Wooded Landscapes and Ruins

A series of etchings featuring woodland settings, ruins, and figures, capturing moments of life and nature in muted tones and intricate details.

état, très rare, recto - handwritten, height 103 mm, width 138 mm, height 185 mm, width 260 mm, 1807 - 1884-10-06, print maker, printmaker, 1850 - 1850, paper, papier, etching, etchings

Landscape with the Hagar road shipment, Gilles Neyts, 1643 - 1679 print A wooded landscape in which a man, a woman and a child (Abraham, Hagar and Ismael) stand. The man has leaned the left hand in a pointing gesture, the woman is crying. Antwerp paper etching landscapes in the temperate zone. the banishment of Hagar and Ishmael (Genesis 21:9-21)

Arcadian river landscape with bathing men, Adolf van der Laan, after Johannes Glaber, 1710 - 1747 print Arcadian river landscape with two bathing men on the left, on the right one lying and two running figures. In the background face to a village or city. The print is part of a 40-part series of prints with performances of Italian and German landscapes. Amsterdam paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). washing and bathing. prospect of city, town panorama, silhouette of city

Landscape with man with dog, Nicolas Perelle, 1613 - 1695 print paper etching dog. landscape with ruins

No. 32. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Landschap, Domenico Quaglio, 1821 print paper etching

Two Hunters Resting. Anthoni Waterlo; Dutch, 1609-1690. Date: 1630-1690. Dimensions: 155 x 206 mm. Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Anthonie Waterloo.

état, très rare, recto - handwritten, height 103 mm, width 138 mm, height 185 mm, width 260 mm, 1807 - 1884-10-06, print maker, printmaker, 1850 - 1850, paper, papier, etching, etchings

Landscape with two women, one of which washes her feet, Louis de Châtillon, after Nicolas Poussin, 1649 - 1734 print France paper etching landscapes with waters, waterscapes, seascapes (in the temperate zone). washing one's feet

Landscape with a woman driving on a mule along the Aqua Negro between Bologna and Florence, Jan Both, 1644 - 1652 print Utrecht paper etching rocks. mule Bologna. Florence

Charles François Daubigny, Pool with Deer (La Mare aux cerfs), 1845 Pool with Deer (La Mare aux cerfs)

Italianate Landscape with Buildings, Aqueduct 1769-1779 France. Pen and black ink, with brush and gray wash, on cream laid paper, laid down on cream laid card . C. Nangle

Alphonse Legros, The Gate (L'entree du champ) The Gate (L'entree du champ)

Outside Kronberg at Frankfurt am Main. Drawing from album with 13 drawings made in Germany by Captain Bauble, during the 1800 campaign.

Landscape with bird catchers at their nets. Seventeenth print in a series of eighteen, Landscape with bird catchers Landscapes and ruins (series title) Amoenissimae aliquot Regiunculae (series title), print maker: Jan van de Velde (II), Jan van de Velde (II), publisher: Claes Jansz. Visscher (II), Northern Netherlands, 1615, paper, etching, h 121 mm × w 318 mm

Leiden, Janson, Johannes, Mountainous landscape with shepherd and cattle by a river, verso lower left - stamped, Mountainous landscape with shepherd, sitting by a tree, and cows and sheep by a river. On the right in the background a bridge with a figure on it. Print from a series of landscapes with shepherds and cattle., print, prints, height 211 mm, width 165 mm, 1729-04-17 - 1784-08-01, print maker, printmaker, 1761 - 1784, paper, papier, etching, etchings

Arcadian landscape with a ruin and figures by a staircase, draughtsman: Jan van Huysum, 1692 - 1749, paper, pen, brush, h 206 mm × w 282 mm

Charles Heath, 1785-1848, British, Kirkby Lonsdale Churchyard, 1818-1823. Etching and line engraving on thick, moderately textured, cream, wove paper, with cream, chine colle.

Alphonse Legros, Top of the Hill (Le haut de la colline) Top of the Hill (Le haut de la colline)

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Arcadian landscape with shepherd by a river, in the distance a bridge, Louis Fabritius Dubourg, 1713 - 1775 print paper etching Pastoral, Arcadian Scenes

Le Verger, 1868. Charles François Daubigny (French, 1817-1878). Etching and drypoint; sheet: 20.3 x 13.2 cm (8 x 5 3/16 in.); image: 18.8 x 12.1 cm (7 3/8 x 4 3/4 in.).

Twee figuren bij een landweg; Ovale fantasielandschappen; Variae campestru fantasiae a Hermano van Suanevelt invent et in lucem edita (...).In an oval frame there are two figures along the side of a country road. There are trees across the street and a third figure runs in the direction of the hills.

River with bridge, Jan van Nickelen, 1665 - 1721 print An Italian landscape with a river with a wooden bridge. Haarlem paper etching river. landscape with bridge, viaduct or aqueduct

Title-Page to a Series of Ten Landscapes. Artist: Jean Jacques de Boissieu (French, Lyons 1736-1810 Lyons). Dimensions: Sheet: 8 1/4 × 10 3/4 in. (21 × 27.3 cm)Plate: 7 1/4 × 9 11/16 in. (18.4 × 24.6 cm). Publisher: Pierre François Basan (French, Paris 1723-1797 Paris ()). Series/Portfolio: Series of Six Landscapes (Suite de dix Paysages). Date: 1763. Museum: Metropolitan Museum of Art, New York, USA. Author: Jean Jacques de Boissieu.

The woman fishing on the water's edge (Hollstein 139) Anthonie Waterloo (1609-1690). The woman who fishing at the edge of the water (Hollstein 139). Floor, mid-17th century.

Alphonse Legros, Edge of the Water (Au bord de l'eau) Edge of the Water (Au bord de l'eau)

Abele and Oak, from The Park and the Forest. James Duffield Harding (English, 1798-1863); printed by Charles Joseph Hullmandel (English, 1789-1850); published by Thomas McLean (English, 1788-1875). Date: 1841. Dimensions: 297 × 438 mm (image); 369 × 541 mm (sheet). Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Artist: Anthonie Waterloo, Dutch, 1610-1690, Two Boys and Their Dog at theWaterside, Etching, image: 10.4 × 14.1 cm (4 1/8 × 5 9/16in.), Made in The Netherlands, Dutch, 17thcentury, Works on Paper -Prints

John Greig, active 1800-1853, British, Windsor from the Forest, 1804-1805. Line engraving, engraver's proof.

Landscape with bridges and a man who walks through a gate with his dog, Jean Louis Demarne (attributed to), 1762 - 1829 print paper etching dog. open door. landscapes with waters, waterscapes, seascapes (in the temperate zone) (+ landscape with figures, staffage). bridge

La pêcheur du saumon , Fishermen, Alphonse Legros (1837-1911)

Italianate Landscape with a Shepherd and his Flock by the Water, Albert Meyering (copy after), 1650 - 1725 drawing Italian landscape with classic ruins and a shepherd at a Voorde. paper. chalk herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.. landscape with ruins

Landscape with figures in antique ruin, Nicolas Perelle, 1636 - 1695 print Paris paper etching / engraving landscape with ruins

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A Forest with a Rabbit Hunt. Artist: Aegidius Sadeler II (Netherlandish, Antwerp 1568-1629 Prague); After Roelandt Savery (Flemish, Kortrijk 1576-1639 Utrecht). Dimensions: sheet: 8 1/4 x 10 7/8 in. (21 x 27.6 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Retour du Marché de St. Jean-de-Mont, 1910. Auguste Louis Lepère (French, 1849-1918). Etching;

. Landscape with fishermen, one of whom on the bank and two in a rowing boat. In the background a church, a mill and two sailing ships. Before the air. Fifth print from a series of thirteen with months.

Claude's Farm. Dimensions: overall: 30 x 39.6 cm (11 13/16 x 15 9/16 in.). Medium: pen and brown ink with brown wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

No. 10. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

Solitude. Dated: published 1814. Medium: etching and mezzotint. Museum: National Gallery of Art, Washington DC. Author: Joseph Mallord William Turner and William Say.

Święty Hubertus odpoczywający w drodze.. Reinhart, Johann Christian (1761-1847), graphic artist

Charles Aubry, 1836 - 1837 print This print is part of a cover with twelve prints. A hunting dinner in the forest, the hunting company of Charlemagne and a lion hunt. Paris paper lion hunt. hunting, chase. historical persons

Italian landscape with a lake, a city and two women in the foreground, Joseph Meganck, 1817 - 1891 print paper etching lake (+ landscape with figures, staffage). prospect of city, town panorama, silhouette of city. adult woman (+ two persons)

Three figures on a bridge for a house.

The Banks of the Liane 1875-1885 France. Etching on ivory laid paper . Alphonse Legros

Landscape with a bird catcher, Raphaël Sadeler (II), After Pieter Stevens (I), After Pieter Stevens (II), 1594 - 1632 print A forest landscape. In the foreground, a bird catcher releases a bird. A cage next to him on the ground. paper engraving forest, wood. fowling, fowler. birds

No. 42. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

No. 68. Lorrain, Claude, 1600-1682. Prints. 1777 - 1819. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Drawing, French

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Salmacis and Hermaphrodite, Anonymous, Herman van Swanevelt, Pierre Drevet, 1663 - 1738

A Park Landscape 1783-89 Thomas Rowlandson. A Park Landscape. Imitations of Modern Drawings. After George Barret, the elder (Irish, Dublin 1728/32-1784 Paddington, London). 1783-89. Etching, aquatint and roulette. Prints

Right half of a face from the dunes on Haarlem (left half has object number RP-T-1905-18A), View from the dunes on Haarlem., draughtsman: Anthonie Waterloo, draughtsman: Joris van der Haagen, (rejected attribution), 1619 - 1690, paper, brush, h 417 mm × w 643 mm

River view with ruin, a fisherman and a hunter, Isaac Major, after Pieter Stevens (I), after Pieter Stevens (II), 1586 - 1630 print paper engraving landscapes with waters, waterscapes, seascapes (in the temperate zone). fisherman. bird hunting

Swiss bridge at Estate Elswout at Overveen; Faces on Elswout. The Swiss bridge at Estate Elswout at Overveen. On the right two hunters. There is a man on a bench. Second print from a series of four faces on Elswout.

Dumbarton Rock, Etched by Joseph Mallord William Turner, 1775-1851, British, Engraved by Thomas Goff Lupton, 1791-1873, British, after Joseph Mallord William Turner, 1775-1851, British, between 1813 and 1823, Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream laid paper, Sheet: 11 1/2 × 16 7/8 inches (29.2 × 42.9 cm), Plate: 8 3/4 × 10 1/2 inches (22.2 × 26.7 cm), and Image: 7 3/4 × 10 1/2 inches (19.7 × 26.7 cm)

Etching by Jacques-Philippe Le Bas depicting an Italian hunt scene with hunters, dogs, and landscape, created in 1739.

Etching and copper engraving by Jean Morin showing a rural landscape with a horse-drawn trailer and farmers working in fields, depicting 17th-century agrarian life.

The flight into Egypt: altered plate from Seghers, Rembrandt van Rijn, c. 1653 print paper etching / drypoint the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass

La paysanne et la fille sur le petit pont debois. Artist: Anthonie Waterloo, Dutch, 1610-1690

Landscape; Willroider, Ludwig (1845-1910); around 1890-1900 (1885-00-00-1895-00-00);Partage Plus, Sachs, Carl (1868-1943), Sachs, Carl (1868-1943)-collections, Schlesisches Museum der Bildenen Künste (Wrocław-1880-1945)-collection, Willroider, Ludwig (1845-1910), Willroider, Ludwig (1845-1910) - legacy, trees, modernism (style), landscapes, German drawings

Artist Unknown, A Castle by a Lake and a Figure Seated on a Stile, 19th century, pencil and gray wash on gray paper.

Artist: Alphonse Legros, French, 1837-1911, Un Coin deRiviere, Etching, platemark: 17.9 × 25.1 cm (7 1/16 × 9 7/8in.), Made in France, French, 19thcentury, Works on Paper -Prints

The Flight into Egypt (altered from Tobias and the Angel by Hercules Segers), 1653, Rembrandt Harmensz. van Rijn; Artist: Altered from a plate by Hercules Seghers, Dutch, 1606-1669, 8 7/16 x 11 in. (21.5 x 28 cm) (sheet), Etching, The Netherlands, 17th century, Note the tight texture of the foliage on the left. It hardly looks like the work of Rembrandt, and indeed, it is not. It is the work of Hercules Seghers, a highly experimental printmaker who captured Rembrandt's imagination. Rembrandt was so taken with Seghers's art that he obtained one of his etched printing plates. In an act of creative vandalism, Rembrandt partially effaced the plate, removing Seghers' figures of Tobias and his guardian angel. He then transformed the image into one of the Holy Family on its flight into Egypt. Look closely to find traces of the angels' wings.

Traveler Resting (Repos du voyageur). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Coastal landscape with shed by Carlo and Ubaldo, Richard Earlom, After Claude Lorrain, 1776 print Carlo and Ubaldo, released from Tasos Jerusalem, leave to follow Rinaldo. London paper etching coast - HH - ideal landscapes. sea (seascape). names of literary characters. ships (in general) (+ getting in; mounting; embarkation). (scenes from) specific works of literature: Tasso, Gerusalemme Liberata

Landscape with angler and woman on a wooden bridge. Draughtsman: Gerrit Hendrik Gobell. Dating: 1796 - 1833. Measurements: h 294 mm × w 390 mm. Museum: Rijksmuseum, Amsterdam.

Red chalk drawing by Friedrich Reclam depicting a study or partial figure composition, showing figure, posture, and form.

Netherlands, Bagelaar, Ernst Willem Jan, Three cows by a river, print, prints, height 72 mm, width 70 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, drypoint, dry needle, Expression creation

Sub Tegmine... 1859 England. Etching and drypoint on cream Japanese paper . Francis Seymour Haden

Paysage, Iled’Aligre. Artist: Charles-Émile Jacque, French, 1813-1894

Landscape, Plate No. 140, 1776. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682). Etching and roulette; sheet: 26.4 x 31.6 cm (10 3/8 x 12 7/16 in.); platemark: 20.8 x 25.8 cm (8 3/16 x 10 3/16 in.).

Centaurs at a Pond. Artist: Friedrich Preller the Elder (German, Eisenach 1804-1878 Weimar). Dimensions: sheet: 15 7/16 x 17 1/2 in. (39.2 x 44.4 cm). Date: 1824-78. Museum: Metropolitan Museum of Art, New York, USA.

Reiter im Wald; Reinhart, Johann Christian (1761-1847); 1828 (1828-00-00-1828-00-00);Silesian Museum of Fine Arts (Wrocław - 1880-1945) - Kolekcja, Association for the History of Fine Arts in Breslau (1862-1912), Je tweförcy, Pejzaże Leśne

Arthur-Joseph Guéniot (1866-1951). Country landscape with a tree on the left. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

Landscape with a figure on a bridge at sunrise, Jean Jacques de Boissieu, After Claude Lorrain, 1763 print print maker: Franceafter painting by: Francepublisher: Paris paper etching landscapes (+ landscape with figures, staffage). sunrise. bridge

Etching by Johann Christian Klengel, around 1780, depicting a landscape with children catching a pigeon in the foreground and natural scenery in the background.

Windsor from the Forest, Berks., Print made by John Greig, active 1800-1853, British, after Joseph Mallord William Turner, 1775-1851, British, Published by Vernor & Hood, active 1795-1807, British, 1804, Etching and line engraving on medium, slightly textured, cream wove paper

Untitled, John Mallows Youngman, 1817-1899, British, 1879, Etching, Sheet: 10 1/4 x 8 1/4in. (26 x 21cm)

Design for a Stage Set (recto); Architectural Design (verso) 1780-1804 Francesco Navone Italian. Design for a Stage Set (recto); Architectural Design (verso) 340831

The Hague, Heppener, Jan, Landweg, verso middle - stamped, print, prints, height 59 mm, width 87 mm, 1826 - 1898-03-01, print maker, printmaker, 1841 - 1898, paper, papier, chine collé, etching, etchings

The Skylark. Artist: Samuel Palmer (British, London 1805-1881 Redhill, Surrey). Dimensions: sheet: 14 7/16 x 10 5/8 in. (36.7 x 27 cm)plate: 4 3/4 x 3 13/16 in. (12 x 9.7 cm)image: 3 7/8 x 2 15/16 in. (9.9 x 7.4 cm). Date: 1850.Samuel Palmer, one of the greatest British etchers, engaged throughout his career with the poetry of John Milton. This pastoral idyll - in which a man accompanied by a dog, pauses at a gate to watch a bird soar into the early-morning sky - relates to a passage in Milton's L'Allegro of 1645 (lines 40-44): "To hear the lark begin his flight/ And singing startle the dull night,/ From his watch-towre in the skies/ Till the dappled dawn doth rise.". Museum: Metropolitan Museum of Art, New York, USA.

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Junction of Severn and Wye, Etched and engraved by Joseph Mallord William Turner, 1775-1851, British, after Joseph Mallord William Turner, 1775-1851, British, 1811, Etching, aquatint, and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper, Sheet: 7 1/4 × 10 1/2 inches (18.4 × 26.7 cm) and Mount: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)

The Little French Colony at Akaroa, 1845. Charles Meryon; French, 1821-1868. Date: 1865. Dimensions: 95 × 152 mm (image); 96 × 157 mm (sheet). Etching and drypoint, with graphite additions in sky on grayish ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Night face with a figure in a boat. Night face with a figure in a rowing boat surrounded by water and trees. In the background a church tower and two mills.

Rue des Bruyères, à Sèvres 1868 Félix Bracquemond French. Rue des Bruyères, à Sèvres 395804

Red chalk drawing by Anthonie Waterloo depicting a landscape with duck hunters, minor traces of folding.

Adrian Zinggs drawing depicts a western post, executed with brown and black pen and brown brush in the late 18th to early 19th century.

Large Rock at the River. Dated: probably c. 1645/1656. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ALLART VAN EVERDINGEN.

Rome, Armi, Giovanni Dall', Voogd, Hendrik, Italian landscapes, Tentamina Lithographica, Avenue with overgrown rocks, verso - stamped, An avenue with trees on the left and overgrown rocks on the right., print, prints, School for the graphic arts in Utrecht, height 390 mm, width 501 mm, Dutch, 1768-07-10 - 1839-09-04, print maker, printmaker, 1820 - 1820, paper, tone lithography, 1777 - 1829, printer

Gray brush drawing by Johann Georg Wagner showing a shepherd with his herd in front of a ruin, depicting animals, figure, and landscape elements.

Coastal landscape with the flight to Egypt and an angel, Richard Earlom, After Claude Lorrain, 1774 print London paper etching coast - HH - ideal landscapes. the flight into Egypt: Mary, Joseph, the child (and sometimes others) on their way; Mary usually riding on an ass - BB - landscape predominant

Near the Mill. Alphonse Legros (French, 1837-1911). Etching;

Landscape with dilapidated building, Harmen ter Borch, after Gerard ter Borch (II), 1653, draughtsman: Harmen ter Borch, (mentioned on object), intermediary draughtsman: Gerard ter Borch (II), Zwolle, 26-Jan-1653, paper, brush, h 163 mm × w 209 mm

Mercury and Argus, Print made by James T. Willmore, 1800-1863, British, after Joseph Mallord William Turner, 1775-1851, British, 1841, Etching and line engraving, second state on thick, moderately textured, beige wove paper with cream chine-collé, Sheet: 29 1/2 × 22 3/4 inches (74.9 × 57.8 cm), Plate: 27 1/4 × 19 3/8 inches (69.2 × 49.2 cm), Chine collé: 26 7/8 × 18 5/8 inches (68.3 × 47.3 cm), and Image: 20 5/8 × 15 1/4 inches (52.4 × 38.7 cm), architecture, bridge, cliff, landscape, livestock, reflection, religious and mythological subject, sun, trees, water, waterfall

Anthonis van Dyck depicts trees swaying in the wind, drawn with red chalk and brown and gray brushwork over brown washes, with minor gray patches on the edges.

Drawing figure and a rider in hilly landscape, Hector Allemand, 1839 print France paper etching / drypoint draughtsman at work. forest, wood. riding a horse, ass, or mule; rider, horseman

Classical Landscape with Herdsmen in the Foreground. Artist: Giovanni Battista ("Titta") Lusieri (Italian, Rome 1754-1821 Athens). Dimensions: 14-5/16 x 18-11/16 in. (36.4 x 47.5 cm). Date: 1755-1821. Museum: Metropolitan Museum of Art, New York, USA.

Rev. William Gilpin, 1724-1804, British, Landscape with Two Men, between 1762 and 1783. Gray wash and graphite on moderately thick, moderately textured, beige, laid paper.

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