse obscène by Franc-Nohain and Claude Terrasse. Dimensions: 35 cm x 27 cm. Museum: Van Gogh Museum, Amsterdam.
1095-632
High Life Late 19th Century Cigar Box Label
1746-30013477
Who is Pierre Laval', Vichy French propaganda poster, 1940-1944. Laval (1883-1945) was a French politician and served as Prime Minister of France four times, the final one under the collaborationist Vichy government. After the liberation of France he was found guilty of high treason and executed. The artist is unknown.
6145-59037876
Anonymous, racetrack/ au. BRIDGE. OF. Alma/ Representation/ Every evening at 8 a.m. 1/ 2./ Sundays, Thursdays & celebrations/ Supplementary representations at 3 H./ Equestrian exercises (registered title (letter)), 1882. Color lithography. Carnavalet museum, history of Paris.
4409-17502623
The Days of Auld Lang Syne. Artist: L. F. Hurd (American, active 1890s). Dimensions: Sheet: 18 1/4 × 12 1/16 in. (46.3 × 30.6 cm)Image: 16 13/16 × 11 1/2 in. (42.7 × 29.2 cm). Publisher: Dodd, Mead & Co.. Date: 1895. Museum: Metropolitan Museum of Art, New York, USA.
1746-28994082
Cover of Omnia Motoring magazine 1933 by Roger Soubie 1898 - 1984; French illustrator and designer
6145-52343990
Painter-gravers of America annual exhibition. text. Posters. 1887 - 1922. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Posters, American
6145-59036864
Yrondy, songs/ and/ monologues/ of Aristide/ Bruant/ Words and music/ 10c./ The illustrated delivery/ First Delivery/ Free/ H. Geffroy, Publisher,/ 222. Bd. St. Germain. Paris (Inscribed title (letter)), 1890. Color lithography. Carnavalet museum, Advertising, publication, edition, song, coffee-concert, Paris, 7th arrondissement, portrait of the singer, singer and writer Aristide Bruant (Aristide Louis Armand Bruand, dit) (1851-1925), H. Geffroy
4408-3474
Luce Calore, Leopoldo Metlicovitz
6239-70957586
Bookplate of English caricaturist Phil May / Phil May. | Library of Congress
6145-52344140
Donald and Dorothy.. text. Advertising, Posters. 1894. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Publishing industry, Posters, American, Book & magazine posters
6145-52343972
New poster. The Franklin institute. Brodovitch, Alexey, 1898-1971. text. Posters. 1937. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Posters, American
1746-21112998
Poster designed by Ludvig Hohlwein, 1926, colour lithograph. Ludwig Hohlwein (27 July 1874 in Wiesbaden ñ 15 September 1949 in Berchtesgaden) was a German poster artist. He was trained and practiced as an architect until 1906, when he switched to poster design. Hohlwein's adaptations of photographic images was based on a deep and intuitive understanding of graphical principles. His creative use of colour and architectural compositions dispels any suggestion that he uses photos as a substitute fo