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William Blake's Artistic Expressions

Prints by William Blake showcasing poetic themes and visions, rendered in vibrant colors and intricate designs that evoke strong emotional responses.

William Blake, British (1757-1827), The Vision of God, 1825, engraving
William Blake, British (1757-1827), The Vision of God, 1825, engraving
123 assets in this story
4409-17406697
The Philosopher's Stone from Heinrich Khunrath, Amphiteatrum sapientiae aeternae. Artist: After Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527-1606 () Antwerp ()); Attributed to Peter van der Doort (born Antwerp, active Hamburg ca. 1590-1605). Author: Heinrich Khunrath (German, Dresden 1560-1605). Dimensions: sheet: diameter 15 7/8 in. (40.4 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.
4266-6626
Ten commandments by unknown painter, oil on wood, 1560, Holland, Amsterdam, Rijksmuseum, 112x68
6145-30335070
Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 87, "Is lost in love! thou great Philanthropist", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.
6145-30351448
Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 87, "Is Lost in Love! Thou Great Philanthropist", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.
4409-17379899
Songs of Innocence and of Experience: Spring. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.
4443-19605009
Songs of Innocence, Plate 10, 'The Ecchoing Green' (Bentley 6), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Plate: 4 1/2 x 2 3/4 inches (11.4 x 7 cm), ball, bat, branches, child, children, fruit, grapes, hoop, kite, leaf, literary theme, men, mother, sitting, stick, text, tree, vine, walking, women
6145-51836009
Fractur Drawing William Anthony Faber. , 1818. Pen, ink and watercolor over graphite on paper, Sheet: 11 3/4 x 14 5/8 in. (29.8 x 37.1 cm). American Art 1818
6145-30351340
Print made by William Blake, 1757-1827, British, There Is No Natural Religion, Plate 7, "V Mans desires.. " (Bentley a8), ca. 1788. Color-printed relief etching on moderately thick, slightly textured, cream wove paper.
6145-50505749
Juliusz Kossak (1824-1899), October; from: "Kłosy" no. 641, vol. XXV, p. 233. Juliusz Kossak (1824-1899), draughtsman, cartoonist, Kłosy (Warszawa ; czasopismo ; 1865-1890), publisher, Gorazdowski, Edward (1843-1901), woodcutter
1788-21798128
Vive Margot!, a song by Gustave Nadaud, score and text, illustration from L'Illustration, Journal Universel, No 1063, Volume XLI, July 11, 1863.
6145-29855410
William Blake, Restrike from fragment of cancelled plate forA Prophecy, 1793 Restrike from fragment of cancelled plate forA Prophecy
6145-59140626
Emilia-Romagna Ferrara Pieve di Cento Pinacoteca Civica4. Hutzel, Max 1960-1990 Medieval: Antiphonaries. Post-medieval: Paintings on canvas German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.
4409-17473258
Sampler. Dated: c. 1936. Dimensions: overall: 52.1 x 54.6 cm (20 1/2 x 21 1/2 in.) Original IAD Object: 25 1/3" long; 22 1/4" wide. Medium: watercolor and graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Eva Wilson.
4443-21814286
Twelve-line French text titled 'Livre XVIII' with an image of a flying Mercury below. The whole is framed by an ornamental frame with olive branches and at the bottom a bow. Framed French text with olive branches and Mercury, print maker: Jean-Baptiste Tilliard, publisher: Pierre Didot, publisher: Louis-François Barrois, print maker: France, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, publisher: Paris, 1785, paper, etching, engraving, h 314 mm × w 242 mm
6145-45544537
Bliżej Kultury Bierkowska, Leona (1855 1925), Koniuszko, Wacław (1854 1900), Kraszewski, Józef Ignacy (1812 1887), Pruszyński, Aureliusz
6145-46816462
50 Heller from St. Lorenz am Mondsee,Notgeld. Artist: Unknown
4409-17452437
Restrike from fragment of cancelled plate for"A Prophecy". Dated: 1793. Medium: relief etching//plate inked with black from card. Museum: National Gallery of Art, Washington DC. Author: William Blake.
4430-11679
money caricature usury struggle of the money boxes against the safes print after engraving by Pieter Brueghel Nuremberg 1590 private collection,
6145-29875326
José Guadalupe Posada, Serafina, 1914 Serafina
4220-21927559
Illustration with music, Waking, showing a little girl lying in a four-poster bed -- Wake up! the sun is shining ... Date: first published 1881
6145-30351349
Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 2, Combined Title Page (Bentley 1), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.
4306R-24555
Embroidered message on a wall hanging, Sweden.
6145-45708652
John Law, the inventor of the Wind Negotie, in his victorial, 1720; The inventor of the wind negotia, on his zege-cart; The great scene of foolishness. John Law, the inventor of the Wind Negotie, in his victimed by two French roosters. On the right the sentry of the Mississippi in a tower, in the foreground the Kreupele Courier of the South Sea Company. Printed on the leaf on either side of the plate a fresh in two columns. Copy to print 46 in the series The great scene of foolishness with cartriders on the wind trade or action trade of 1720.