Vintage Portrait Photography

A collection of sepia-toned portraits featuring individuals in domestic settings. Depicts tranquil moods, historical attire, and intimate, nostalgic scenes.

Cornelis Visscher, ca. 1648, 1865 - 1870 The Etser Cornelis Visscher (II) pours the acid of an etching plate in his workshop, ca. 1648. Part of the steel engravings group into the paintings of the Historical Gallery of Society Arti et Amicitiae. Netherlands paper steel engraving The Etser Cornelis Visscher (II) pours the acid of an etching plate in his workshop, ca. 1648. Part of the steel engravings group into the paintings of the Historical Gallery of Society Arti et Amicitiae. Netherlands paper steel engraving

Small art lovers, Adolphe Mouilleron, After Hippolyte Michaud, 1851 - 1862 print The small art lovers. Two naked children discuss a folder with drawings. On the left a palette with brushes, against the wall a large painting. Paris paper. child. art collecting

Little Nelly. Henry Peach Robinson (British, 1830 - 1901)

A detailed 1648 etching by Rembrandt Harmensz. van Rijn titled 'The Hundred Guest Leaf (Neckline),' showing pinnate figure arrangements.

Photo production of Margarethe, Anonymous, After Busse, 1870 - 1890 Photograph. visit card This photo is part of an album. cardboard. photographic support albumen print painting, drawing and the graphic arts. adult woman. spinning-wheel

Mary, Queen of Scots in Lochleven Castle, with a small scene of her escape from the castle below (from "The History of England") 1830-60 John Rogers British This engraving shows William Douglas (son of Sir William Douglas) kneeling before Mary Queen of Scots in Lochleven Castle. Confined there for eleven months in 1566-67, she had been forced to abdicate in favor of her infant son James. Douglas masterminded the queen's escape from the island castle on May 2, 1568, the latter event shown here in a small vignette below the main image. The print was created to illustrate Thomas Gaspey's "The History of England: from the text of Hume and Smollett, to the Reign of George III" (1830, with later editions in 1852-54 and 1860).. Mary, Queen of Scots in Lochleven Castle, with a small scene of her escape from the castle below (from "The History of England"). After Rubino (Italian (), 19th century ()). 1830-60. Etching and stipple. J. & F. Tallis & Co., London, Edinburgh, and Dublin (British, a

George Adolphus Storey, A.R.A.. J. P. Mayall (British, 1839 - 1906)

Reproduction of a painting of the three parcen by Alfred Agache, Anonymous, After Alfred Agache, c. 1878 - in or before 1882 photomechanical print paper Fates, spare (Moir)

A lithograph by Moritz von Schwind from 1824 titled 'Laying No.6', depicting a figure expressing impossibility or surprise, showing gestures, facial expression, and scene context.

Two performances from Clarissa by Samuel Richardson, Daniel Nikolaus Chodowiecki, 1795 print With page reference and numbering above the performance. Berlin paper etching Literature. weeping. adolescent, young woman, maiden. one person praying

Cornelis Visscher, ca. 1648, 1865 - 1870 The Etser Cornelis Visscher (II) pours the acid of an etching plate in his workshop, ca. 1648. Part of the steel engravings group into the paintings of the Historical Gallery of Society Arti et Amicitiae. Netherlands paper steel engraving The Etser Cornelis Visscher (II) pours the acid of an etching plate in his workshop, ca. 1648. Part of the steel engravings group into the paintings of the Historical Gallery of Society Arti et Amicitiae. Netherlands paper steel engraving

Technical collotype image by Victor Angerer showing still life arrangements from the Ambras collection and a Danube female model by Hans Gasser, made in 1882.

In the studio of the sculptor, Ferdinand Schmutzer, 1900 print A sculpture workshop in which a sculptor is working. He works towards a female nude model. paper etching / drypoint sculptor at work. artist (in general) working from nude model

Claesen, Charles, Carpey, P.-J., Decorative Tables, Déposé, Photographic reproduction of a painting of three women and a man seated in front of a plinth with a bust of an unknown man on it, by PJ Carpey, recto - printed, This photograph is part of a cover with 24 photographs on 22 sheets., photograph, photo, reproduction, photographs, photographically illustrated books, Ch. Claesen Editeur, Paris, Liége & Berlin, height 262 mm, width 172 mm, photographer, 1874 - 1881, photographic paper, photo paper, albumen print, albumine print, after, after a painting by, Publication (Event), Publication, publisher

Photo production of a fresco in Pompeii, Italy, Anonymous, 1851 - 1900 photograph Pompeii cardboard. paper albumen print wall-covering. picture, painting Pompeii

Decoration. Browning (American, active 1890s)

Arsinoé en Célimène, Jean-Antoine-Valentin Foulquier, 1878-1879 print Akte III, scene IV uit "the Misanthrope" van Molière. paper etching / drypoint adult woman. theatre, theatrical performance

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile40. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Don Quixote in His Study. William Lake Price (British, 1810 - 1896)

Vier kunstreproducties, Goupil & Cie., after Jean Léon Pallière, after Hein Burgers, after C. Blane, after J. Bôle, c. 1872 - in or before 1879 photomechanical print paper garden fountain. witch, sorceress. fisherman. acrobat ~ circus

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

A woman with children in the church; Schuler, Edouard (1806-1882), Carlsruhe im Kunst-Verlag W. Creuzbauer (Fl. Ca 1830-1850); 1830-1840 (1830-00-00-1840-00-00);

Bass Rock, William Miller, 1796-1882, British, after Joseph Mallord William Turner, 1775-1851, British, 1826, Line engraving and etching, 2nd state on thick, moderately textured, beige, wove paper, with beige, chine colle, Sheet: 11 3/16 × 15 1/8 inches (28.4 × 38.4 cm), Plate: 10 × 12 15/16 inches (25.4 × 32.9 cm), Chine collé: 9 5/8 × 12 1/2 inches (24.4 × 31.8 cm), and Image: 6 3/4 × 10 inches (17.1 × 25.4 cm)

Fotoreproductie van Hemelvaart van Maria Door Andrea del Sarto, Fratelli Alinari, After Andrea Del Sarto, 1850 - 1900 Photograph. visit card This photo is part of an album. Florence cardboard. photographic support albumen print the assumption of Mary ('assumptio corporis'): she is borne into heaven by angels

Mural at Gloucester, Mass. , Students. The Massachusetts WPA Federal Art Project Photograph Collection

Into the Gutter!, plate ten from A Life 1884 Germany. Etching and aquatint, with stipple on ivory China paper, laid down on cream laid paper . Max Klinger

Don Quixote in His Study; William Lake Price (British, 1810 - 1896); London, England; negative 1856; print January 1857; Hand-colored photogalvanograph print; 22.7 x 19.7 cm (8 15,16 x 7 3,4 in.)

Midsummer Night's Dream, by Dadd. Caldesi & Montecchi (British, active 1850s)

Eedsletting of Charles V of Habsburg, Jean Baptiste Pierre Michiels, after Henri Leys (Baron), 1863 - 1890 print paper. etching new ruler taking the oath. ceremonial celebration of installation of a ruler

Umbria Perugia Norcia S. Giovanni2. Hutzel, Max 1960-1990 Exterior views of facade, flanks, and two portals; interior views of altars, ceiling, sculpture, crucifix, paintings, and ciborium. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Bliżej Kultury Ernst Wasmuth, A. G. Berlin, unknown sculptor

Photo production of the painting of the abbreviation of Charles V in the auditorium Magna of the palace on the Koudenberg in Brussels, by Laurens Lodewijk Kleijn, Kretsch, Laurens Lodewijk Kleijn, c. 1865 - c. 1900 glass wet collodion negative abdication (of a ruler)

Hugo de Groot is reunited in Paris with a woman and daughter, 1621; Hugo de Groot. After his escape from Loevestein in Paris, Hugo de Groot is reunited with his wife Maria van Reigersberg and his daughter, September 1621. Part of the Steel engraved group to the paintings of the historic gallery of the Company Arti et Amicitiae.

Victor Angerer's 1882 Woodburytype presents a still life with Ambras collection objects and a Danube female model by Hans Gasser, showing artistic composition and historical objects.

Copper engraving and etching by Jan Pieter de Frey depicting the biblical scene of the merciful Samaritan, produced between 1802 and 1809, showing figures, gestures, and interaction.

Elle porta la main au léger - marteau de fer ,. Paul Gavarni (1804-1866). Lithographs and Other Works

Constance Queniaux André-Adolphe-Eugène Disdéri French 1860 View more. Constance Queniaux. André-Adolphe-Eugène Disdéri (French, Paris 1819-1889 Paris). 1860. Albumen silver print from glass negative. Photographs

Leaf with four scenes with people looking at prints. Leaf with four scenes: A woman looking at a print next to a Picture Stand, a drawing woman, a woman looking at a print next to a picture stand and figures bent over an album with people in front of a window.

Andrew Joseph Russell, Sculpture on North Wing of the Capitol (Crawford Pediment), 1862, albumen print from wet-collodion-on-glass negative.

Lazio Roma Rome S. Maria in Vallicella58. Hutzel, Max 1960-1990 Views of 16th church's facade by Fausto Rughesi(1605). Views of interior nave, altars, sacristy, and collection in private rooms. Extensive coverage of frescoes and paintings. Three views of an embroidery with a depiction of the Assumption of the Virgin. General Notes: Views of Oratorio dei Filippini are filed separately, but retain H-numbers within this monument's numerical sequence. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Farmers' Woman standing by a fireplace, Emanuel Samson van Beever, 1886 - 1912 print The woman wears a headscarf. A broom leans against the fireplace. paper etching open hearth, fire-place. farm (building) - AA - civic architecture: inside

Clara Pilvois dans la Diavolina André-Adolphe-Eugène Disdéri French 1863 View more. Clara Pilvois dans la Diavolina. André-Adolphe-Eugène Disdéri (French, Paris 1819-1889 Paris). 1863. Albumen silver print from glass negative. Photographs

On the Markt, Jules De Bruycker, 1907 print paper etching / drypoint going to the market

John Everett Millais, R.A., D.C.L.. J. P. Mayall (British, 1839 - 1906)

Etching and copper engraving by Bernard Lépicié depicting Flemish masons in a lodge, created in 1747, showing multiple figures engaged in Masonic activities indoors.

Umbria Perugia Spoleto S. Maria Assunta, Cathedral15. Hutzel, Max 1960-1990 Exterior views: facade (12th century) with details of the rose window, blind gallery, classicizing architectural sculpture, portal with jambs of inhabited vinescroll, campanile with reused relief fragments (7th-8th centuries), and painting of Christ Blessing flanked by St. John and Virgin Mary (1207). Interior views: pavement in geometric patterns; apse frescoes by Fra Fillipo Lippi (1469) with scenes from the Nativity; fresco of the Pieta by Pinturicchio in the Cappella Eroli (1497); frescoes in the Cappella del'Assunta of Saints Jerome, Michael and Lucy, and ceiling frescoes of Noah, Adam and Melchisedek; paintings, cruicifixes, marbles busts of the Cardinal Eroli and Lippi in the Cappella delle Reliquie; marble statues of Kings David and Solomon in the baroque Cappella della SS. Icone; 14th and 15th century frescoes and a baroque frieze in the Cappella S. Anna; and perhaps a marble statue by Bernini in the w

Photo production of a painting by scene from the Opera Götterdämmerung, Anonymous, After Ferdinand Leeke, 1896 cabinet photograph. photomechanical print Maker: Germanypublisher: Munich Baden-Baden cardboard. paper collotype opera

Etching by Franz Stöber depicting portraits of Friedrich Gauermann and Ferdinand Georg Waldmüller, showing facial features, attire, and expression, produced in 1834.

Saint George and the Dragon. Lewis Carroll (British, 1832 - 1898)

Warsaw. "The third apartments in Malcz's house". (In the living room of the apartment at Malcz's house at Krakow's suburbs in front of the fireplace, the baptism family: Teodor Baptism and Anna Eleonora née Kuhnke from his daughter Mari); Beyer, Karol (1818-1877); 1861-1863 (1861-00-00-1863-00-00);Chrząński, Teodor (1821-1887), Chrząński, Teodor (1821-1887)-iconography, Krakowskie Przedmieście (Warsaw-street), Kuhnke, Anna Eleonora (1820-), Kuhnke, Anna Eleonora (1820-)-iconography, iconography, Lelewel, Joachim (1786-1861) - iconography, Méyet, Leopold (1850-1912) - collection, Napoleon and (French emperor - 1769-1821) - iconography, Warsaw (Masovian Voivodeship), Dar (provenance), Malcza tenement house ( Warsaw - Krakowskie Przedmieście), fireplaces, family portraits, sculpture (artist), residential interiors

Blancard, Hippolyte (1843 - D.1924), Universal Exhibition of 1889: public at the entrance to an Annamite temple, Paris (dummy title), 1889. Platinum draw. Carnavalet museum, history of Paris.

Droschkenhalteplatz. Bud, Walter (1890-1915), graphic artist, Wetteroth, Heinrich (Monachium ; zakład graficzny ; fl. 1860-1925), printer

The Fortune Teller. Ronald Ruthven Leslie-Melville (Scottish,1835 - 1906)

Print made by Guillaume Sulpice Chevalier, 1804-1866, French, Intemperance, undated. Line engraving, stipple engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé.

Congolese objects during the World Exhibition in Antwerp; Section du Congo. .

Articles in Gutta Percha.. Owen & Ferrier

The Sculpture Gallery Auguste Thomas Marie Blanchard (Paris, France, 1819 - 1898) Figure

Young girl at a bird cage in front of the window, Constant Aimé Marie Cap, 1874 print paper etching bird in a cage. pianoforte

Jeu de Societe dans un Parc n.d. After Jean Honoré Fragonard French. Jeu de Societe dans un Parc 369322

Laura Fonta - Laurency - Mourawieff - Rust - Fonta - Laurency - Mourawieff et Merante - Rust André-Adolphe-Eugène Disdéri French 1850s-60s View more. Laura Fonta - Laurency - Mourawieff - Rust - Fonta - Laurency - Mourawieff et Merante - Rust. André-Adolphe-Eugène Disdéri (French, Paris 1819-1889 Paris). 1850s-60s. Albumen silver print from glass negative. Photographs

Reproduction of a painting: Henryk Siemiradzki (1843-1902), W ustroni At a secluded place; from: `Tygodnik Ilustrowany` 1903, no. 40 (October 3rd), p. 791. L.J. (fl. ca 1903), photographer, Tygodnik Ilustrowany (Warszawa ; czasopismo ; 1859-1939), publisher

Aubrey Beardsley: Birthday of Madame Sagalle. Frederick H. Evans (British, 1853 - 1943)

The Madame B Album Made 1870-1879 France. Albumen prints with watercolor (in album) . Marie-Blanche Hennelle Fournier

Dotier manner etching by Louis Darcis around 1789 depicting an unforeseen accident, showing figures, movement, and dramatic composition.

Gravestone commemorating Sebaldus, Anonymous, c. 1865.

Un morceau de Schumann , Musicians, Spouses, Pianos, Flutes, Schumann, Robert, 1810-1856. Henri Fantin-Latour (1836-1904). Lithographs and Other Prints

Pediment sculpture, U.S. Capitol | Library of Congress

Chimney Piece. Unknown

The Ingrate. Denis Auguste Marie Raffet (French, 1804-1860); printed by Chez Gihaut Frères (French, 19th century). Date: 1832. Dimensions: 163 × 155 mm (image); 286 × 401 mm (sheet). Lithograph in black on ivory wove paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

The harvest after Georges Bertrand

Sculpture gallery in the Vatican Museums, Italy, Fratelli Alinari, 1857 - 1900 photograph Vaticaanstadpublisher: Florence cardboard. paper albumen print gallery of sculptures Vatican Museums

st, University ring - Burgtheater - Interior view - Staircase - ceiling painting Theater in Taormina by Gustav Klimt, Unknown, photographer

Lazio Rieti Rieti S. Maria Assunta, Duomo, e Palazzo Vescovile38. Hutzel, Max 1960-1990 Medieval: Duomo, architecture (12-13th, 15th centuries). Post-medieval: Duomo and Palazzo Vescovado: Architecture, sculpture, frescoes, painting, architectural sculpture, metalwork, vestments General Notes: Hutzel combines two sites here, with no indication as to which photos or negatives belong to either site. Sites are catalogued separately in Medieval section, and entered thus in database. It is uncertain as to whether this includes objects from the Museo del Tesoro del Duomo. Hutzel photo campaign notes are undated. There is a note that there are no prints for 69-129. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as

Anonymous, ARTY SCHEFFER workshop, 16 rue Chaptal, Paris 9ème (username). Old N&B drawing paper laminated on cardboard. Museum of Romantic Life.

Planchette.. Henry P. Moore (American, 1835 - 1911)

Goupil & Cie, Photo reproduction of painting by Lambert: A boire!, photograph, foto, foto's, height mm, width mm, Publication (Event), Publication, French, publisher, 1867 - 1881, third quarter 19th century, fourth quarter 19th century, Woodburytypie

Group of four royal statues. Unknown, photographer about 1880-1890 A row of four statues depicting royal figures. Three of the figures are female and are wearing long dresses. The fourth statue is male and is wearing a cape and crown. The statue directly beside the male figure is also wearing a crown and has two shields at her feet. The group of statues are on a raised platform inside a building with large columns.

`King John III Sobieski monument`. Winiarski, Stanisław (Warszawa ; skład papieru ; fl. ca 1870-ca 1915), printing house, unknown, photographer

'Statue of Niobe' rock formation at Manisa (Magnesia), Turkey. On the Meander River - from which the word 'meander' comes from. Interesting rock for travellers keen on mythology. In Myth, Niobe had seven daughters and seven sons. Artemis (after Niobe was accused of insulting the Gods) killed her children. Niobe cried in grief and was turned to stone. This stone bears her weeping form. Date: 1904

Lazio Latina Cori S. Oliva2. Hutzel, Max 1960-1990 Extensive coverage of exterior and interior including many views of Roman columns; many views of the renaissance frescoes and of the Renaissance cloister. General Notes: There were two sets of prints for this location; they have now been integrated into a single numerical sequence. There German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Portrait of Miss Jones. Dated: 1901. Dimensions: image: 10.5 x 16.5 cm (4 1/8 x 6 1/2 in.) sheet: 18.6 x 13.1 cm (7 5/16 x 5 3/16 in.) mount: 28.5 x 19.5 cm (11 1/4 x 7 11/16 in.) mount: 38.2 x 29.9 cm (15 1/16 x 11 3/4 in.). Medium: photogravure on chine collé mounted on white paper and on dark gray wove paper. Museum: National Gallery of Art, Washington DC. Author: Frank Eugene.

Shakspeare nursed by Tragedy and Comedy , Authors, Infants, Shakespeare, William, 1564-1616. Thomas Pennant Barton Collection

Egyptian images from Isis, Osiris and Hathor in a museum; Isis, Vache Hathor & Roi Psamitik (30th dynasty), Osiris no. 219..

Cristoforo Tomati monument at the Cimitaro Monumental di Staglieno, Genoa. Possibly Alfredo Noack, photographer (Italian, born Germany, 1833 - 1896) 1850s-1890s View of a detail of the monument to Cristoforo Tomati at the Cimitaro Monumentale di Staglieno in Genoa. The stone monument features an effigy of Tomati, his head resting on a decorative pillow and his hands clutching a cross on his chest, lying on a bier decorated with angels and floral garland. The figure of a man, probably Jesus, stands beside the bier with his arms out to the sides and clouds surrounding his feet. The figure of a woman kneels in front of the base of the monument with her hands clasped together in prayer. Three floral wreaths rest against the base, which is inscribed with the words "A CRISTOFORO TOMATI LA FIGLIA FIDANDO IN DIO CONSOLATORE". (Recto, print) lower center, handwritten on strip of paper printed in the negative: "GENOVA. italicized CAMPOSANTO. italicized MON. TOMATI. (VILLA)italicized"; (Recto, mo

Setup of German artworks in the Bayerisches National Museum in Munich, 1876 photograph Bavarian National Museum: Munich Printer: Munich cardboard. paper. printing ink collotype temporary exhibition, 'Salon'. interior ~ representation of a building. art. tapestry Bavarian National Museum

Group portrait of M. and Mme. Eynard with M. and Mme. Regny, Paris, France. Jean-Gabriel Eynard (Swiss, 1775 - 1863)

Monument to Canova in the Basilica di Santa Maria Gloriosa dei Frari in Venice; Venezia Chiesa dei Frari Tomba di Canova. Part of travel album with pictures of sights in Italy and to the French Riviera (part II).

Choral Bank from Siena with a relief of plant motifs and a woolvin that sucks Remus and Romulus (presumably), c. 1875 - c. 1900 photograph Siena cardboard. photographic support albumen print seats of the clergy, choir-stalls. cherubs, i.e. children's heads with wings. Romulus and Remus are washed ashore and suckled by a she-wolf; 'Lupa Romana'. fruits and vegetables ~ ornament. sculpture (+ relief ~ sculpture) Siena

Vilnius. "Viviani's picture in the cathedral"; Zdanowscy, Edmund and Bolesław; Before 1939 (1930-00-00-1939-00-00);

Le Gray, Gustave. Murale paintings by Henri Lehmann, from the Hall of the Town Hall, 4th arrondissement, Paris. "Men go about the first works". Salted paper. in 1853-1853. Paris, Carnavalet museum. 156880-30

Gustave Brion (1824-1877). Illustration of the complete works "Les Misérables" by Victor Hugo. "End of Eponine". Gilmer photograph. Albumin paper draw. 1862. Paris, house of Victor Hugo. 100147-18 Illustration, Romanesque character, portrait, 19th 19th 19th 19th 19th 19th century

Bliżej Kultury Franz Hanfstaengl Kunstverlagsanstalt (Monachium), Hanfstaengl (Hanfstängl), Franz (1804 1877)

Lazio Roma Rome S. Andrea della Valle3. Hutzel, Max 1960-1990 Post-medieval: Architecture, frescoes, stucco, painting, sculpture, architectural sculpture, sculptural relief Object Notes: Exhibiting the passage from Counter-Reformation to Baroque, it is one of the most vast churches in Rome (the most vast with one nave), and its cupola, which measures 80 meters in heighth is the heighest after that of S. Peter's. Construction was initiated in 1591 by Olivieri, the cupola was completed in 1625 by Maderno. German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, si

Stanisław Witkiewicz in front of the painting Bad omen". Piechowski, Wojciech (1849-1911), photographer

Stiehl Otto (1860-1940): Sketch and photo album 3: Strange actor and grieving Tanagra from the Antique Collection, Berlin

Paris Louvr Dante and Virgil in hell Eugene Delaxroix unknown

Grave monument for Faustino Antonio da Costa to Santo Saccomanno on the cemetery of Staglieno in Genoa, Italy, Anonymous, After Santo Saccomanno, 1877 - 1890 photograph Knee cardboard. paper albumen print sculpture. grave-building, monumental tomb Genua. Cemetery

Concert (Choir from the Basilica of San Marco in the Vacation in the 15th century); Braun, Clément & Cie (Paris: Potential of Photographic; FL.1857-Ca 1925), Wagrez, Jacques (1850-1908); 1898 (1898-00-00-1898-00-00);

34. Artistical Groups in Various Poses. Artist: Calvert Richard Jones (British, Swansea, Wales 1802-1877 Bath, England). Dimensions: Sheet: 3 13/16 × 4 13/16 in. (9.7 × 12.2 cm)Image: 3 9/16 × 4 5/16 in. (9 × 11 cm). Date: ca. 1845. Museum: Metropolitan Museum of Art, New York, USA.

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