Woodcut Art with Human Figures

A collection of expressive woodcuts featuring human figures in various scenarios, including a storm personification, nature scenes, and abstract designs, showcasing contrast and dynamic forms.

August Macke, Begrüssung (Greeting), German, 1887-1914, woodcut in black on tan paper

Mystery /2 /; Makowski, Tadeusz (1882-1932); 1924 (1924-00-00-1924-00-00);

August Macke, Begrüssung (Greeting), German, 1887-1914, woodcut in black on tan paper

Papual girl, Johannes Frederik Engelbert ten Monastery, C. 1923 print A girl standing in a canoe. Land covered with palm trees in the background. transparent paper rowing-boat, canoe, etc.. trees: palm-tree New Guinea

Personification of the storm above a landscape. A man looks down from the clouds. He has a staff in his hand.

Gottfried Graf, Untitled (Girl with Bird of Paradise), 1918 Untitled (Girl with Bird of Paradise)

Two Mythical Animals (Zwei Fabeltiere). Dated: 1914. Dimensions: block: 9.9 x 12.1 cm (3 7/8 x 4 3/4 in.) sheet: 16.5 x 22.7 cm (6 1/2 x 8 15/16 in.). Medium: woodcut in black on japan paper. Museum: National Gallery of Art, Washington DC. Author: FRANZ MARC.

Faun Musician No. 5. Pablo Picasso; Spanish, 1881-1973. Date: 1947-1948. Dimensions: 680 x 510 mm (image); 766 x 566 mm (sheet). Lithograph in black on ivory wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Crowded cock, Leo set, 1934 - 1936 drawing paper. deck paint. pencil. India ink (ink) brush (COHEN, Van Anarchist tot Monarchist) specific works of literature (with AUTHOR, Title). fowl (cock, hen, chicken, etc.) (+ male animal)

Nude X. Hulewicz, Jerzy (1886-1941), graphic artist

Christian Rohlfs, Susanna and the Elders, 1916 1917 Susanna and the Elders

Drawing, Textile Design: Klaudia; Made for Wiener Werkstätte (Austria); brush and gouache on paper; 20.3 × 14 cm (8 × 5 1/2 in.) Mat: 31.8 × 45.1 cm (12 1/2 × 17 3/4 in.)

Feast; Gory, Wiktoria (1902-1945); around 1925 (1920-00-00-1930-00-00);

Het Anker, 1919 print Ornament met anker. paper parts of ship's exterior: anchor

August Macke, Begrüssung (Greeting) Begrüssung (Greeting)

Eva, Tinus van Doorn, 1939 print Female nude in water between plants, on the right a fish, in white contours against a black stock. Japanese paper (handmade paper). printing ink

Sic transit ..., Henri van der Stok, 1880 - 1932 print Vase with wilted flowers. paper flowers in a vase. flowers: sunflower

Composition (fish). .

Ernst Ludwig Kirchner, Peter Schlemihls wundersame Geschichte Schlemihl in der Einsamkeit des Zimmers (Peter Schlemihl's Wondrous Story Schlemihl in the Solitude of His Room), 1915 Peter Schlemihls wundersame Geschichte: Schlemihl in der Einsamkeit des Zimmers (Peter Schlemihl's Wondrous Story: Schlemihl in the Solitude of His Room)

Auti te Pape (Women at the River). Dated: 1894/1895. Dimensions: image: 20.5 x 35.7 cm (8 1/16 x 14 1/16 in.) sheet: 25 x 39.8 cm (9 13/16 x 15 11/16 in.). Medium: woodcut printed in yellow, orange and black by Louis Roy. Museum: National Gallery of Art, Washington DC. Author: PAUL GAUGUIN.

Bookplate of Jan Gwalbert Olszewski. Olszewski, Jan (1873-1943), draughtsman, cartoonist

The Black Cape. Illustration by Aubrey Beardsley for the English edition of Oscar Wilde's play Salome, published 1910.

Sensteight Boogschutter, Henri van der Stok, 1880 - 1920 print A naked archer with a hunting dog for the starry sky. Netherlands Japanese paper (handmade paper) Sagittarius (zodiacal sign of November)

Ex Libris Sophia van de Vin. Mieghem, Eugeen van (1875-1930), graphic artist

Storm above a landscape, Henri Jonas, 1921 print paper storm on land

Print, 28 Rijen 1918, Plate VI, "Sest Dob Nashi Historie" Portfolio; Designed by Vlastislav Hofman (Czech, 1884-1964); linoleum cut on paper

Volpini Suite: Breton Women by a Gate (Bretonnes à la Barrière), 1889. Paul Gauguin (French, 1848-1903). Zincograph; sheet: 50 x 65 cm (19 11/16 x 25 9/16 in.); image: 16 x 21.5 cm (6 5/16 x 8 7/16 in.).

Death as Juggler (Revolution) (Tod als Jongleur Revolution) Christian Rohlfs (German, 1849-1939). Death as Juggler (Revolution) (Tod als Jongleur Revolution), 1918-1919. Color woodcut in yellow, red, and black on heavy wove paper, Image: 14 3/8 x 18 1/4 in. (36.5 x 46.4 cm). In Christian Rohlfs’s roughly hewn, unsettling woodcut, two women recoil from a skeleton juggling symbols of earthly power—an orb, a scepter, and a crown. The image is a reference to the danse macabre, or dance of death, a common medieval pictorial motif that served as a reminder that death is inevitable and impartial, coming for all regardless of class. Rohlfs likely found renewed purpose for the theme in the wake of World War I. Rohlfs made his first prints at the age of sixty after seeing an exhibition of Die Brücke (The Bridge) artists in 1908. He worked almost exclusively in woodcut, hand-printing his own blocks, sometimes not in a press but by applying pressure to the sheet with a heavy object, and exper

Luohan, after a set attributed to Guanxiu stone carved in 1757; rubbing 18th or 19th century Unidentified Of the many luohan painters throughout Chinese history, none was more influential than the Buddhist monk Guanxiu (832-912), whose wild caricatures inspired generations of artists to depict luohans as exotic, superhuman beings. Guanxiu’s paintings were already considered rare in 1757, when the Qianlong emperor encountered what he believed to be an authentic set in a monastery in Hangzhou. To preserve their appearance, the emperor commissioned copies and had them carved in stone so that rubbings like these could be made. The original paintings are now lost, making these copies some of the most important surviving evidence of Guanxiu’s style.. Luohan, after a set attributed to Guanxiu. Unidentified artist, possibly Ding Guanpeng (active 1726-71). China. stone carved in 1757; rubbing 18th or 19th century. Ink on paper. Qing dynasty (1644-1911). Rubbing

Print, Cerven 1621, Plate IV, "Sest Dob Nashi Historie" Portfolio; Designed by Vlastislav Hofman (Czech, 1884-1964); linoleum cut on paper

Adolphe Willette (1857-1926). "The stripping review of Jean d'Arc at the concert of ambassadors" (posted before the letter). Lithography, 1894. Paris, Carnavalet museum. 50809-17 Advertising poster, ambassadors' concert, dancer, woman, lithography, advertising, deshabillee review, deshabiller, striptease

Seated nude, Ernst Ludwig Kirchner, 1890 - 1938 print Germany paper woman (showing herself) undressed, quasi-nude

Design for a vase. .

Bather with Swans (La baigneuse aux cygnes). Dated: 1893. Dimensions: block: 4.5 x 5.9 cm (1 3/4 x 2 5/16 in.) sheet: 12.5 x 16.2 cm (4 15/16 x 6 3/8 in.). Medium: woodcut in black on brown wove paper. Museum: National Gallery of Art, Washington DC. Author: Fèlix Vallotton.

The Riding School 1913 Franz Marc German. The Riding School 360179

Photo collection Government information service. Marianne van der Heijden: Woodcut. undated. Limburg, Maastricht

ReleasedEnergies. Artist: Johannes Molzahn, German, 1892-1965

Paul Gauguin, Auti te Pape (Women at the River), 1894 1895 Auti te Pape (Women at the River)

Snip, snap, she cut off all her beautiful tresses Rapunzel. Grimm, Jacob, 1785-1863. Illustrations, Prints. 1920 - 1929. General Research Division

Portrait ofSoffici. Artist: Carlo Carrà, Italian, 1881-1966

Antiquarian "Drawing of the final version; Makowski, Tadeusz (1882-1932); around 1930 (1926-00-00-1935-00-00); was downloaded from the Muse of the National Museum in Warsaw; drawing / o , drawing / ink; products from Wzkien / Paper / Calka; height 14.3 cm, width 11 cm; Fig. 652 MNW; all rights are reserved.helmets, mannequins, sketches, purchase (provenance)

Cinderella. Cinderella and the fairy with a fireplace. Left in the foreground a pumpkin.

Personification of the wind at a building. A man floats down a building.

Page 16: a woman pouring liquid into a man's ear, a naughty child being snatched by devils, from '36 Grabados' (Mexico, 1943). Artist: José Guadalupe Posada (Mexican, 1851-1913). Dimensions: 13 3/4 × 9 7/16 in. (35 × 24 cm). Publisher: Arsacio Vanegas Arroyo (Mexican, 1922-2001). Date: 1943.See comment for 46.46.102. Museum: Metropolitan Museum of Art, New York, USA.

Christian Rohlfs, Death as Juggler, 1918 1919 Death as Juggler

Glutton on his desthbed asking for the head of the sturgeon. Le glouton. After Athenaeus. Lithograph after an illustration by Charles Martin from Jean de la Fontaines Contes et Nouvelles en Vers, Tales and Novellas in Verse, Libraire de France, Paris, 1930.

Soviet Propaganda Magazine Interior, Bezbozhnik u Stanka (Atheist at his Bench) Magazine, Illustration by Dimitry Moor, 1920's

Two Women Chattering, headpiece for Le Sourire. Paul Gauguin; French, 1848-1903. Date: 1900. Dimensions: 102 × 151 mm (image); 178 × 189 mm (sheet). Wood-block print in black ink on thin ivory laid Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Woodcut by Georg Schrimpf, 1920, on Japanese paper, depicting a girl standing beside a horse, emphasizing figures and composition.

Doorn, Tinus van, Woman with flowers in her hand, verso - stamped, print, prints, height 285 mm, width 220 mm, Dutch, 1905-06-02 - 1940-05-17, print maker, printmaker, 1915 - 1940, transparent paper, woodcut

Bazouge lights pipe at Kaars next to coffin, Henri Gustave Jossot, 1894 print Bazouge is a character from a Rougon Macquart Roman by Emile Zola. He is an assistant of a funeral director and involved in dark cases. print maker: Francepublisher: Parisprinter: Paris paper pipe ~ tobacco. candle. coffin

La hiena herida del fascismo' ('The Fascist's wounded hyne). Drawing series of the Spanish Civil War by Puyol. Madrid, 1936. Drawing.

Labor for the woman. Lotes of the national exhibition of women's work à 50 cents on site and available in the depots. First prize a jewels ornament worth F.1000. Poster for the National Exhibition of Woman Labor.

Belle and Het Beest, Johannes Josephus Aarts, 1881 - 1934 print Belle, naked, hugs the beast. They both squat. He has the elongated head and the tail of a dragon. paper tales and fairy tales: The Beauty and the Beast

Labor for the woman. Lots of the national exhibition of women's labor for 50 cents available on the site and in the depots. First prize A Jewelry Jewelry worth f.1000,-Jan Toorop, 1898 poster A poster for the national exhibition of women's labor. paper

Young woman for triangle, Samuel Jessurun de Mesquita, 1929 print A young woman in a suit stands with her hands folded in front of a triangle. Japanese paper (handmade paper) adolescent, young woman, maiden

Print, Madonna s Brozskym Detatkem, Madonna and Child, Plate II, "Ethiopie, cili Christos, Madonna a Svati, jak jsem ie videl v illuminacich starych ethiopskych kodexu" Portfolio; Designed by Vlastislav Hofman (Czech, 1884-1964); hand-colored linoleum cut on paper

Illustration from Ephraim Moses Lilien 'Lieder des Ghetto' (songs from the ghetto) 1902, by Morris Rosenfeld (Moshe Jacob Alter) (1862 - 1923); Yiddish poet. Ephraim Moses Lilien (1874-1925), art nouveau illustrator and printmaker, noted for his art on Jewish themes. He is sometimes called the "first Zionist artist.

Paul Gauguin, Nave Nave Fenua (Delightful Land), 1894 1895 Nave Nave Fenua (Delightful Land)

Boats. Dated: 1915. Dimensions: block: 19.9 x 27.9 cm (7 13/16 x 11 in.) sheet: 38 x 50.8 cm (14 15/16 x 20 in.). Medium: woodcut in black on japan paper. Museum: National Gallery of Art, Washington DC. Author: Jacoba van Heemskerck van Beest.

Noa Noa: Nave Nave Fenua (Fragrant Isle), 1893-94. Paul Gauguin (French, 1848-1903). Color woodcut; sheet: 38.5 x 22.8 cm (15 3/16 x 9 in.); platemark: 35.7 x 20.5 cm (14 1/16 x 8 1/16 in.).

Woman and girl

Scare, Karl Wiener -, artist

Ernst Ludwig Kirchner, Five Tarts (Fünf Kokotten), German, 1880 - 1938, 1914, woodcut on blotting paper

Catalogue of the E. L. Kirchner exhibition, Galerie Schames, Frankfurt. Ernst Ludwig Kirchner (Germany, 1880-1938). Germany, Frankfurt, 1916. Books. Printed material and 2 woodcuts on cover stock

A lovely, dramatic illustration on a postcard by amateur soldier artist of the Great War, George Ranstead showing a lady in a turban or toque style hat applying powder to her face. The style imitates that of fashion illustrators of the time such as Barbier, Marty or Brunelleschi. circa 1916

Book, Proof for exhibition catalogue, "Jockeys," Kingore Galleries, New York, NY; Designed by William Hunt Diederich (American, b. Hungary, 1884-1953); offset printing on fabriano cotton wove paper; 29.5 x 18.2 cm (11 5/8 x 7 3/16 in.)

Weeping Woman I. Pablo Picasso (Spanish, 1881-1973); printed by Roger Lacourière (French, 1892-1966). Date: 1937. Dimensions: 695 x 497 mm (plate); 774 x 568 mm (sheet). Drypoint, aquatint, and etching, with scraping on copper in black on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Legend of Taishi, Scene 2 (Taishiden nidanme), from the series Famous Scenes from Japanese Puppet Plays (Yamato irotake) 1700-1711 Japan. Woodblock print; oban, sumizuri-e . Okumura Masanobu

Drawing, Caricature of a Man; Harriet Blackstone (American, 1864 - 1939); USA; red pastel crayon on paper; 25.5 × 18 cm (10 1/16 × 7 1/16 in.)

Woodcut on pergamine by Rudolf Kalvach depicting a rescue boat in Trieste harbor life, created between 1907 and 1910, showing maritime safety operations.

Design for window in the southern transept of the Dom in Utrecht, c. 1878 - c. 1938 drawing cardboard. chalk brush

Maui and Mahuika prints, wood engravings, works on paper

NARCISO DIBUJO PARA LA OBRA DE MAX AUB. Author: OBIOLS JOSEP. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Memory of Meijer de Haan. Paul Gauguin; French, 1848-1903. Date: 1896-1897. Dimensions: 106 × 81 mm (image/sheet). Wood-block print printed twice in black and brown ink, with dry brush and gray and ocher watercolor, on cream Japanese paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

'Series "Bestiary". Marcel Duchamp'. Russia, Moscow, 1998. Dimensions: 29,7x21 cm. Museum: State Hermitage, St. Petersburg. Author: Dmitry Prigov.

Man at Kanon, Chris Lebeau, 1888 - 1945 print A man in long black gown warms his hands on the smoke of a cannon. For him, a field extends that is filled with bombs. Below that the text: 'Be fertile and multiply and fill the earth. Gene: 1 verse: 28 '. Japanese paper (handmade paper) creation of man; the Garden of Eden (Genesis 1:26 - 2). firearms: cannon

Sitting man, Maurits de Groot, 1918 print In the background a man walking on the street. Blaricum paper sitting figure. street

The madman , Karl Wiener -, artist

Anatomically displayed figures, Aat Verhoog, c. 1965 - Before 2002 print Two anatomically displayed figures, the left with a vein system. paper

Plate, from Moonstrip Empire News. Sir Eduardo Paolozzi (British, 1924-2005); printed by Kelpra Studio, London. Date: 1967. Dimensions: 380 × 254 mm. Screenprint on paper. Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

A black pen and watercolor drawing by Léo Schnug depicting an allegory of July with an African warrior and a Silens Herme fountain figure, including a black edging line.

Two Seated Bathers (Deux baigneuses assises). Dated: 1893. Dimensions: block: 4.3 x 5.8 cm (1 11/16 x 2 5/16 in.) sheet: 12.4 x 16 cm (4 7/8 x 6 5/16 in.). Medium: woodcut in black on brown wove paper. Museum: National Gallery of Art, Washington DC. Author: Fèlix Vallotton.

Yang Kuei Fei. Oda Mayumi; Japanese, born 1941. Date: 1978. Dimensions: 79.8 x 61.3 cm (31 7/16 x 24 1/8 in.). Color screenprint; edition 49/50. Origin: Japan. Museum: The Chicago Art Institute, Chicago, USA.

Postcard of Wiener Werkstätte No, Kasperltheater, Hans Kalmsteiner -, Artist, Wiener Werkstätte, Publishing House

Milliner with Hat (Modistin mit Hut) Ernst Ludwig Kirchner (German, 1880-1938). Milliner with Hat (Modistin mit Hut), 1910. Lithograph on wove paper, Image: 23 9/16 x 17 in. (59.8 x 43.2 cm). The sharp contrast between the yellow paper and black contours of this vibrant portrait emphasizes its abstracted quality, as well as the expressive power of color and form. It most likely depicts Ernst Kirchners lover and favorite model at the time, Doris Grosse, whom he often portrayed wearing large, elaborate hats. Kirchner was a founding member of the German Expressionist group Die Brücke (The Bridge) and created more than two thousand prints during his career. Of printmaking he said: “The technical procedures doubtless release energies in the artist that remain unused in the much more lightweight processes of drawing or painting.. There is no better place to get to know an artist than in his graphic work.” European Art 1910

Dianas bath. Waliszewski, Zygmunt (1897-1936), draughtsman, cartoonist

Princess holding flower

Design series for a newspaper advertisement from the Tanzcafés Haus Palmhof, Karl Wiener -, artist

"Pursuit of Happiness" post boxes. Hayes, Vertis (American painter, born 1911). 1937. Photographs. Schomburg Center for Research in Black Culture, Photographs and Prints Division. Artists , United States, African American artists, African American art, Artists, Black, Federal Art Project, murals, United States. Works Progress Administration, Harlem Hospital Center (New York, N.Y.)

Private Collection Mythology, Allegory and Literature

David Müller Ernst Ludwig Kirchner (German, 1880-1938). , 1919. Woodcut on wove paper, Sheet: 16 1/8 x 14 5/16 in. (41 x 36.4 cm). European Art 1919

Silhouette, Portrait of Mary Chambers Jumping Rope; Augustin-Amant-Constance Fidele Edouart (French, active England and USA, 1789 - 1861); USA; brush and black tempra, white chalk on gray wove paper, cut and mounted on cream colored card; 21.5 x 9.3 cm (8 7/16 x 3 11/16 in.)

'The Climax', c1893. Artist: Aubrey Beardsley.

Never again war , Karl Wiener -, artist

Man kisses the hand of a woman in dress for a mirror, anonymous, c. 1900 - c. 1950 paper. textile materials snipping mirror - AA - (for) women. interior of the house. kissing the hand (lovers)

Ericsson, Henry, work, Sketchbook, 49 leaves, 1933, drawing, Tivoli, amusement park, 13.5 cm x 21.8 cm, Ericsson, Henry, section: People at the Tivoli, 1933, Carl August Henry Ericsson, 1898 in St. Michel, Finland - 1933 in Borgå, was a Finnish graphic artist and decorative painter of Finland.

Postcard of the Wiener Werkstätte No, King cigarette, Questionable, Moriz Jung -, Artist, Wiener Werkstätte, Publishing House

Still-Life with Lunch I. Pablo Picasso (Spanish, 1881-1973); printed by Hidalgo Arnéra (French or Spanish, 20th century). Date: 1962. Dimensions: 642 x 530 mm (block); 699 x 624 mm (sheet). Linocut in gray-green, reddish brown and cream on ivory wove paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

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