William Blake Engravings and Prints

A collection of engravings by William Blake showcasing literary and mythological themes with intricate details, figures, and expressive scenes. The artworks blend text and visual elements.

The corsican pest;-or Beelzebub going to super.(TI)

Incident between a Jew and a Keeshond, 1789, Anonymous, 1789 print Landscape with a carriage at the Haarlemmertrekvaart. A keeshond drags a Jew, to whom the dog was sold, through the water to the other side back to his former owner. It - fictional - Incorrect should probably be interpreted as a political analogy. On the leaf under the plate a verse of 24 lines. Northern Netherlands paper etching / engraving / letterpress printing anti-semitism Haarlemmertrekvaart

Inn interior with a trict racer. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1658. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5), 1789. Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Visions of the Daughters of Albion, Plate 4, 'Visions, Enslav'd the Daughters . . . . ', William Blake, 1757-1827, British, 1793, Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 13 5/8 x 9 3/4 inches (34.6 x 24.8 cm), Plate: 6 5/8 x 4 5/8 inches (16.8 x 11.7 cm), Plate: 6 3/4 x 4 5/8 inches (17.1 x 11.7 cm), and Spine: 14 inches (35.6 cm), clouds, literary theme, men, nudes, text, trees

Plate 12 (page 19): 'Emblem of that which shall awake the dead', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

S. Zita Esther Frances (Francesca) Alexander (American, 1837-1917). S. Zita, 1874-1882. Brown ink on cream, moderately thick, slightly textured wove paper., Sheet: 14 15/16 x 10 15/16 in. (37.9 x 27.8 cm). American Art 1874-1882

Cartoon on the regents of Amsterdam, 1690, Anonymous, 1690 print Cartoon on the regents of Amsterdam, 1690: Groothans and the privilege finder. The privilege finder (the Burgerij van Amsterdam) kneels and crying with a yoke on the shoulders at a large city lantern (with which he is looking for privileges), while Left Groothans (a regent) offers him a book (possibly a privilege book). On the left a pile of privileges of Amsterdam to which rats nibble and against which a dog pees. In the background on the right a funeral procession in a cemetery referred to as: Desolate Kercof for Previlegie. On the leaf under the plate a corresponding text in three columns ending with a list of ten commandments. paper. ink etching / letterpress printing / pen political caricatures and satires Amsterdam

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23), 1789. Relief etching printed in green with pen and ink watercolor on moderately thick, slightly textured, cream wove paper.

Daniel Lysons, 1762-1834, British, Memorial to John and Ann Goodwin and Mathew their son from Bedfont Church, between 1796 and 1811. Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper.

Jerusalem, Plate 83, "Corruptability appears upon thy limbs....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 222 mm (8.74 in); Width: 162 mm (6.37 in). Author: William Blake.

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 3, "Introduction" (Bentley 4), 1789. Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper.

The Rebel Calavera of the Federal Army, Merchants, and Artisans. José Guadalupe Posada; Mexican, 1852-1913. Date: 1911. Dimensions: 402 x 300 mm. Photo relief etching on red wove paper. Origin: Mexico. Museum: The Chicago Art Institute, Chicago, USA.

The Book of Thel, Plate 3, 'Thel / I / The daughters of Mne Seraphim . . . .', Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm), Plate: 6 1/8 x 4 3/8 inches (15.6 x 11.1 cm), and Spine: 11 1/2 inches (29.2 cm), bird, children, leaf, literary theme, men, religious and mythological subject, shield, sword, text, vines, women

A parody on Macbeth's soliloquy at Covent Garden Theatre. British Cartoon Prints Collection , Catalogue of prints and drawings in the British Museum. Division I, political and personal satires, v. 8, no. 11423. Kemble, John Philip,1757-1823. , Macbeth,King of Scotland,11th cent,Portrayals. , Shakespeare, William,1564-1616,Macbeth. , Theatrical productions,England,1800-1810.

Songs of Innocence and of Experience: A Poison Tree ca. 1825 William Blake British. Songs of Innocence and of Experience: A Poison Tree. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

Mon petit homme , Hugging. Théophile Alexandre Steinlen (1859-1923). Lithographs

Departure of the new Don Quixote, 1826; Le Départ d'Un Nouveau Don Quichotte. A hearted knight with banner on horseback leaves and is done by a crowd and burled by schoolboys. Possible the departure of the Impopular Local Commander General Vauthier from Brussels or of the elderly professor P. Lesbroussart from Leuven. With French fresh in four couplets.

Illustration by Randolph Caldecott 1846-1886 picture shows scenes of gambling at roulette in Monaco c1880

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 70, "And this the form of mighty Hand....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 24, "What have I said....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

De Vrek, who lost his treasure, 1890 print Leaf with a large performance from the fable of Jean de la Fontaine, from the Vrek who has lost his treasure. A man is kneeling for another man. At the top right a text block with verse lines. Numbered in the top left: Série 8. - No. 54. Paris paper letterpress printing fables. miser. kneeling figure

Job's Comforters 1825-26 William Blake British. Job's Comforters 383459 Artist: William Blake, British, London 17571827 London, Publisher: Published by William Blake, British, London 17571827 London No. 3 Fountain Court, Strand, Job's Comforters, from Illustrations of the Book of Job, 182526, Engraving, plate: 8 9/16 x 6 7/8 in. (21.7 x 17.5 cm) sheet: 16 1/2 x 11 in. (41.9 x 27.9 cm). The Metropolitan Museum of Art, New York. Gift of Edward Bement, 1917 (17.17.17)

America. A Prophecy, Plate 9, "In Thunders Ends the Voice....". Date/Period: 1793. Print. Blue print, pen, black ink and watercolor on cream-colored paper (Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper). Height: 238 mm (9.37 in); Width: 171 mm (6.73 in). Author: William Blake.

The Rights of Mensch and Van den Burger, 1795, 1795 print The 19 articles of the newly published civil rights are on two legislative tables. Above the Tables Father Time, Minerva and the personifications of lighting and equality around the all -seeing eye in a jet wreath. Under the show a Dutch verse in which the roles of the various figures are explained. paper etching / engraving Father Time, man with wings and scythe. (story of) Minerva (Pallas, Athena). the all-seeing eye, triangle with eye ~ symbol of God the Father

Songs of Innocence and of Experience, Plate 48, 'The Fly' (Bentley 40), William Blake, 1757-1827, British, 1794, Color-printed relief etching with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 5/8 x 2 7/8 inches (11.7 x 7.3 cm), badminton, branches, children, historical subject, leaf, mother, shuttlecock, text, trees, vines, women

William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

Lady and a gentleman who commits suicide. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654 - c. 1658. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Smallegange, Mattheus, Amsterdam, Danckerts, Justus, Northern Netherlands, Hooghe, Romeyn de, Sinne-beeld deses tydts, Allegory of the political situation in the year 1672, Allegory of the political situation in the year 1672. Representation with the Dutch Virgin lying sick in bed. Now that the unity of the seven provinces has been broken, the Dutch lion turns to the portrait of William III. Around the bed are various regents and allegorical figures, including Religion and Freedom. Below the representation a Dutch verse in 3 columns that largely corresponds to the verse below the original plate by De Passe from 1665., print, prent, prints, prenten, Frederik Muller Historieplaten, height 443 mm, width 322 mm, height 204 mm, width 268 mm, Noord-Nederlands, 1645-09-10 - 1708-06-15, print maker, printmaker, 1672 - 1672, third quarter 17th century, derde kwart 17e eeuw, paper, papier, etching, etchings, letterpress printing, boekdruk, Publication (Event), Publicatie, 1635-11-11 - 1701-07-16

France, Paris, frontispiece of Fables (The dairywoman and the pot of milk) by Jean de La Fontaine, engraving

Sampler (England); Embroidered by Sarah Constable; silk embroidery, wool foundation

The First Book of Urizen, Plate 27, 'They Lived a Period of Years . . . .' (Bentley 28), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm), Plate: 6 x 4 1/8 inches (15.2 x 10.5 cm), and Spine: 10 1/4 inches (26 cm), beard, hills, literary theme, men, net, religious and mythological subject, rope, text

Coloured illustrated music score called "Atrouville". Lyrics by L Xanrop and music by Leopold Ganglops. People at the beach. From "In the streets: Songs and Monologues" of Aristide Bruant (1851-1925).

The Poems of Thomas Gray, Design 21, 'Ode on a Distant Prospect of Eton College.', William Blake, 1757-1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), boy, boys, branches, hat, literary theme, text, toy, trees, vials, wind

Dutch cartoon protesting Oliver Cromwells reign by showing him as Hercules clad in a lionskin shattering the royal money barrel, symbolically ending the rule of the Long Parliament. broadside : engraving with letterpress text. ca. 1653 By an unknown Dutch artist.

'Fourth Sheet of the Poem 'Blancheflour' by K.F. Scherenberg'. Germany, 1854. Dimensions: 44,5x55,6 cm. Museum: State Hermitage, St. Petersburg. Author: CARL GEORG ANTON GRAEB. Ernst Friedrich Gotthold Schütze II.

Gift from Calaveras. José Guadalupe Posada; Mexican, 1852-1913. Date: 1905-1913. Dimensions: 404 x 300 mm. Relief print on paper. Origin: Mexico. Museum: The Chicago Art Institute, Chicago, USA.

To bathe in the waters of Life..... Blake, William, 1757-1827. Blake, William, 1757-1827. Prints, Illustrations. 1804 - 1808. Rare Book Division. Fires, Dancers

Cover for 'Las Lindas Mexicanas', two elegantly dressed women. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 5 13/16 × 7 7/8 in. (14.8 × 20 cm). Publisher: Antonio Vanegas Arroyo (1850-1917, Mexican). Date: ca. 1890-1910. Museum: Metropolitan Museum of Art, New York, USA.

De stropende actie-valk, om hals, en 't bubbel-rotje onder de klaauwen van den uil The strapping share-hawk and the bubble rate caught between the claws of the owls. Venne, Adriaen Pietersz. van de, 1589-1662. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Songs of Innocence and of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The Lily. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Poem by M. Nightingale about the robin, featuring a lovely decoration by Gladys M. Rees. Date: 1939

Página con un fragmento de «Los hijos del pescador» cuento de fábulas populares catalanas ilustradas por Joan d'Ivori.

Memorial to David Garrick from Hampton Church, Daniel Lysons, 1762-1834, British, between 1796 and 1811, Pen and black ink, watercolor and gouache over graphite on medium, slightly textured, cream wove paper, Sheet: 15 × 11 1/8 inches (38.1 × 28.3 cm), architectural subject, architectural subject, church, memorial, England, Greater London, Hampton, London, St Mary's Parish Church, United Kingdom

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 66, "In awful pomp & gold....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

An illustrated extract from "The Epping hunt" by Thomas Hood. Thomas Hood was an English poet, author and humourist. Dated 19th century

La Calavera de la Viuda Alegre The Calavera of the Merry Widow. Manilla, Manuel, 1830-1895. Vanegas Arroyo, Antonio, 1852-1917. text. Prints, Broadsides, Illustrations, Ephemera. 1910. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Politics and culture , Mexico, Political satire, Mexican, Calaveras

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 63, "Jehovah stood among the Druids....", 1804 to 1820. Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper.

The Poems of Thomas Gray, Design 83, 'The Descent of Odin.', William Blake, 1757-1827, British, between 1797 and 1798, Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page, Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), armor, banks (riverbanks), clouds, comb (grooming tool), gown, helmets, hills, knight (landholder), lake, literary theme, man, nude, religious and mythological subject, river, shield, shore (landform), sitting, sky, sun, sunrise, text, trees, water, woman

The Tap Dance Published 1913-1923 México. Relief print on paper . José Guadalupe Posada

Give Me Thy Heart Just as It Is (valentine). Unknown Artist; English, 19th century. Date: 1835-1845. Dimensions: 145 × 91 mm (folded sheet). Lithograph with hand-coloring on ivory laid paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

There was an old woman who lived in a shoe, she had so many children, she didn't know what to do...... Date: 1884

THE HERDSMAN'S VOWS; THE HORSE AND THE ASS

Title Page, from Twelve Months of Flowers. Henry Fletcher (English, 1710-1750); after Peter Casteels III (Flemish, 1684-1749). Date: 1720-1750. Dimensions: 575 × 455 mm (image); 595 × 465 mm (sheet). Hand-colored etching on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

THE COCK AND THE PEARL; THE WOLF AND THE LAMB

Jerusalem, Plate 94, 'Albion cold lays on his Rock....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 3/8 x 6 inches (21.2 x 15.2 cm), arch, dead, death, hill, literary theme, men, mourning, religious and mythological subject, roots, sinews, stone, sun, text, women

Paradisio XXXI, Sandro Botticelli (Florence, Italy, 1445 - 1510) 1887

Valentine 1874 Kate Greenaway. Valentine. Kate Greenaway (British, London 1846-1901 London). 1874. White card stock with embossed, scalloped borders; chromolithography in colors and gold

Christmas Wishes. ca. 1899-1915, May love I send you, crowned with best wishes for a good old fashioned Merrie Christmas.

There Was an Old Woman Tossed Up in a Basket, Maud Humphrey - Mother Goose Tales

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 43, "They saw their Wheels....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

A Human Skeleton at the Foot of a Rock Face. Florence Kingsford Cockerell (English, 1871 - 1949)

Death of the Local, 1720, 1720 print Emblem in which a falcon (the campaign) that wants to eat with the loot (the bubble rat) of the owl is killed by a heron. With five verses on either side and under the plate. Print 55 in the series The Great Scene of Foolishness with cartoons on the Windhandel or Action Trade of 1720. Northern Netherlands paper engraving / letterpress printing symbolic representations, allegories and emblems ~ art; 'Arte' (Ripa). birds

Songs of Innocence and of Experience: The Garden of Love. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

A cartoon commenting on the joys of spring before the age of the freezer. Dated 19th century

Parade with the Gildekalf, 1720, 1720 Procession with the Gildekalf ridden by a jerk and preceded by a tambur and a trumpetter. The calf draws a sled on which an actionist with a bell ball is stands. With caption in two columns. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching Procession with the Gildekalf ridden by a jerk and preceded by a tambur and a trumpetter. The calf draws a sled on which an actionist with a bell ball is stands. With caption in two columns. Print in the bound first edition (304 B 10) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. Northern Netherlands paper etching

Pitcher. Dated: c. 1936. Dimensions: overall: 34.5 x 24.2 cm (13 9/16 x 9 1/2 in.) Original IAD Object: 7.9" High 8.4" Dia at spout (including handle). Medium: watercolor, graphite, and gouache on paper. Museum: National Gallery of Art, Washington DC. Author: Barnes.

THE STAG IN THE OX STALL; THE DEER AND THE LION

A Hunter Sitting in a Rocky Landscape. Florence Kingsford Cockerell (English, 1871 - 1949)

Xenophon (author). Works. Printed book. 1581. Museum of Fine Arts of the city of Paris, Petit Palais. 99049-9 Art medieval, Catholicism, Catholic iconography, religious iconography, book, illustrious book, Enlumin manuscript, Middle Ages, Miniature

Appearances deceive, 1720; Schyn cheat / sileni alcibiadis; The great scene of foolishness. Theater on which Bombario blows blows. In the foreground winners and losers of the wind trade. On the leaf under the plate is a fresh in two columns by Philadelphus (Gijsbert Tijssens). Print 28 in the series of the great scene of foolishness with cartrots at the 1820 wind trade.

De inventeur de wind negotie op zyn zegekar Inventor of the wind trade, upon his chariot. 1720. Anonymous. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

De inventeur de wind negotie op zyn zegekar Inventor of the wind trade, upon his chariot. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Forget Me Not (valentine) 1825-1835 United States. Engraving in blue ink with hand-coloring and traces of graphite on ivory card .

Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm) and Plate: 4 3/4 x 3 inches (12.1 x 7.6 cm), bird, book, children, fruit, historical subject, mother, reading, seated, text, trees, vine, women

Forget Me Not (valentine). Unknown Artist; American or English, 19th century. Date: 1825-1835. Dimensions: 58 x 91 mm. Engraving in blue ink with hand-coloring and traces of graphite on ivory card. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

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