Vintage Fashion Illustrations

Elegant illustrations from early 20th century fashion magazines. Features intricate designs, dresses with fur accents, and classic accessories in a nostalgic style.

Very Parisian, 1923, no 11: 14. - Chinese lacquer. - Charming is this toilet ..., 1923 'Toilette' by navy blue crepe de Chine with gold boring. The only garnings are a wide band of gray hare fur and a collar with narrow ribbons. Racin substances. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing 'Toilette' by navy blue crepe de Chine with gold boring. The only garnings are a wide band of gray hare fur and a collar with narrow ribbons. Racin substances. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing

Très Parisien, 1923, no 11: 7. - Fleur Chinoise. - CE Manteau Brodé .... DROCOLL design. Embroidered cloak, garnished with gray hare fur. Accessories: beret, glove, exhibition, pumps. Print from the fashion magazine Très Parisien (1920-1936).

Woman in striped linen dress with short velvet coat. Petit manteau de velours, robe de linon. Handcoloured pochoir (stencil) etching after an illustration by George Barbier from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1914.

Evening outfit of cape in ermine and polecat fur over a long satin dress. Parure dhermine et putois. Handcoloured pochoir (stencil) etching after an illustration by Loeze from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1913.

Très Parisien, 1923, No. 4: Méphisto. Dress of strips wool and silk; The cape starts with the shoulders and is lined with red; The collar, bag and belt are embroidered. Fabrics from racine. Print from the fashion magazine Très Parisien (1920-1936).

Very Parisian, 1923, No. 2: fabrics by J. Meurice & Cie ... In Soliel, 1923 Fabrics from J. Meurice & Cie. Dress of printed 'crepe saïda'. The collar and cuffs are decorated with 'organi sable' and white tulle. Accessories: hat with wide edge, parasol. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing Fabrics from J. Meurice & Cie. Dress of printed 'crepe saïda'. The collar and cuffs are decorated with 'organi sable' and white tulle. Accessories: hat with wide edge, parasol. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing

Très Parisien, 1923, No. 4: 10. -DERBY. Une très élégante Robe .... Dress from white silk side with embroidered floral pattern in different colors. At the waist on the left a large 'coque' of green velvet; The left shoulder strap is held by silver-colored Maline (Mechelen side). Further accessories: Hat with raised edge and voile, parasol, pumps. Substances from CH. Thiébault. Print from the fashion magazine Très Parisien (1920-1936).

Actor Iwai Hanshiro IV in the role of Courtisane. Actor as Courtisane in brown-yellow checkered kimono and long pipe in right hand; Against a background with stylized butterfly and flower cartridges.

Very Parisian, 1923, no 6: 13.- The flowers. - Two pretty dresses, ..., 1923 Two dresses: the one of embroidered voile with leaf motif (palm leaves), Decorated with 'jours'; The other is also of embroidered voile in black and silver, garnished with pleated strips of fabric trimmed with black bias. Accessories: hat with wide edge with a rosette or flower (), Pumps. Mireille fabrics. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing Two dresses: the one of embroidered voile with leaf motif (palm leaves), Decorated with 'jours'; The other is also of embroidered voile in black and silver, garnished with pleated strips of fabric trimmed with black bias. Accessories: hat with wide edge with a rosette or flower (), Pumps. Mireille fabrics. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing

Very Parisian, 1923, no 11: 14. - Chinese lacquer. - Charming is this toilet ..., 1923 'Toilette' by navy blue crepe de Chine with gold boring. The only garnings are a wide band of gray hare fur and a collar with narrow ribbons. Racin substances. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing 'Toilette' by navy blue crepe de Chine with gold boring. The only garnings are a wide band of gray hare fur and a collar with narrow ribbons. Racin substances. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing

Journal des Ladies et des Modes, Costumes Parisiens, 1913, No. 49: Robe The Charmeuse Blanch (...). Jap of white charmeuse and a tunic of purple silk muslin with embroidery in green and trimmed with furry. Mantle of velvet or 'velor étrusque'. Print from the fashion magazine Journal des Laden et des Modes (1912-1914).

Très Parisien, 1923, No 10: 13.- L'attentive. - Ensemble Ravissant, Pour Une Robe .... Lamé evening cape dropped off with fur. Lamé evening dress draped on one side, secured with a buckle. Substances from Kismett. Accessories: Headband, Pumps. Print from the fashion magazine Très Parisien (1920-1936).

Very Parisian, February 1922: 8.- After the rain, Anonymous, 1922 Hiking costume from Kasha, with application of cross -bands. Print from the fashion magazine Très Parisien (1920-1936). paper letterpress printing fashion plates. ensembles of pieces of clothing (SUIT) (+ women's clothes). embroidery (ornamentation) (+ women's clothes). border, ribbon, braid (+ women's clothes). head-gear: cap (+ women's clothes). belt, girdle, waistband (+ women's clothes)

Très Parisien, 1925, No. 6, PL. 16.- Confidence. A junior with English embroidery "Bilboquet" printed and a crêpe georgette joke with volants in the style of 1860. Print out of the fashion magazine Très Parisien ... La Mode, Le Chic, L'Élégance (1920-1936)

Tunic dress with draped tango skirt, translucent flared & pleated tunic with fur trim, beaded corsage en ceour, shoes with cross-over ribbons & a feather & pearl headdress. Date: 1914

Très Parisien, 1923, No 9: 5. - Chu-Tsi-Fé. - sur une jupe de crepe de chine .... skirt from blue 'crepe de chine' and a paletteot embroidered with small flowers in the style of Chinese lacquer. Fabrics of Alliance Textile. Print from the fashion magazine Très Parisien (1920-1936).

Very Parisian, 1923, No. 2: fabrics and ribbons of A. Prévost & Cie ..., 1923 Fabrics and ribbons from A. Prévost & Cie. Dress of 'Damas Ondé' decorated with plain crepe. Straw hat in the same color decorated with ribbons. A skirt of black 'crepe satin' and a palette of 'crepe cachemire', of which the cuffs are made of scottish checkered ribbon in red and gold. Print from the fashion magazine Très Parisien (1920-1936). LyonParis paper letterpress printing Fabrics and ribbons from A. Prévost & Cie. Dress of 'Damas Ondé' decorated with plain crepe. Straw hat in the same color decorated with ribbons. A skirt of black 'crepe satin' and a palette of 'crepe cachemire', of which the cuffs are made of scottish checkered ribbon in red and gold. Print from the fashion magazine Très Parisien (1920-1936). LyonParis paper letterpress printing

Journal of ladies and fashions, Parisian costumes, 1914, No. 138: Satin dress (...), 1914 Satin 'Pékiné' dress (Pekin) with wrinkled fabric from Nansoek. Print from the fashion magazine Journal des Dames et des Modes (1912-1914). paper engraving fashion plates. gloves, mittens, etc. (+ women's clothes). head-gear (+ women's clothes). dress, gown (+ women's clothes). ornamental parts of clothing (+ women's clothes)

Journal des Ladies et des Modes, Costumes Parisiens, 1914, No. 138: Robe de Satin (...). Jap of satin 'Pékiné' (Pekin) with wrinkled strips of nanuk fabric. Print from the Mode magazine Journal des Laden et des Modes (1912-1914).

Fashion (Mode) 1912 Otto Friedr. Carl Lendecke Austrian. Fashion (Mode) 650952

Print (France)

Très Parisien, 1923, no 9: 11. - Biarritz. - Très élégant Costume .... Designs of DreColl. 'Trois-pièces' (compartment) of blue velvet embroidered with 'Métal'. Dress of crepe Georgette garnished with fur. Print from the fashion magazine Très Parisien (1920-1936).

Journal of the ladies and fashions, Parisian costumes, 1913, No. 49: Blanch Charmeuse dress (...), 1913 Scrap of white charmeuse and a tunic of purple side mousseline with embroidery in green and trimmed with fur work. Mantel of velvet or 'velor Étrusque'. Prent from the fashion magazine Journal des Dames et des Modes (1912-1914). paper engraving fashion plates. dress, gown (TUNIC) (+ women's clothes). clothing for the upper part of the body (TUNIC) (+ fur used for clothes). flowers: rose. coat (+ women's clothes). dress, gown (+ women's clothes). head-gear: turban (+ women's clothes)

Costume Sketch Vasily Vasilevich Vladimirov (1880-1931 ) Watercolor & Gouache

Très Parisien. La Mode, Le Chic, LElégance. Très Parisien promoted itself as chic and elegant. Between 1920 and 1936 it presented creations by such couturiers as Chéruit, Premet, Philip et Gaston, and Lanvin. The young, svelte models are all ultra-modern, shown talking on the phone, smoking and playing tennis. The illustrations also show that over the course of the 1920s, skirt lengths had risen to just below the knee, before dropping back down to calf length in the 1930s. The small plates were printed on transparent paper using a stencilling technique known as en pochoir and then hand coloured; many of them are unsigned. The signature ‘Joujou belonged to Germaine Paule Joumard, who was the director of Très Parisien, as well as one of the magazines illustrators.

Fashion illustration mounted in frame of two ladies wearing designer attire.

Ladies' diary and modes, 1912, Parisian costumes, no. 17: Blue satin evening coat (...).

Très Parisien. La Mode, Le Chic, LElégance. Très Parisien promoted itself as chic and elegant. Between 1920 and 1936 it presented creations by such couturiers as Chéruit, Premet, Philip et Gaston, and Lanvin. The young, svelte models are all ultra-modern, shown talking on the phone, smoking and playing tennis. The illustrations also show that over the course of the 1920s, skirt lengths had risen to just below the knee, before dropping back down to calf length in the 1930s. The small plates were printed on transparent paper using a stencilling technique known as en pochoir and then hand coloured; many of them are unsigned. The signature ‘Joujou belonged to Germaine Paule Joumard, who was the director of Très Parisien, as well as one of the magazines illustrators.

Very Parisian, 1923, no 5: 9.- Sans-Souci. 1. Jersey tailor ..., 1923 1. Tailleur (suit) of printed silk jersey. 2. Dress of printed silk jersey, decorated with a cape. Fabrics from Julien Giguet. Accessories: hat with wide edge, cloche (pot hat) decorated with flowers, pumps. Print from the fashion magazine Très Parisien (1920-1936). LyonParis paper letterpress printing 1. Tailleur (suit) of printed silk jersey. 2. Dress of printed silk jersey, decorated with a cape. Fabrics from Julien Giguet. Accessories: hat with wide edge, cloche (pot hat) decorated with flowers, pumps. Print from the fashion magazine Très Parisien (1920-1936). LyonParis paper letterpress printing

Très Parisien, 1927, No. 3, pl. 7: Créations Jean Magnin - Tea for Two. A 'Deshabillé' (ensemble for at home) from Rose Crepe Georgette. A pyama of velvet, trimmed with fur. Print from the fashion magazine Très Parisien ... La Mode, Le Chic, L'Élégance (1920-1936)

An elegant lady in an evening dress by Premet, in green crepe and gold. She arrives at the theatre with her escort, who helps her off with her cloak. Date: 1924

Very Parisian, 1923, no 9: 17. - Myrtho. - Sumptuous, this evening dress ..., 1923 Evening dress with a plain body of Goudlamé and a richly decorated skirt. Mantel with transverse stripes, collar and cuffs of fur. Fabrics from Réal. Accessories: Cloche (pot hat), scarf (), Pumps.Prent from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing Evening dress with a plain body of Goudlamé and a richly decorated skirt. Mantel with transverse stripes, collar and cuffs of fur. Fabrics from Réal. Accessories: Cloche (pot hat), scarf (), Pumps.Prent from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing

Very Parisian, 1923, # 8: 6. - Promenade. - A charming tailor .... Tailor (mantle follows) of'velours wool reps' Garnished with embogeded galloons and white fox fur. Cloak with Pelerine of 'Amazone (Sheeting) with' zibeal stripes' (stripes from sabelbont). SUBSTANCES FROM OLD HOUSE CH. LAVY AND CIE. Print from the Fashion Magazine very Parisian (1920-1936).

Costume design for a dancer in Suite Arabe. Leon Bakst (1866-1924). Pencil and gouache on paper, 33.2 x 24cm.

Journal of ladies and fashions, Parisian costumes, 1914, No. 177: Nansouk dress (...), 1914 Woman, standing by a pond, in a dress of 'Nansouk', trimmed with sky blue linen. Walking stick. In the hands a garland of flowers and ribbon. Print from the fashion magazine Journal des Dames et des Modes (1912-1914). paper engraving fashion plates. dress, gown (+ women's clothes). garden pond. walking-stick, staff, cane (+ women's clothes). flowers

Paris, Joumard, GP., Kismett, Dory, J., Très Parisien, 1923, No. 2: Tissus de chez KISMETT..., center bottom - printed, Fabrics by Kismett. Evening dress of lamé on red and gold; with a strip of gold cloth forming a pleated train. For the city, a dress of printed crêpe de chine. The skirt is of plain crêpe de chine in the same color, a section of printed crêpe de chine is held together at the waist and falls loosely over the skirt. Print from the fashion magazine Très Parisien (1920-1936)., fashion print, prints, No 2. - 1923, top left, top right - printed, Tissus de chez KISMETT, 370, rue Saint-Honoré, IMPRÉVU. - Robe du soir en lamé fond rouge et or; a pan of the drape is also a good fit and is easy to use with the train of the drapery. Pour la ville, cette robe de crepe de chine imprimé. The life of a crêpe of chine, a ton of bread, a panneau de crêpe of chine imprimé is maintenu à la taille et laissé flottant sur la jupe., height 269 mm, width 180 mm, intermediary draughtsman, afte

Very Parisian, 1923, no 8: 14.- For the car. - Original and line ..., 1923 Ensemble for the car. Half -length Paletot with Volant of 'Popeline Brocart'. Dust from Ancienne Maison Ch. Lavy et cie. Accessories: Cloche (pot hat), gloves, pumps. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing Ensemble for the car. Half -length Paletot with Volant of 'Popeline Brocart'. Dust from Ancienne Maison Ch. Lavy et cie. Accessories: Cloche (pot hat), gloves, pumps. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing

Woman in velvet coat with chestnut astrakhan trim, and woman in afternoon ensemble in grey velvet and crepe de chine. Handcolored pochoir (stencil) lithograph from the French luxury fashion magazine Art, Gout, Beaute, 1927.

Woman in white wool dress with pink trim, belt of crocheted roses, losing her hat in the wind. Robe de drap blanc borde dun ourlet couleur de rose, ceinture des roses en crochet. Handcoloured pochoir (stencil) etching after an illustration by George Barbier from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1912.

Très Parisien, 1923, No 7: 7. - Frireuse. - Très Élégant Manteau .... Mantle from silk with motifs in the same shades; Collar and cuffs from nu's (fur). Substances from Schulz et Cie. Print from the fashion magazine Très Parisien (1920-1936).

Costume design for the ballet Sleeping Beauty by P. Tchaikovsky by Bakst, Leon (1866-1924) / Private Collection / 1921 / Russia / Watercolour, Gouache on Paper / Opera, Ballet, Theatre / 28x21 / Theatrical scenic painting

Journal of the ladies and fashions, 1912, Parisian costumes, no. 27: Crew hold., Maurice Taquoy, 1912 paper engraving fashion plates

Très Parisien, 1923, No 1: Création Worth .... Jap of Worth of Crepe Majunga and crepe Georgette with three strips on the skirt and large cuffs with strips. Print from the fashion magazine Très Parisien (1920-1936).

La Garlande, monthly art and literature album, 1919-1920, 1919 - 1920 Young couple dressed according to fashion around 1860. The woman wears a dress with short puffed sleeves and pointed body, decorated with flowers. Haarnet with voile and flowers. Behind her is a man with bakebards in a cloak or cape. They are in a garden near a balustrade and garden vase, there is a parrot on a branch. Probably print from the magazine La Girlande, album Mensuel d'Art et de la Litterature (1919-1920). paper engraving fashion plates. dress, gown (+ women's clothes). balustrade. flowers. clothes, costume (+ men's clothes). coat (+ men's clothes). ornamental birds: parrot. historical costume (+ variant)

Très Parisien. La Mode, Le Chic, LElégance.Très Parisien promoted itself as chic and elegant. Between 1920 and 1936 it presented creations by such couturiers as Chéruit, Premet, Philip et Gaston, and Lanvin. The young, svelte models are all ultra-modern, shown talking on the phone, smoking and playing tennis. The illustrations also show that over the course of the 1920s, skirt lengths had risen to just below the knee, before dropping back down to calf length in the 1930s. The small plates were printed on transparent paper using a stencilling technique known as en pochoir and then hand coloured; many of them are unsigned. The signature ‘Joujou belonged to Germaine Paule Joumard, who was the director of Très Parisien, as well as one of the magazines illustrators.

Young womens dresses: one in white crepon and orange taffeta, the other in embroidered white fabric. Robes de jeunes filles: lune en crepon blanc et taffetas orange, lautre en drap blanc brode. Handcoloured pochoir (stencil) etching after an illustration by Armand Vallee from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1913.

Journal of ladies and fashions, Parisian costumes, 1913, no. 66: white crepe dress (...), 1913 Woman in a dress of white crepe and 'casaque' of sulfur yellow taf side. 'Bonnet' or hat of 'Taffetas Pékiné' (Tafzijde). She is wearing some flowers in her skirt held. Print from the fashion magazine Journal des Dames et des Modes (1912-1914). paper engraving fashion plates. dress, gown (+ women's clothes). head-gear: cap (+ women's clothes). clothing for the upper part of the body (+ women's clothes). cut flowers; nosegay, bunch of flowers

Gazette du Bon Ton, 1921 - No. 10, Pl. XX: For the Rivièr (...), 1921 Vier Vrouwen in Jurken Voor aan Het Strand, Die Zijn Versierd puts Echte Bloemen. No XX Uit Een Serie Van Acht Schetsen sketch: "For the Riviera dresses garnished with natural flowers, insofar as one has and where we do not prefer to use, less expensive, artificial flowers." uit gazette of the good tone 1921, no. 10. paper letterpress printing fashion plates. head-gear: hat (+ women's clothes). dress, gown (+ women's clothes). cut flowers; nosegay, bunch of flowers (+ variant)

Fashion, France, 20th century. Art Deco. George Barbier, Falbalas et Fanfreluches. Almanac for 1922: Le coq du village (The cock of the village).

Very Parisian, 1925, no. 11, pl. 18.- Il snow, 1925 Together (Japan in Mantel) Voor by Avond Van 'Velours Close'. Pretent uit Het Modetijdschrift very Parisian ... fashion, chic, elegance (1920-1936) paper letterpress printing fashion plates. ear-rings (+ women's clothes). dress, gown: evening dress (+ women's clothes). coat (EVENING COAT) (+ women's clothes)

Très Parisien, 1925, No. 7, PL. 12: Création Lucien Lelong - Biarritz. Ensemble from Lucien Lelong in sand-colored 'Kasha', with blouse and scarf in fantasy pattern. Matching hat. Print from the fashion magazine Très Parisien ... La Mode, Le Chic, L'Élégance (1920-1936)

Gazette du Bon Ton. Art - Modes & Frivolités: Famous Fashion Houses. In 1912 the ambitious publisher Lucien Vogel decided to launch an exclusive magazine. Well-acquainted with the fashion world, he forged ties with several of most renowned fashion houses of Paris and gathered the crème de la crème of French illustrators for his project. They recorded the latest creations of designers such as Doeuillet, Doucet, Worth, Poiret and Redfern, and, later on, couture by Chéruit, Beer, Paquin and Lanvin. These designs were issued as separate plates. The Gazette was aimed at a small, extremely wealthy readership: in 1912-1913, a subscription for twelve issues cost an equivalent of around 400 euros today.

Gazette of good tone. Art - Modes & Frivolités: Famous Fashion Houses, George Barbier, 1921 Woman for a red chapter, dressed in a black velvet evening gown from Worth. Planche 80 from Gazette du Bon Ton 1921, No. 10. paper letterpress printing fashion plates. dress, gown: evening dress (+ women's clothes). screen, folding screen. diadem, tiara (+ women's clothes). ear-rings (+ women's clothes).

Gazette du Bon Ton, 1914 - No. 5, Pl. 42: The May tree / Simple dresses for the summer, Francisco Javier Gosé, 1914 Three standing and two sitting women in simple summer gowns around a flowering tree. Planche 42 from Gazette du Bon Ton 1914, No. 5. Explanation about the clothing on page "Explication des planches". paper letterpress printing fashion plates. May ~ other concepts. trees. dress, gown (+ women's clothes). head-gear (+ women's clothes). clothing for the upper part of the body (+ women's clothes). arranging flowers

Woman in yellow cloak fierce, ca. 1924, anonymous, c. 1924 paper. fashion plates. coat (+ women's clothes). diadem, tiara (+ women's clothes). dress, gown (+ women's clothes)

Very Parisian, 1927, No. 3, pl. 15: Creations Amy Linker (Ballard et Cie) - On La Croisette, 1927 Tailman in 'Little dress' van Amy Linker (Ballard et Cie). Pretent uit Het Modetijdschrift very Parisian ... fashion, chic, elegance (1920-1936) paper letterpress printing fashion plates. head-gear: hat (+ women's clothes). ensembles of pieces of clothing (TAILLEUR) (+ women's clothes). dress, gown: day dress (+ women's clothes). walking-stick, staff. bag (CLUTCH) (+ women's clothes)

Journal of ladies and fashions, Parisian costumes, 1914, No. 139, 1914 Evening mantle of pressed velvet decorated with browed side with silver (wire). Proef pressure of a print from the fashion magazine Journal des Dames et des Modes (1912-1914). On version with text the caption: Manteau du Soir and Velor Frappé Garni de Soie Brochée d'Argent. paper engraving fashion plates. coat (EVENING COAT) (+ women's clothes). necklace (+ women's clothes). diadem, tiara (+ women's clothes)

Two women in fashionable outfits in an autumnal park scene, 1920. One in a dress-coat of grey marengo wool over a tartan check, the other in a suit of beige corduroy trimmed with lynx fur. The return of the south-westerly wind. Le retour des autans. Tailleur et robe dapres midi de Doeuillet. La robe est une robe-manteau en lainage gris marengo; elle s'ouvre sur un ecossais rouge et noir. Le tailleur est en velours cotele beige et est garni de lynx. Handcoloured pochoir lithograph by Fernand Simeon from Lucien Vogels Le Bon Genre: 100 Plates fromGazettedu Bon Ton, Brentanos, Paris, 1920.

Noble woman wearing the colours of the Tricolor revolutionary flag, 1789. She wears a blue short redingote, short floral petticoat, and carries a red parasol. Her bouffant hairstyle is decorated with ribbons a la Notable and cockade a la Nation. Handcoloured lithograph from Fashions and Customs of Marie Antoinette and her Times, by Le Comte de Reiset, Paris, 1885. The journal of Madame Eloffe, dressmaker and linen-merchant to the Queen and ladies of the court.

Woman in afternoon dress of printed crepe de chine with dog. Handcolored pochoir (stencil) lithograph from the French luxury fashion magazine Art, Gout, Beaute, 1928.

Two fashionable young ladies. On the left, a dress in royal blue crepe de chine with silver edgings, by Beer. On the right, a dress in orange crepe with a floral design on the skirt, by Bernard. Date: 1924

Evening dress in china crepe trimmed with lace prints by Beer. Embroidered coral dress with scalloped hem by Worth. Date: 1926

Journal des Ladies et des Modes, Costumes Parisiens, 1914, No. 150: Petit Manteau de Velours (...). Woman in junior with long sleeves of striped linen, about a short cape of velvet. Cloche (Pothoed) with feather. She stands with a bush with butterflies. Taste pressure of a print from the fashion magazine Journal des Laden et des Modes (1912-1914).

Fashionable woman arriving for an appointment at the Cafe des Tuileries, Paris, Year VI, 1798. She wears a bonnet, lilac fichu, low-cut classical style dress, sandals. Handcoloured lithograph by R.V. after an illustration by Francois Courboin from Octave Uzannes Fashion in Paris, William Heinemann, London, 1898.

Very Parisian, 1923, no 7: 1-Elegant. - 1. A pretty coat dress ..., 1923 1. 'Robe-Manteau' (Jacket Dress) from 'Velours de Laine' (Wolfluweel), garnished with tire embroidery of cord () And silk. 2. A waistur (suit) of 'Velours de Laine' (wolfluweel) embroidered with cord () And silk. Fabrics from Diederichs-Soeries. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing 1. 'Robe-Manteau' (Jacket Dress) from 'Velours de Laine' (Wolfluweel), garnished with tire embroidery of cord () And silk. 2. A waistur (suit) of 'Velours de Laine' (wolfluweel) embroidered with cord () And silk. Fabrics from Diederichs-Soeries. Print from the fashion magazine Très Parisien (1920-1936). Paris paper letterpress printing

The twelve months of the year: Thermidor, Marthe Romme, 1919 Juli. Take a series the twelve months of the year. paper fashion plates

'Fantaisie sur le costume moderne': Two female haute couture figures. Artist: Léon Bakst (Russian, Grodno 1866-1924 Paris). Dimensions: 12 3/4 x 9 3/4 in. (32.4 x 24.8 cm). Date: 1910.Drawing with two female figures, dressed in haute couture garments designed by Léon Bakst in 1910. Although better known for his costume and stage designs for the Ballets Russes directed by Diaghilev and the performances of Ida Rubinstein, Bakst was also influential in fashion design during the early decades of the 20th century, and designed garments himself. The designs in this drawing show the bold, sensuous color, characteristic of his style, with geometric patterns and rich textures. On the left, a woman with an asymmetrical dress with 3/4 sleeves and deep, open V-neck, made up of brown fabric with black ovals, its skirt bordered with gray fur, the sleeves with a sheer yellow fabric, and the Empire waistline marked by a red and green belt with two hanging, black tassels, over a long, tubular, blue ski

Woman in yellow cloak trimmed with fur, ca. 1924..

Très Parisien, Février 1922: 9.- Ouarda. Serge shapon with satin waistcoat. On the skirt and the sleeves wide horizontal tires. Print from the fashion magazine Très Parisien (1920-1936).

Journal des Ladies et des Modes, Costumes Parisiens, 1913, No. 66: Robe de Crépon Blanc (...). Woman in a dress of white crepe and 'casaque' of sulfur yellow taffy side. 'Bonnet' or hat from 'Taffetas Pékiné' (taffy side). She is wearing a few flowers in her skirt. Print from the Mode magazine Journal des Laden et des Modes (1912-1914).

Art - Taste - Beauty, leaflets of female elegance, February 1926, No. 66, 6th year, p. 19: Creation Martial and Armand / Creation Lucien Lelong.two Women in Summer Jubs, In The Background The Beach. LEFT: Sunness of White Muslin Printed in Several Colors, from Martial and Armand. Right: 'sport dress' of green crepe "fantasia" a.g.b. Van Lucien Lelong. Part of a page from the Modelijdschrift Art-Taste-Beauty (1920-1933).

Fashion image, Young lady in the Negligée, Unknown

Woman in dusty pink and blue evening dress with lace trim. Handcolored pochoir (stencil) lithograph from the French luxury fashion magazine Art, Gout, Beaute, 1927.

Women in afternoon ensembles in printed muslin and crepe georgette. Lithograph with pochoir (stencil) coloring from the luxury fashion magazine Art Gout Beaute, ABG, Paris, April 1926.

Très Parisien, 1926, No. 1, pl. 7: - Saint-Moritz. Sports mantle of wool, in beige-brown, with short shoulder scape. Print from the fashion magazine Très Parisien ... La Mode, Le Chic, L'Élégance (1920-1936)

Loose fitting apricot evening coat embroidered diamond to the back and fur hem, by Martial Armand. Date: 1926

Très Parisien, 1925, No. 7, PL. 15. - Autouil. Japon of voile, embroidered with silk. Fabrics from A. Piat, Lyon. Print from the fashion magazine Très Parisien ... La Mode, Le Chic, L'Élégance (1920-1936)

Woman in silk wrap dress and fur coat from Creation Drecoll. Lithograph with pochoir (stencil) handcolour from the luxury French fashion magazine "Art, Gout, Beaute," 1926.

Fashion (Mode) 1912 Otto Friedr. Carl Lendecke Austrian. Fashion (Mode) 650948

Lucille Lacoursiere, Doll, c 1939 Doll

The Peacock Skirt, an illustration from 'Salome' by Oscar Wilde, 1894. Aubrey Beardsley (1872-1898). Date: 1894

Journal des Ladies et des Modes, Costumes Parisiens, 1914, No. 168. Woman dressed in an evening dress with trail of silver brocade. On the head a blue wig, haunnet () And Aigrettes. In the background a branch on which a white bird with long tail feathers. Test pressure of a print from the fashion magazine Journal des Laden et des Modes (1912-1914).

Woman in fancy dress Japanese costume wearing a yellow and pink Duchesse satin kimono, embroidered with chrysantemums and birds in silk and metal. With hair pins, fan, and huge pink obi bow ribbons. Handcoloured pochoir lithograph from Le Carnival Parisien, Volume 10, a special edition of Chic Parisien, published by Atelier Bachwitz, Vienna, 1920.

Woman in a blue pagoda dress with necklaces and pantaloons. Pagode. Handcoloured pochoir (stencil) etching after an illustration by Adrien Etienne Drian from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1914.

Woman in a garden scared by a bee. She wears a dress by Paul Poiret in blue wool crepe, with white fichu and cuffs. Petite robe de jardin par Poiret en crepe de laine bleu, fichu et poignets de lingerie. Handcoloured pochoir (stencil) etching from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1913.

Journal des Dames et des Modes: the Fashion Illustrators. The Journal des Dames was inspired by the eponymous fashion magazine from the previous century and, like the earlier publication, referred to its illustrations as Costumes Parisiens. These Costumes Parisiens (184 illustrations in total) were drawn in a new, flat, decorative manner by George Barbier, Jan van Brock, Victor Lhuer and other Parisian artists, each with a signature style. Every issue came with two or three separate plates. These showed a wide variety of fashionable apparel, from elegant evening attire to outdoor outfits. A brief caption provides the name of the garment and the material from which it was made, but never the name of a fashion house.

Portrait of an unknown woman, Richard Nicolaüs Roland Holst, 1916 print A woman with lit hair and a chain. paper anonymous historical person portrayed - BB - woman

Journal des Dames et des Modes: the Fashion Illustrators. The Journal des Dames was inspired by the eponymous fashion magazine from the previous century and, like the earlier publication, referred to its illustrations as Costumes Parisiens. These Costumes Parisiens (184 illustrations in total) were drawn in a new, flat, decorative manner by George Barbier, Jan van Brock, Victor Lhuer and other Parisian artists, each with a signature style. Every issue came with two or three separate plates. These showed a wide variety of fashionable apparel, from elegant evening attire to outdoor outfits. A brief caption provides the name of the garment and the material from which it was made, but never the name of a fashion house.

1873, Women's fashion in nineteenth-century Paris, Boutet, Henri (1851-1919), (Artist), 1902.

1920s fashionable women in a cafe: Woman drinking tea wearing black velvet coat trimmed with white fur, women standing wearing crimson dresses and turban hats.. Handcolored pochoir (stencil) lithographs from the French luxury fashion magazine "Art, Gout, Beaute" 1926.

Young Gilr embroiders a patterned fabric, Sewing & Knitting

Gazette du Bon Ton, summer 1915 - No. 8-9, pl. 3: Vichy (II) / or / Le Game des Puppets, 1915 Six women and four children who play with different puppet dolls. They wear designs from Callot, Jenny, Paquin, Martial et Armand, Doeuillet and Lanvin. Planche 3 from Gazette du Bon Ton 1915, No. 8-9. paper letterpress printing fashion plates. dress, gown (+ women's clothes). marionette. clothes, costume (+ girls' clothes). head-gear (+ women's clothes)

Falbalas and fanfreluches: Almanac of present modes, past & future for 1922: Elle et lui / France XXth century, George Barbier, 1922 magazine An elegant dressed man and woman on a quay in Venice. The man puts the woman a wide cape around the shoulders. A gondola in the background. Print from the Falbalas & Fanfreluches series (1922-1926). paper brush fashion plates. head-gear: hat (+ women's clothes). veil (+ women's clothes). belt, girdle, waistband (+ women's clothes). cape (+ women's clothes). ensembles of pieces of clothing (SUIT) (+ men's clothes). gondola

Cartoon, fashionable French women in dresses reminiscent of 18th century styles during the First World War, with a peacock and a caged parrot. Fine feathers in wartime: dress designers attempt to counter the practical move of wearing shorter, fuller skirts by employing impractical styles of previous centuries. Date: 1916

Très Parisien, 1923, no 9: 7. - élégantes. - Infiniment Chic, CE Tailleur .... Tailleur (mantle suit) of Tissu "Pavé", the collar and cuffs are decorated with mink. The other 'Toilette' is made of royal blue Serge with white stripes. Mireille fabrics. Accessories: Cloche (Pothoed), Pumps. Print from the fashion magazine Très Parisien (1920-1936).

Fantasy on modern costumes, 1910, Leon Bakst, (1866-1924/Russian)

Woman in black dress of crepe de chine with white fur trim, and woman in afternoon dress in chestnut crepe de chine. Lithograph with pochoir (stencil) coloring from the luxury fashion magazine Art Gout Beaute, ABG, Paris, April 1926.

Woman in embroidered sheath dress of stained-glass-blue duvetyn twill fabric with otter fur trim and otter muff. Robe de duvetin bleu vitrail brodee au point lance et garnie de loutre. Handcoloured pochoir (stencil) etching after an illustration by H. Honore from Tommaso Antonginis Journal des Dames et des Modes, Aux Bureaux du Journal des Dames, Paris, 1913.

Costume design by Leon Bakst (1866-1924) Russian theatre and ballet designer, for Iskander (Vaslav Nijinsky) in The Peri, music by Paul Dukas, 1912. Watercolour and gouache on paper.

Very Parisian, September 8, 1921: suzeraine / du Velours noir coupé (...), 1921 Mantel of black velvet with tires of ruby red brochureed damask and garnished with fox fur. Accessories; hat, walking stick, Pumps.Prent from the fashion magazine Très Parisien (1920-1936). paper letterpress printing fashion plates. coat (+ women's clothes). neck-gear: collar (+ fur used for clothes). border, ribbon, braid (+ fur used for clothes). walking-stick, staff, cane (+ women's clothes). head-gear: hat (+ women's clothes)

Very Parisian, 1925, No. 7: Creation Bernard and CI (...). AWERP VAN BERNARD and CIE. Three-room (mantelpak) van 'Kasha' van Rodier. Prant uit Het Modetijdschrift very Parisian (1920-1936).

of 2