Vintage Floral Textiles

An array of historical textile designs featuring intricate floral and fruit motifs, with a palette of earthy tones and delicate detailing, showcasing craftsmanship from various eras.

Textile, Medium: cotton Technique: roller printed, Length of very thin, lightweight cotton printed in blue with a design of a platter of fruit amid foliage and grape vines. Printed area covers selvage on right side., Central Europe, ca. 1850, printed, dyed & painted textiles, Textile

Textile, Medium: cotton Technique: roller printed, Length of very thin, lightweight cotton printed in blue with a design of a platter of fruit amid foliage and grape vines. Printed area covers selvage on right side., Central Europe, ca. 1850, printed, dyed & painted textiles, Textile

cover

Leaf with tibaries with flowers, anonymous, c. 1700 - c. 1850 brocade paper Leaf with tibaries with flowers. Left and right of the back identical halves. Use as a cover. paper. relief printing ornament derived from plant forms

Fragment. Italy. Date: 1475-1525. Dimensions: 49.9 x 44.5 cm (19 5/8 x 17 1/2 in.)Repeat: 38.7 cm (15 1/4 in.). Silk, cut, and voided velvet against satin weave foundation. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Piece. Culture: Spanish. Dimensions: L. 23 x W. 10 1/2 inches (58.4 x 26.7 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Leaf with vertical job pattern of vases with flowers and ornaments, anonymous, c. 1715 - c. 1755 brocade paper Leaf with vertical job pattern of vases with flowers and ornaments. At the top right of the middle a French lily. Used as a cover for a publication from 1735. paper. paint (coating) relief printing ornament derived from plant forms. vase ~ ornament - AA - stylized

Panel, Medium: linen Technique: needle lace, ground with loop & twist with twist return, Long narrow scarf of ecru lace in a vertical, symmetrical design of scrolling serpentine branches and flowers springing from central ornamental motifs. Scalloped edge., Burano, Italy, late 19th century, lace, Panel

Piece. Culture: Italian. Dimensions: L. 84 x W. 61 inches (213.4 x 154.9 cm). Date: ca. 1725. Museum: Metropolitan Museum of Art, New York, USA.

Hanging ca. 1700 Italian. Hanging 229247

Piece. Culture: Spanish. Dimensions: L. 79 x W. 60 inches (200.7 x 152.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Fragment. Culture: Italian, Venice or Turkish. Dimensions: L. 50 1/2 x W. 25 inches (128.3 x 63.5 cm). Date: ca. 1500. Museum: Metropolitan Museum of Art, New York, USA.

Textile, Medium: cotton Technique: stenciled resist on plain weave (katazome), Two columns of large-faced flowers with leaves and curling tendrils reserved in white on a dark blue ground., Japan, 19th century, printed, dyed & painted textiles, Textile

Textile, Medium: cotton Technique: discharged and printed by engraved roller on plain weave, Glazed printed cotton with a dark brown ground and an all-over design of natural-size roses and cornflowers, in strong acid yellow and blue., France or England, 1850-99, printed, dyed & painted textiles, Textile

Panel ca. 1725-30 Spanish. Panel 227465

Frame with leaf and shell -shaped motifs, Théodore Roussel, 1897 - 1899 print paper etching / drypoint ornament derived from plant forms. frame of painting, etc.. scallop, shell ~ ornament - AA - stylized

Piece. Culture: Spanish. Dimensions: 20 1/2 x 15 1/4 in. (52.1 x 38.7 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Leaf with honeycomb pattern of hexagons with branch as field filling, anonymous, 1750 - 1900 Leaf with honeycomb pattern of hexagons with branch as field filling. paper. block printing (relief printing process) ornament derived from plant forms. ornament ~ geometric motifs

Fragment; silk, linen

Design for wallpaper with leaves and flowers, Theo Nieuwenhuis, 1876 - 1951 print paper foliage, tendrils, branches ~ ornament. flowers ~ ornament

Textile Fragment, c. 1715-1725. France, early 18th century, late Baroque (1715-1725). Lampas weave, silk and gold thread; overall: 73.5 x 54.6 cm (28 15/16 x 21 1/2 in.).

Carp and Flowers, Mulberry paper (kozo washi) treated with fermented persimmon tannin (kakishibu), and silk threads (itoire), The carp and many other popular Japanese motifs originated from China, and now all represent generic symbols of good fortune. The carp is also a symbol of achievement, ambition, and civil success. It is often seen as fighting upstream and therefore, is considered a sign of enduring hardship. The carp, seen in the shape of a crest, is surrounded by flowers. Silk threads are added to support the structure of the stencil., Japan, mid 18th - early 19th century, textile designs, Katagami, Katagami

Panel Made 1715-1725 France. Silk and gilt-metal-strip-wrapped silk, satin weave with twill interlacings of secondary binding warps, some brocading wefts, and self-patterning complementary ground wefts .

Wall extension, Chris Lebeau, 1911 - 1915 Beige-gray dams of wall fence with a design of bird nests. Eindhoven linen (material) damask Beige-gray dams of wall fence with a design of bird nests. Eindhoven linen (material) damask

Two sheets with a job pattern with flowers, Anonymous, 1750 - 1900 Two sheets with vertical job pattern with flowers. Two separate halves of a cover. paper. block printing (relief printing process) ornament derived from plant forms

Fragment. Culture: French. Dimensions: L. 78 1/4 x W. 20 1/2 inches (198.8 x 52.1 cm). Date: 1725-30. Museum: Metropolitan Museum of Art, New York, USA.

Sidewall (USA); Manufactured by W. Campbell & Co.; machine-printed paper, liquid mica; 92.5 x 49.5 cm (36 7/16 x 19 1/2 in.)

Bookpap, Copy Book: Manuscript Bound in Gilt Paper; Germany; gilt embossed book paper, paper; 34 × 21.9 cm (13 3/8 × 8 5/8 in.)

Booklet with brokaat paper cover, Joseph Friedrich Leopold, 1700 - 1727 brocade paper Pamphlet with a cover of a leaf brokaat paper with stylized floral pattern. The pamphlet consists of three magazines and was printed in Augsburg in 1779. Numbered at the bottom: 51. Augsburg paper. paint (coating) relief printing ornament derived from plant forms

Patchwork and Applique Quilt. Dated: 1935/1942. Dimensions: overall: 29.7 x 22.9 cm (11 11/16 x 9 in.) Original IAD Object: 93" square. Medium: watercolor, graphite, and pen and ink on paperboard. Museum: National Gallery of Art, Washington DC. Author: Mary Berner.

Piece. Culture: Italian, Venice. Dimensions: Overall: 111 x 21 in. (281.9 x 53.3 cm). Date: ca. 1710. Museum: Metropolitan Museum of Art, New York, USA.

Panel ca. 1500 Italian. Panel 222379

Sidewall, Block-printed paper, Against an ungrounded off-white paper marbled with pale gray veins, are printed regularly spaced large, scrolled medallions in light blue with linear details printed in red. Small red medallions are centered within and printed between the larger medallions., USA, 1840s, Wallcoverings, Sidewall

Sidewall (England); block printed on handmade paper, glazed; 135 x 58.5 cm (53 1/8 x 23 1/16 in.)

Honeysuckle. Designed by William Morris (English, 1834-1896); Produced by Morris & Company, 1875-1940; Printed by Hencroft Dye Works; England, Staffordshire, Leek. Date: 1874. Dimensions: 240.1 x 94 cm (94 1/2 x 37 in.)Warp repeat: 73.8 cm (29 in.). Cotton, plain weave; block printed. Origin: London. Museum: The Chicago Art Institute, Chicago, USA.

Arabesques : faïences murales de la mosquée de Cheykhoun (XVIIIe. siècle). Prisse d'Avennes, 1807-1879. Prisse d'Avennes, 1807-1879. Prints, Drawings. 1877. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Architecture, Islamic, Architecture , Egypt , Cairo, Art , Egypt , Cairo, Art, Islamic, Islamic decoration and ornament, Decoration and ornament, Islamic, Arabesques, Faience tiles, Tiles, Islamic

Book cover for Ferdinando Giorgi's Estratto, Florence, 1786 Anonymous ca. 1786 View more. Book cover for Ferdinando Giorgi's Estratto, Florence, 1786. Anonymous , Italian, 18th century. ca. 1786. Relief print (wood or metal). Prints

Piece 18th-19th century Japan. Piece 65859

Sheet with overall floral pattern on blue background late 18th-mid-19th century Anonymous. Sheet with overall floral pattern on blue background. Anonymous , Italian, late 18th-mid 19th century. late 18th-mid-19th century. Relief print (wood or metal). Prints

Piece. Culture: French. Dimensions: 10 1/2 x 27 inches (26.7 x 68.6 cm). Date: 1715-20. Museum: Metropolitan Museum of Art, New York, USA.

Dresden, Stengel & Markert, Five strips of 18th century French lace from the collection of the Kunstgewerbemuseum in Dresden, recto - printed, This print is part of a cover with 49 prints and a list of illustrations., photomechanical print, photographs, photographically illustrated books, E. KUMSCH, SPITZEN AND WHITE STICKERS OF THE 16th-18th century, Table 8., height 284 mm, width 256 mm, photographer, 1888 - 1888, paper, papier, collotype, clichémaker, printer, drukker, Publication (Event), Publication, publisher

Panel. Culture: French. Dimensions: L. 83 x W. 22 inches (210.8 x 55.9 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

Velvet Fragment, 1400s. Italy, 15th century. Velvet (cut and voided); silk; overall: 66.7 x 57.5 cm (26 1/4 x 22 5/8 in.).

Blades with flowers, anonymous, 1700 - 1850 brocade paper Leaf with flowers. Used as a cover. paper. paint (coating) relief printing ornament derived from plant forms

Piece 17th century Japan. Piece 71384

Strooi pattern of Carners, Anonymous, 1860 - 1930 decorated paper Japan Japanese paper (handmade paper). paint (coating) ornament derived from plant forms. flowers: carnation

Piece 18th century Japan. Piece. Japan. 18th century. Silk / Compound weave. Edo period (1615-1868). Textiles-Woven

Textile, Haussmann, Medium: cotton Technique: printed by engraved roller on plain weave, four vignettes of children at play. Each in an oval compartment framed by large scale foliage. Printed in purple on white., Logelbach, Alsace, France, ca. 1840, printed, dyed & painted textiles, Textile

Piece. Culture: French. Dimensions: Overall: 10 x 11 in. (25.4 x 27.9 cm). Date: 1774-93. Museum: Metropolitan Museum of Art, New York, USA.

Sidewall, Block-printed and flocked on paper, On flocked deep red ground, two identical columns of varying clusters of grisaille leaves and flowers - all finely outlined in light brown - drop repeat. The groupings of flowers form a diaper pattern., France, 1835-60, Wallcoverings, Sidewall

Sidewall, Block-printed paper, embossed, Imitation leather. Embossed design of birds, fruit, flowers and leaves. Printed in metallic gold and metallic lime green., Japan, 1880-90, Wallcoverings, Sidewall

Quilt. Dated: c. 1937. Dimensions: overall: 35.2 x 24.4 cm (13 7/8 x 9 5/8 in.). Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Lillian Causey.

Piece. Culture: French. Dimensions: 26 x 19 3/4 inches66.0 x 50.2 cm. Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: French or British. Dimensions: L. 47 1/4 x W. 22 inches (loom width)120.0 x 55.9 cm. Date: ca. 1850. Museum: Metropolitan Museum of Art, New York, USA.

Medieval ornament

Piece. Culture: French. Dimensions: L. 8 1/2 x W. 8 1/4 inches21.6 x 21.0 cm. Date: late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Paste paper with blue stripe and floral pattern 18th century Anonymous. Paste paper with blue stripe and floral pattern. Anonymous , 18th century. 18th century. Relief print (wood or metal). Prints

Piece. Culture: French. Dimensions: L. 19 1/2 x W. 12 1/2 inches (49.5 x 31.8 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

18th-century German embroidered sheets from the collection of the Kunstwerbemuseum in Dresden, Germany, Anonymous, 1888 photomechanical print This print is part of a cover with 49 prints and a list of images. Dresden paper collotype embroidery (ornamentation). bedding Artificial museum

Piece. Culture: French. Dimensions: L. 13 1/2 x W. 10 inches34.3 x 25.4 cm. Date: late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Silk. Culture: British or French. Dimensions: 24 1/2 x 19 1/2 inches (62.2 x 49.5 cm). Date: 1735-50. Museum: Metropolitan Museum of Art, New York, USA.

Fragment, 1680-1720. China, Qing dynasty (1644-1911). Silk; overall: 17.8 x 15.3 cm (7 x 6 in.).

Sheet with overall paisley pattern 19th century Anonymous. Sheet with overall paisley pattern. Anonymous , 19th century. 19th century. Relief print (wood or metal). Prints

Rectangular cashmere scarf with a halved black mirror with multicolored elongated bota and fan palm motifs, anonymous, c. 1850 - c. 1870 Rectangular wool palms scarf, with a woven pattern on which a halved black mirror and multicolored elongated, collapsed spring, or boteh and fan palmmet motifs. The middle pattern is symmetrical compared to a long-standing axle and a short cross axis. A center of half a black mirror and half, multicolored Bota appearances. At both ends is a very long middle palm, with black outlined and with a fan crown of small Kasmir spring or botamotives. He supports an elongated second fan palm, which stands between two slender Botas. Left and right of this again elongated and intersected botas, the round of which is kept volute. Aside shorter ditos. In the standing edge, the smotives accessed in lying formation encounter each other. It is caught in narrow white lists. The horizontal edge is composed of uneven-shaped gates, symmetrical in colors suitable compared

Textile, Medium: linen warp, cotton weft Technique: block printed on plain weave, Red and white textile in a diamond lattice pattern created by rococo frames and flowers. Inside the larger frame is a farming scene with two figures carrying tools while the smaller frame holds a harbor scene of buildings and small boats., France, ca. 1770, printed, dyed & painted textiles, Textile

Rug. Culture: Spanish. Dimensions: L. 160 x W. 74 1/2 inches406.4 x 189.2 cm. Date: 1550-1600. Museum: Metropolitan Museum of Art, New York, USA.

Dresden, Stengel & Markert, Six square pieces of 17th century Italian lace from the collection of the Kunstgewerbemuseum in Dresden, Germany, recto - printed, This print is part of a cover with 49 prints and a list of illustrations., photomechanical print, photographs, photographically illustrated books, E. KUMSCH, SPITZEN AND WHITE STICKERS OF THE 16th-18th century, Table 12., height 321 mm, width 255 mm, photographer, 1888 - 1888, paper, papier, collotype, clichémaker, printer, drukker, Publication (Event), Publication, publisher

Fragment (from Noh Costume). Japan. Date: 1675-1725. Dimensions: 27.1 x 22 cm (10 5/8 x 8 5/8 in.). Brocaded twill (kara ori) silk and gilt paper; 2 1/2 strips to m.m. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Tablecloth with a face on Danzig, c. 1680 - c. 1750 Tablecloth with a mirrored in midfield, horizontally repeating pattern of a face on a city with the personification of Mercury three times above it. Under the cityscape a river with a large sailing ship, a boat and a walkant with a barrel and stacked boxes and otherwise the weapon of Danzig within a staggered wreath, including the inwing 'Danzig'. On the barrel an inquiry that can be read horizontally as the letters 'A I P', vertically as 'I' () 'C'. Running edges with a connected flower and leaf ornament. In the bottom right in red, the letter 'VOK'. Sleeswijk-Holstein (Possible) linen (material) damask Danzig Tablecloth with a mirrored in midfield, horizontally repeating pattern of a face on a city with the personification of Mercury three times above it. Under the cityscape a river with a large sailing ship, a boat and a walkant with a barrel and stacked boxes and otherwise the weapon of Danzig within a staggered wreath, including

Piece. Culture: French. Dimensions: L. 21 1/4 x W. 18 inches (54.0 x 45.7 cm). Date: 1750-60. Museum: Metropolitan Museum of Art, New York, USA.

Piece. Culture: French. Dimensions: L. 22 1/4 x W. 15 inches56.5 x 38.1 cm. Date: late 18th century. Museum: Metropolitan Museum of Art, New York, USA.

Fragment. Italy. Date: 1601-1650. Dimensions: 25.7 x 24.5 cm (10 1/8 x 9 5/8 in.)Repeat: 13 x 6.65 cm (5 1/8 x 2 5/8 in.). Silk, satin damask weave. Origin: Italy. Museum: The Chicago Art Institute, Chicago, USA.

Fragment. France. Date: 1775-1800. Dimensions: 15.9 × 27.9 cm (6 1/4 × 11 in.). Brocaded silk. Origin: France. Museum: The Chicago Art Institute, USA.

Fragment Made 1785-1795 France. Cotton, plain weave; resist printed . Manufacture Blanc (Producer)

Piece 18th-19th century Japan. Piece 66978

Piece. Culture: French. Dimensions: 17 x 18 inches (43.2 x 45.7 cm). Date: 1760-70. Museum: Metropolitan Museum of Art, New York, USA.

Border from a Farhang-i Jahangiri Manuscript. India, Mughal empire, circa 1608. Paintings. Gold, black ink, and red ink on paper

Napkin with Frisian weapons and Orpheus in the middle of the animals, Quirijn Jansz. Damast (Possible), 1645 Linnamast napkin with Frisian weapons and Orpheus. Midfield: The symmetrically doubled pattern shows the following scenes from bottom to top: 1 the weapons camminga-eckinga with a helmet sign; Anno 1645. 2 Orpheus with the animals. 3 The Groustins-Jongema weapons with a helmet sign; Anno 1645. Standing edges: double slender with a running hunting dog and deer. Lying edges: Hazy hunt. Corners: rosette. Round: Blocking edge. Haarlem linen (material) damask Friesland Linnamast napkin with Frisian weapons and Orpheus. Midfield: The symmetrically doubled pattern shows the following scenes from bottom to top: 1 the weapons camminga-eckinga with a helmet sign; Anno 1645. 2 Orpheus with the animals. 3 The Groustins-Jongema weapons with a helmet sign; Anno 1645. Standing edges: double slender with a running hunting dog and deer. Lying edges: Hazy hunt. Corners: rosette. Round: Blocking

Frieze, F. E. James Co., New York, New York, Machine-printed paper, liquid mica, Borders printed two across. Scrolling foliage with foliate vining. Bottom band of palmettes and top band of scrolls, dashes and dots. Printed on tan ground in green, red, brown-green, light green and white liquid mica. Printed in selvedge: 'the F.E. James Co.' pattern number '1382' ; '2', USA, 1905-1915, Wallcoverings, Frieze

Sidewall, Queen Anne's Lace; Manufactured by M.H. Birge & Sons Co. (United States); USA; machine-printed paper; 67.5 x 50 cm (26 9/16 x 19 11/16 in. )

Design for a Book Cover, Alice Cordelia Morse, American, 1863-1961, Brush and gouache on paper, On sea green ground, white and dark green design; cartouche framed by open mouth border lined with vines., USA, ca. 1896, graphic design, Drawing, Drawing

Florence Designed 1885-1895 London. Rather than velvet, this upholstery fabric is velveteen, the distinction being that the pile for velveteen is made from supplementary wefts (horizontal fibers), rather than supplementary warps (vertical or longitudinal fibers). Velveteen, often made of cotton, has a less dense pile than velvet and usually is cheaper to produce. Printed designs on velveteen, such as this one, reflect modern efforts to imitate the luxurious sensation of velvet pile while offering consumers a more durable and less costly alternative.óModern Velvet A Sense of Luxury in the Age of Industry, Oct 21, 2016-Mar 19, 2017, Galleries 57-59. Cotton, twill weave with supplementary pile wefts forming cut solid 'velvet'; block printed . John Henry Dearle (Designer)

Sidewall, Block-printed paper, embossed, Imitation leather. Embossed free-flowing design of stylized fruit (grapes, plums, oranges, lichees, pomegranates, pears), flowers (roses, dogwood blossoms, sunflowers), leaves, a serpent-like bird and a dragon; printed in metallic gold and maroon., Japan, 1875-85, Wallcoverings, Sidewall

Piece. Culture: Italian. Dimensions: 18 1/4 x 11 in. (46.4 x 27.9 cm). Date: 16th century. Museum: Metropolitan Museum of Art, New York, USA.

Sutra Cover. China. Date: 1590-1599. Dimensions: 36.8 × 12.1 cm (14 1/2 × 4 3/4 in.)Warp repeat: 17.8 cm (7 in.). Silk, gold-leaf-over-lacquered-paper strip, warp-float faced 4:1 satin weave with supplementary patterning wefts bound in weft-float faced 1:4 satin interlacings. Origin: China. Museum: The Chicago Art Institute, Chicago, USA.

Stencil 19th century Japan. Stencil 69285

Panel (Dress Fabric) Made 1697-1718 France. Silk and gilt-metal-strip-wrapped silk, satin weave with brocading wefts and self-patterned by areas of plain weave .

Stencil 19th century Japan. Stencil. Japan. 19th century. Paper, silk. Stencils

Textile, Laurens et Cie a Villefrance, Medium: cotton Technique: block printed on plain weave, Isolated motifs of a woman picking fruit and handing it to Cupid. The motifs are arranged as a half-drop. In purple and red on white., Villefrance, France, 1795-1810, printed, dyed & painted textiles, Textile

Quilt. Dated: 1935/1942. Dimensions: overall: 54.6 x 40.8 cm (21 1/2 x 16 1/16 in.) Original IAD Object: 72" long; 54" wide. Medium: watercolor, graphite, and pen and ink on paper. Museum: National Gallery of Art, Washington DC. Author: Elizabeth T. Reike.

Piece 18th-19th century Japan. Piece. Japan. 18th-19th century. Silk. Edo period (1615-1868). Textiles-Woven

Umbria Terni Collescipoli S. Nicolo2. Hutzel, Max 1960-1990 Post-medieval: Architecture (15-16th century); sculpture, choirstall (16th century); frescoes (16-17th century); painted wooden organ loft (17th century); silk altarcloth (14th century) Object Notes: Two Hutzel photo campaigns dated 1970 and 1971. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Sidewall (USA); machine-printed; 103 x 52 cm (40 9/16 x 20 1/2 in.); 1973-19-1-a,b

Napkin with Frisian weapons and Orpheus in the middle of the animals, Quirijn Jansz. Damast (Possible), 1645 Linnamast napkin with Frisian weapons and Orpheus. Midfield: The symmetrically doubled pattern shows the following scenes from bottom to top: 1 the weapons camminga-eckinga with a helmet sign; Anno 1645. 2 Orpheus with the animals. 3 The Groustins-Jongema weapons with a helmet sign; Anno 1645. Standing edges: double slender with a running hunting dog and deer. Lying edges: Hazy hunt. Corners: rosette. Round: Blocking edge. Haarlem linen (material) damask Friesland Linnamast napkin with Frisian weapons and Orpheus. Midfield: The symmetrically doubled pattern shows the following scenes from bottom to top: 1 the weapons camminga-eckinga with a helmet sign; Anno 1645. 2 Orpheus with the animals. 3 The Groustins-Jongema weapons with a helmet sign; Anno 1645. Standing edges: double slender with a running hunting dog and deer. Lying edges: Hazy hunt. Corners: rosette. Round: Blocking

Piece 1735-40 Attributed to Jean Revel. Piece 222979

Leaf with flowers and fruits, anonymous, 1700 - 1800 brocade paper Leaf with flowers and fruits (small fragment). Germany paper. relief printing ornament derived from plant forms

Sidewall; block-printed on handmade paper; 116 x 58 cm (45 11/16 x 22 13/16 in.)

Panel (Italy); multicolor silk and hand-woven linen

Leaf with alternating spreading pattern of flower motifs, anonymous, 1750 - 1950 paper. lacquer (coating) block printing (relief printing process) / lacquering ornament derived from plant forms

Textile, Medium: cotton Technique: plain weave, indigo dyed, resist applied by stencil (katazome), Traditional all-over geometric design of octagons framing rosettes, and tilted squares, in dark blue and white., Japan, late 18th century, printed, dyed & painted textiles, Textile

Booklet with brokaat paper cover, Georg Popp, 1710 - 1735 brocade paper Pamphlet with a cover of a leaf brokaat paper with stylized flowers, left horn of abundance and fruit bowl with spider and heraldic lion, on the right large flower and pomegranates. The pamphlet consists of three magazines and was probably printed in Würzburg in 1726. Fürth paper. paint (coating) relief printing ornament derived from plant forms. ornament derived from animal forms

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