Vintage and Artistic Clothing

Historical garments and intricate designs reflecting textile craftsmanship, including waistcoats and sleeves from various eras.

Trousers (hakama), Unknown Japanese, Silk, Japan

Mitaine from white ajour knitwear, with cut thumbs. Left mitaine of white cotton ajour knitwerk. Three quarters of the arm length with cut thumb. From top to bottom with different speed of open knitting sign, wide webs with zigzag lines, honeycomb and mates are separated by moldings with eyelets. From top and bottom of dots.

Classic lace women's panties isolated on white background

Skirt, Medium: linen, wool, cotton Technique: embroidered on weave, Black linen plain cloth with horizontal stripes of red. The material is closely pleated and the pleats held in place by threads; on the top of each pleat is a pattern of tiny flowers embroidered in colored wools, arranged to form a lozenge design. At the bottom of the skirt are bands of red, white and blue cotton cloth; at the top, herringbone stitches in colored wools., Burma, 19th century, costume & accessories, Skirt

Woman's Robe 18th-19th century China. Woman's Robe. China. 18th-19th century. Silk. Qing dynasty (1644-1911). Costumes-Embroidered

Anonymous. Underwear: pair of pale pink stockings, adorned with a grid on the top of the foot and black floral embroidery. Rear seam. Ties. Silk, grids. Embroidery, around 1900. Galliera, fashion museum of the city of Paris. 79125-1 Feminine, female lingerie, woman mode, pair of stockings, sub-observe, 19th 19th XIX 19th 19th 19th 19th century, XXth XX 20th 20th 20th 20th century

Skirt, China

Waistcoat late 18th cenutry French. Waistcoat 90815

Meter and mannequin isolated on the white

Vest. Culture: American or European. Date: 1850-89. Museum: Metropolitan Museum of Art, New York, USA.

Dolman ca. 1887 American. Dolman 107792

Mitaine from white linen, embroidered in blue with flower branches and branches with serpentine volutes. Right mitaine of white linen, embroidered in green with flowers and branches. Trimmed with flannel stitch along the seams. On the inside a split with open embroidery.

Pelerine 1830-35 French. Pelerine 120957

Sashiko Jacket. Culture: Japan. Dimensions: Overall: 51 1/8 x 49 1/2 in. (129.9 x 125.7 cm). Date: second half of the 19th century.Sashiko is a quilting technique that uses a running stitch to reinforce and prolong the life of a textile or to join together recycled pieces of cloth into a new garment. Japanese farmers used the technique to create warmer and more durable fabrics, and decorative sashiko stitching developed from this practical function. This robe's embroidered design is dominated by three variations on the pattern of interlocking circles, called shippo-tsunagi. The bottom band features a design of waves. Museum: Metropolitan Museum of Art, New York, USA.

Elegant woman bag on white

Cravat 1880s European. Cravat. European. 1880s. no medium available

Man's Ceremonial Pants, 1998, 44 x 28 in. (111.76 x 71.12 cm), Cotton, Guatemala, 20th century

Shawl, Medium: silk Technique: bobbin lace, Chantilly Style Label: silk bobbin lace, Triangular black silk Chantilly lace shawl with a floral design., Chantilly, France, ca. 1860, lace, Shawl

Sleeve ruffles, Medium: linen Technique: bobbin lace, Maybe used as sleeve ruffles., 19th century, lace, Sleeve ruffles

Black satin and lace bra, Schröder, c. 1930 - c. 1940 Black satin and lace bra. Bandless model, for under an evening dress. From the front, the satin is decorated with a lace top. Ribs in the front buildings. Front closure. In the back a tire elastic. Address: Schröder. Corsela Law. Ged. The Hague satin. Black satin and lace bra. Bandless model, for under an evening dress. From the front, the satin is decorated with a lace top. Ribs in the front buildings. Front closure. In the back a tire elastic. Address: Schröder. Corsela Law. Ged. The Hague satin.

Vestido femenino de noche diseñado por Pedro Rodríguez, siglo XX, MTIB146189. Museu Textil i d'Indumentaria de Barcelona.

stylized woman legs vector illustration

Collar; silk

Long Sleeves from Green Shirt

Man's Hat, 20th century, 11 x 8 x 8 in. (27.9 x 20.3 x 20.3 cm), Silk, China, 20th century

Mourning hat. Culture: American. Designer: West's (American, founded 1853). Date: ca. 1888. Museum: Metropolitan Museum of Art, New York, USA.

Waistcoat fragments, Medium: silk, sequins (paillettes), false jewels and 3 kinds of metal-wrapped silk, on silk Technique: embroidered with satin and stem stitch, appliquéd on satin weave, Fragments of an embroidered waistcoat with straight hem. Cream silk embroidered with pattern of small scattered flowers and sequins. Embroidered with larger pattern of flower bouquets with false jewels along middle, and on and below pocket flaps. Silk-covered buttons embroidered with flowers., France, 1770-80, costume & accessories, Waistcoat fragments

Woman's Hat (Bonnet). France, Paris, circa 1885. Costumes; Accessories. Straw with silk velvet

nice black woman shoes on white background

. Etiquette dictated that women - also those of more modest means - wear gloves to cover their bare arms. When short puffed sleeves became fashionable in the early 19th century, gloves became longer. During thesummer, cotton was in demand, and in the winter leather.

Men's vest of rugged black wool in twill binding with rounded front buildings and cut points, anonymous, c. 1910 - c. 1920 Men's vest of rugged black wool in twill binding. Vest with rounded front buildings and cut points. Deep v-neck, without a collar. Five black legs buttons. Two sloping bags. Back of black satinet in twill binding, with straps and buckle. Name band on the inside: Jhr. Mr. H. Gevers. Lining of Beige Satinet in twill binding. The Hague wool Men's vest of rugged black wool in twill binding. Vest with rounded front buildings and cut points. Deep v-neck, without a collar. Five black legs buttons. Two sloping bags. Back of black satinet in twill binding, with straps and buckle. Name band on the inside: Jhr. Mr. H. Gevers. Lining of Beige Satinet in twill binding. The Hague wool

Stockings 1890s American. Stockings 121544

silk head scarf on concrete plate hand painted silk head scarf on concrete plate ,property released Copyright: xZoonar.com/ValeryxVoennyyx 10059739 ,model released, Symbolfoto ,property released

Dress. Culture: French. Designer: Paul Poiret (French, Paris 1879-1944 Paris). Date: 1922. Museum: Metropolitan Museum of Art, New York, USA.

Dark ood Kleiderbügel mit goldfarbenen Metallhose / Rock Kleiderbügel isoliert auf einem weißen Hintergrund Dark ood clothes hanger with gold colored metal pants / skirt hanger isolated on a white background LicenseRF Copyright: xZoonar.com/NigelxStripex 15413071

Ceremonial blouse (Huipil), c. 1930-1940, 31 3/8 x 33 in. (79.69 x 83.82 cm), Cotton, silk; supplementary weft patterning, embroidery, Guatemala, 20th century

Close-up of African-American teen girl´s legs with floral pants and white shoes against white background.

Droit devant corset of black satin with yellow lining., Anonymous, c. 1900 The carrier of this corset, Mrs. Van Eeghen-du Mée, was a wealthy fashionable woman from Amsterdam, who at her death left a very extensive wardrobe with many Paris models. Whether she bought this striking corset in Paris or Amsterdam cannot unfortunately not be determined due to the lack of a label. But for 'French Corsets' she has been able to go to the Hunkemöller Lexis Fa. Hunkemöller Lexis since 1889, who had settled as' Corsetten-Wagazijn' in Leidsestraat 103. In their 'price-consulting' the Black Satin Corset 'with Geele Silk Geéventailled and Silk Feston Garned 'Always to the most expensive category (fl. 14 to fl.20,-). France (possibly)Netherlands (possibly) whole: Satin. embroidery:. Lint garnish: Silk. Side: Cotton (textile). laces:. suspenders: metal. Closure: Metal The carrier of this corset, Mrs. Van Eeghen-du Mée, was a wealthy fashionable woman from Amsterdam, who at her death left a very extensiv

Square of white cotton jersey, with diagonal pattern of winding lanes, narrow border and narrowing around the ankle, c. 1830 - c. 1840 Sticky white cotton jersey, with diagonal pattern of winding lanes, narrow border and narrowing around the ankle. Foot and ankle part can be seen by the light color difference. Netherlands whole: Cotton (textile). knitting Sticky white cotton jersey, with diagonal pattern of winding lanes, narrow border and narrowing around the ankle. Foot and ankle part can be seen by the light color difference. Netherlands whole: Cotton (textile). knitting

Square of white cotton jersey, with diagonal pattern of winding lanes, narrow border and narrowing around the ankle, c. 1830 - c. 1840 Sticky white cotton jersey, with diagonal pattern of winding lanes, narrow border and narrowing around the ankle. Foot and ankle part can be seen by the light color difference. Netherlands whole: Cotton (textile). knitting Sticky white cotton jersey, with diagonal pattern of winding lanes, narrow border and narrowing around the ankle. Foot and ankle part can be seen by the light color difference. Netherlands whole: Cotton (textile). knitting

Juliette Richard, Capot (common name), 1882, seal velvet cap, black, green and beige, embroidery of black glass pearls faceted on a canvas Brunette cotton, black silk taffeta, brass structure Palais Galliera, fashion museum of the city of Paris

Stockings, Medium: linen Technique: knitted, Stockings with horizontal bands of decoration at the top. In one of the bands are the words 'Regalo de un triste preso,' which translates to 'Gift of a sad prisoner.' The other stocking has a band with the name: 'Ana Maria Martinez.' Just below are vertical bands with geometrical motifs in red, blue, light brown and black. Foot is white with a red heel and toe. Blue and red pattern on the instep., Spain, 19th century, costume & accessories, Stockings

Skirt, 18 1/2 x 45 1/2 in. (46.99 x 115.57 cm) (at waistband, without ties), Cotton, silk, China

Skirt, c. 1970, 31 x 104 in. (78.74 x 264.16 cm), Cotton, mirrors; embroidery, India, 20th century

Ties hanging on the rope Three men s ties hanging on the rope after washing. Vintage style. Copyright: xZoonar.com/gkunax 14555169

Babani. Jacket. Mastic silk canvas, gold metal wire embroidery, gold metal wire cord, iridescent glass pearls and white and black glass, ponted with ivory silk. Around 1925. Galliera, fashion museum of the city of Paris. 101860-7 Haute couture, female mode, female model

Habit à la disposition. Culture: French. Date: 1870.It is extremely rare to have a complete unfinished dress à la disposition, such as this one, in a museum collection. The complex machine-embroidery and hand-stitched seed beads on the unfinished textile lengths assists in comprehending the manufacturing process in the 1870s. The artist's rendering of the completed garment (2009.300.3470), although from a later date, gives an indication of the elegant completed creation. Museum: Metropolitan Museum of Art, New York, USA.

Batist lower sleeve, decorated with rose branches and tendrils in openly worked Plumetis-boarding, c. 1850 - c. 1900 Under sleeve, wide model, from cotton batist. The sleeve is wrinkled to the double cuff. Both the cuff and the sleeve are decorated with rose branches and tendrils in open worked Plumetis regime. A knot on the cuff. Netherlands Batiste. Button: Glass Under sleeve, wide model, from cotton batist. The sleeve is wrinkled to the double cuff. Both the cuff and the sleeve are decorated with rose branches and tendrils in open worked Plumetis regime. A knot on the cuff. Netherlands Batiste. Button: Glass

Embroidery sample, Medium: silk, metal, glass; section of dress-trimming Technique: cloth with velvet applique, couched gold cord, glass sequins, Fragment of black, weft-ribbed silk cut at the bottom into three wide shallow scallops, in turn scalloped, with applied section of bottle green velvet; double row of couched gold cord outlining velvet and encircling applied faceted green glass sequins., France, 1875-1900, embroidery & stitching, Embroidery sample

Ondermouw voor kinderkleding van machinale kant.Submit for children's clothing from natural-colored side: machining valenciennes-side. Tapered model with folded cuff with glass knot. Along the cuff a wrinkled slip side. Along the underside a tunnel with cord. Pattern of leaf raft and flowers.

Luxury golden necklace on black mannequin vector isolated on white. Rich model of chaplet jewelry accessory item, bijouterie chain, elegant treasure. Luxury Golden Necklace on Black Mannequin Vector

Cape late 1880s American or European. Cape 107732

Hat 1892 American or European. Hat 113346

Fashion concept with scarf on white

Pregnant woman in colorful dressing gown

Sample (Dress Trimming) Made 1815-1835 France. Silk, plain weaves and silk, satin weaves; pieced; lined with cotton, plain weave, sized; padded with cotton batting; mounted to cotton, plain weave, sized .

Bonnet. Culture: Austrian. Date: 1873.During the early 1870s, hats framed the face and were small in order to create balance in response to the larger bustle silhouette and chignon hairstyles. This form added height to the wearer without creating additional bulk to distract from the overall effect. The flowers here are particularly dense and beautifully made, further exemplifying the quality of this hat. Museum: Metropolitan Museum of Art, New York, USA.

Glamorous woman standing in fur coat

Tie and Cuff. Dated: c. 1936. Dimensions: overall: 36.8 x 26 cm (14 1/2 x 10 1/4 in.). Medium: watercolor, gold ink, and silver ink on paper. Museum: National Gallery of Art, Washington DC. Author: Lillian Causey.

Inverted image of draped fleece fabric

Elegant silk male tie ( necktie ) on white

TUNICA-VERANO 1966 CAT 172. Author: CRISTOBAL BALENCIAGA (1895-1972). Location: EXPOSICION BALENCIAGA. Lyon. France.

Sash, 42 x 3 1/2 in. (106.68 x 8.89 cm) (with fringe), Cotton, silk, China

a black bathrobe is hanging at the wardrobe An image of a black bathrobe is hanging at the wardrobe Copyright: xZoonar.com/magannx 11700541

Kraag van zwarte kloskant met boeketten.Collar of black silk climbing side, chantilly side. The pattern has bouquets and a border of leaves and flowers. The motifs are connected by a Maas soil. The motifs are made in cut-off with contour wires to the motifs.

Womans Tunic (Halili)

Two black mannequins isolated on a white background

Batist sub -sleek with fanning cuff made of coarse luxurious side, anonymous, c. 1910 Batist sub -sleek, straight model, with a fantastic cuff made of a gross luxurious side. Belgium cambric. MANDER: Luxeuil Lace Batist sub -sleek, straight model, with a fantastic cuff made of a gross luxurious side. Belgium cambric. MANDER: Luxeuil Lace

Coat, 19th century, 49 1/4 x 67 3/4 in. (125.1 x 172.09 cm), Silk, cotton ikat, Central Asia, 19th century

Chinese dress

Pretty Asian woman

Apron 1870s American. Apron. American. 1870s. silk

Corset, vector

Two mannequins with tapes measure isolated on white background

Woman's Apron, c. 1920s, 28 3/4 x 63 in. (73.03 x 160.02 cm), Wool, Poland, 20th century

Skirt, 34 x 43 1/4 in. (86.36 x 109.83 cm), Silk, cotton, velvet, metallic threads, beads, China

Furisode winter kimono a pattern in white butterflies and plum branches unknown

Lady's Kimono of embroidered white satin, Edo period, 19th century

Madrid manton de Manila shawl typical in San Isidro fest

Short cardigan with cut corners, standing collar, empty bags with valves and white clapped silk lining with two inner pockets of white gieswell, very dark green sheet, anonymous, c. 1785 - c. 1800 Short cardigan with cut corners, standing collar, empty bags with valves and white cluttered silk lining with two inner pockets of white gieswood, very dark green sheet. Netherlands (possibly) cloth. silk twill Short cardigan with cut corners, standing collar, empty bags with valves and white cluttered silk lining with two inner pockets of white gieswood, very dark green sheet. Netherlands (possibly) cloth. silk twill

A gipsy dress is displayed in a souvenirs shop in Arcos de la Frontera, Cadiz province, Andalusia, Spain.

Tallinn, Estonia. Old Town traditional sweater.

3d rendering of a beautifull women mannequin in a sexy dress isolated in studio 3d rendering of a beautifull mannequin in a sexy dress isolated in a studio background Copyright: xZoonar.com/HugoxKurkx 14815696

Ondermouw voor kinderkleding van machinale kant.Submit for children's clothing from natural-colored side: machining valenciennes-side. Tapered model with folded cuff with glass knot. Along the cuff a wrinkled slip side. Along the underside a tunnel with cord. Pattern of leaf raft and flowers.

Skirt, 27 3/4 x 41 1/2 in. (70.49 x 105.41 cm), Rayon, cotton, China

Anonymous. Underwear: Pair of stockings, openwork on foot and neck in front. Opened white cotton thread, red thread, between 1850 and 1870. Galliera, fashion museum of the city of Paris. 79124-31 Feminine, female lingerie, woman mode, pair of stockings, underlying, 19th XIXth 19th 19th 19th 19th century

Beautiful black lady hat

Traditional clothing of indigenous women in Ecuador

Classic lace women's panties isolated on white background

Women's Haori with blooming summer and autumn plants. Haori for a woman with a decoration of blooming summer and autumn plants at the lining: among other balloon clock, anjelier, aster, ominaeshi and hydrangea. The exterior and lining of black mesh woven silk (RO) with a damask woven decoration of grasses with dewdrops, the lining with painted yuzen decoration and embroidered detailing, among other things in silver wire. Three family weapons (mon) of melon (Mokko).

Blonde straw pass hood lined with white lace, fancy tulle cap simulating a resil decorated with stitches stuck straw, ornament of bouquet of wheat ears and black grape clusters; Black silk support ribbons flap with straw stars. 1862-1864. Galliera, fashion museum of the city of Paris. CAPOTE Accessory, hood, white lace, epis ble, female, bunch reason, black, blonde straw, black network

Hat 1810-14 American or European As early as 1727 a French visitor to London noted that the "small hats of straw are vastly becoming. Ladies of the highest rank are thus attired when they go walking or make a simple visit." These straw or "chip" hats were worn pinned or tied to the head, often over a while mull mobcap.. Hat 113088

Black garter belt isolated on white background.

silk scarf painted by blue batik isolated silk scarf painted by blue batik isolated on white background ,property released Copyright: xZoonar.com/ValeryxVoennyyx 6971795 ,model released, Symbolfoto ,property released

Evening bonnet ca. 1892 Journeay & Burnham American In the late 19th and early 20th centuries, Journeay and Burnham was a supplier of all things sartorial. Brooklyn ladies traveled to the shopping district of Atlantic Avenue to purchase everything from corsets and gowns to parasols and hats at this four-story emporium. The integration of textures and ruffles in this example shows off the skill and originality of the Journeay and Burnham milliners, and remains an excellent example of the quality work of Brooklyn designers.. Evening bonnet 156275

pantyhose tights female cartoon. pantyhose tights female sign. isolated symbol vector illustration. pantyhose tights female cartoon vector illustration

Shako made of black felt, leather top and flap, velvet edge, garnished with white fourragères, safety cords, cockade and metal ornaments, shako hat headgear clothing leather felt velvet silk metal, to 88.0 textile J Corsten Jr Kleine Draaiste L. No 9 Rotterdam head covering Corps voluntary hunters on horseback equipped in Rotterdam in July 1815 Worn by Dirk Lodewijk Willem van Mierop brigadier.

Knitted Mitaine of White Cotton () With ajour edges, edges and a heart -shaped motif, anonymous, 1846 Knitted mitaine of white cotton () With ajour edges, edges and a heart -shaped motif. Europe cotton (textile) knitting Knitted mitaine of white cotton () With ajour edges, edges and a heart -shaped motif. Europe cotton (textile) knitting

Norway, Bergen. Traditional Norwegian sweater, detail

Sleeve of fine linen, wrinkled to cuff with a wide strip of bobbin. Button holes with light blue silk ribbon. At the top bow band through sloping loops of cord, anonymous, 1650 - 1700 A few sleeves, made from fine linen and wrinkled to a cuff, with a wide strip of bobbin with a dense woven pattern. The side is wrinkled on the cuff and leaves two buttonholes open, so that a light blue silk ribbon is tied (with one sleeve). At the top of the open sleeves, a cord in sloping loops is sewn, causing a bow band, with tightly rolled ends. The sleeves are marked in a corner with the number 3 or 5, in cross stitch with red yarn. linen (material). silk. bobbin lace A few sleeves, made from fine linen and wrinkled to a cuff, with a wide strip of bobbin with a dense woven pattern. The side is wrinkled on the cuff and leaves two buttonholes open, so that a light blue silk ribbon is tied (with one sleeve). At the top of the open sleeves, a cord in sloping loops is sewn, causing a bow band, with tigh

of 3