War-Themed Artistic Depictions

Diverse artworks reflecting themes of war and human emotion, featuring etchings of landscapes and cityscapes with dramatic lighting.

Gehängten, board 10; Gruner, Erich (1881-1966), E.-A. -semann-Buch- und Kunstverlag (Leipzig; Publisher; 1858-1921-2008); 1915 (1916-00-00-1918-00-00);World War I (1914-1918), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, executions, Wisielcy, War

Gehängten, board 10; Gruner, Erich (1881-1966), E.-A. -semann-Buch- und Kunstverlag (Leipzig; Publisher; 1858-1921-2008); 1915 (1916-00-00-1918-00-00);World War I (1914-1918), Schlesisches Museum der Bildenden Künste (Wrocław - 1880-1945) - collection, executions, Wisielcy, War

Artist is drawing a cityscape at a great height, Jules De Bruycker, 1914 print Japanese paper (handmade paper) etching drawing, sketch (+ artist at work)

Landscape with a view of a city, Joseph Meganck, 1817 - 1891 print Brussels paper. etching city-view, and landscape with man-made constructions (+ city(-scape) with figures, staffage)

Draak, Willem van Konijnenburg, 1928 print paper drypoint dragon

James McNeill Whistler, Reading, 1879 1887 Reading

Fairy Tale. Heinrich Johann Vogeler; German, 1872- 1942. Date: 1895. Dimensions: 128 × 196 mm (image); 147 × 108 mm (plate); 510 × 350 mm (paper). Etching with light blue ink on cream wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with farm and two figures at work in the vegetable garden, Willem de Zwart, c. 1896 print paper etching / drypoint farm or solitary house in landscape. garden. field filled with a crop Soest (Utrecht)

(LE PINCE-NEZ.). Artist: Paul Gavarni, French, 1804-1866

Caltnadel print by Heinrich Nauen from 1915 depicting a still life composition of objects with emphasis on arrangement, texture, and form.

Centeures in a cave, Ker Xavier Roussel, 1920 - 1935 print Paris paper centaurs. cave, grotto

Angio; Remarka: Angelic bite dog; Willette, Adolphe Léon (1857-1926), Société d'EDition et de publications (Paris 1908 (1908-00-00-1908-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, angels (iconogr.), Dogs, Remarki

Pierrot. Siedlecki, Franciszek (1867-1934), graphic artist

Saint Sébastien attaché à une colonne. Bisson Frères (French, active 1840 - 1864)

Etching by Edouard Manet showing a figure named Jeanne, created using strong-water technique in 1882 and printed in 1905.

Singer and Profil at four gas lamps in the dark area, Edgar Degas, 1877 - 1878 print Head of a singer and profil in a dark environment while her face is illuminated by light from the stage under her. In the background there are four balls of the gas lamps on the street. The head of the woman is cut to the left by the edge of the performance. paper drypoint singer without accompaniment

(LE PINCE-NEZ.). Artist: Paul Gavarni, French, 1804-1866

Your Mission, Etching on paper, Center, figure with head turned down, holding a bushel of hay. Vegetation throughout background., USA, 1881, figures, Ephemera, Ephemera

The Goose Original 1889 France. Drypoint on cream laid paper . Berthe Morisot

Frontispiece to Les baisers morts. Félicien Rops; Belgian, 1833-1898. Date: 1893. Dimensions: 94 × 66 mm (image); 108 × 72 mm (plate); 186 × 141 mm (sheet). Soft varnish etching ("vernis mou"), drypoint and roulette on cream wove paper. Origin: Belgium. Museum: The Chicago Art Institute, Chicago, USA.

Kaïn in Abel, Odilon Redon, 1886 print Cain with lifted club, is about to hit Abel. Abel, seen on the back, sits on the floor. print maker: Franceprinter: Paris paper etching / drypoint the killing of Abel: Cain slays him with a stone, a club or a jaw-bone, alternatively with a spade or another tool as weapon

Reading a book , Reading. James McNeill Whistler (1834-1903). Lithographs

Boats on a canal in a city, 1890 - 1946 Page 22 Recto from a sketchbook with 41 sheets. paper. pencil canals, waters (in city). sailing-ship, sailing-boat

Adam in Eva, Anonymous, 1570 - 1590 print Adam and Eva stand for the tree of knowledge in paradise. Eva offers Adam an apple and brings a second apple to her mouth. On the ground for Adam and Eva and various animals in the background. In the undermar, the text Genesis 3. Reconstructed from two fragments. Southern Netherlands paper engraving Eve offers the fruit to Adam

Adam and Eva. Adam and Eve stand for the tree of knowledge in paradise. Eva offers Adam an apple and brings a second apple to her mouth. On the ground for Adam and Eva and various animals in the background. In the undermaster the text Genesis 3. Reconstructed from three fragments.

White Pendulum. Robert Rauschenberg (American, 1925-2008); published by Universal Limited Art Editions (American, founded 1955). Date: 1980. Dimensions: 270 x 185 mm (image); 435 x 353 mm (sheet). Photolithograph in green and brown from two stones on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

At the scarecrow, Walter Rauch, 1958 print A fantasy figure with a top hat and a tail balances on the edge of a brick wall. He walks towards a scarecrow. In the meantime, a figure next to the wall pulls his tail. paper etching scarecrow. monsters of mixed human and animal shape; 'Mostri' (Ripa)

Hangene in De Smidse, Félicien Rops, 1880 print. photomechanical print paper drypoint violent death by hanging

Lender de dos, dansant le boléro dans Chilpéric , Dancers, Singers. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Glacier, from Multiplizierte Kunst. Joseph Beuys, (German, 1921-1986); published by Propylaen Verlag, Berlin. Date: 1973-1974. Dimensions: 115 x 372 mm (image); 501 x 653 mm (sheet). Woodcut on white wove paper. Origin: Germany. Museum: The Chicago Art Institute, USA.

Seasing view with two sailing ships, Jerôme Tuyttens, c. 1850 - 1883 print paper. ETCHING / DRYPOINT / REDOUSSAGE sea (seascape). sailing-ship, sailing-boat

Etching, copper engraving, and aquatint by Max Klinger from 1884, sheet 2 of the 'A Life' cycle, depicting allegorical figures and symbolic imagery.

Flashlight, from 1st Etchings, 2nd State. Jasper Johns (American, born 1930); printed by Donn Stewart (American, 1921-1986); published by Universal Limited Art Editions (American, founded 1955). Date: 1967-1969. Dimensions: 233 x 334 mm (plate); 656 x 505 mm (sheet). Etching and aquatint in black on handmade ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Lithograph by Odilon Redon from 1889 titled 'Pegasus Captive', depicting the mythical winged horse restrained.

Women with lanterns on the street, Rik Wouters, in or after 1911 print paper etching lantern. village street

Reprodukcja obrazu: Jan Ciągliński (1858-1913), Portret Witi. unknown, publisher

The Drawing Lesson (Berthe Morisot and her Daughter) Berthe Morisot French Sitter Julie Manet French 1889 Morisot made only eight drypoints, among which this self-portrait is the most accomplished. She shows herself in the act of drawing her reflection while her daughter, Julie Manet, looks on over her shoulder. Over the course of her career, Morisot depicted Julie more than any other subject. Here, she reconciles her dual roles as mother and artist in one image. Her prints were never published in her lifetime. For the posthumous edition, Julie titled this work "The Drawing Lesson." View more. The Drawing Lesson (Berthe Morisot and her Daughter). Berthe Morisot (French, Bourges 1841-1895 Paris). 1889. Drypoint on wove paper. Julie Manet (French, 1878-1966). Prints

Le Chemin de Coutures, à Sèvres. Felix Bracquemond; French, 1833-1914. Date: 1871. Dimensions: 215 × 230 mm (image/plate); 278 × 376 mm (sheet). Etching and aquatint on cream laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Félix Henri Bracquemond.

The Prodigal Son. Charles Émile Jacque; French, 1813-1894. Date: 1863-1873. Dimensions: 113 × 180 mm (image); 150 × 210 mm (plate); 334 × 453 mm (sheet). Etching on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Ornament with a mermaid. Leaf 8 Recto from a sketchbook with 27 sheets.

The Saltimbanque at Rest, from The Saltimbanques. Pablo Picasso (Spanish, 1881-1973); printed by Louis Fort (French, 19th-20th century); published by Ambroise Vollard (French, 1867-1939). Date: 1905. Dimensions: 121 x 87 mm (image/plate); 435 x 341 mm (sheet). Drypoint on cream wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Study of a naked woman, Henri Fantin-Latour, c. 1903 - c. 1904 print paper woman (showing herself) undressed, quasi-nude. the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure

Saint Christophe. Bisson Frères (French, active 1840 - 1864)

Young Woman Bathing. Charles Émile Jacque; French, 1813-1894. Date: 1861-1871. Dimensions: 166 × 75 mm (plate); 452 × 343 mm (sheet). Etching, drypoint and roulette on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Edward Alfred Goodall, 1819-1908, British, A Hurricane in the Desert, 1834. Line engraving, engraver's proof on thick, slightly textured, beige, wove paper, with gray, chine colle.

Study for a plate from Telemachus. Thomas Stothard; English, 1755-1834. Date: 1791-1801. Dimensions: 25 × 60 mm. Ink wash on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

The Fisherman Artist's working dates 1858-1874 Spain. Etching on paper . Mariano Fortuny y Marsal

Hope; Thoma, Hans (1839-1924); 1901 (1910-00-00-1910-00-00);Januszkiewicz, Michał - collection, hope, cardinal virtues, allegories, allegories, personifications (iconogr.), Boats, boat, hope, cardinal virtues, allegory

Nissance de Vénus; Jasi Ski, Feliks Stanis AW (1862-1901), Botticelli, Sandro (1444 cars 1445-1510), Wittmann ch., Imprimérie (couples 1902); 1893 (1893-00-00-1893-00-00);Musées et Salons (Paris Series - Paris - Fl. Ca 1884-1893), Studziński, Franciszek (1895-1967), Studziński, Franciszek (1895-1967) - collection, Venus (iconogr.), Zefir (mitol.), French (culture), French graphics, Polish graphics, reproductive graphics, mythology, sea, shells, Poland (culture), purchase (provenance)

Plaster models for a decoration of the Palais du Louvre by Jules Lafrance, c. 1855 - c. 1857 photograph Part of Réunion des Tuileries au Louvre 1852-1857, album 3. Paris paper. photographic support salted paper print permanent exhibition, museum. ornamenting, decorating ~ applied arts Palais du Louvre. Tuilerieënpaleis. Louvre Museum. Paris

Cain and Abel Made 1886 France. Etching and drypoint on ivory wove paper . Odilon Redon

Cest une tête de mort, avec une couronne des roses. Elle domine un torse de femme dune blancheur nacrée (It Is a Skull, Crowned with Roses. It Dominates a Womans Pearly-White Torso), from the series La Tentation de Saint-Antoine (The Temptation of Saint Anthony). Artist: Odilon Redon, French, 1840-1916

Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): 'Ravages of War.' (Estragos de la guerra.) 1810 Goya (Francisco de Goya y Lucientes) Spanish The incident unfolds in an instant: a building collapses due to an explosion, and its occupants plunge to the ground. Several details poignantly signal the sudden interruption of normal life, such as the fashionable armchair atop a fallen section of the floor, and the mother embracing the child she was just breastfeeding. Goya re-created this tumultuous interior as if observed at close range from within. The image graphically translates the disintegration of order produced by the blast, which the artist simulates having witnessed.. Plate 30 from 'The Disasters of War' (Los Desastres de la Guerra): 'Ravages of War.' (Estragos de la guerra.) 333967

A strange juggler, Odilon Redon, 1885 print A man, seen from the front, with wide eyes, keeps his arm up in front of him. To his right a large circle, on the left a flying creature with large ears. print maker: Franceprinter: Paris . illusionist, conjurer, juggler, 'legerdemain'

Etching on zinc by Paul Klee titled 'Garden of Passion', printed in a yellowish box, 1913, showing abstract garden composition.

Location: Australia australia, australasia, oceania, australasiathroughalens

Etching and aquatint by Rudolf Jettmar from 1897 titled 'The Schleicher,' depicting a figure in motion across a landscape.

Vieille gouge 1889 Belgium. Aquatint and drypoint on ivory wove paper . Félicien Rops

Oktober, c. 1625 - c. 1700 print Human activities in the month of October. On the left two figures, one of which is stamping grapes. In the middle a donkey and two figures on the right. In the middle of the constellation Scorpio. paper engraving October and its 'labours'. vintage, grape harvest. Scorpio (zodiacal sign of October)

One man lifting another ca. 1880-1910 José Guadalupe Posada. One man lifting another. José Guadalupe Posada (Mexican, 1851-1913). ca. 1880-1910. Wood engraving. Prints

Vampire, plate eleven from Protuberences and Cardiaques. Kurt Seligmann; American, born Switzerland, 1900-1962. Date: 1933. Dimensions: 269 x 214 mm (plate); 497 x 379 mm (sheet). Etching and aquatint on ivory wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

La Symphonie, pl.20. Vallotton, Félix (1865-1925), graphic artist, Maison Moderne (Paryż ; wydawnictwo ; 1897-1903), publishing house, Meier-Graefe, Julius (1867-1935), publisher

Kop van Schaap, Pieter Barbiers (IV), 1808 - 1848 print paper relief printing sheep

Death: My irony stands out above all others, Odilon Redon, 1889 print A naked woman with a snake tail. A few flowers in her fluttering hairs. Third print of six from the second series of illustrations for Gustave Flauberts the temptation of Saint Antonius. print maker: Franceprinter: Paris . temptations of St. Antony Abbot. monsters of mixed human and animal shape; 'Mostri' (Ripa). personifications of Death; 'Morte' (Ripa)

Portret Van Gabriel -Charles de Lattaignant, Louis Le Nain, 1861 - 1911 print paper etching historical persons. adult man

Martyrdom of sacred james; Andrea Mantegna frescoes in the Chiesa Degli Eremitani in Padua. The apostle James is located with his head under the block. A soldier raises his hammer to behead him. Soldiers watch. Italian landscape in the background.

The Vampire 1853 France. Etching and drypoint in dark brown on ivory laid paper . Charles Meryon

Fall of the Walls of Jericho, from Illustrations of the Bible 1834 England. Mezzotint in black on ivory wove paper . John Martin

Jung - Brunnen; Dasio, Maximilian (1865-1954); 1900 (1900-00-00-1900-00-00);

The Strong Arm. James McNeill Whistler; American, 1834-1903. Date: 1895. Dimensions: 197 x 159 mm (image); 288 x 228 mm (sheet). Transfer lithograph in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

L'Homme de douleurs assis. Bisson Frères (French, active 1840 - 1864)

Roche, Pierre (n.1855-D.1922-01-18), Canal (in Nancy) (main title), 1897. Gypsography, brown and green draw .. Small palace, Museum of Fine Arts of the city of Paris.

Dillon, Henri-Patrice (n.1850-11-28-D.1909-05-16), mandolinist, lithography published in the original print-third delivery (July-September 1893) (main title), 1893. Lithography in Black way. Petit Palais, Museum of Fine Arts of the City of Paris.

This 1903 etching by Emil Orlik depicts a scene in front of a temple, showing figures near the building and surrounding architecture.

Portrait of a baby in an oval above a table with incense, Félix Hilaire Buhot, 1887 print Portrait of a baby in an oval, surrounded by a branch with two owls, lanterns and a painting, above a table with incense, bottles and two Japanese statues. paper etching / drypoint historical persons (portraits and scenes from the life). infant, baby. owls. incense-burner ~ scents, perfumes

Brandès dans sa loge , Actresses, Brandès, Marthe, 1862-1930. Henri de Toulouse-Lautrec (1864-1901). Prints and Drawings

Bliżej Kultury Photographic Union Munich, Böcklin, Arnold (1827 1901)

Globes. Jacques Gaston Duchamp Villon; French, 1875-1963. Date: 1930. Dimensions: 171 × 216 mm (plate); 295 × 395 mm (sheet). Etching and drypoint on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

8, from 0-9. Jasper Johns (American, born 1930); printed by Zigmunds Priede; published by Universal Limited Art Editions (American, founded 1955). Date: 1963. Dimensions: 400 x 310 mm (image); 515 x 395 mm (sheet). Lithograph from two stones in gray on cream laid paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Naked Woman and a Herried Knight, Lourens Alma Tadema, 1875 print A naked woman lies with eyes closed in the grass. A harnessed knight sneaks in turning away. London paper etching woman (showing herself) undressed, quasi-nude. knight

Untitled. Jackson Pollock; American, 1912-1956. Date: 1944-1945. Dimensions: 227 x 300 mm (plate/image); 357 x 504 mm (sheet). Engraving and drypoint printed in warm black on white wove paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Etcher: Louis Monzies, French, 1849-after 1889, After: François Boucher, French, 1703-1770, Le FleuveScamandre, Etching, image: 13.2 × 8.2 cm (5 3/16 × 3 1/4in.), Made in France, French, 19thcentury, Works on Paper -Prints

Homage, plate six from A Glove. Max Klinger; German, 1857-1920. Date: 1881. Dimensions: 123 x 293 mm (image); 159 x 327 mm (plate); 448 x 632 mm (sheet). Etching on ivory chine collé on off-white wove paper. Origin: Germany. Museum: The Chicago Art Institute, Chicago, USA.

Old woman with candlestick, Florent Nicolas Crabeels (attributed to), 1839 - 1879 print paper etching old woman. chandelier, candelabrum

Street in Jerusalem, Marius Bauer, 1890 print Walking and sitting figures on a street. On the right a figure driving on a donkey. A gate in the background. paper etching street. ass, donkey. village-gate Jerusalem

Edward Goodall, 1795-1870, British, The Last Man (vignette), 1837. Line engraving, engraver's proof (touched).

Study sheet with faces of men, Antonie Frederik Zürcher, 1835 - 1876 print Study sheet with different faces of men. In the middle a man with beard and, a quarter turn, a man with a mustache, goatee and a hat on the head. Netherlands paper etching beard

Druidess Made 1891 France. Transfer lithograph on mounted ivory China paper . Odilon Redon

Head of Woman With Corsage of Flowers. Odilon Redon; French, 1840-1916. Date: 1900. Dimensions: 250 × 196 mm (image); 341 × 252 mm (sheet). Lithograph in black on heavy ivory wove paper, from effaced stone. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Edö Made 1907 Sweden. Etching on ivory laid paper . Anders Zorn

Consuela II ,

Ramskop, Anonymous, After Pieter Gerardus van OS, 1809 - 1850 print paper ram

At the Well. Louis Auguste Lepère; French, 1849-1918. Date: 1911. Dimensions: 226 × 244 mm (image/plate); 254 × 318 mm (sheet). Etching on cream wove paper with pronounced mesh pattern. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Study of the legs and arms of a lying woman, Jac van Looij, 1865 - 1930 drawing paper. chalk

Yard; Makowski, Tadeusz (1882-1932); 1931-1932 (1931-00-00-1932-00-00);

Walkers at a mill near Wijk bij Duurstede, Willem Witsen, c. 1906 print Wijk bij Duurstede paper etching windmill in landscape. receiver, fence. housing Wijk bij Duurstede

Design for a brooch with bird motif 19th century Anonymous, French, 19th century French. Design for a brooch with bird motif 392394

Two boxing men, Willem Retera, 1910 - 1955 print paper etching boxing (sport)

Frontispiece for Le mouvement idéaliste en peinture (The Idealist Movement in Painting) by André Mellerio Made 1896 France. Lithograph in black on off-white China paper laid down on cream wove paper . Odilon Redon

Servitude and military magnitude. Young man writing at his desk Alfred de Vigny (1797-1963), écrivines Français, Paris Dunki. Illétrera bontenger (1851-1898), Graveur sur Bourg. Served et large militai. "Jene Homme Érivant to Bureau's Sonn." Mastrats sur Bois. 1897-1898. Paris, Musée de la Viege.

Evening Landscape. Charles Émile Jacque; French, 1813-1894. Date: 1850. Dimensions: 100 × 183 mm (image); 109 × 189 mm (chine); 119 × 200 mm (plate); 301 × 425 mm (sheet). Etching and roulette on China paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

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