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Vintage Linen Napkins

A collection of antique linen napkins featuring intricate patterns such as floral motifs and peel designs, showcasing historical textile artistry.

Napkin of linen with peel pattern ,, 1600 - 1650 White linen napkin with peel pattern, brand IVG Northern Netherlands (Possible) linen (material) White linen napkin with peel pattern, brand IVG Northern Netherlands (Possible) linen (material)
Napkin of linen with peel pattern ,, 1600 - 1650 White linen napkin with peel pattern, brand IVG Northern Netherlands (Possible) linen (material) White linen napkin with peel pattern, brand IVG Northern Netherlands (Possible) linen (material)
252 assets in this story
meteorite , pallasiteFragment of the lace; 1. PO. 19th century (1801-00-00-1850-00-00);Textile (France); cottonStill life of pillow and bed sheetsLinnamast napkin with the glorification of Charles VI of Habsburg, Anonymous, c. 1711 White Linnamasten Napkin with the glorification of Karel VI of Habsburg. Flanders (Possible) linen (material) White Linnamasten Napkin with the glorification of Karel VI of Habsburg. Flanders (Possible) linen (material)Plaque with Interlinked Scrolls 700 BCE-600 BCE China. Jade .Handkerchief possibly French 19th centuryChurch tablecover. unknown, authorLandscape with Two Trees in Foreground (from Sketchbook). Artist: Albert Bierstadt (American, Solingen 1830-1902 New York). Dimensions: 4 3/4 x 7 3/4 in. (12.1 x 19.7 cm). Date: 1890. Museum: Metropolitan Museum of Art, New York, USA.Remnant of the funnel of Napoleon I, 1821 Remnant of the body rug of Napoleon I; A piece of black textile. textile materials Sint-HelenaSheet, linen mark, medium spin, medium weave. Dimensions: L. 498 cm (196 1/16 in); w. 140 cm (55 1/8 in). Dynasty: Dynasty 18. Reign: reign of Thutmose II-Early Joint reign. Date: ca. 1492-1473 B.C.. Museum: Metropolitan Museum of Art, New York, USA.Sketch of Landscape Near Mount Baker (from Sketchbook). Artist: Albert Bierstadt (American, Solingen 1830-1902 New York). Dimensions: 4 3/4 x 7 3/4 in. (12.1 x 19.7 cm). Date: 1890. Museum: Metropolitan Museum of Art, New York, USA.Steel needle side with single Maas soil formed by collected feston stitches, anonymous, c. 1925 - c. 1929 sample Steel natural-colored needle side with an alençon ground. Study material. The application of this type of Maas soil with single meshes formed by collected Feston stitches was up to around 1800 characteristic for Alençon ramps. Later, other Maas soils were also used in Alençon. The edges of the steel are finished with feston stitches. The steel includes a fragment Alençon side in which the technology is applied (see the fragment at BK-NM-14365-WW). Netherlands (possibly) linen (material) Alençon LaceAnonymous, brooch (main title), 1925. Ink and gouache on gray carton B. Petit Palais, Museum of Fine Arts of the City of Paris.Textile Swatch Textile Swatch, 1950s to 1960s. Silk, 22 1/2 x 14 1/2 in. (57.2 x 36.8 cm). 1950s to 1960sTextile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. 90 wool, 10 silk, 23 1/2 x 18 1/4 in. (59.7 x 46.4 cm). 1948-1959Cushion associated with a fire. .Sampler, Medium: linen embroidery on linen foundation Technique: embroidered with withdrawn element work with needlemade fillings using looping and overcasting. In top three bands elements have been removed in one direction (horizontal) only., Whitework sampler, Thirteen bands of withdrawn element work with needle-made fillings., England, mid-late 16th century, embroidery & stitching, SamplerChildren's sprei of stitched cotton. Children's spraw from stitched white cotton with a pattern of volutes and tulips.Cassette with a floral decorVancouver () (from Sketchbook) 1890 Albert Bierstadt American. Vancouver () (from Sketchbook) 15811Framework for a photo or invitationsTextile Swatch , 1950s to 1960s. Silk, 11 1/4 x 7 1/4 in. (28.6 x 18.4 cm). 1950s to 1960sModestie van crocheted side with 'seaweed pattern' and sunbathing. Triangular fashion sty of natural colored crochet side. Along the top edge a kind of erratic 'seaweed pattern'. In the point below a crocheted irregular maasing soil, with a scattering pattern of rosettes or sunbathing. The different patterns are separated from each other by a well-formed row, also studs along the straight upper edge. The two sloping sides are straight finished, without jaces.Wrapped chocolate bar, elevated viewLetter bag made of white cotton decorated with floral motifs in 'Point de Marseille' or Zaans Stic work, trimmed all around with a narrow strip of bobbin, anonymous, c. 1750 - c. 1770 Letter bag made of white cotton decorated with floral motifs in 'Point de Marseille' or Zaans Sticwork, trimmed all around with a narrow strip of bobbin. The stitching has a symmetrical structure of stylized floral motifs. The edge is trimmed with a lace board. At the tip of the valve a loop, which can be beaten around the tie in the middle of the bag. The inside is partially lined at the back unadorned cotton. Zaans stitching. Zaanstreek (Possibly) Maker: Netherlands (Possible) whole: Cotton (textile) bobbin lace Letter bag made of white cotton decorated with floral motifs in 'Point de Marseille' or Zaans Sticwork, trimmed all around with a narrow strip of bobbin. The stitching has a symmetrical structure of stylized floral motifs. The edge is trimmed with a lace board. At the tip of the valve a loop, whTextile Swatches Onondaga Silk Company, Inc. (1925-1981). , 1948-1959. 83 wool, 17 silk, 23 1/4 x 17 1/2 in. (59.1 x 44.5 cm). 1948-1959A black mesh or basket for deep-frying and cooking potatoes in boiling oil. Cooking fast foodBlack bowl isolated on white background.folded red cotton kitchen towel in the box on a red background, top viewlittle green ceramic tile on a white background, majolica. for the catalog. square small tileSpace BlanketSmall shopping cart lies on a violet background. Minimalism flat lay top view.. Small shopping cart lies on a violet background. Minimalism flat lay top viewGrunge polaroidStick of wrapped butter isolated on white backgroundTile with rider, anonymous, c. 1620 - c. 1660 Tile with blue painted rider in harness within an Akkolade frame with in the corners, a wing leaf. Netherlands earthenware. tin glaze majolica Tile with blue painted rider in harness within an Akkolade frame with in the corners, a wing leaf. Netherlands earthenware. tin glaze majolicaWhite handicraft with monogram ate. White handicraft with art nouveau monogram on an unfinished glass battery square; A.t. Under Kroon. Belonging to series of eight white and ten colored needlework, manufactured by Aagje tapp for obtaining the deed beautiful and / or useful needlework to the industrial school, BK-1974-105-A to R.White handicraft with Jugendstil motif, Aagje Tiket, c. 1900 Handwork Ivan a scalloped edge with two flowers in TuledoorStop. Belonging to series of eight white and ten colored crafts, made by Aagje Tiket for achieving the deed of beautiful and/or useful handicrafts at the industrial school, BK-1974-105-A to R. Amsterdam Handwork Ivan a scalloped edge with two flowers in TuledoorStop. Belonging to series of eight white and ten colored crafts, made by Aagje Tiket for achieving the deed of beautiful and/or useful handicrafts at the industrial school, BK-1974-105-A to R. AmsterdamBonnard, Pierre (n.1867-10-03-D.1947-01-23), parallel (main title), 1900. Binding: leather with golden nets, back without nerve, fabric and gilded marbled paper, interior dishes covered with leather and fabric. Petit Palais, Museum of Fine Arts of the City of Paris.Compact discs in a pile Many compact discs in a pile, one on top of the other. Copyright: xZoonar.com/JacquesxJacobszx 9642516Vase fragment Roman Satyr and grapes.. Vase fragment 250444Christmas cardNapkin with geometric pattern and the initials BU, c. 1935 Napkin from white Linnamast with woven geometric pattern and the embroidered initials BU (Brusse-Urtebise). North Brabant linen (material) damask / embroidering Napkin from white Linnamast with woven geometric pattern and the embroidered initials BU (Brusse-Urtebise). North Brabant linen (material) damask / embroideringNew years eveFontaneldoek with a border of bobbin of Helena van Slingelant-Slicher, c. 1759 - c. 1764 Fontaneldoek of natural linen with a border of natural -colored bobbin side on one side: Mechelen side. The 'brain pan for Boringen' has a triangular model. The edge of the side is slightly bent, smoothed and covers a large part of the longest side of the triangle. The curved ends partly overlap the linen. The edge pattern is symmetrical and consists of a slender in accolade shape with three simple flower or leaf shapes. The motifs are connected by a traly land. The motifs are made in linen stroke and one type of decorative land has been used. The motifs are provided with thicker shiny contour threads. A long narrow linen strap is attached to the two corners of the cloth, left and right from the side to which the side is attached. On the third corner the cloth is marked with red embroidery with HVS/12, which stands for Helena van Slingelant-Slicher. Southern NetherlandsNetherlands linen (material) Creative white flowers layout , floral pattern or background for greeting card of Mothers day,birthday, Valentines Day, wedding or happy event. Flowers compositionEdo komon--monogire tebikaecho. Culture: Japan. Dimensions: 11 7/8 × 8 1/4 × 1 1/2 in. (30.2 × 21 × 3.8 cm). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.Packaging material made of black plastic, closed on three sides, with 'Katja Robinski' on the front, c. 1958 - c. 1965 Packaging material made of black plastic, square, closed on three sides, with on the front in gold -colored letters: 'Katja Robinski'. State: a hole (moth), A spot. Amsterdam Completely: plastic (organic material). Inscription: Ink sewing / printing Packaging material made of black plastic, square, closed on three sides, with on the front in gold -colored letters: 'Katja Robinski'. State: a hole (moth), A spot. Amsterdam Completely: plastic (organic material). Inscription: Ink sewing / printingBox of cigarettes, isolated on a whiteBlank tri-fold brochure design isolated. Paper craft.. Blank tri-fold brochure design isolated.Chestnut from the Anne Frankboom. Chestnut, poured into a standing plex-glass column. On the Plexiglas The inscription: "Chestnut of the Anne Frank Boom" and the logo of the Jewish National Fund. Hereby a flat rectangular plate of plexiglass containing a printed image of the Anne Frankboom, a quote from the diary and the name of Anne Frank. Hereby a certificate of authenticity. The whole in a gray printed cardboard box.Seville, April 1992. Universal Exhibition of Seville 1992. In the image, merchandising items. Fans.