William Blake's Literary Art

A collection of William Blake's prints featuring literary themes, intricate designs, and vivid colors, depicting spiritual and poetic subjects from his famous works.

Songs of Experience: Introduction: Hear the voice of the Bard ca. 1825 William Blake British. Songs of Experience: Introduction: Hear the voice of the Bard 347955

Songs of Experience: Introduction: Hear the voice of the Bard ca. 1825 William Blake British. Songs of Experience: Introduction: Hear the voice of the Bard 347955

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8), 1789. Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

America. A Prophecy, Plate 18, "Over the Hills....". Date/Period: 1793. Print. Blue print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper). Height: 241 mm (9.48 in); Width: 171 mm (6.73 in). Author: William Blake.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 39, "By Satans Watch-fiends....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

America. A Prophecy, Plate 18, 'Over the Hills....', Print made by William Blake, 1757-1827, British, 1793, Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm) and Plate: 9 1/2 x 6 3/4 inches (24.1 x 17.1 cm), flowers (plants), mourning, religious and mythological subject, serpent, snake, text, thorns, trees, vines

unknown artist, Songs of Innocence and Experience, pl. 40: 'The Little Girl found' pl. 2, 'Famish'd weeping...', ca. 1808. Watercolor with pen and brown ink.

Print made by William Blake, 1757-1827, British, Songs of Innocence, Plate 8, "The Lamb" (Bentley 8), 1789. Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence, Plate 8, 'The Lamb' (Bentley 8), Print made by William Blake, 1757-1827, British, 1789, Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm), Plate: 4 5/8 x 3 inches (11.7 x 7.6 cm), and Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), angels, book, boy, branches, cherubs, children, clouds, house, lamb, leaf, literary theme, mother, nude, plant, reading, sheep, shepherd, text, trees, vegetation, vines, wings, woman

Young's Night Thoughts, Page 26, 'Measuring His Motions by Revolving Spheres', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 5/8 x 13 inches (42.2 x 33 cm), and Plate: 15 5/8 x 13 inches (39.7 x 33 cm), angel, baby, bald, children, dead, death, drinking, food, goblet, literary theme, man, men, religious and mythological subject, text, wings, women

Young's Night Thoughts, Page 33, 'Like That, the Dial Speaks; and Points to Thee', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 16 x 12 5/8 inches (40.6 x 32.1 cm), bed, cup, dead, death, food, goblet, literary theme, man, men, pointing, religious and mythological subject, serpent, snake, wine, wine-glasses, woman

Amour ne peut rien sur elle. 1697 - 1720. Sweerts, Cornelis, 1669-1742. Berge, Pieter van den, 1659-1737. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

America. A Prophecy, Plate 15, 'What Time the Thirteen Governors....', Print made by William Blake, 1757-1827, British, 1793, Relief etching printed in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm) and Plate: 9 3/8 x 6 7/8 inches (23.8 x 17.5 cm), birds, dead, eating, fish, men, nudes, religious and mythological subject, shell, snake, text, water, women

Plate 13 (page 23): 'We censure nature for a span too short', Engravings by William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Plate 32 (page 70): 'Till death, that mighty hunter, earths them all', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Plate 41 (page 92): 'When faith is virtue, reason makes it so', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Songs of Innocence and of Experience, Plate 42, 'To Tirzah' (Bentley 52), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 1/2 x 2 7/8 inches (11.4 x 7.3 cm), and Spine: 7 3/8 inches (18.7 cm), branches, fruits, gowns, literary theme, man, men, nude, pitcher, text, trees, women

Photo production of a fresh from the poem The Celestial Country with images. .

William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47), 1794. Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36), 1789. Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience, Plate 13, 'Nurse's Song' (Bentley 24), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 5/8 x 3 1/8 inches (11.7 x 7.9 cm), and Spine: 7 3/8 inches (18.7 cm), book, branches, children, dancing, grass, hills, leaf, literary theme, reading, text, trees, vines, willow, women

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 69, "Then all the Males....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Little girl playing with a doll

William Blake, 1757-1827, British, Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST', 1797. engraving.

William Blake, 1757-1827, British, Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl', 1797. Engraving.

Songs of Innocence and of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The Lily ca. 1825 William Blake British. Songs of Innocence and of Experience: My Pretty Rose Tree, Ah! Sun-Flower, The Lily 347980

William Blake, 1757-1827, British, Plate 8 (page 13): 'The present moment terminates our sight', 1797. Engraving.

Print made by William Blake, 1757-1827, British, America. A Prophecy, Plate 13, "Fiery the Angels Rose....", 1793. Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

William Blake, 1757-1827, British, Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades', 1797. Engraving.

Ilustracja do wiersza satyrycznego "Jurist". Menzel, Adolph (1815-1905), graphic artist, Sachse, Ludwig & Co (Berlin ; zakład litograficzny, wydawnictwo ; 1827-1949), publisher

Print made by William Blake, 1757-1827, British, The Book of Thel, Plate 7, "But he that loves the lowly.. .", 1789. Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper.

William Blake, 1757-1827, British, Plate 33 (page 72): 'And vapid; sense and reason shew the door', 1797. Engraving.

As when a man dreams...., William Blake (1757-1827), 1804 - 1808, London, Publisher, Keynes, 46 i.e. 49 f. col. illus. 25 cm

Print made by William Blake, 1757-1827, British, Europe. A Prophecy, Plate 14, "And the clouds & fires.. " (Bentley 15), 1794. Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Europe. A Prophecy, Plate 10, "Enitharmon slept.. " (Bentley 12), 1794. Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper.

Der Gang nach dem Eisenhammer. Josef Albert (German, 1825 - 1886)

Plate 33 (page 72): 'And vapid; sense and reason shew the door', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 3, "To the Public....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Songs of Innocence and of Experience: A Little Girl Lost ca. 1825 William Blake British. Songs of Innocence and of Experience: A Little Girl Lost 348008

Giacomelli, Hector, Dalloz, Paul, Reproduction of a print of birds by the water, with the poem Août by François Coppée, by Hector Giacomelli, photomechanical print, page, reproduction, photos, photographically illustrated books, height 319 mm, width 221 mm, French, 1829-11-18 - 1887-04-12, photographer, 1871 - 1876, paper, collotype, photoprint, chromolithography, cliché maker, Work conception, 1822-04-01 - 1904-12-01

Corrido of the Lottery 1871-1913 México. Relief print on paper . José Guadalupe Posada

Jerusalem, Plate 46, "Bath, mild Physician....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

Stirling Castle, anonymous, c. 1864 - in or before 1874 photograph Stirling photographic support albumen print palace. inland cliff face Stirling Castle

Jerusalem, Plate 18, "From every-one of the Four Regions....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 162 mm (6.37 in). Author: William Blake.

In the flames stood...., 1793, by William Blake (1757-1827)., 1793., Lambeth. Publisher, William Blake. Themes include Prophecies, America, Serpents, Mythology, Trees. Techniques Etchings, Images printed from relief etched plates

An old man sitting in his room, speaks., 1725 - 1780 print An old man sitting in his room, with his head in hand and with the other hand on a skull. A smoking candle and an hourglass on the table. In a drawer and precious scales on a cupboard. Allegory of old age and transience, Vanitas. Under the show a verse in six verses. publisher: Amsterdamprint maker: Northern Netherlands paper letterpress printing 'Vanitas' symbols. person(s) sitting among objects forming a 'Vanitas' still life. old man. hourglass

Young's Night Thoughts, Page 73, 'Draw the dire steel -- ah no!', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm), and Plate: 15 5/8 x 12 inches (39.7 x 30.5 cm), crowns, flames, hands, literary theme, nails, text, thorns

Berglied. Josef Albert (German, 1825 - 1886)

True image of Mr. Quinquempoix, 1720; Veritable Portrait du Tres Fameux Seigneur Messire Quinquenpoix; The great scene of foolishness. True image of Mr. Quinquempoix. Portrait medallion from John Law as Mr QUINQUEMPOIX above a brewing boiler in which taxes are transformed into shares. Witch kettle with devils, owls etc. Above the portrait the fools with a crown of peacock feathers and holly leaves. Above a banderole with: No. 1 or shit or king. This plate printed within a larger plate with title and verses in French on either side. Print 37 in the series of large scene of foolishness with cartrots at the 1820 wind trade or action trade.

Netherlands, Letter of greeting with the Annunciation and the adoration of the shepherds, recto - handwritten in brown ink, Letter of greeting with inscribed cartouche within a decorative frame with representations of the Annunciation, the Annunciation to the shepherds and the adoration by the shepherds. Handwritten message in calligraphy by a child to father and mother., print, engraving, folk print, letter of greeting, prints, engravings, folk prints, verso - stamped, Christmas letter, Highly esteemed father and mother, Christmas is long gone ..., height 412 mm, width 325 mm, Publication (Event), Publication, publisher, 1739 - 1739, paper, papier, ink, inkt, etching, etchings, kleuren, kalligrafie, pen, print maker, printmaker

Wooden Daudet

Jerusalem, Plate 87, "Repelling weeping Enion....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 210 mm (8.26 in); Width: 150 mm (5.90 in). Author: William Blake.

The hunter overcomes the minus, 1720; L'amour ne peut rien sur elle; The great scene of foolishness. The hunter overcomes the min. Emblem in which Cupid's attempts to hit a woman gives up because she is too busy hunting. In a decorative frame with cupids and hunting dogs and nets. Signature upper left: Pag: 48. In the caption, a verse of four lines. Printed on the leaf around and below the plate are five verses. Print 42 in the series The large scene of foolishness with cartriders on the 1820 wind trade or action trade.

Young's Night Thoughts, Page 25, 'Behold Him, When Past by; What Then Is Seen', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 5/8 x 13 inches (42.2 x 33 cm), and Plate: 16 1/8 x 12 7/8 inches (41 x 32.7 cm), angel, bald, grass, literary theme, nude, nudes, religious and mythological subject, text, wings

Jerusalem, Plate 59, 'And formed into Four precious stones....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 5 3/4 inches (22.5 x 14.6 cm), fire, flames, literary theme, religious and mythological subject, spinning, spinning wheel, text, vegetation, women

Print made by William Blake, 1757-1827, British, America. A Prophecy, Plate 10, "The Terror Answered....", 1793. Color-printed relief etching in green-black with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

The island casual, 1720; Picture of the very renowned island of crazy cup (...); The great scene of foolishness. The island cuddling. Map of an island in the shape of the cup of a jester. On the left a racing crowd for the Coffeehouse Quincampoix in Amsterdam, on the right the sailing trolley with banner: after viane, pressed the caption in two columns of a separate plate on the blade under the plate. Print 57 in the series The great scene of foolishness with cartrents at the 1820 wind trade or action trade.

Songs of Innocence and of Experience, Plate 41, 'The Chimney Sweeper' (Bentley 37), Print made by William Blake, 1757-1827, British, 1789 to 1794, Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 7 1/8 x 5 inches (18.1 x 12.7 cm), Plate: 4 3/8 x 2 3/4 inches (11.1 x 7 cm), and Spine: 7 3/8 inches (18.7 cm), bag, boy, children, houses, literary theme, rain, street, text, vines

Jerusalem, Plate 5, 'The banks of the Thames....', Print made by William Blake, 1757-1827, British, 1804 to 1820, Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper, Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm) and Plate: 8 7/8 x 6 3/8 inches (22.5 x 16.2 cm), fire, flames, kneeling, literary theme, mourning, nudes, religious and mythological subject, sky, text, women

Jan Havicksz. Steen portrays his wife, 1800 - 1900 print Jan Steen is in his studio for the portrait of his wife with a basket around her arm in which sheep heads and legs. His wife stands behind him and reproduces him for these attributes that spoil her portrait. paper letterpress printing historical persons. portrait, self-portrait of painter. negative criticism. the artist and his family, relatives, etc.. painter at work, in his studio

Songs of Innocence and of Experience: A Little Boy Lost ca. 1825 William Blake British. Songs of Innocence and of Experience: A Little Boy Lost. William Blake (British, London 1757-1827 London). ca. 1825. Relief etching printed in orange-brown ink and hand-colored with watercolor and gold. Prints

Young's Night Thoughts, Page 75, 'The Sun beheld it -- No, the shocking Scene', Print made by William Blake, 1757-1827, British, ca. 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 16 3/4 inches (42.5 cm), Sheet: 16 1/2 x 12 7/8 inches (41.9 x 32.7 cm), and Plate: 15 5/8 x 12 5/8 inches (39.7 x 32.1 cm), clouds, fire, flames, horse (animal), horses (animals), literary theme, men, sun, text

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 73, "Draw the Dire Steel -- Ah No!", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Young's Night Thoughts, Page 13, 'The Present Moment Terminates our Sight', Print made by William Blake, 1757-1827, British, 1797, Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper, Spine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 12 7/8 inches (42.5 x 32.7 cm), and Plate: 16 x 12 1/2 inches (40.6 x 31.8 cm), beard, bed, children, kissing, literary theme, men, nudes, pillow, religious and mythological subject, spear, text, women

Plate 8 (page 13): 'The present moment terminates our sight', William Blake, 1757-1827, British, Attributed to Edward Young, 1683-1765, British, 1797, Engraving

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 63, "This King of Terrors is the Prince of Peace", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Jerusalem, Plate 30, "And the Two that escaped....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper). Height: 213 mm (8.38 in); Width: 152 mm (5.98 in). Author: William Blake.

Cicilia with flowers, 1654 Standing shepherdin next to poem that describes the contrast between the love of Cicilia and Floriaen and that of Clorinde and the Shepherdler; On the melody of Siet Cupido Swijren. Zwolle paper. ink. watercolor (paint) brush / calligraphy Standing shepherdin next to poem that describes the contrast between the love of Cicilia and Floriaen and that of Clorinde and the Shepherdler; On the melody of Siet Cupido Swijren. Zwolle paper. ink. watercolor (paint) brush / calligraphy

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Songs of Innocence and of Experience: Infant Sorrow. Artist: William Blake (British, London 1757-1827 London). Dimensions: sheet: 6 3/16 x 5 9/16 in. (15.7 x 14.1 cm). Date: ca. 1825. Museum: Metropolitan Museum of Art, New York, USA.

Jozef en de vrouw van Potifar. Lof van Josephs Kuijscheijt (title on object). Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: c. 1654. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 62, "Repose on me....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

Allegory on Rescue of England by Willem III and Maria II Stuart, 1688, 1689 print Allegory on Redding of England by Prince William III and Princess Maria II Stuart, November 1688. Emblem with left Willem III as the Dutch Hercules, on the right an English unicorn (Princess Maria II Stuart) kills the snake that is wrapped around an English rose. Upstairs, a knight (Saint Joris) stabs with a lance to a dragon that has a sword and scales in his claws. Stuck under the print is a text sheet with verses in 2 columns, print maker: Northern Netherlandspublisher: Amsterdam paper etching / letterpress printing unicorn. Hercules as personification of some other abstract notion. the warrior martyr George (Georgius); possible attributes: banner (red cross on white field), (red) cross, dragon, (white) horse, broken lance, shield (with cross), sword

H.C. Henneberg (1826-1893); Johan Thomas Lundbye (1818-1848), framing with storked in Elande, (1842)

"Season's Greetings," 1924-1925, addressed to Mr. Bryson Boroughs. Artist: George Overbury "Pop" Hart (American, Cairo, Illinois 1868-1933 New York). Dimensions: Plate: 6 in. × 4 1/2 in. (15.2 × 11.4 cm)Sheet: 7 1/4 × 5 1/4 in. (18.4 × 13.3 cm). Date: 1924. Museum: Metropolitan Museum of Art, New York, USA.

Photo production of a drawing by a boy wearing a girl over a tree trunk over a river, anonymous, after Knut Ekwall, c. 1872 - c. 1882 photomechanical print Scene Uit de Frithiof's Saga Door Esaias Tegnér. paper collotype carrying a person. crossing a river

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Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours", 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Allegory on the Nordic War, 1700. Allegory on the Great Nordic War and the Peace of Travendal concluded between Denmark and Sweden, August 18, 1700. Allegory with Orpheus playing on a violin between the animals that symbolize the warring parties. At the front the Dutch lion. At the print a verse belongs in two columns.

Print made by William Blake, 1757-1827, British, Young's Night Thoughts, Page 12, "Its favours here are trials, not rewards", ca. 1797. Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper.

Snowy landscape with a logging man. .

Harlekin en Bombario in den rouw Harlequin and Bombario in mourning. 1720. Prints, Caricatures. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. South Sea Bubble, Great Britain, 1720, Political satire

Europe. A Prophecy, Plate 3, "Preludium". Date/Period: 1794. Print. Brown print, pen, black ink and oil on cream-colored paper (Color-printed relief etching in dark brown with pen and black ink, oil and watercolor on moderately thick, slightly textured, cream wove paper). Height: 375 mm (14.76 in); Width: 267 mm (10.51 in). Author: William Blake.

Jerusalem, Plate 59, "And formed into Four precious stones....". Date/Period: 1804 to 1820. Print. Orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper)orange print, pen, black ink and watercolor on cream-colored paper (Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper). Height: 225 mm (8.85 in); Width: 146 mm (5.74 in). Author: William Blake.

Songs of Innocence and of Experience: Night ca. 1825 William Blake British. Songs of Innocence and of Experience: Night 347929

True image of Mr. Quinquempoix, 1720, 1720 Ware image of Mr. Quinquempoix. John Law portrait medallion as Mr Quinquempoix above a brewing kettle in which coins are transformed into shares. Witch boiler with devils, owls etc. Above the portrait the fool with a crown of peacock springs and holly leaves. Above a banderole with: or shit or king. This plate printed within a larger plate with title and verses in Dutch on either side. Print (cut out and glued) in the bound first edition (304 B 11) of the great scene of foolishness with cartoons on the wind trade or action trade of 1720. print maker: Northern Netherlandsprint maker: Southern Netherlands paper etching / engraving Ware image of Mr. Quinquempoix. John Law portrait medallion as Mr Quinquempoix above a brewing kettle in which coins are transformed into shares. Witch boiler with devils, owls etc. Above the portrait the fool with a crown of peacock springs and holly leaves. Above a banderole with: or shit or king. This plate printed

Young and young lady in an embrace. Artist: Gesina ter Borch. Draughtsman: Gesina ter Borch. Dating: 1653. Place: Zwolle. Measurements: h 313 mm × w 204 mm. Museum: Rijksmuseum, Amsterdam.

De Haas and the Turtle, 1888 print Leaf with a large representation from the fable of Jean de la Fontaine, Van de Haas and the turtle. In the middle of the right a text block with a verse. Numbered in the top left: Série 6. - No. 3. Paris paper letterpress printing fables. tortoises, turtles. rodents: hare. animals acting as human beings

Untitled Made 1855-1868 England. Albumen print . Georgina Cowper

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 15, "A Dream" (Bentley 26), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

Print made by William Blake, 1757-1827, British, Songs of Innocence and of Experience, Plate 7, "The Chimney Sweeper" (Bentley 12), 1789 to 1794. Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper.

America. A Prophecy, Plate 3, "Preludium. Date/Period: 1793. Print. Blue print, pen, black ink and watercolor on cream-colored paper (Color-printed relief etching in blue with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper). Height: 232 mm (9.13 in); Width: 165 mm (6.49 in). Author: William Blake.

Broadsheet relating to mothers-in-law, brothers-in-law and son fighting, the words spoken by each in sections below and on verso. Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: Sheet: 11 13/16 × 7 7/8 in. (30 × 20 cm). Publisher: Antonio Vanegas Arroyo (1850-1917, Mexican). Date: ca. 1895-1900. Museum: Metropolitan Museum of Art, New York, USA.

The First Book of Urizen, Plate 11, 'Two nostrils bent down to the deep . . . .' (Bentley 13), Print made by William Blake, 1757-1827, British, 1794, Color-printed relief etching in green with watercolor on moderately thick, slightly textured, cream wove paper, Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm) and Plate: 6 1/2 x 4 inches (16.5 x 10.2 cm), birds, butterfly, clouds, literary theme, moth, text, vines, women

Print made by William Blake, 1757-1827, British, Jerusalem, Plate 74, "The Four Zoa's clouded rage....", 1804 to 1820. Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper.

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