Vintage and Artistic Clothing

Historical garments and intricate designs reflecting textile craftsmanship, including waistcoats and sleeves from various eras.

Trousers (hakama), Unknown Japanese, Silk, Japan

Cardigan of black velvet with woven flower motifs in different shades of brown, green, white and blue, anonymous, c. 1840 - c. 1850 Cardigan of black velvet with woven bouquets. Sleeveless vest, hardly tailored to the waist. Deep necklace with cut around cut collar. Button closure from top to bottom with six green -grounded black satin buttons. Three bags without transhipment. Back side of dark gray satinet, cotton lining (yellowed). Netherlands Fronts: Velvet (Fabric Weave). back buildings:. lining: cotton (textile). Buttons: Satin Cardigan of black velvet with woven bouquets. Sleeveless vest, hardly tailored to the waist. Deep necklace with cut around cut collar. Button closure from top to bottom with six green -grounded black satin buttons. Three bags without transhipment. Back side of dark gray satinet, cotton lining (yellowed). Netherlands Fronts: Velvet (Fabric Weave). back buildings:. lining: cotton (textile). Buttons: Satin

Waistcoat 1780-85 British. Waistcoat 90746

Waistcoat front, Medium: silk, metal-wrapped threads with silk core Technique: embroidery using satin stitch and couching in five different metallic yarns on silk plain weave patterned with supplementary warp floats, Right front of gentleman's waistcoat embroidered in relief in gold and silver. Border pattern of foliage, flowers and pomegranates., France, ca. 1725-35, embroidery & stitching, Waistcoat front

Waistcoat. Culture: British. Date: 1780-85. Museum: Metropolitan Museum of Art, New York, USA.

Sleeve of printed cotton, colored flowers on a brown -mixed stock, anonymous, c. 1700 - c. 1800 Sleeve, lined, from printed cotton. The pattern consists of colored flowers and a pivot motif on a brown -mixed stock. The sleeve comes from a ladies' jacket. Netherlands Cotton (textile). hook: Metal printing Sleeve, lined, from printed cotton. The pattern consists of colored flowers and a pivot motif on a brown -mixed stock. The sleeve comes from a ladies' jacket. Netherlands Cotton (textile). hook: Metal printing

Wiener Werkstätte, 1915. Silk, silk tulle, glitter embroidery. Palais Galliera, fashion museum of the city of Paris.

Waistcoat ca. 1740 British. Waistcoat 90113

Anonymous. Underwear: Set of 4 pairs of embroidered wand. 1 white, 1 violet, 1 pale blue, 1 red. Silk, around 1890. Galliera, fashion museum of the city of Paris. 79127-14 Stockings, female lingerie, women's fashion, under-nomination, 19th 19th 19th 19th 19th 19th 19

Trousers (hakama), Unknown Japanese, Silk, Japan

Jacket, China

Bluk pants made of black sheet with dust buttons, valve, three bags, high waistband and knee closure with three standing knots and horizontal band with a black buckle, anonymous, c. 1840 - c. 1860 Black pants made of black sheet with dust buttons, valve, three bags, high waistband and knee closure with three standing knots and horizontal band with a black buckle. Netherlands (possibly) cloth Black pants made of black sheet with dust buttons, valve, three bags, high waistband and knee closure with three standing knots and horizontal band with a black buckle. Netherlands (possibly) cloth

Babani. Dress. Raspberry silk velvet, gold metal wire embroidery, gold metal stripes applications; Gold metallic netrous rod. Around 1922. Galliera, fashion museum of the city of Paris. 101860-26 Haute couture, female mode, female model

Doublet 16th century British. Doublet 101793

Man's Waistcoat. France, circa 1750. Costumes; principal attire (upper body). Silk cut, uncut, and voided velvet (ciselé) on satin foundation

Cardigan of white piqué with lying stripe, anonymous, c. 1910 - c. 1912 Cardigan of white piqué with lying stripe. Model: quite long. Fronts at the bottom cut into an arc. Deep v-neck with shawl collar and revers. Five mother -of -pearl knots. Coupenaden under the two insert bags. On the left a smaller breast pocket. Cotton back and lining. Two lap spies in the back. Sewn tires without buckle. No address. Brussels (possibly) pique Cardigan of white piqué with lying stripe. Model: quite long. Fronts at the bottom cut into an arc. Deep v-neck with shawl collar and revers. Five mother -of -pearl knots. Coupenaden under the two insert bags. On the left a smaller breast pocket. Cotton back and lining. Two lap spies in the back. Sewn tires without buckle. No address. Brussels (possibly) pique

Apron 1850-99 European. Apron 175681

Anonymous. Underwear: pair of stockings, decorated with inlays of black lace, black legs and white silk feet. Silk, lace. Galliera, fashion museum of the city of Paris. 79274-2 Stockings, female lingerie, women's fashion, underlying

Textile, Medium: silk Technique: fancy compound satin, Pattern of stylized flowers in blue satin outline in white on blue moiré ground. Pieces from dress worn at the Court of the Netherlands in the 1890s., France, ca. 1890, woven textiles, Textile

Waistcoat fronts, Medium: silk Technique: embroidered on plain weave, Man's waistcoat fronts in off-white ribbed silk with an allover design of diagonal rows of field flowers and clumps of grass. Center front and pockets have elaborate bouquets and butterflies embroidered in multicolored silk in realistic, natural tones., France, ca. 1780, embroidery & stitching, Waistcoat fronts

J. Gilles et Cie. Visit. Blue plush, gold embroidery, lined with white satin. Between 1890 and 1892. Galliera, fashion museum of the city of Paris. Gold, Dore, Men, Masculine, Blue Lug

patchwork and batik scarf isolated on white patchwork and batik scarf isolated on white background ,property released Copyright: xZoonar.com/ValeryxVoennyyx 6559683 ,model released, Symbolfoto ,property released

Mourning belt of wide black silk with braiding and fringe, anonymous, c. 1913 Mourning belt of wide black silk with braid and fringe at the ends. Zoomed on all sides, a braid of threads at the ends, which ends in fringes. Netherlands whole: Silk braiding Amsterdam Mourning belt of wide black silk with braid and fringe at the ends. Zoomed on all sides, a braid of threads at the ends, which ends in fringes. Netherlands whole: Silk braiding Amsterdam

Jacket. Culture: American. Date: 1880-82. Museum: Metropolitan Museum of Art, New York, USA.

Waistcoat third quarter 18th century French. Waistcoat 90527

Vest with scarf collar, two side pockets and four roll -shaped passement knots of blue -purple side, decorated with black velvet leaf vines; Back of brown glued cotton, anonymous, 1850 Vest of night blue satin with black ivy leaves and velvet ranks. Medium -long vest, low point neck with shawl collar, which shows widened curves in the lower half. Straight lower edge, over each other. Two side pockets. Four roll -shaped passion knots. Back of dark brown lining fabric, with a strap with buckle. France (possibly) silk. cotton (textile). satin. velvet (fabric weave) Vest of night blue satin with black ivy leaves and velvet ranks. Medium -long vest, low point neck with shawl collar, which shows widened curves in the lower half. Straight lower edge, over each other. Two side pockets. Four roll -shaped passion knots. Back of dark brown lining fabric, with a strap with buckle. France (possibly) silk. cotton (textile). satin. velvet (fabric weave)

Right glove from silk jersey, at the wrist a split with two black press studs. Three radiating cords on the back.

Long sleeveless cardigan of cream satin, with sparingly floral pattern in green and orange and multi -colored floral edge motifs with metal wire; Back of linen and flannel., Anonymous, 1770 - 1780 White side cardigan. Small flowers and edge of silver thread and silk. Multicolored spreading pattern in tambouring work. No collar. Lining of silk, linen and flannel. silk. linen (material). satin. flannel embroidering White side cardigan. Small flowers and edge of silver thread and silk. Multicolored spreading pattern in tambouring work. No collar. Lining of silk, linen and flannel. silk. linen (material). satin. flannel embroidering

Vest with slightly cut around and left front buildings with rounded corners and nine knots, closing with six button holes, of black sheet; Back linen, lining flannel, anonymous, c. 1840 - c. 1860 Vest with slightly cut around and left front buildings with rounded corners and nine knots, closing with six button holes, of black sheet; Back linen, lining flannel. Netherlands (possibly) cloth. linen (material). flannel Vest with slightly cut around and left front buildings with rounded corners and nine knots, closing with six button holes, of black sheet; Back linen, lining flannel. Netherlands (possibly) cloth. linen (material). flannel

Collar of embroidered batist with a wide strip side of imitation point d'inlande, anonymous, c. 1910 - c. 1915 Collar of embroidered batist with a wide strip side of imitation point d'inlande (chemical lace). The upper part consists of radiating lobes cotton batist, with narrow intermediate sinks. Two lobed piping are sewn around with open stitches, just as the board is built. The closure at the rear consists of mother -of -pearl knots. A wide edge strip is wrinkled on the bottom. At the front, the lobes are embroidered with a flower branch. West-Europa cotton (textile). knoop: mother of pearl embroidering Collar of embroidered batist with a wide strip side of imitation point d'inlande (chemical lace). The upper part consists of radiating lobes cotton batist, with narrow intermediate sinks. Two lobed piping are sewn around with open stitches, just as the board is built. The closure at the rear consists of mother -of -pearl knots. A wide edge strip is wrinkled on the bottom. At the fron

Mitaine of white cotton with white embroidered, anonymous, c. 1745 - c. 1800 Left mitaine made of white cotton with white embroidered with floral motif and thumb set separately. Zaanstreek whole: Cotton (textile) embroidering Left mitaine made of white cotton with white embroidered with floral motif and thumb set separately. Zaanstreek whole: Cotton (textile) embroidering

Suit. Culture: French. Date: 1805-10. Museum: Metropolitan Museum of Art, New York, USA.

Bathing suit 1885 American. Bathing suit 86429

Vest with deep rounded neck with round collar of black wool with soutache, anonymous Marked in ink: Jhr. Mr. Hugo Gevers. wool Marked in ink: Jhr. Mr. Hugo Gevers. wool

business fashion isolated new necktieon white background

national Eastern outerwear on white background. Asian, Uzbek chapan. caftan on a white background

haekeleien 42 - handmade 42 haekeleien 42 - handmade 42 Copyright: xZoonar.com/murxxxx 1393781

Lacy lingerie Black and red lacy lingerie with coral beads. Copyright: xZoonar.com/NatalliaxYaumenenkax 1388960

Plastron tie. Fabric fabric tégé, silk chains of different bruises, black silk frames, dirk, white silk chains white cotton white. 1908. Galliera, fashion museum of the city of Paris. 79576-13 Fashion accessory, 1900, tie, clothing

Dress panel, Medium: silk, silk chenille, silk-wrapped corrugated strips of flat metal, silk-wrapped wire coils, feathers, brilliants, paper Technique: embroidery on 8-harness satin using satin, stem and couching stitches, 5-harness satin appliqué, Long shaped panel from the left side of a robe. Pale blue satin embroidered in colored silks with accents of brilliants and paper roses. Parts of the design are outlined using white feathers. Overall pattern is garlands gathering clusters of small flowers. Appliquéd border of white satin embroidered in an imbricated pattern with a diamond-shape drop in each scale., France, 1780-89, embroidery & stitching, Dress panel

Anonymous. Underwear: pair of stockings decorated all the bottom, knitted by hand at the lace point. White cotton knitted by hand with lace point, rear sewing, between 1880 and 1890. Galliera, fashion museum of the city of Paris. 79127-2 Stockings, female lingerie, women's fashion, under-nomination, 19th 19th 19th 19th 19th 19th 19

Women Kimono with maple leaves, 1910 - 1930 Kimono for a woman with a decoration throughout the plane of small and large stylized maple leaves. Indigo cotton with tie-dye decoration. Lining of indigo cotton. Japan cotton (textile) painting Kimono for a woman with a decoration throughout the plane of small and large stylized maple leaves. Indigo cotton with tie-dye decoration. Lining of indigo cotton. Japan cotton (textile) painting

Waistcoat Fronts (France); silk, silver foil wrapped around a silk core, metallic sequins and tinsel

Anonymous. Underwear: pair of bottom, feet with openwork decor. White thread, days, rotating rear sewing, around 1840. Galliera, fashion museum of the city of Paris. 79126-16 Feminine, female lingerie, woman mode, pair of stockings, underlying, 19th XIXth 19th 19th 19th 19th century

Stylish jacket isolated on the white background

Kloskant cardigan decorated with pattern of rocailles, anonymous, c. 1900 - c. 1924 Vest of natural -colored mixed side: Point the Milan (chatter ribbons) with a mesh side (needle side). The cardigan is rectangular with a dot in the middle. On a mesh ground (needle side) is a symmetrical edge pattern (bobbin) of rocailles with a fine mesh ground. Chalice -shaped flowers with cracked relief contours are in midfield, while acanthus leaves form the outlets of the rocailles. Belgium linen (material) mixed lace / Flemish lace / point de Milan (mixed lace) Vest of natural -colored mixed side: Point the Milan (chatter ribbons) with a mesh side (needle side). The cardigan is rectangular with a dot in the middle. On a mesh ground (needle side) is a symmetrical edge pattern (bobbin) of rocailles with a fine mesh ground. Chalice -shaped flowers with cracked relief contours are in midfield, while acanthus leaves form the outlets of the rocailles. Belgium linen (material) mixed lace / Flemish lace

Mitaine of black cotton in Egyptian braid, c. 1900 - c. 1925 Mitaine of black cotton in Egyptian braid. Netherlands whole: Cotton (textile) Mitaine of black cotton in Egyptian braid. Netherlands whole: Cotton (textile)

Lower white jersey with machinal cuff. Lower tricot with cuffs of machining. Model as a stocking leg with hanging wrinkled side strip, imitation of Mechelen side. Lowered 'Thyra 9'

. Quilted and stitched underskirt from blue taft with a brown linen lining. The stitching forms a drawing of large flowers and leaves and from above diamond forms. The splits are sideways and are closed by hooks and eyes.

Paul Poiret (1879-1944). Bonnet made after a drawing of the workshop Martine, with a pattern of stylized flowers. 1911. Galliera, fashion museum of the city of Paris. 54693-3 Martine workshop, drawing, stylise flower, haute couture, model, female mode, female model, pattern, hat

Jérôme. Dress. Black silk satin, gold embroidery. Around 1925. Galliera, fashion museum of the city of Paris. Gold, Doree, feminine, female, leaf, bird, black silk satin, Vegetation, Dress

Corset. Culture: American. Date: 1890. Museum: Metropolitan Museum of Art, New York, USA.

Stylish jacket isolated on the white background

Mitaine of white linen, embroidered in red with flower branches and branches with serpentine volutes. Left mitaine from linen, embroidered in red with flowers and branches. Trimmed with flannel stitch along the seams. On the inside a split with open embroidery.

Corset 1890 American. Corset. American. 1890. satin, steel, linen

Anonymous. Underwear: pair of black silk jersey, embroidered in front of seven rosettes in jet, copper and steel pearls. Black silk jersey, jet, copper, steel, around 1890. Galliera, fashion museum of the city of Paris. 79126-17 Feminine, female lingerie, woman mode, pair of stockings, underlying, 19th XIXth 19th 19th 19th 19th century

red and sexy underwear

Chemise, Medium: silk embroidery on cotton foundation Technique: embroidered on plain weave, Woman's chemise with a plain white cotton top, intended to be worn under an embroidered blouse. The bottom is heavily embroidered in dark polychrome colors in a highly formalized floral design., Attica, Greece, 19th century, costume & accessories, Chemise

Mitaine from black, white-timed silk. Mitaine from black, white-timed silk. Trimmed with impelled tulle and lubranship of silk and black white ribbon.

Mitaine from white kepper cotton and linen. Left mitaine of keperkatoen and linen. Cocked obliquely from the fabric. With padded point that falls over the hand ridge and inches without a great. Decorated with red embroidery on the back. S- shaped embroidery of branches with an imposed cord. Decorated with berries, tulips and rosettes. Completely trimmed with a flannel stitch along the seams.

Petticoat ca. 1900 American. Petticoat 86383

Chasuble 18th century Italian or French. Chasuble. Italian or French. 18th century. Silk and metal thread on silk. Textiles-Embroidered

Stocky of Ajour knitted white cotton, scaly pattern, with wide board, c. 1900 - c. 1910 Stocky of Ajour knitted white cotton, scaly pattern, with wide border, knitted right. Hand knitted. Surabaya whole: Cotton (textile) knitting Stocky of Ajour knitted white cotton, scaly pattern, with wide border, knitted right. Hand knitted. Surabaya whole: Cotton (textile) knitting

Dress ca. 1925 House of Lucile British. Dress 175128

Anonymous. Underwear: pair of cotton bottom bllanc knitted by hand, openwork diamonds. White knit, around 1890. Galliera, fashion museum of the city of Paris. 79127-1 Stockings, female lingerie, women's fashion, under-nomination, 19th 19th 19th 19th 19th 19th 19

Kinderkraag van kloskant met hoekige schulpen en tussenzetsels van batist met borduurwerk.Children's collar of natural colosside - Valenciennes-lace - with batist intermedies with embroidery - white work - round angular beam fields. The collar is finished with striking valenciennes, where the strip along the neckline is narrower than the strip that forms a slip edge around the angular fields.

Under sleeve of glass batist with embroidery and lace, anonymous, c. 1935 Under sleeve of glass batist with embroidery and lace. Smooth model with cut sleeve and sewn sinked borders. Sewn -up scales strip with stars in circles, flowers and palmets. Pleated glass batist strip with a strip of Valenciennes. West-Europa batiste. Valenciennes lace / embroidering Under sleeve of glass batist with embroidery and lace. Smooth model with cut sleeve and sewn sinked borders. Sewn -up scales strip with stars in circles, flowers and palmets. Pleated glass batist strip with a strip of Valenciennes. West-Europa batiste. Valenciennes lace / embroidering

Blouse, Medium: linen Technique: embroidered with cutwork on plain weave, Blouse of white linen with a round neckline, open front slit, and long puffed sleeves. Panels of embroidery and cutwork at the shoulder yoke and upper sleeves., Toledo, Spain, 18th century, costume & accessories, Blouse

Fichu 1877 French. Fichu 168509

Batist jabot with plumetis embroidery with needle sides Sieren stitches trimmed with a narrow border Valenciennes side, anonymous, c. 1850 - c. 1900 Jabot of Batist with Plumetis Embroidery with Needle Santons Sieren stitches trimmed with a narrow edge sculpted and potented Valenciennes side. West-Europa batiste. Valenciennes lace Jabot of Batist with Plumetis Embroidery with Needle Santons Sieren stitches trimmed with a narrow edge sculpted and potented Valenciennes side. West-Europa batiste. Valenciennes lace

Capelet; cotton

Europe, Ireland, Killarney. Famous Blarney Woollen Mills, traditional Irish knitwear. THIS IMAGE RESTRICTED - Not available to U.S. land tour travel operators.

Anonymous. Underwear: openwork of on foot and front-end-ups. White cotton thread, sewing, around 1850. Galliera, fashion museum of the city of Paris. 79127-4 Stockings, female lingerie, women's fashion, under-nomination, 19th 19th 19th 19th 19th 19th 19

Pretty kimono detail

Skirt, China

Dragon Robe, 1736-1795, L.56-3/4 in. (backseam), Embroidered satin brocade, China, 18th century

Festival apron, c. 1970s-1980s, 27 5/8 x 26 15/16 in. (70.17 x 68.42 cm) (without ties or fringe), Cotton, silk, China, 20th century

Skirt, China

Parsi Blouse, c. 1925-1950, 11 1/2 x 32 13/16 in. (29.21 x 83.34 cm) (neck to back hem and sleeve to sleeve, unfolded, without ties), Silk; embroidery, India, 20th century

Festival apron, c. 1970s-1980s, 27 11/16 x 26 1/8 in. (70.33 x 66.36 cm) (at waistband, without ties or fringe), Cotton, China, 20th century

Skirt (Burma); linen, wool, cotton

Cape. Culture: American. Designer: Lord & Taylor (American, founded 1826). Date: ca. 1885. Museum: Metropolitan Museum of Art, New York, USA.

Sleeves fourth quarter 19th century American. Sleeves 168695

Mitaine of white striped cotton, c. 1880 - c. 1900 Left mitaine of white striped cotton. Three embroidered winding lines on the back. West-Europa whole: Cotton (textile) embroidering Left mitaine of white striped cotton. Three embroidered winding lines on the back. West-Europa whole: Cotton (textile) embroidering

Hat veil of application side with litter pattern of thin curling flower vines, anonymous, c. 1850 Hat veil from application side: bobbin with needle lace piera on mechanical tuler land. Elongated rectangular model. Spread pattern of long curled thin flower and leaf vines with different types of flowers and berries. Along the short sides and the underside an edge with rococo fields, which provide a silly outskirts of scales. The motifs are made in linen battle with openwork edges, with contour threads and relief contours of wire bundles. The top of the veil is finished with a zoompje. Belgium cotton (textile) Hat veil from application side: bobbin with needle lace piera on mechanical tuler land. Elongated rectangular model. Spread pattern of long curled thin flower and leaf vines with different types of flowers and berries. Along the short sides and the underside an edge with rococo fields, which provide a silly outskirts of scales. The motifs are made in linen battle with openwork edge

Skirt, China

Petticoat 1865-70 American. Petticoat 174775

Vest with deep V-neck with scarf collar of black wool, Bunschoten and De Gooijer, c. 1910 - c. 1915 Address: Bunschoten and De Gooijer/Hofsleveranciers/Utrecht; marked in ink: Jhr. Gevers/Cie. 5658. Utrecht wool Address: Bunschoten and De Gooijer/Hofsleveranciers/Utrecht; marked in ink: Jhr. Gevers/Cie. 5658. Utrecht wool

Waistcoat fronts, Medium: silk, silver foil wrapped around a silk core, metallic sequins and tinsel Technique: embroidery on twill weave, Waistcoat fronts (separated) of white silk in small checkered design with paired horizontal silver threads. Embroidered with green silk, silver sequins and thread, rose tinsel in design of twisting ribbons and feathers. Cameo under each pocket., France, late 18th century, embroidery & stitching, Waistcoat fronts

Wedding Cap, late 1800s-early 1900s. China, Qing dynasty (1644-1911) or Republican period (1912-49). Embroidery, silk and gold thread; overall: 28 x 40.6 cm (11 x 16 in.).

Skirt, 17 1/4 x 38 1/4 in. (43.82 x 97.16 cm) (folded, at hem), Cotton, China

Dress For An Ecclesiastical Figurine; silk, metallic yarns; H: 30.5 cm (12 in.); 1926-30-1

Square of white cotton jersey, with, with the exception, an ajour pattern with cross stitches in vertical tracks, without board, c. 1830 - c. 1840 Sticky white cotton jersey, with, with, on the foot, an ajour pattern with cross -stitches in vertical tracks, without border. Netherlands whole: Cotton (textile). knitting Sticky white cotton jersey, with, with, on the foot, an ajour pattern with cross -stitches in vertical tracks, without border. Netherlands whole: Cotton (textile). knitting

Paul Poiret, 1922. Anthracite gray flax rope knitted by hand with foam stitch, covered with silver paint, lining of ivory silk muslin shoulders. Palais Galliera, fashion museum of the city of Paris.

Women Haori with night landscape and Haan, 1920 - 1940 Haori For a woman with a decoration over the entire plane of a representation of an ox cart and two boxes for the shell game, in a nightly landscape with flowers, water, rocks and pine boom motifs, the lining with a crowing rooster in the morning glores against a red background ; Referring to farewell the border post at Osaka, where loved ones secretly used to meet each other. The pillow book of Sei Shonagon: "There may be some who are cheated by the crowing of the rooster that false breaks the silence of the night, but that deception will not be absorbed for the border post at Osaka, where lovers have their rendez vous." Black fine crepe silk (kinsha) with a damask woven decoration of, outside and lining with painted yuzen decoration and embroidered detailing. Three family weapons (Mon) of the "Slangenog motif" (Janome). Japan silk painting / embroidering Haori For a woman with a decoration over the entire plane of a representatio

Underemen of tulle with embroidery and an edge of Valenciennes side, anonymous, c. 1860 Underemen of tulle, straight model. With recommended, fanning cuff that is decorated with two edges on which applications in the form of flowers with leaves. The cuff is trimmed with a strip of Valenciennes side. West-Europa . Embroidering / Valenciennes lace Underemen of tulle, straight model. With recommended, fanning cuff that is decorated with two edges on which applications in the form of flowers with leaves. The cuff is trimmed with a strip of Valenciennes side. West-Europa . Embroidering / Valenciennes lace

Women's Haori with night landscape and rooster. Haori for a woman with an ornament over the whole plane of a representation of an oxen cart and two boxes for the shell game, in a night landscape with flowers, water, rocks and pine motifs, the lining with a crowing rooster in the morning against a red background ; Referring to saying goodbye to the border post at Osaka, where loved ones sneaked up to meet. Sei Shonagon Pillow Book: "Some may be who are cheated by the crows of the rooster that breaks the silence of the night, but that deception will not merge for the border post at Osaka, where loved ones have their Rendezvous." Black fine crepe silk (Kinsha) with a damask textured decoration from, exterior and lining with painted yuzen decoration and embroidered detail. Three family arms (mon) of the 'Slangoog motif' (Janome).

Vest, 30 5/8 x 26 13/16 in. (77.79 x 68.1 cm), Cotton, metalic threads, metal buttons, China

Garment for an ecclesiastical figurine, Medium: silk, linen Technique: ribbed plain weave with discontinuous supplementary weft patterning (brocade); plain woven lining, Garment of brown ribbed silk brocaded in a multicolored floral design. Lined with dark brown linen and hem faced with white silk taffeta. Open down the back and sleeves with linen tabs to fasten., Italy, late 17th century, costume & accessories, Garment for an ecclesiastical figurine

Jacket. Probably England. Date: 1855-1865. Dimensions: 78.3 × 90.7 cm (30 7/8 × 35 3/4 in.)Sleeve length: 65.9 cm (26 in.). Silk and mohair, Pusher machine lace with silk, warp frame machine border, and cotton, plain weave undersleeves edged with cotton crochet border; lined with silk, warp-float faced 7:1 satin weaveclosures: silk wrapped cotton cordius + crochet cording. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Mitaine van Zwarte Kloskant with C-Voluten and Roslingers, Anonymous, c. 1855 Mitaine van Zwarte Kloskant: Chantilly side. Model until just below the elbow and formed to the arm. The pattern consists of a large rose and a flower garland on the back of the hand and a few connected large C-volutes along the edge. Bloemlingers walk on the lower edge on the forearm and upper arm part. The lower edge consists of connected rosette flowers from which some smaller C-volutes spring in leaf shape. The motifs are made in netslag and are accentuated by contour threads. The motifs are connected by a tuler land. In the C-Voluten along the edge and the larger flowers, a decorative land has been used, a rose ground. All edges are finished with picots. Chantilly silk. Mitaine van Zwarte Kloskant: Chantilly side. Model until just below the elbow and formed to the arm. The pattern consists of a large rose and a flower garland on the back of the hand and a few connected large C-volutes along the edge. Blo

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