Winter and Rural Scenes

Drawings depicting snowy landscapes with figures engaging in winter activities and serene rural settings filled with nature.

Farmyard with two men loading a cradle onto a horse-drawn cart, Vincent Jansz. van der Vinne, 1746 - 1811, A farmyard; two men loading a cradle with a child onto a two-wheeled horse-drawn cart., draughtsman: Vincent Jansz. van der Vinne, 1746 - 1811, paper, brush, h 338 mm × w 268 mm

Winter Scene with Skaters, Roelant Roghman, c. 1650 - c. 1655 drawing paper. chalk. ink pen / brush ice ~ freezing weather. winter sports

No. 109. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Thomas Malton the Younger, 1748-1804, British, Jesus College inthe University of Cambridge, 1799. Aquatint with etched outline on moderately thick, slightly textured, cream, wove paper.

Saratoga, Highrock-Iodine and Empire Springs, Plate 27 from a set of 54views. Lithographer: Isidore Laurent Deroy, French, 1797-1886 After: August Köllner, American, 1813-1906Printer: Cattier, active Paris, mid-19th century Publisher: Goupil & Cie, French, 1827-1879

View of the city of Novgorod, capital of the Novgorod Republic, first capital of Russia. Handcoloured copperplate engraving after an illustration by Giarre from Giulio Ferrario's Costumes Ancient and Modern of the Peoples of the World, Florence, 1847.

Village Of Brackley, Northamptonshire, 1809 Thomas Rowlandson, Tree, Watercolour, Ink, Animal, Dog, Frame, Animal, Horse, Countryside, Village, Carriage, Works on Paper

Farmyard with two men loading a cradle onto a horse-drawn cart, Vincent Jansz. van der Vinne, 1746 - 1811, A farmyard; two men loading a cradle with a child onto a two-wheeled horse-drawn cart., draughtsman: Vincent Jansz. van der Vinne, 1746 - 1811, paper, brush, h 338 mm × w 268 mm

Plate 32, from "World in Miniature" 1816 Thomas Rowlandson One of forty prints from Rowlandson's "World in Miniature; Consisting of Groups of Figures, for the Illustration of Landscape Scenery." A countryside scene with a carriage entering through a gate at left. A hefty man seated beneath a tree at right, watching the birds in front of him as a woman feeds them. At left, a sign reads, "4 miles and 3 quaters sic from Shoreditch." Beneath the tree at right, a sign reads, "Two pounds reward whereas some malicious and unknown persons have distroyed my fences and stole my poultry.". Plate 32, from "World in Miniature". "World in Miniature". Thomas Rowlandson (British, London 1757-1827 London). 1816. Hand-colored etching. Rudolph Ackermann, London (active 1794-1829). Prints

Paul Sandby RA, 1731-1809, British, Eton College from the South, undated. Watercolor, graphite, and pen and black ink on moderately thick, slightly textured, cream laid paper.

View of Plymouth taken from the Seven Trees, Exeter Road, William Payne, active 1850s, British, undated, Watercolor and pen and black ink on medium, slightly textured, cream laid paper, Sheet: 10 1/2 x 15 3/8in. (26.7 x 39.1cm) and Sheet: 10 5/8 × 15 1/2 inches (27 × 39.4 cm)

Return of the campaign, Charles Nicolas Cochin (II), After Jean Antoine Watteau, c. 1727 print publisher: ParisFrance paper etching / engraving landscapes (+ landscape with figures, staffage). covered wagon, hooded wagon. the soldier; the soldier's life. return of the soldiers to civilian life, returning home

Horse market in Paris March, print maker: Victor Adam, (mentioned on object), printer: Charles Etienne Pierre Motte, (mentioned on object), publisher: Charles Etienne Pierre Motte, (mentioned on object), Paris, 1828, paper, h 258 mm × w 351 mm

Haarlem, Bosch, Jan (publisher), Noorde, Cornelis van, View of the city of Haarlem from the Blinkert, View of the city of Haarlem from the dune De Blinkert, View of the city of Haarlem from the dune De Blinkert. On the dune some men, one of whom has binoculars. This print is part of an album., print, album sheet, prints, height 184 mm, width 298 mm, Northern Netherlands, 1731-03-12 - 1795-10-16, print maker, printmaker, 1763 - 1763, third quarter 18th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, Dutch, publisher

View across the Rhine on Rhenen, Hendrik Hoogers, 1802, draughtsman: Hendrik Hoogers, 1802, paper, pen, brush, h 376 mm × w 477 mm

The Seat of M. Mitchell Esq. Henger, Cornwall, from "Sketches from Nature" 1822 Etched by Thomas Rowlandson. The Seat of M. Mitchell Esq. Henger, Cornwall, from "Sketches from Nature". "Sketches from Nature". Etched by Thomas Rowlandson (British, London 1757-1827 London). 1822. Hand-colored etching and aquatint. Prints

Hunting, Shooting, etc. four of a set of six, untitled: 1.Going out of Kennel, Samuel Howitt, 1756-1822, British, 1802, Aquatint, hand-colored with aquatinted border, Sheet: 9 x 13 1/4in. (22.9 x 33.7cm)

No. 7 Distant View of Cuidad Rodrigo from Oak Wood near the Village Espeja March 1811, Charles Turner, 1774-1857, British, after T. St. Clair, active 1810-1815, 1811, Aquatint, colored, Castilla-León, Ciudad Rodrigo, Salamanca, Spain

Albany / FromGreenbush. Artist: John William Hill, American, 1812-1879

'Hampton Bridge', 1800. Artist: Thomas Rowlandson.

The fire of peace / vüe perspective of the games games and fireworks on the water, between the place of Louis XV. The beloved, and the palace of Bourbon, on the occasion of peace. (IT)

Casino del Lord Manzoni Aan de Brenta, Giovanni Francesco Costa, c. 1750 - c. 1760 print View of the Casino del Signore Manzoni on the River Brenta. A barge sails on the water. Numbered in the middle: LXII and bottom right: Tom: II. This print is part of an album. print maker: ItalyVenice paper etching river. hôtel, i.e. small palace in city. tow-boat, towing-barge Brenta

Peep-show, Vue de Bayonne de Côté du Port, No. 3, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1750, Print, Print

DijkBrraak in Ochten, Roeland van Eynden, 1789 print View of a dyke breach. From the bank, a group of people, including a man on horseback, looks at two people who have climbed on the roof of a house to escape the flood. Under the performance five lines of Dutch text with a weapon in the middle on which two dogs hold a coat of arms with a red lion. Betuwe paper etching dike-break (+ landscape with figures, staffage) Matting

Arrival of Willem V and Wilhelmina van Pruisen at the Haarlemmerpoort, 1768, 1769 - 1773 print Arrival of the procession with Stadholder Willem V and Princess Wilhelmina van Pruisen at the Haarlemmerpoort in Amsterdam, on 30 May 1768. With large groups of spectators on the quays and on the water. Part of a press series with title print and 14 records of the inducing the Prince and Princess in Amsterdam, 30 May - 4 June 1768. Northern Netherlands paper etching / engraving Triummphal Entry and Public Reception, pageant, 'solemn entrance', 'Joyeuse entrance' Haarlemmerpoort

Consequences Henry Thomas Alken (London, England, 1785 - 1851) Figure

William Henry Harriott, active 1811-m. 1839, British, Fish Market, Hastings, 1824. Pen and brown ink, brown wash and graphite on thick, slightly textured, cream wove paper.

Figures walking on the road To the right in the field a shepherd with sheep Numbered bottom center: no 7, Pavilions on Malieveld in The Hague Woods Les petites tentes dans le bois , print maker: Carel Christiaan Antony Last, (mentioned on object), Carel Christiaan Antony Last, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), 1818 - 1876, paper, h 235 mm × w 310 mm

A View in Devonshire, from "Sketches from Nature" 1822 Etched by Thomas Rowlandson. A View in Devonshire, from "Sketches from Nature". "Sketches from Nature". Etched by Thomas Rowlandson (British, London 1757-1827 London). 1822. Hand-colored etching and aquatint. Prints

View of Bloomsbury Square, Robert Pollard, English, 1755 - 1838, Francis Jukes, British, ca. 1746 - 1812, Edward Dayes, English, 1763 - 1804, Robert Thaw, Robert Pollard, English, 1755 - 1838, Francis Jukes, British, ca. 1746 - 1812, Engraving and aquatint on paper, Grass lawn to the left; street at right and foreground. A maid driving cows, center; people walking, and an empty carriage, left. Title, artist's and publishers' names, date, and dedication below., London, England, Paris, France, 1787, Print, Print

View of the Buitenplaats Vechtwijk aan de Vecht, Daniël Stopendaal, 1790 print Text in Dutch and French in the lower margin. Numbered: 92. Print is part of an album. paper engraving / etching river (+ landscape with figures, staffage). country-house Vecht. Weesp

Leaden Hall Market January 1, 1809 Designed and etched by Thomas Rowlandson. Leaden Hall Market. Microcosm of London, pl. 50. Designed and etched by Thomas Rowlandson (British, London 1757-1827 London). January 1, 1809. Hand-colored etching and aquatint. Rudolph Ackermann, London (active 1794-1829). Prints

Paul Sandby RA, 1731-1809, British, Woolwich Warren, undated. Gray wash and pen and black ink on very thick, cream, moderately textured laid paper.

Liber Veritatis: No. 108, Landscape with Satyrs and Nymphs Dancing, 1775. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682), John Boydell (British, 1720-1804). Etching and mezzotint printed in brown; sheet: 27.2 x 40.2 cm (10 11/16 x 15 13/16 in.); platemark: 20.8 x 26.2 cm (8 3/16 x 10 5/16 in.).

Singapore, watercolor painting by John Turnbull Thomson, 1846

Apotheosis on Archduchess Elisabeth died on February , first wife of the later Emperor Franz II, Johann Hieronymus Delete Kohl -, publishing house

Amsterdam, Meyer & Co., PH, Leiden, Overbeek, Leendert, Netherlands, Portman, Ludwig Gottlieb, Ruins on the Rapenburg, in Leiden, plus the unwinding of the yacht, sunk in the disaster of 12 Jan: 1807, Ruins of the Rapenburg, verso - stamped, Ruins on the south side of the Steenschuur in Leiden, after the gunpowder disaster of 12 January 1807. In the centre, the sunken yacht is lifted out of the water of the canal. At the bottom, the titles in Dutch and French are separated by a vignette with the Leiden city maiden and the Hope. See also the design drawing., print, prints, Frederik Muller Historieplaten, height 480 mm, width 643 mm, Northern Netherlands, 1772-06-14 - 1828, print maker, printmaker, 1807 - 1807, paper, papier, etching, etchings, aquatint, 1752-04-15 - 1815-03-24, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

Otdykh na okhote, v Mingrelii. Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Haarlem citizens go to Utrecht, 1786, Reinier Vinkeles (I), After Jacobus Buys, 1794 print A group of 50 members of the armed Haarlem civilian militia is moving on to Utrecht, September 8, 1786. print maker: Amsterdamafter drawing by: Northern Netherlands paper etching / engraving troop movements, transportation (+ citizen soldiery, civil guard, citizen militia) Haarlem

The carousel in Laxenburg on July , Johann Hieronymus Delete Kohl -, publishing house

'Fire of Smolensk'. 1816. Dimensions: 50x72 cm. Museum: State Hermitage, St. Petersburg. Author: ANONYMOUS.

Francis Jukes, 1747-1812, British, Canterbury, c. 1790. Aquatint, hand-colored.

unknown artist, The Adelphi Terrace, 1795. Aquatint, hand-colored.

Print, Peep-show, Vue de Florence Prise de Vaga Loggia, 19; France; engraving in ink with washes of watercolor on paper, mounted on scrapbook page; 27.2 × 40.8 cm (10 11/16 × 16 1/16 in.); 1901-30-46

Scena orientalna Bartlett, William Henry (1809 1854) , Griffiths, Henry (17.. 1849)

Robert Dighton, 1752-1814, British, Foot Ball played at Market Place, Barnet, ca. 1784. Pen and black ink and brown ink and watercolor.

The Encampment in Hyde Park, Formerly Thomas Rowlandson, 1756-1827, British, after Thomas Sandby RA, 1721-1798, British, 1781, Aquatint, hand-colored

Arts et métiers. Le jardinier.. Prints, Illustrations. 1817. Rare Book Division. Egypt, Children, Farmers, Gardening, Mothers

Flood on Kattenburgerplein in Amsterdam, 1775, Noah van der Meer (II), 1775 - 1776 print The Kattenburgerplein in Amsterdam hit by the flood on November 15, 1775. Residents try to save household goods and animals from flooded streets and houses. Part of a group of illustrations of the floods in 1775. paper etching / engraving dike-break. rescue work during a flood Cat Burgerplein

Tuskulanum. Lemercier, Rose Joseph (Paryż ; zakład litograficzny ; 1827-post 1899), lithography atelier, Adam, Victor (1801-1866), graphic artist, Bichebois, Louis-Pierre-Alphonse (1801-1850), graphic artist, Żamett, Albert (1821-1877), draughtsman, cartoonist, Wilczyński, Jan Kazimierz (1806-1885), publisher

The Cheshire Hunt, Charles G. Lewis, 1808-1880, British, after Henry Calvert, active 1826-1854, British, 1842, Hand colored engraving, Sheet: 19 3/8 x 31 3/4in. (49.2 x 80.6cm)

Juvenile Tricks, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by William Say, 1768-1834, British, after Joseph Mallord William Turner, 1775-1851, British, 1811, Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper, Sheet: 11 1/4 × 16 1/2 inches (28.6 × 41.9 cm), Plate: 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and Image: 7 × 10 1/4 inches (17.8 × 26 cm), juveniles, trees, youth

Souvenirs artistiques du Siége du Paris: Avenue de Boulogne, Vue Prise de la porte d'Auteuil, St. Cloud au fond, Dévastation du Bois de Boulogne, 1879-81. Maxime Lalanne (French, 1827-1886), Cadant and Luce. Etching; sheet: 28.7 x 43.2 cm (11 5/16 x 17 in.); platemark: 15.8 x 23.6 cm (6 1/4 x 9 5/16 in.).

Amphitheater in the azienki; Vogel, Zygmunt (1764-1826), Kotsetzer, Jan Christian (1753-1795); after 1794 (1794-00-00-1810-00-00);Neuman, collection, theater on the island (Warsaw - Łazienki), Warsaw (Masovian Voivodeship), actors, amphitheaters (architect), aristocracy, building, copies (imitation), musicians, unknown (provenance), orchestras, parks (gardens) , genre scenes, Teatralia, Theaters (architect), WUDUTY, Łazienki Królewskie (Warsaw)

Peep-Show Print, View of Versailles from the Chateau, Georg Gottfried Winckler, German, 1710 - 1786, Engraving, brush and watercolor on paper, pricked, mounted, The court of the cheateau is shown in the foreground with many figures and carriages, with the road to Paris beyond. Windows of the chateau and dependencies pricked. Verso covered with a strip of colored paper., Augsberg, Germany, ca. 1775, Print, Print

Drawing by Jakob Gauermann from 1820 showing the wedding of Count Valais in Gutenstein, using bister, feather, laved, and pencil, depicting figures and architectural setting.

View of the frozen Merwede at Moerdijk. View of the frozen Merwede at Moerdijk with ships and figures on the ice; in the foreground fishermen.

J. Tobin, active 1776, Preparing to lay eel traps, undated. Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper.

Coaching: The Right Sort, John Harris, 1811-1865, British, after William J. Shayer, 1811-c.1885, British, 1863, Aquatint, hand-colored, Sheet: 14 3/8 x 18 13/16in. (36.5 x 47.8cm)

Peep-show, Vuë du Canal de Delft à la Haye Ville de Hollande, 16, Engraving in ink with washes of watercolor on paper, mounted on scrapbook page, Peep-show print, France, ca. 1766, Print, Print

Fontein and parterre with the letters W and M intersected, Laurens screen (Possible), After Laurens screen, 1689 - 1702 print View on a ground floor with the letters W and M intersected in the gardens of Paleis Het Loo. paper etching / engraving French or architectonic garden; formal garden. palace Palace Het Loo

Chicken Court.

Michel Jean Cazabon, 1814-1888, Trinidadian, active in France ca. 1839-1847, King's Warf. Pen and brush with black ink over graphite with washes and touches of white gouache on buff paper.

Buitenplaats with drunk company that goes on board a barge, Jean Pelletier, After Cornelis Troost, c. 1757 - c. 1764 print Amsterdam paper etching / engraving tow-boat, towing-barge. rural housing, e.g. country-house, villa, cottage. drunkenness

Relais, Avenue des Champs-Élysées, Paris (recto); Scene from the Life of Odysseus (verso) 1812 Denmark. When the young and ambitious Eckersberg entered Jacques-Louis Davidís Parisian studio in 1811, he was encouraged to make studies after nature and therefore carried a sketchbook with him while moving through the city and the surrounding countryside. In a diary entry dated September 15, 1812, he recorded a tour of the Champs-lysÈes, rendered here with deft handling of perspective and the witty detail of a young woman adjusting her stocking.. Pen and black ink, with brush and gray and brown washes, over graphite (recto); graphite and pen and black ink (verso) on off-white wove paper . Christoffer Wilhelm Eckersberg

Promenade of the course the queen. (Dummy title)

The Woodcutters' Repast 1815 England. Black and white chalks on blue wove paper . John Linnell

A theatrical scene titled 'Luogo delizioso contiguo alla reggia,' illustrating the tragic ballet 'Ottavia,' composed by Gaetano Gioja and performed at the I. R. Teatro alla Scala during the carnival of 1823. The artwork was created by A. Sanquirico and engraved by Carolina Lose. It features a decorative design for the stage, showcasing the intricate details typical of the period. The piece is part of a collection of various scenic decorations conceived and executed for the Teatro alla Scala in Milan

'De Zes-weg by Phaunus na 't Beeld van Ceres te zien', in: Tooneel Der Voornaamste Nederlands Huizen, En Lust Hoven, Naar T Leven Afgebeeld. Dimensions: Plate: 6 5/8 × 8 1/16 in. (16.9 × 20.5 cm). Engraver: Engraved by Lorenz Scherm (Dutch, active 1619-1707). Publisher: Carel Allard (Dutch, Amsterdam 1648-ca. 1709 Amsterdam). Date: n.d..Depiction of the meeting point of six lanes by the statue of Faunus, visible after the statue of Ceres in the gardens of the Loo Palace. Part of a series of country estates and pleasure palaces of the Netherlands published by Carel Allard at the end of the seventeenth or very beginning of the eighteenth century. Museum: Metropolitan Museum of Art, New York, USA.

George Bickham, 1684-1769, British, A View of the Grotto & Two Shell Temples in the Gardens of Earl Temple at Stow, in Buckinghamshire. Hand-colored engraving on wove paper.

Gapsal': razvaliny zamka, Progulka Ikh Imperatorskikh Vysochestv, gulian'e na beregu moria. Timm, Vasili Fëdorovich, 1820-1895. still image. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Modifications made to the decoration of the roundabout of the Champs-Elysées

Landscape painting titled 'Broadway, Worcestershire'. The painting depicts a street scene with a horse pulling a large carriage filled with people. By Thomas Rowlandson (1756 - 1827) English artist and caricaturist. Dated 1770

Fox Hunting: The Death, Richard Gilson Reeve, 1803-1889, after Henry Thomas Alken, 1785-1851, British, 1835, Aquatint, hand-colored, Sheet: 10 3/8 x 14 1/2in. (26.4 x 36.8cm)

Party on the ruin, 1855; Vauxhall on the ruin; Academy party to lead in June 1855. Festivities in the garden on the ruin. Part of a series of six plates of the festivities organized by Leiden students at the celebration of the 280th Dies Natalis of the Leiden Hogeschool, 11-13 June 1855.

Nieder-oesterreich, Dankmahl des General Schmidt bei Krems. Jakob Alt (Austrian, 1789-1872). Lithograph;

Flood on Kattenburgerplein Amsterdam, 1775 The Netherlands, Noach van der Meer (II), 1776

James Miller, active 1773-1814, Gentlemen Punting. Watercolor and gray wash over graphite.

Kalmyk nomads preparing to migrate - dismantling ghers, loading wagons near a tomb 1, and typical gher life with women milking cow, preparing a cow hide, men playing draughts. Handcoloured copperplate engraving from Bertuch's "Bilderbuch fur Kinder" (Picture Book for Children), Weimar, 1807. Friedrich Johann Bertuch (1747-1822) was a German publisher and man of arts most famous for his 12-volume encyclopedia for children illustrated with 1,200 engraved plates on natural history, science, costume, mythology, etc., published from 1790-1830.

Samuel Wale RA, 1721-1786, British, Sion House, undated. Watercolor with pen and black ink on medium, slightly textured, cream wove paper.

Rider in front of the fence of a country estate (Velserbeek), draughtsman: Johann Goll van Frankenstein (I), 1732 - 1785, paper, pen, brush, h 199 mm × w 250 mm

Autumn - Sowing Grain, John Hassell, 1767-1825, British, after Joseph Mallord William Turner, 1775-1851, British, 1812, Full colored by hand

Peep-Show Print, Engraving and brush and wash on paper, Peep-show print, Europe, mid-18th century, Print, Print

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality, William Hincks, 1752-1797, after William Hincks, 1752-1797, 1791, Stipple engraving

Paris Diligence ca. 1810 Thomas Rowlandson An early state, before the publisher and etcher's addresses. A diligence coach full of people, led by four horses away from an inn. An old couple at left beg from the passengers, and sow with small pigs run alongside the coach. A crucifix is in the background center, where a group of nuns kneel in prayer.. Paris Diligence. Thomas Rowlandson (British, London 1757-1827 London). ca. 1810. Hand-colored etching. Thomas Tegg (British, 1776-1846). Prints

Spring Gardens, Ranelagh Thomas Rowlandson (1756-1827 British) Victoria & Albert Museum, London, England

View of the Schanzel an der Donau , Vue du Schanzel Pres du Danube st budget, Johann Andreas Ziegler -, Artist, Artaria , Co, Verlag, Publishing House

Painted glass plate for perspective box, park with pond, glass plate perspective box glass paint, handpainted Rectangular glass plate with black frame handpainted scene of symmetrical park with stone balustrade with vases and sculptures; in the background pond with few rowing boats distinguished audience: hikers in the foreground angler On the right in the foreground square building; on the left bank in the background large building With white ink top left:, top right 2 optics perspective leisure time

Thomas Rowlandson, 1756-1827, British, Pidcock, Dealer in Birds and Beasts, undated. Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream, wove paper.

Haar, A. van der, Northern Netherlands, Spruyt, Johan van der, The River Maze Before the City of Rotterdam, at the Beginning of the Year 1784, Ice Fun on the Frozen Maas Near Rotterdam, 1784, verso - stamped, Winter fun on the frozen Maas before Rotterdam at the beginning of the year 1784. Ice fun with stalls, sledges, skaters, ice sails, etc. On the left the old Main Gate., print, prints, Frederik Muller Historieplaten, height 383 mm, width 523 mm, print maker, printmaker, 1784 - 1784, fourth quarter 18th century, paper, etching, engraving, engraving (printing process), Dutch, intermediary draughtsman

Farmers' wife, boys with apples and a hilly landscape, c. 1600 - 1655 Three drawings stuck together on a leaf. draughtsman: Zwolledraughtsman: unknown paper. parchment (animal material). ink. watercolor (paint). deck paint brush Three drawings stuck together on a leaf. draughtsman: Zwolledraughtsman: unknown paper. parchment (animal material). ink. watercolor (paint). deck paint brush

William Woollett, 1735-1785, British, A View of the Garden &c. at Carlton House in Pall Mall. Engraving.

ABarn. Artist, style of: Jan Jansz Den Uyl, Dutch, 1595/96-1639/40

Racing set of four: The High Mettled Racer. 3. The Hack, John Hassell, 1767-1825, British, after Thomas Rowlandson, 1756-1827, British, 1789, Aquatint, hand-colored, with engraved titles and verses with aquatinted border, Sheet: 13 3/4 x 17 1/2in. (34.9 x 44.5cm)

View of the large fountain and the Turkish tent in the garden of Huis Te Maarssen; FOLLOW OF THE VOLLIERE AND FONNYN to the Turkish tent / vue de la Volière & de la Fontaine Fresh La Tente Turque; The old Adelyk Huys and Ridderhofstad ter Meer. View of the large fountain and Turkish tent in the French garden of House Ter Meer. Various birds run around the fountain. In the foreground are a few figures on the edge of the basin. The print is part of a series of 26 faces at home in the lake and the associated estate at Maarssen.

Henry Heath, active 1824-1835, British, Angling set of six: 2. Barbel Fishing-Twickenham, no date. Hand colored lithograph.

The Tuileries in Paris. Draughtsman: Reinier Vinkeles (I) (mentioned on object). Dating: 1770. Measurements: h 258 mm × w 333 mm. Museum: Rijksmuseum, Amsterdam.

John Tinney, died 1761, British, A View of the Flower Gardens of Seaux & of ye great Canal at a Distance, undated. Hand-colored engraving on wove paper.

Coffee House in Damascus, Carel Christiaan Antony Last, 1837 print Coffee house in the open air at night. On both banks of the river roofs with lighting. There are men in the foreground. Some of them smoke a long pipe or water pipe. Numbered at the top right: 4. Amsterdam paper inn, coffee-house, public house, etc.. pipe ~ tobacco. water-pipe, hookah, narghile Damascus

Water striders and a sledge at a farm., print maker: Hendrik Spilman, (mentioned on object), Anthonie van Borssom, (mentioned on object), Haarlem, 1742 - 1784, paper, etching, h 170 mm × w 249 mm

James Pollard, 1792-1867, British, The Ceremony of the Procession ad Montem. Aquatint, hand-colored.

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