Wooded Landscapes and Ruins

A series of etchings featuring woodland settings, ruins, and figures, capturing moments of life and nature in muted tones and intricate details.

état, très rare, recto - handwritten, height 103 mm, width 138 mm, height 185 mm, width 260 mm, 1807 - 1884-10-06, print maker, printmaker, 1850 - 1850, paper, papier, etching, etchings

Life on the banks of the Moselle river, Rhineland-Palatinate, Germany, Europe, painting by Wilhelm Gause (1853-1916) was a German-Austrian painter and illustrator of the Düsseldorf School. Old 19th century engraved illustration from La Ilustración Artística 1882

Franz Edmund Weirotter's red chalk drawing depicts a party scene at Gutenstein, showing figures, gestures, and compositional arrangement.

Etched by Joseph Mallord William Turner, 1775-1851, British, Glaucus and Scylla, between 1813 and 1823. Etching and mezzotint, printed in brown ink Engraver's proof (h) on medium, slightly textured, cream laid paper.

Artist: Adolphe Appian, French, 1819-1898, Chemin des roches (environs deCreys), Etching, image: 11.5 × 19 cm (4 1/2 × 7 1/2in.), Made in France, French, 19thcentury, Works on Paper -Prints

Isaac Weld, 1774-1856, Irish, Sketch made for a Vignette by Mr. Ed Hall's History of Caernarvonshire, Which Was Never Published, 1809. Pen and brown ink, over graphite on thick, moderately textured, cream, wove paper.

A holiday in the city, Jean Honoré Fragonard, 1775 - 1780 drawing paper. graphite (mineral) brush open-air recreation Saint-Cloud

Landscape with wooden bridge to a farm and two figures at a well, Johann Andreas Benjamin Nothnagel (Possible), 1739 - 1804 print paper etching farm or solitary house in landscape

Bagelaar, Ernst Willem Jan, Netherlands, Landscape with boy and three sheep, print, prints, height 73 mm, width 131 mm, Dutch, 1775-09-16 - 1837-02-08, print maker, printmaker, 1798 - 1837, fourth quarter 18th century, first quarter 19th century, second quarter 19th century, paper, papier, etching, etchings, Work conception

Robert Wallis, 1794-1878, British, Margate, Kent, 1827-1838. Open etching.

Image of pictograms in the new house style of N.S. In the Perrontunnel of the N.S. station Amsterdam Amstel in Amsterdam.

Drawing attributed to Monogrammist HP, possibly Hans Pruckendorfer, depicting John on Patmos in black-brown ink on brown-primed paper, circa 1515.

Etched by Joseph Mallord William Turner, 1775-1851, British, Hind Head Hill, 1811. Etching, printed in brown ink on medium, slightly textured, cream wove paper.

Fields of San Gimignano. Donald Shaw MacLaughlan; American, born Canada, 1876-1938. Date: 1909. Dimensions: 202 x 326 mm (image); 206 x 331 mm (plate); 215 x 335 mm (sheet). Etching and drypoint in black on ivory laid paper. Origin: United States. Museum: The Chicago Art Institute, USA.

Stormy Landscape. Artist: John Hoppner (British, London 1758-1810 London). Dimensions: 12 15/16 x 10 7/16 in. (32.8 x 26.5 cm). Date: 1789 (). Museum: Metropolitan Museum of Art, New York, USA.

Hubert Robert illustrated a landscape with a round temple using black chalk, feather, brush in black and brown with wash and highlights on brownish paper around 1760-1762.

Sammlung Radierter Blaetter von Nathe. Dated: 1808. Dimensions: book: 36.5 x 25.4 x 0.9 cm (14 3/8 x 10 x 3/8 in.). Medium: complete set of title plate and 48 etchings printed on 26 sheets, some with aquatint and drypoint, in black or brown on wove paper. Museum: National Gallery of Art, Washington DC. Author: Christoph Nathe.

Two fishermen on a bridge. This print is part of an album.

Batterij aan de Binnen Bullewijk, 1787. Afbeelding van de Batterijen te Ouderkerk 1787 (title on object). Tekeningen van de batterijen rondom Amsterdam in 1787 (series title). Draughtsman: anonymous. Dating: 1787. Place: Northern Netherlands. Measurements: h 221 mm × w 305 mm. Museum: Rijksmuseum, Amsterdam.

Brueghel, Jan (I), unknown, Sadeler, Aegidius, Rocky landscape with the stigmatization of Saint Francis, verso bottom center - stamped, Rocky landscape with trees. In the foreground Saint Francis. He sees the cross of Christ in a vision and receives his stigmata., print, prints, height 208 mm, width 275 mm, Southern Netherlands, 1570 - 1629, print maker, printmaker, 1580 - 1629, paper, engraving, engraving (printing process), Work conception, 1568 - 1625-01-13

Two Friars on a Hillside recto. Dimensions: Overall: 28.7 x 21.7 cm (11 5/16 x 8 9/16 in.) support: 41.1 x 27.9 cm (16 3/16 x 11 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: FRA BARTOLOMMEO.

A Rest by the Way (Open Landscape with Figures, Donkey and Horses) ca. 1780 Thomas Gainsborough British Using brown wash defined by a pen strokes, Gainsborough constructs a landscape from a few elements--a traveler sits on a bank near his dog and loaded donkey, trees border a path, and a rider moves into the distance. The apparent simplicity belies the artist's sophisticated mastery of abstract principles, and the drawing dates to his London period--which began in 1774 after his move from Bath.. A Rest by the Way (Open Landscape with Figures, Donkey and Horses). Thomas Gainsborough (British, Sudbury 1727-1788 London). ca. 1780. Black chalk, brush and brown wash. Drawings

Etching by Hans Lautensack from the mid-16th century depicting the parable of the Good Samaritan, showing figures in a narrative scene helping an injured man.

Print made by John Sell Cotman, 1782-1842, British, Castle Above a Rocky Gorge, undated. Soft-ground etching on moderately thick, slightly textured, blue wove paper.

Paris, Naudet, Moreau, Louis Gabriel, Bridge, verso bottom center - stamped, A wooden bridge over a small river, with two stone piers. Two figures on the bridge., print, prints, height 130 mm, width 192 mm, 1740 - 1806, print maker, printmaker, 1770 - 1825, third quarter 18th century, fourth quarter 18th century, fourth quarter 18th century century, first quarter 19th century, paper, etching, etchings, Work conception, after own design by, Publication (Event), Publication, publisher

Landscape with the Rest on the Flight into Egypt. Artist: Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5-1682 Rome). Dimensions: 9 1/4 x 7 3/16 in. (23.5 x 18.3 cm). Date: 1645. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with bird and buildings in middle ground. unknown c. 1600-1700 Tapestry Dimensions: H 9'1" x W 6' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co.

A color lithograph by Viennese artist Tina Blau depicting views of the Prater, illustrating early 20th-century Austrian landscape and cityscape printmaking.

Pencil, brush, sepia, and gouache depiction by Martin von Molitor of a coal pairer at Stixenstein, dated 1780-1812.

High-pressure fotogal vanography by Paul Pretsch depicting a landscape with human figures and a tower in the background, circa 1860.

Landscape with the rest on the flight to Egypt, Nicolaes de Bruyn, 1622 print paper engraving rest on the flight into Egypt. forest, wood

Landscape with horse and carriage. Draughtsman: Daniël Dupré. Dating: 1785. Measurements: h 308 mm × w 260 mm. Museum: Rijksmuseum, Amsterdam.

Landscape with winchman in shepherdess and cattle. Draughtsman: Abraham Delfos. After Nicolaes Pietersz. Berchem. Dating: 1741 - 1820. Measurements: h 452 mm × w 375 mm. Museum: Rijksmuseum, Amsterdam.

Rockdale, Near Manayunk, PA August Kollner (American, 1813-1907). , 1865. Watercolor, graphite, and black ink on cream, moderately thick, smooth-textured wove paper, 10 7/16 x 13 in. (26.5 x 33 cm). The monochromatic palette of grays in this watercolorcalled grisaillespeaks to the German-born August Kollner’s training in black-and-white lithography. Although he was employed primarily as an illustrator and printmaker after settling in Philadelphia in 1839, Kollner was also an indefatigable landscape sketcher. During his extensive travels throughout the Northeast, he recorded the scenery in drawings that he would later finish in watercolor. Here the seated figure in the foreground might represent the artist making studies for this work. American Art 1865

The Wolf and the Well. Dated: probably c. 1645/1656. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: ALLART VAN EVERDINGEN.

Winter landscape with cows and skaters, Johannes Janson, 1783 print Winter landscape with shepherd with three cows on a path, seen on the back. A covered wagon meets them. Left skaters on a frozen river. Before the air. Thirteenth print from a series of thirteen with months. Leiden paper etching landscape symbolizing December. winter ~ human activities (the four seasons of the year)

Design for wall painting with Dutch landscape. Draughtsman: Jurriaan Andriessen. Dating: c. 1752 - c. 1819. Measurements: h 274 mm × w 110 mm. Museum: Rijksmuseum, Amsterdam. Author: Jurriaan Andriessen.

Francis Seymour Haden, 1818-1910, British, Kensington Gardens, no. 1 (small plate), 1859. Etching and drypoint, with plate tone on thin, smooth, cream laid paper.

Landscape with a rider at a house on a hill, Bernard Lens (II), After Paul Bril, 1669 - 1706 print paper etching (high) hill (+ landscape with figures, staffage). riding a horse, ass, or mule; rider, horseman

Fragments of the Ostrich. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 7 3/4 × 6 15/16 in. (19.7 × 17.7 cm)Plate: 5 11/16 × 5 in. (14.5 × 12.7 cm). Date: 1915.Monterey, California. Museum: Metropolitan Museum of Art, New York, USA.

Holmberg, Werner, work, Sketch book, engraving, drawing, 16.5 cm x 22 cm, Holmberg, Werner, timing: untimed, signature

View of Schalkwijk, Pieter Bouman, 1774 - 1828, draughtsman: Pieter Bouman, 1774 - 1828, paper, brush, h 202 mm × w 305 mm

Passing ofDay. Artist: Gustave Adolphe Hoffmann, German, 1869-1945

Reproduction of a painting: Brochocki, Walery (1847-1923), Returning from the Field; from: "Kłosy" 1879, II, 264. Kłosy (Warszawa ; drzeworytnia ; 1865-1890), printing house, unknown, draughtsman, cartoonist, Antoszewicz, Stanisław (fl. 1873-1887), woodcutter

Claude Joseph Vernet (14 August 1714 - 3 December 1789), French painter, here his work, Sorrento near Naples, sketch drawing, painting, reproduction of the painting, work of art, historical

Pijnacker, Adam, Josi, Christiaan, Forest landscape with animal, verso cardboard and verso print - stamped, Forest landscape with a bull in the foreground, along a rapid., print, prints, height 169 mm, width 256 mm, Dutch, 1768 - 1828-11, print maker, printmaker, 1795 - 1821, paper, paper drawing, etching, etchings, transfer, Northern Netherlands, 1622-02-15 - 1673-03-28, intermediary draughtsman

Tetards (Pollards) 1884 Netherlands. Pen and brown ink, with touches of pen and black ink, graphite and graphite frottage, and traces of black chalk, on grayish-white paper laid down on cardboard . Vincent van Gogh

A Landscape Near Pecchio. Dimensions: sheet: 15.2 x 22.4 cm (6 x 8 13/16 in.) mount: 18.9 x 26.2 cm (7 7/16 x 10 5/16 in.). Medium: pen and brown ink on laid paper. Museum: National Gallery of Art, Washington DC. Author: Remigio Cantagallina.

Alphonse Legros, Gust of Wind (Le coup de vent) Gust of Wind (Le coup de vent)

A drawing by Hans Jacob Maurer from 1760-80 depicting a landscape with a bridge, figures, and animals, executed with brown and gray brush, black chalk, some white brush, and black edging line.

Moonlit River Landscape. Dimensions: plate: 32.2 x 44.9 cm (12 11/16 x 17 11/16 in.) sheet: 34.3 x 47.5 cm (13 1/2 x 18 11/16 in.). Medium: engraving on laid paper. Museum: National Gallery of Art, Washington DC. Author: after Sir Peter Paul Rubens Schelte Adams Bolswert.

The Three Men Wearing Staff (Bartsch 20) Herman van Swanevelt (1600-1650). The three men wearing stick (Bartsch 20). Etching. 17th century.

Harvest, Jan van Noort (1756-1837), 1766 - 1837 print Harvesting in a landscape. A farmer hits the scythe and a woman binds the sheaves. On the right is a drinking man under a tree. A hay wagon drives in the background. Leiden paper etching hay-wagon. harvest. agricultural implements: scythe

Country folks having an outdoor meal with violinist. Teniers, David III (Flemish, 1638-1685) (designed after) painter c. 1780-1810 Tapestry Dimensions: H 7'3' x W 16' Tapestry Materials/Techniques: unknown Culture: French Weaving Center: Aubusson Ownership History: French & Co. In landscape with farmhouse, trees & plants & dogs, a group of people with child is gathered around table with food (R); 2 couples are dancing while man, standing on table, plays the violin & other man brings dish (L); additional building in distance Borders missing (Soustelle). This scene is derived from a composition by David Teniers III. There is also a smaller version, with only the right half (Cavallo/Soustelle). The related work illustrated in Chevalier (cited below) is said to have been made in the workshop of Pierre Dumonteil (Soustelle). French & Co. stock sheet missing from archive, 19926-b Göbel, Wandteppiche II:2 (1928), pl. 281-82 Chevalier, Aubusson (1988), 148 Related Works: Panels in set: GCPA 02

The Annunciation to the Shepherds 1510-92 Attributed to Jacopo Bassano (Jacopo da Ponte) Italian. The Annunciation to the Shepherds 338162

Fortune-teller. Teniers, David II (Flemish, 1610-1690) (designed after) painter c. 1675-1725 Tapestry Dimensions: H 13' x W 12'4" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Martin van Straaten & Co. 11/8/1916; transferred to SS 25690 SS 6104. French & Co. used for settee, SS 25308, 8/7/1923 SS 25690. In landscape, gypsy telling fortune of elderly man; seated woman nursing child; buildings & waterfall in background (BRD) twisting garlands of flowers & fruit interspersed with birds; (LWR BRD) vases of flowers & fruit on plinth in corners Stock sheet no. 25960 states that the 3 tapestries listed referred to only as: a, b, c with corresponding dimensions have been transferred from stock sheet 6104. However, the dimensions in 25960 are quite small & thus probably do not represent a full tapestry panel, but possibly pieces of tapestry that had been reduced in size, as stated on stock sheet 6104. French & Co.

The Big Cedar, Easthampton. Artist: Childe Hassam (American, Dorchester, Massachusetts 1859-1935 East Hampton, New York). Dimensions: Plate: 9 15/16 x 11 15/16 in. (25.2 x 30.4 cm)Sheet: 11 3/8 x 15 3/16 in. (28.9 x 38.5 cm)Frame: 16 x 21 in. (40.6 x 53.3 cm). Date: 1929. Museum: Metropolitan Museum of Art, New York, USA.

Firescreen, Hand-painted on paper, a) In the foreground stands a column on pedestal, with 2 groupings fo trees. In the background is a small village; b) In the foreground is a house of water mill, running stream with bridge. In the background are hills, trees and more buildings., France, 1790-1820, Wallcoverings, Firescreen

Landscape with bird next to stream. unknown c. 1600-1700 Tapestry Dimensions: H 5'8" x W 8' Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. S. R. Guggenheim, received 11/24/1944 SS 77263. French & Co. received from Mrs. S. R. Guggenheim 10/18/1955; sold to Mr. Frederick Sheldon 6/30/1960 SS 56318. Related Works: Panels in set: GCPA 0236620-0236622, 0236630, 0236644, 0245690

View of Naarden, Seen from Muiderberg, Jan Ruyscher, c. 1648 - c. 1652, draughtsman: Jan Ruyscher, c. 1648 - c. 1652, paper, pen, brush, chalk, h 110 mm × w 320 mm

View of a vault over a river, Anonymous, 1700 - 1799 print Two figures try to get a donkey and a horse on a bridge ahead. In the background structures. France paper. cardboard. watercolor (paint) etching / brush vault ~ architecture. river (+ landscape with figures, staffage). civic architecture; edifices; dwellings. ass, donkey. horse. bovine cattle. bridge

Waterfall of Tivoli seen from a cave, Jan Brueghel (I) (attributed to), 1606, draughtsman: Jan Brueghel (I), (attributed to), draughtsman: Paul Bril, (rejected attribution), 1606, paper, pen, brush, h 260 mm × w 183 mm

La Fuite en Égypte for Tableaux, Statues, Bas Reliefs et Camées, de la Galerie deFlorence. Artist: Aldenvang, German After: Adam Elsheimer, German, active in Rome, 1578-1610

Village face with a few people on a bridge, Jacob Cats (1741-1799), 1751 - 1799 drawing paper. chalk brush

Newton Manor Made 1872-1882 England. Drypoint on ivory laid paper . Francis Seymour Haden

Gustave Fraipont (1849-1923). "Cul-de-lamp" sunset "for the chapter" The fall leaves ". Illustration for the" Golden Book of Victor Hugo ". Ink on paper. 1882. Paris, house of Victor Hugo. 102267-10 Tree, sunsets, cul-de-walmpe, ink, illustration of literary work, reflection, river, 19th 19th 19th 19th 19th 19th century

Puławy. Dietrich, Fryderyk Krzysztof (1779-1847), graphic artist

Christoph Nathes 1785 drawing depicts a young woman in an antique robe holding a bowl in front of a well entrance in a park landscape, executed in brown brush over black chalk.

Wooded landscape with rooster, hen and chicks. unknown c. 1600-1700 Tapestry Dimensions: H 6' x W 14'10" Tapestry Materials/Techniques: unknown Culture: Flemish Weaving Center: unknown Ownership History: French & Co. purchased from Mrs. S. R. Guggenheim, received 11/24/1944; sold to Raimundo Ruiz 5/24/1946. Related Works: Panels in set: GCPA 0236620-0236622, 0236630, 0236644, 0245690

Herd and two figures in a forest. Draughtsman: Jacopo Ripanda (attributed to). Dating: 1500 - 1525. Measurements: h 87 mm × w 85 mm. Museum: Rijksmuseum, Amsterdam.

MENTON Henri Joseph Harpignies (1819-1916). Chin. Watercolor on pencil traits on paper, 1904. Museum of Fine Arts in the city of Paris, small palace.

A man pointing a long stick to the inscription on a wall in a forest, while watching a second man, sitting against a tree, print maker: Hermanus Fock (mentioned on object), Dating 1781 - 1822.

The Werther Fountain near Wetzlar c. 1885, Germany, Historical, digitally restored reproduction of a 19th century original, Europe

Bust of Abraham Lincoln Augustus Saint-Gaudens (American, born Ireland, 1848-1907). Bust of Abraham Lincoln, 1922. Bronze, 28 x 17 x 14 in. (71.1 x 43.2 x 35.6 cm). This portrait bust of President Abraham Lincoln was derived from the full-length standing portrait completed by Augustus Saint-Gaudens in 1887 for Chicagos Lincoln Park. Saint-Gaudens based Lincolns likeness on plaster life casts of the presidents head. The sculptor was inspired by Lincolns landmark 1860 speech at Cooper Union in New York, in which the future president declared that the founders would have opposed the expansion of slavery into new American territories. In this speech Lincoln also made famous the phrase “Let us have faith that right makes might.” American Art 1922

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