Vintage Etchings of Romantic Themes

A collection of etchings featuring figures in motion, intimate moments, religious scenes, and mythological themes, characterized by intricate lines and soft tones.

OEDIPUS IN SFINX, LEOPOLD FLAMENG, AFTER Gustave Moreau, 1864 print Paris paper. etching / engraving Oedipus and the sphinx; he solves the riddle

Etching by Emil Orlik, 1894, depicting figures on the move, showing clothing, posture, and movement in a landscape.

Two loved ones in a barge, Albert Dillens, 1854 - 1909 print paper etching couple of lovers. boat propelled by man or animal. landscapes

Der Bauer Dessen Saat in Unheil Aufgeht, Bl. 40; Klinger, Max (1857-1920); 1893 (1893-00-00-1893-00-00);Brahms, Johannes (1833-1897), Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, white weapons, peasants, modernism (style), destiny, parables (Bible), agriculture, religious scenes, sowing (iconogr.)

La Vierge, L'Engant et Saint Jean; Jasi Ski, Feliks Stanis AW (1862-1901), Botticelli, Sandro (1444 cars 1445-1510), Wittmann ch., Imprimérie (Paris 1902); 1890 (1890-00-00-1890-00-00);Baby Jesus (iconogr.), John the Baptist (Saint), Maria (Mother of Jesus Christ), Musées et Salons (Paris Series - Fl. Ca 1884-1893), Wellisz, Leopold (1882-1972), Wellisz, Leopold (1882-1972) - collection, French (culture), French graphics, Polish graphics, reproductive graphics, prayer books, publishing prints, Poland (culture), devotional performances, roses (bot.), Religious scenes, purchase (provenance)

OEDIPUS IN SFINX, LEOPOLD FLAMENG, AFTER Gustave Moreau, 1864 print Paris paper. etching / engraving Oedipus and the sphinx; he solves the riddle

Copper engraving print showing the latest court of the Sistine Chapel by an unidentified engraver, created in 1576.

Heuvellandschap, Frits van den Berghe, 1919 print paper low hill country

Martyrdom of the soul in hell; unknown, Marcinowski, Antoni (Vilnius; Drukarnia; 1817-1862), Tyszkiewicz, Konstanty (1806-1868); 1790-1830 (1790-00-00-1830-00-00);

. Study magazine. Right and top left twice a man with a donkey. Left and bottom right twice two sheep heads.

Reproduction from a print to a drawing by a man serving a eel pie, anonymous, after adolphe martial potémont, after jean honoré fragonard, 1880 photomechanical print Scene from 'La Paté d'Anguille' by Jean de la Fontaine. Reproduction of a proof with sketches in the margins. paper eels. waiting at table

Faust in his study, Willem Linnig (II), 1868 - 1876 print paper. etching Faust. scholar in his study. (human) skull. book - MM - book open

Roche, Pierre (n.1855-D.1922-01-18), Le Vau-Madet (Pordic) (main title), 1910. Gypsography, black draw .. Petit Palais, Museum of Fine Arts of the city of Paris.

Gopsmor Cottage. Anders Zorn; Swedish, 1860-1920. Date: 1917. Dimensions: 288 x 198 mm (image/plate); 399 x 298 mm (sheet). Etching in black on ivory laid paper. Origin: Sweden. Museum: The Chicago Art Institute, USA.

Bouquet with Two Portraits. Alberto Giacometti; Swiss, 1901-1966. Date: 1955. Dimensions: 268 x 208 mm (image/plate); 498 x 376 mm (sheet). Etching on ivory wove paper. Origin: Switzerland. Museum: The Chicago Art Institute, Chicago, USA.

La Vierge assise, embarassant l'enfant Jésus. Bisson Frères (French, active 1840 - 1864)

Reproduction from a print to a drawing of veiled figures with torches, anonymous, After Adolphe Martial Potémont, after Jean Honoré Fragonard, 1880 photomechanical print Scene from 'Féronde' by Jean de la Fontaine. Reproduction of a proof with sketches in the margins. paper veil. torch

Young woman with a table at a table, Théodore Joseph Cleynhens (attributed to), 1851 - 1909 print paper etching / drypoint adolescent, young woman, maiden. laying the table

Etching 'Faces; Street in Frankfurt' by Max Beckmann, created in 1918 on handmade paper, depicting street figures and urban architecture with expressive detail.

Frontispiece to La messe de Gnide. Félicien Rops; Belgian, 1833-1898. Date: 1881. Dimensions: 115 × 78 mm (image); 133 × 86 mm (plate); 276 × 213 mm (sheet). Heliogravure, with drypoint, on cream wove paper. Origin: Belgium. Museum: The Chicago Art Institute, Chicago, USA.

Etching on zinc by Paul Klee titled 'Two Acts in the Lake', produced in 1907, showing figures, gestures, and abstract composition.

Wall carpet with a performance from the life of the Sacred Saturninus of Toulouse, set up during the exhibition Rétrospective of 1873 in Tours, France, Gabriel Blaise, 1873 photomechanical print Tours paper tapestry. Saturninus (Sernin), martyr and bishop of Toulouse; possible attributes: bull. temporary exhibition, 'Salon' Tours

Etching by Max Klinger titled 'Fears' (Opus VI, sheet 7), printed on French China paper in 1893.

Wishes, plate three from A Glove. Max Klinger; German, 1857-1920. Date: 1881. Dimensions: 247 x 188 mm (image); 299 x 210 mm (plate); 631 x 449 mm (sheet). Etching and aquatint on ivory chine collé on off-white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Fountain with Swans, Gaston Latouche, 1864 - 1913 print France paper etching ornamental fountain. water-birds: swan

A pond followed by a prostitute, Odilon Redon, 1888 print A water with on the horizon climbing to the light a man with a helmet, a building, a woman with long hair and a car pulled by two horses. Under the image the text: "First a pond followed by a prostitute, a corner of a temple, a soldier, a chariot pulled by two white horses". First print of ten from the first series of illustrations for Gustave Flauberts the temptation of Saint Antonius. print maker: Franceprinter: Parispublisher: Brussels . temptations of St. Antony Abbot. warfare; military affairs (+ battle wagon, chariot). whore, prostitute. warfare; military affairs (+ privates)

Etching by Conrad Bühlmayer showing the god Pan playing a flute in a natural landscape, created between 1855 and 1883.

La Maison Hautée, 6 litho's wrap title sheet; La Maison Haut, E, 6 litho's wrap title sheet; The haunted house, "La Maison Hantée", illustrations for text by Bulwer-Lytton, translated by René Philipon in French. The width and flatness of the forehead leg

Reason for ornamentation of the vestibule of the Hôtel de Senneterre, current Conflans hotel, streets of Verneuil and the university. Paris (7th arr.). Berthaud printing. Paris, Carnavalet museum. 123099-13

Musketier Met Helm up, Anonymous, After Hendrick Goltzius, After Jacques de Gheyn (II), 1587 - 1596 print A soldier with a gun (musket or harquebus) over the left shoulder, a burning wick in the right hand and a sword on the left side, in full, seen on the back. In the background a coastal landscape in which soldiers shoot each other. In the lower margin a two -line Latin text. Reconstructed from three fragments. Northern Netherlands paper engraving private soldier. firearms: rifle

Shepherd's couple resting in a temple ruins, Léopold Flameng, After Felix Armand Heullant, 1841 - 1910 print paper etching pastorals, Arcadian scenes. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Young woman on a balcony with putti in the air, François Courboin, 1890 print paper drypoint / etching adolescent, young woman, maiden. balcony. cupids: 'amores', 'amoretti', 'putti'

With her Child Made 1890 Sweden. Etching on ivory laid paper . Anders Zorn

Jupiter en I, William Unger, After Correggio, 1861 - 1889 print Vienna paper. etching Jupiter, shrouded in a cloud, woos Io, daughter of Inachus; Juno may be watching the lovers

Thérésa Valdon, singing the 'Song of the Dog'. Georges-William Thornley (French, 1857-1935); after Edgar Degas (French, 1834-1917); printed by Atelier Becquet (French, 19th century); published by Boussod, Valadon, & Company (French, 18th-19th century). Date: 1889-1890. Dimensions: 212 × 160 mm (image); 569 × 394 mm (sheet). Lithograph on paper. Origin: France. Museum: The Chicago Art Institute, USA.

William Finden, 1787-1852, British, Assos, 1835-1836. Line engraving, engraver's proof.

Star stars; Siedlecki, Franciszek (1867-1934); 1912 (1912-00-00-1912-00-00);Woźnicki, Kazimierz (1878-1949), Woźnicki, Kazimierz (1878-1949)-collection, gift (provenance), Polish graphics, stars, love scene (genre scenes), kisses (genre scenes), Poland (culture), symbolic scenes , secession (style), symbolism (style)

Kameraden, Pl. 11. Wach, Aloys, 1892-1940. Prints. 1922. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Dance of death

Carl Larsson , Artists, Larsson, Carl, 1853-1919

Adieu 1895 France. Lithograph on cream wove paper . Henri de Toulouse-Lautrec

Victoria Club Made 1879 United States. Transfer lithograph in black with scraping, on cream chine laid down on off-white plate paper . James McNeill Whistler

Satires; Malczewski, Axentowicz, Wyczółkowski. Wyczółkowski, Leon (1852-1936), graphic artist, Malczewski, Jacek (1854-1929), draughtsman, cartoonist

Male actor head with stab, Félicien Rops, 1895 print print maker: Francepublisher: Parisprinter: Paris paper male sex; man. actor (on the stage)

Jeanne (Spring). Édouard Manet (French, 1832-1883); published by Alfred Porcabeuf (French, 19th-20th centuries). Date: 1882. Dimensions: 155 × 107 mm (image); 243 × 182 mm (plate); 280 × 203 mm (sheet). Etching and aquatint in black on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Gypsum Model for A Vault Decoration of the Louvre Palace by L. Flandrin. Share of meeting of the Tuileries at the Louvre 1852-1857, album 4.

An aquatint by Benedikt Piringer from 1800-1826 depicting a landscape in evening light with a shepherd and mule, showing figures and natural scenery.

Costume de Graff, joue par Melinque.…. Artist: Paul Gavarni, French, 1804-1866

Tänzerinnen; Corinth, Lovis (1858-1925), Fritz Gurlitt Verlag (Berlin; Publisher, Gallery; 1880-1943); 1895 (1895-00-00-1895-00-00);Partage Plus, Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, ballerinas, ballets, women, modernism (style), music, dancers, dance, theaters

The draftsman. .

Study of women walking (dummy title)

Victoria Club. James McNeill Whistler; American, 1834-1903. Date: 1879. Dimensions: 206 x 134 mm (image); 235 x 156 mm (primary support); 497 x 381 mm (secondary support). Transfer lithograph in black with scraping, on cream chine laid down on off-white plate paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Street in Algiers, Philip Zilcken, 1883 print paper etching / drypoint street Algiers

Jeanne, from "Gazette des Beaux-Arts" 1882, printed 1902 Edouard Manet French. Jeanne, from "Gazette des Beaux-Arts" 376107

Rive du Saint-Pré , Rivers, Trees, Alphonse Legros (1837-1911)

Morning Mist. Artist: Kerr Eby (American, Tokyo, Japan 1889-1946 Norwalk, Connecticut). Dimensions: image: 7 5/8 x 6 1/2 in. (19.4 x 16.5 cm). Date: 1913. Museum: Metropolitan Museum of Art, New York, USA.

Zincography by Lovis Corinth depicting the crucifixion of Christ, created in 1916.

At the Moor. Fritz Overbeck; German, 1869-1909. Date: 1895. Dimensions: 210 × 160 mm (image); 230 × 168 mm (plate); 510 × 350 mm (paper). Etching with brown Ink on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): 'Ravages of war.' (Estragos de la guerra.) 1810 (published 1863) Goya (Francisco de Goya y Lucientes) Spanish. Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): 'Ravages of war.' (Estragos de la guerra.) 381366 Artist: Goya (Francisco de Goya y Lucientes), Spanish, Fuendetodos 17461828 Bordeaux, Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra):'Ravages of war' (Estragos de la guerra), 181020, published 1863, Etching, drypoint, burin and burnisher, Plate: 5 1/2 6 5/8 in. (14 16.8 cm) Sheet: 9 7/8 13 1/2 in. (25.1 34.3 cm). The Metropolitan Museum of Art, New York. Purchase, Rogers Fund and Jacob H. Schiff Bequest, 1922 (22.60.25(30))

Interior with three people, Jakob Smits, 1901 - 1925 print On the left two people are on chairs; On the right a woman comes with a tray. Netherlands paper etching nursing, tending the sick

Vadier.

Kullervo Cursing. Axeli Gallen-Kallela; Finnish, 1865-1931. Date: 1896. Dimensions: 219 × 117 mm (image); 225 × 123 mm (plate); 441 × 350 mm (sheet). Etching in black on cream wove paper. Origin: Finland. Museum: The Chicago Art Institute, Chicago, USA. Author: Axeli Gallen-Kallela.

Ängste (Fears) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VII. First edition. Artist: Max Klinger (German, Leipzig 1857-1920 Großjena). Dimensions: Overall: 18 5/16 x 26 in. (46.5 x 66 cm). Printer: Printed by F. Felsing. Series/Portfolio: First edition. Date: 1881. Museum: Metropolitan Museum of Art, New York, USA.

Portrait d'omme, Stan I; Jasi Ski, Feliks Stanis AW (1862-1901), Chardon, Charles (Paris 1888 (1888-00-00-1888-00-00);Wellsz, Leopold (1882-1972), Wellisz, Leopold (1882-1972)-collection, French (culture), French graphics, Polish graphics, reproductive graphics, books, state prints, glasses, landscapes, Polish (culture), men's portraits , rivers, scholars, purchase (provenance), castles (archite.)

Portrait of the deceased Augustusbach amalia; Kriehuber, Josef (1800-1876), Höfelich, Johann (Vienna 1853 (1853-00-00-1853-00-00);

La Naissance de Vénus. Wittmann Charles, Imprimérie, Paris (fl. ca 1886-1908), printing house, Jasiński, Feliks Stanisław (1862-1901), graphic artist, Hautecoeur, Jules (fl. 1885-1902), publisher, Botticelli, Sandro (1444 aut 1445-1510), painter

Cossack playing on a woman, a study of the character for the picture "Lisowczyk camp" (1872); Brandt, Józef (1841-1915); 1871-1872 (1871-00-00-1872-00-00);Brzeg-Woliński, Stanisław (Fl. 1965), Brzeg-Woliński, Stanisław (Fl. 1965)-collection, Cossacks, musical instruments, music, studies for paintings, purchase (provenance)

The Chimera with Green eyes Turns, Bays, plate 7 from The Temptation of Saint Anthony (1st series). Odilon Redon; French, 1840-1916. Date: 1888. Dimensions: 275 × 160 mm (image/chine); 439 × 310 mm (sheet). Lithograph in black on ivory China paper laid down on white wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Judah and Tamar. Round representation of Judah and Tamar. Tamar is in the foreground next to a tree, dressed as a courtesane. Tamar and Judah can be seen together on the right. With reference to the Bible text in Gen: 38. Reconstructed from two fragments.

Nissance de Vénus; Jasi Ski, Feliks Stanis AW (1862-1901), Botticelli, Sandro (1444 cars 1445-1510), Wittmann ch., Imprimérie (couples 1902); 1893 (1893-00-00-1893-00-00);Musées et salons (Paris Series - Paris - Fl. Ca 1884-1893), Wellsz, Leopold (1882-1972), Wellsz, Leopold (1882-1972) - collection, Venus (iconogr.), Wiat Mitol.), French (culture), French graphics, Polish graphics, reproductive graphics, mythology, sea, shells, publishing prints, Poland (culture), dry seal of CERCLE de la Librairie, Velin paper, purchase (provenance)

The Old Soldier's Thatched Cottage, Akaroa, 1845. Charles Meryon (French, 1821-1868); printed by Pierron (French, 19th century). Date: 1866. Dimensions: 80 × 76 mm (image); 80 × 76 mm (plate); 446 × 319 mm (sheet, folded). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

La Grande Baigneuse - The Great Bather Made 1895 Sweden. Etching on ivory laid paper . Anders Zorn

It is the Devil, Bearing Beneath his Two Wings the Seven Deadly Sins, plate 2 from The Temptation of Saint Anthony (1st series) Made 1888 France. Lithograph in black on ivory China paper laid down on ivory wove paper . Odilon Redon

Ängste (Fears) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VII. First edition 1881 Max Klinger German. Ängste (Fears) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VII. First edition 420616

Young girl with flowers in front of a window, Maurice Denis, in or after 1936 - in or before 1942 print Paris paper adolescent, young woman, maiden. cut flowers; nosegay, bunch of flowers

The public!, Hein von Essen, 1923 print People with caricatural heads in a theater. paper etching the audience ~ art performance. caricatures (human types)

Lying girl and ghosts of deceased; Viewed by ghosts of the deceased; Manao Tupapau. Lying girl on a rug is afraid of the ghosts of the deceased that are shown behind her.

Puberty. Edvard Munch (Norwegian, 1863-1944); printed by Otto Felsing (German, born 1854). Date: 1902. Dimensions: 185 x 147 mm (image); 197 x 160 mm (plate); 502 x 345 mm (sheet). Etching in black on cream wove paper. Origin: Norway. Museum: The Chicago Art Institute, USA.

Writing woman on the water, Jan Toorop, 1928 print paper drypoint handwriting, writing as activity. adolescent, young woman, maiden

Rogers's Seat in Dutch Garden. Philip H. Delamotte, photographer (British, 1820 - 1889) 1874 Two chairs set into a garden alcove surrounded by ivy. A man is sitting in one of the chairs and is leaning to his left. His face is obscured by his hat. (Recto, mount) lower center, black printed text: "ROGERS'S SEAT IN DUTCH GARDEN."; lower right, black printed text: "To face p. 183. Vol. I."; (Verso, mount) lower right, pencil: "IB 60.15 (Del)";

Etching by Franciscus van den Wyngaerde showing the wedding of Thetis and Peleus from Greek mythology, created between 1630 and 1679.

Nymph With Two Putti, Henri Fantin -Latour, 1903 - 1906 print paper Cupids: 'Amores', 'Amoretti', 'Putti'. Nymphs (in General); 'Ninfe in Commune' (Ripa)

Jungle on Java, Wijnand Otto Jan Nieuwenkamp, in or after 1902 print On the right a road between trees. In the foreground two bathing women. paper etching jungle. taking a bath - AA - in the open air Java

Portret Van Robert the Montesquiou, Albert Visannard, 1859 - 1934 print paper etching / drypoint historical persons. French or architectonic garden; formal garden

Die Prinzessin auf der Erbse/ Erbsenprinzessin Titelumrahmung zu Andersens Märchen `Die prinzessin auf der Erbse`. Slevogt, Max (1868-1932), graphic artist

Young woman with a water jug at the bottom of a staircase, Ben Linnig, 1884 print paper etching / drypoint staircase. container of ceramics: jar, jug, pot, vase

Alexander Kanoldt, Kirche I (Klausen in Tirol), 1921, lithograph on paper.

Jungle on Java, Wijnand Otto Jan Nieuwenkamp, 1902 print On the right a road between trees. paper etching jungle Java

Leda, plate four from Protuberences and Cardiaques. Kurt Seligmann; American, born Switzerland, 1900-1962. Date: 1933. Dimensions: 227 x 180 mm (plate); 303 x 380 mm (sheet). Etching and aquatint on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Light Made 1893 France. Lithograph in black on ivory China paper laid down on ivory wove paper . Odilon Redon

Ban support. In the foreground the standard bearer, in the background, the city of Haarlem can be seen. In the undermaster a two-key Latin text. Pendant of infantry captain print. Copy in mirror image to engraving by Hendrick Goltzius from 1587. Reconstructed from three fragments.

Portrait of the wife (Wanda Hulewiczowa, née Karpińska). Hulewicz, Jerzy (1886-1941), graphic artist

Triumph from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate V. First edition 1881 Max Klinger German. Triumph from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate V. First edition 420613

Etching by Ferdinand Kobell from 1776 showing a dedication scene, with figures, inscriptions, and decorative elements.

The dog on the kennel. Whistler, James McNeill (1834-1903). Avery, Samuel Putnam, 1822-1904. Prints. 1858. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Stanis Aw Szukalski. Model of the Mickiewicz monument - fragment; Bu Hak, Jan (1876-1950), Szukalski, Stanis Aw (1893-1987); 1926 (1926-00-00-1926-00-00);

Bronzes. Dated: 1890-1891. Dimensions: image (irregular): 18.1 × 14.92 cm (7 1/8 × 5 7/8 in.) board: 27.31 × 20 cm (10 3/4 × 7 7/8 in.). Medium: pen and black ink over graphite on paperboard. Museum: National Gallery of Art, Washington DC. Author: James Henry Moser.

Adam and Eva. Adam and Eve stand for the tree of knowledge in paradise. Eva offers Adam an apple and brings a second apple to her mouth. On the ground for Adam and Eva and various animals in the background. In the undermaster the text Genesis 3. Reconstructed from two fragments.

She Draws From Her Bosom a Sponge, Perfectly Black, and Covers it With Kisses, plate 8 of 24 Made 1896 France. Lithograph in black on light gray China paper laid down on ivory wove paper . Odilon Redon

More in a hilly landscape, Lodewijk Schelfhout, 1912 print Sailing ships on a lake in a hilly landscape with trees and houses. Paris paper drypoint lake. low hill country

Annunciation, Lodewijk Schelfhout, 1930 print On the left Maria and on the right the angel Gabriël, who announces her that she will become pregnant and give birth to a son. They are in a walled garden with flowering plants. Maria holds an open book with her hand. With this second state of the print, a gate was added in the garden wall with a woman behind it that witnesses the annunciation. paper drypoint the Annunciation: Mary, usually reading, is visited by the angel (sometimes a woman overhears the conversation)

View of Rue de Tournai, 1842, Jan van de Kerkhove, after Frédéric van de Kerkhove, 1874 print paper etching street Torlative

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