17th Century Landscape Art

Etchings and drawings of serene landscapes featuring trees, figures, and natural scenes. Dark, subdued tones evoke a tranquil atmosphere.

Grimaldi, Giovanni Francesco, France, Caylus, Anne Claude Philippe, Cabinet du Roy, Wooded landscape with a stream and a rock on which trees, verso - stamped, print, prints, height 284 mm, width 426 mm, 1692 - 1765-09-05, print maker, printmaker, 1702 - 1765, paper, papier, etching, etchings, Italian, 1606 - 1680-11-28, intermediary draughtsman

A Traveller Resting 17th century Anthonie Waterloo Dutch. A Traveller Resting. Anthonie Waterloo (Dutch, Lille 1609-1690 Utrecht). 17th century. Etching; fourth state of four. Prints

Arcadian landscape with a ruin and figures at a staircase, Jan van Huysum, 1692 - 1749 drawing paper. ink. pencil pen / brush

Le paysan avec lapelle. Artist: Anthonie Waterloo, Dutch, 1610-1690

Landscape with shepherds and herd at a drinking place, John Browne, after Peter Paul Rubens, 1770 print Numbered: full. II No. 55. London paper etching / engraving cattle. river (+ landscape with figures, staffage). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Le retour du fagotier (1st plate) , Laborers, Trees, Hills, Buildings, Fuelwood gathering, Alphonse Legros (1837-1911)

Grimaldi, Giovanni Francesco, France, Caylus, Anne Claude Philippe, Cabinet du Roy, Wooded landscape with a stream and a rock on which trees, verso - stamped, print, prints, height 284 mm, width 426 mm, 1692 - 1765-09-05, print maker, printmaker, 1702 - 1765, paper, papier, etching, etchings, Italian, 1606 - 1680-11-28, intermediary draughtsman

Two hunters on the Waterkant, Martinus Antonius Kuytenbrouwer Jr., 1845 print On a waterfront, where there is a large tree, there are two resting hunters and their two dogs. The Hague paper. etching / drypoint hunters resting during the hunt - CC - female hunter, huntress. dog. river bank. trees

Leiden, Janson, Johannes, Landscape with shepherd and cattle by a stream, verso lower left - stamped, Hilly landscape with a shepherd driving his cattle to a stream to drink. Print from a series of landscapes., print, prent, prints, prenten, height 107 mm, width 151 mm, 1729-04-17 - 1784-08-01, print maker, printmaker, 1761 - 1784, paper, etching, etchings

Rustic Landscape in Ambronay. Jean Jacques de Boissieu; French, 1736-1810. Date: 1796. Dimensions: 192 × 328 mm (image); 218 × 344 mm (plate); 240 × 374 mm (primary support); 268 × 406 mm (secondary support). Etching on paper. Origin: France. Museum: The Chicago Art Institute, USA. Author: Jean Jacques de Boissieu.

De Hermiet, Adrien Manglard, 1753 print Coastal landscape with two hermits. In the distance a ruin on a high rock. paper etching rocky coast. forest, wood. anchorite, hermit

Plate 32 from Blatt Baum und Landschafts Studien. Lorenz Ekemann Alesson; Swedish, 1791-1828. Date: 1805-1815. Dimensions: 318 x 230 mm (image); 470 x 320 mm (sheet). Lithograph on paper. Origin: Sweden. Museum: The Chicago Art Institute, Chicago, USA.

Jeździec pędzący konno drogą.. Reinhart, Johann Christian (1761-1847), graphic artist

The big tilted tree (Hollstein 58) Anthonie Waterloo (1609-1690). The big tilted tree (Hollstein 58). Floor, mid-17th century.

Amsterdam, Roos, Cornelis Sebille (publisher), Eext, Drielst, Egbert van, Haarlem, Schwegman, Hendrik, IX Views in and near the landscape of Drenthe, Landscape near Eext, recto - stamped, An angler at the water in Eext, Drenthe., print, prints, verso - stamped, height 401 mm, width 297 mm, Northern Netherlands, 1761-05-09 - 1816-01-24, print maker, printmaker, 1771 - 1816, paper, papier, etching, engraving, engraving (printing process), 1745-03-12 - 1818-06-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, Dutch, 1754-01-10 - 1820-01-31, publisher

Pan en Syrinx, Ernst Willem Jan Bagelaar, 1798 - 1837 print The Nymph Syrinx flight for pan in the reeds. In the lower margin a reference to the first book of the metamorphoses of Ovidius in which this scene is described. Netherlands paper etching / drypoint Syrinx changed into a reed: while fleeing from Pan, the nymph Syrinx is changed into reed by her sisters, the Naiads (Ovid, Metamorphoses I 705)

Talking men at Hek to Bosrand, Hermanus van Brussel, c. 1800 - in or before 1815 print paper etching forest, wood. fence, wall, paling

Landscape with two hunters, Aegidius Sadeler (II), After Roelant Savery, 1624 - c. 1650 print Forest landscape with two hunters in the foreground. A hunter sleeps while the other plays with two dogs. Rear a wooden bridge and a village. The first print of a six -part series with landscapes from Tyrol. publisher: Praagpublisher: Venice paper engraving forest, wood. hunting dogs. hunter. 'en route', traveller under way

Amsterdam, Ottens, Josua & Reinier (II), Danckerts, Cornelis (II), Waterloo, Anthonie, Landscapes with trees, Figures with a dog by a stream, recto lower right - stamped, A stream flows through a forest. On the right, three figures are sitting at the edge of the stream near a dog., print, prints, verso bottom center - stamped, height 115 mm, width 141 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etchings, Publication (Event), Publicatie, publisher, uitgever, 1664-03-02 - 1717-07-22

Jean Baptiste Camille Corot, Souvenir of Italy (Souvenir d'Italie), 1871 Souvenir of Italy (Souvenir d'Italie)

Two working figures at a farm. The two figures are bent over a fence. In addition to them the farm and in the foreground a crooked tree.

Two hunters on the Waterkant, Martinus Antonius Kuytenbrouwer Jr., 1845 print On a waterfront, where there is a large tree, there are two resting hunters and their two dogs. The Hague paper etching / drypoint hunters resting during the hunt - CC - female hunter, huntress. dog. river bank. trees

Christ on the Morning of Palm Sunday. Louis Auguste Lepère; French, 1849-1918. Date: 1918. Dimensions: 186 × 319 mm (image); 198 × 330 mm (plate); 237 × 386 mm (sheet). Etching on cream laid Japanese tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Family at Rest 17th century Etched by Anthonie Waterloo Dutch. Family at Rest. Etched by Anthonie Waterloo (Dutch, Lille 1609-1690 Utrecht). 17th century. Etching; second state of two. Prints

Arcadian landscape with two women, Johannes Glaber, 1656 - 1726 print An arcadian landscape with a river. Ruins along the shore. In the foreground two women in Roman clothing. A city in the background. The print is part of a series with Arcadian landscapes. unknown paper etching river. pastorals, Arcadian scenes. landscape with ruins (+ city(-scape) with figures, staffage)

Swanevelt, Herman van, Johannes de Doper in de wilden, verso lower left - stamped, Johannes de Doper sits on the bank of a river. He is flanked by his attributes, a wooden cross and a lamb., print, prints, KING: BIBLIO:, height 90 mm, width 113 mm, Northern Netherlands, 1604 - 1655, print maker, printmaker, 1623 - 1655, paper, papier, etching

View of Ariccia. George Loring Brown; American, 1814-1889. Date: 1853. Dimensions: 120 x 173 mm (image); 140 x 196 mm (plate); 167 x 242 mm (sheet). Etching on cream China paper. Origin: United States. Museum: The Chicago Art Institute, Chicago, USA.

Heroic Landscape: The Satyr and the Nymph, 1799. Johann Christian Reinhart (German, 1761-1847). Etching; sheet: 42 x 53.4 cm (16 9/16 x 21 in.); platemark: 21.3 x 29.5 cm (8 3/8 x 11 5/8 in.).

Landscape. Drawing in brown and gray brush of a hilly landscape, presumably Dutch. Centrally a figure on horseback, accompanies a running figure. There are also two playing dogs and a woman with a child depicted. The woman is a basket and a jug on the ground. Left is a farmhouse with a haystack hidden in the forest. Just left from the center under the drawing signed J.H. De Friderici.

The mother and three children at rest (Hollstein 122) Anthonie Waterloo (1609-1690). The mother and three children at rest (Hollstein 122). Floor, mid-17th century.

A Tivoli. Dated: 1794. Dimensions: plate: 37.9 x 28.1 cm (14 15/16 x 11 1/16 in.) sheet: 49.2 x 39.2 cm (19 3/8 x 15 7/16 in.). Medium: etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: Johann Christian Reinhart.

Wooded Landscape with Two Country Carts and Figures. Artist: Thomas Gainsborough (British, Sudbury 1727-1788 London). Dimensions: plate: 11 9/16 x 15 9/16 in. (29.4 x 39.5 cm). Publisher: Republished by John & Josiah Boydell (British, 1786-1804). Date: August 1, 1797. Museum: Metropolitan Museum of Art, New York, USA.

The Cave. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: HERMAN VAN SWANEVELT.

Netherlands, Everdingen, Allaert van, The big rock, Large rock formation by the river, View of a large rock formation by the water, at night. In the foreground a small sloop and some wooden barrels., print, prints, height 105 mm, width 135 mm, Noord-Nederlands, 1621-06-18 - 1675-11-08, print maker, printmaker, 1631 - 1675, paper, papier, etching, etsen

The Trimmed Groves. Artist: Etched by Anthonie Waterloo (Dutch, Lille 1609-1690 Utrecht). Dimensions: sheet: 8 13/16 x 11 3/16 in. (22.4 x 28.4 cm). Date: 17th century. Museum: Metropolitan Museum of Art, New York, USA.

. .

Print, John the Baptist Preaching the Desert; France; etching on paper; 19.1 × 26.1 cm (7 1/2 × 10 1/4 in.); 1896-31-34

Landscape with Herder, Michiel Elgersma, after Jan van Huysum, 1700 - 1759 print Landscape with antique buildings in the background. In the foreground, near a forest, there are a man and a woman on either side of part of a column, next to them is a dog and behind them a shepherd rests in the grass. print maker: Netherlandsafter painting by: Amsterdam paper etching Pastoral, Arcadian Scenes

Louis XIV (king of France), Paris, Bonnart, Henri (I), Swanevelt, Herman van, Vlucht naar Egypte, Rest on the Flight into Egypt, verso lower left - stamped, A mountainous landscape with trees is depicted. On the left in the background there are buildings and on the right in the foreground Mary sits with Christ on her lap. Behind her are two angels. In front of her lies Joseph, who looks back, at a body of water. Next to him the donkey drinks., print, prints, height 210 mm, width 272 mm, Noord-Nederlands, 1604 - 1655, print maker, printmaker, 1643 - 1655, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, Frans, 1855-02-13 - 1682, publisher, uitgever, 1638-09-05 - 1715-09-01, verlener van privilege

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), pleasant diversity of figures, the two bedded goats, turned to the left. Ninth number of a series of 13 pieces (A. de Vesme 125. Dutuit 84) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Landscape with jammed car, Schelte Adamsz. Bolswert, after Peter Paul Rubens, 1596 - 1659 print paper engraving low hill country. accident with animal-drawn vehicle. moonlight

A landscape with a monk A landscape, with a monk driving an ass on a road by a lake. 1835. Bonaparte, Charlotte, princess, 1802-1839. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Landscape with Stuck Wagon, print maker: Schelte Adamsz. Bolswert, (mentioned on object), after: Peter Paul Rubens, (mentioned on object), publisher: Martinus van den Enden (I), (mentioned on object), Antwerp, 1596 - 1659, paper, engraving, h 336 mm × w 452 mm

Joseph Mallord William Turner and Robert Dunkarton, The Temple of Minerva Medica, published 1811 The Temple of Minerva Medica

July in Picardie. Louis Auguste Lepère; French, 1849-1918. Date: 1909. Dimensions: 243 × 290 mm (image); 254 × 310 mm (plate); 329 × 378 mm (sheet). Etching on cream laid Japan tissue. Origin: France. Museum: The Chicago Art Institute, Chicago, USA.

Print made by unknown artist, Collection of Prints by Notable Dilettanti, ca. 1780. Etching.

Landscape with an Ossewagen, face between Ancona and Senigallia, Jan Both, 1644 - 1652 print paper etching rocks. ox Ancona. Senigallia

Alphonse Legros, Footbridge (La passerelle) Footbridge (La passerelle)

Savery, Jacob (I), Londerseel, Jan van, Landscape with Apollo and Daphne, verso - stamped, In a wooded landscape, Apollo, after being struck by an arrow from Cupid, pursues the nymph Daphne. The latter calls her father for help and is immediately turned into a laurel tree., print, prent, prints, prenten, height 284 mm, width 413 mm, 1575 - 1625-01-07, print maker, prentmaker, 1580 - 1625, paper, papier, engraving, engraving (printing process), Work conception, Northern Netherlands, 1566 - 1603-04-23

Pejzaż górski z postaciami w strojach antycznych. Reinhart, Johann Christian (1761-1847), graphic artist

Souvenir of Tuscany 1840-1850 France. Etching on ivory laid paper . Jean Baptiste Camille Corot

Swanevelt, Herman van, Satyr playing a panpipe, verso lower left - stamped, A satyr playing a panpipe amidst another satyr, two nymphs and a young child or satyr., print, prent, prints, prenten, height 64 mm, width 83 mm, Noord-Nederlands, 1604 - 1655, print maker, printmaker, 1623 - 1655, paper, papier, etching, etchings

Amsterdam, Ottens, Josua & Reinier (II), Danckerts, Cornelis (II), Waterloo, Anthonie, Beboste landschape, Two figures on a forest path, verso lower left - stamped, On the right two figures walk on a forest path. On the left a stream flows. The letter d is shown at the top right., print, prints, height 122 mm, width 142 mm, Noord-Nederlands, 1609-05-06 - 1690-10-23, print maker, printmaker, 1630 - 1663, paper, papier, etching, etsen, Publication (Event), Publicatie, publisher, uitgever, 1664-03-02 - 1717-07-22

Saters and Dryaden on the banks of a river, Pietro Antonio Martini, after Nicolaes Pietersz Berchem, c. 1772 print Paris paper etching / engraving satyr(s) (in general). (Hama)dryads, forest- and tree-nymphs; 'Driadi & Hamadriadi' (Ripa). giving water, feeding (cattle)

Mausoleum in Arcadian Landscape, Abraham Genoels, 1650 - 1723 print An arcadian landscape. A few figures walk around in a garden with classic architecture and a mausoleum. Rome paper etching mausoleum. garden. garden ornaments

With ease; Reinhart, Johann Christian (1761-1847); 1782 (1782-00-00-1782-00-00);Schlesisches Museum der Bildenen Künste (Wrocław - 1880-1945) - collection, landscapes, work (genre scenes), launders, water, water locks

Salmacis and Hermaphrodite(?). Artist, circle of: Giovanni Francesco Grimaldi, Italian, 1606-1680

Waterloo, Antonie, work, Peasant on a wide road, (1000 - 2000), etching, graphic, 13.2 cm x 14.5 cm

Plate 12: a seated draughtsman to left, a standing shepherd next to him to right, ruins and animals to the right, a tower in ruins to left in the background, from 'Various landscapes' (Divers paysages) ca. 1641 Stefano della Bella Italian. Plate 12: a seated draughtsman to left, a standing shepherd next to him to right, ruins and animals to the right, a tower in ruins to left in the background, from 'Various landscapes' (Divers paysages) 377363

Landscape with Apollo and Daphne, Jan van Londerseel, after Jacob Savery (I), 1580 - 1625 print In a wooded landscape, Apollo chases the Nymph Daphne after being hit by an arrow of Amor. The latter calls her father for help and immediately turns into a laurel tree. paper engraving Daphne changed into a laurel-tree: while fleeing from Apollo, Daphne is changed into a laurel-tree by her father Peneus (Ovid, Metamorphoses I 548). forest, wood

Jacob Wilhelm Mechau, Sotto a Ponte Lupo a Tivoli, 1790 Sotto a Ponte Lupo a Tivoli

Landscape with maps playing men, Jean Pesne, After Annibale Carracci, 1666 - 1695 print paper etching landscapes. card games. ass, donkey

unknown, Sadeler, Johann (I), Bol, Hans, Landscapes with scenes from the Old and New Testament, Landscape with Judah and Tamar, verso under - stamped, Wooded landscape. On the right on a road Judah gives a ring to Tamar. By dressing up as a whore, Tamar seduces her father-in-law Judah. Tamar becomes pregnant and can prove by means of the ring that Judah gave her as payment that he is the father of her child. The print is part of an eight-part series of landscapes with scenes from the Old and New Testament., print, prints, height 205 mm, width 267 mm, Southern Netherlands, 1550 - 1600-08, print maker, printmaker, 1580 - 1600, paper, engraving, engraving (printing process), Work conception, 1534 - 1593-11-20, after a design by, Publication (Event), Publication, publisher

Stags. Charles François Daubigny; French, 1817-1878. Date: 1862. Dimensions: 154 × 186 mm (image); 172 × 204 mm (sheet). Cliché-verre on ivory photographic paper. Origin: France. Museum: The Chicago Art Institute, Chicago, USA. Author: Charles Francois Daubigny.

The man at the hood (Dutuit 366) Herman van Swanevelt (1600-1655). The man at the hood (Dutuit 366). Floor, 17th century.

The Little Park ca. 1763 Jean Honoré Fragonard French The Little Park is one of Fragonards most famous and enigmatic subjects. He treated it six times—in two red chalk drawings, a counterproof re-worked in brown wash, an oil painting, a gouache, and the present work--an etching. Although it does not seem to depict an actual site, the composition and motifs relate closely to drawings he had made in the gardens of the Villa dEste at Tivoli, outside Rome.Done on an intimate scale and in a delicate technique of silvery black lines, the print alternates planes of sunlight and shadow to create the effect of spatial recession in the formal, and somewhat overgrown, garden.. The Little Park 396031

Brussels, Orley, Richard van (II), Il pastor fido, Corisca on the run, verso - stamped, Corisca can free herself from the hands of the satyr. The satyr lies on the ground, Corisca braids in his hand. Print from a series of 12 prints illustrating the play Il pastor fido, scene 6 of the 2nd act., print, prints, height 257 mm, width 194 mm, South Netherlands, 1663-07-16 - 1732-06-20, print maker, printmaker, 1695 - 1705, paper, papier, etching, etchings, engraving, engraving (printing process), Work conception, after own design by

Landscape with the Stag on aBridge. Engraver: Andries Jacobsz. Stock, Dutch, ca. 1580-after 1648 After: Jacques de Gheyn II, Dutch, 1565-1629

Oven before a farm, Carel Lodewijk Hansen, c. 1780 - 1840

Dilapidated stone archway in a landscape, Jacob Lutma, Jan Both, 1634 - 1654

Apollo and Daphne. Anthoni Waterlo; Dutch, 1609-1690. Date: 1629-1690. Dimensions: 290 x 243 mm (image); 291 x 245 mm (plate); 304 x 254 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, Chicago, USA. Author: Anthonie Waterloo.

Louis XIV (King of France), Paris, Meulen, Adam Frans van der, Boudewyns, Adriaen Frans, Landscapes with hunters, Landscape with resting hunters, verso - stamped, print, prints, height 320 mm, width 458 mm, 1644 - 1711, print maker, printmaker, 1666 - 1681, paper, papier, etching, etchings, Work conception, South Netherlandish, French, 1632-01-11 - 1690-10-15, after a design by, Publication (Event), Publication, publisher, uitgever van "privilege

Landscape with corn harvest, Johannes Janson, 1783 print Landscape with farmer's wife that binds grain and a farmer who harvests grain. On the right in the foreground two men, sitting and lying under a tree. Before the air and before the man on the left in the background. Ninth print from a series of thirteen with months. Leiden paper etching landscape symbolizing August. harvest

Arrival of the Batavians in the Netherlands, ca. 55-10 BC, 1725 - 1784 print Arrival of the Batavians in the Netherlands. Netherlands paper etching extinct, 'historical' peoples (with NAME) Netherlands

Landschap Met Brug, Antonio Cioci (Possibly), After Anton Domenico Gabbiani, c. 1740 - c. 1750 print Landscape with a bridge over a river. A man goes on horseback. In the foreground is a resting shepherd with his dog. There is a fisherman next to the bridge. Italy paper etching city-view, and landscape with man-made constructions. landscape with bridge, viaduct or aqueduct. fisherman. riding a horse, ass, or mule; rider, horseman. herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Landscape with a herdsmen. Artist: Salvator Rosa (Italian, Arenella (Naples) 1615-1673 Rome). Dimensions: Sheet: 3 7/16 × 3 7/16 in. (8.8 × 8.7 cm). Date: ca. 1640-1645. Museum: Metropolitan Museum of Art, New York, USA.

Hamlet near the Lake (Le hameau pres du lac). Medium: etching and drypoint. Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Landscape with encounter of Jacob and Esau. Landscape with the encounter of Jacob and Esau. In the margin under Latin verse in eight rules of I. Semmius.

Widok na kamienny most i domy nad rzeką. Morgenstern, Carl Ernst (1847-1928), graphic artist

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various landscapes, the shepherdess who spins by looking at his herd. Eleventh number of a suite of 12 pieces. (A. de Vesme 767. Dutuit 88) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Landscape with bird catchers; Landscapes and ruins; Amoenissimae Aliquot Regiunculae.landscape with Bird Catchers at Their Nets. Seventeenth Print from a Series or Eighteen.

Genoels, Abraham, Rome, Mausoleum in an Arcadian landscape, verso bottom center - stamped, An Arcadian landscape. Some figures are walking around in a garden with classical architecture and a mausoleum., print, prints, height 193 mm, width 142 mm, 1640 - 1723-05-10, print maker, printmaker, 1650 - 1723, paper, papier, etching, etsen, Work conception

The dog drinking in the creek (Hollstein 120) Anthonie Waterloo (1609-1690). The dog drinking in the creek (Hollstein 120). Floor, mid-17th century.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), four large landscapes in height. The pretty girl seated on a donkey and wearing a hat decorated with a pen. Second number of a suite of 4 rooms. (A. de Vesme 782; Dutuit 186) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Resting shepherd, Carel Lodewijk Hansen, c. 1780 - 1840 print Netherlands paper etching landscapes (+ landscape with figures, staffage). herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc. Eext

Anthonie Waterloo (1609-1690). The mother and her three children (Hollstein 122). Etching, middle of the 17th century. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

Stevens, Pieter (II), Pieter (I), Sadeler, Raphaël (II), Landscape with a bird catcher, verso center bottom - stamped, A forest landscape. In the foreground a bird catcher releases a bird. Next to him on the ground a cage., print, prints, verso bottom center - stamped, 7, recto top right - written, height 209 mm, width 273 mm, South Netherlandish, 1584-12-20 - 1632, print maker, printmaker, 1594 - 1632, paper, engraving, engraving (printing process), Work conception, 1540 - 1620, after a design by, 1567 - 1624

The Outskirts of Florence, on the Way to Rome. Dated: c. 1764. Dimensions: sheet (trimmed to plate mark): 14.5 x 11.4 cm (5 11/16 x 4 1/2 in.). Medium: etching on laid paper proof state. Museum: National Gallery of Art, Washington DC. Author: Franz Edmund Weirotter.

The wood entrance surrounded by a hedge (Hollstein 55) Anthonie Waterloo (1609-1690). The entrance of the wood surrounded by a hedge (Hollstein 55). Floor, mid-17th century.

Park of an Italian Villa. Dated: 1774/1775. Dimensions: overall: 24.6 x 37 cm (9 11/16 x 14 9/16 in.). Medium: black chalk with brown wash heightened with white gouache on laid paper, with the remains of a framing line in brown ink. Museum: National Gallery of Art, Washington DC. Author: François-André Vincent.

La LAISIERIE (HOLTETTEN 70) Anthonie Waterloo (1609-1690). Dairy (Hollstein 70). Floor, mid-17th century.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), hunting for different animals. The deer and the right doe on the right. Third issue of a 9 -room suite. (A. de Vesme 734; Dutuit 180) (main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Hermitage, Anthonie Waterloo, 1678 - 1725

Bonte Koe, lying by a wooden pole, Jacobus Cornelis Gaal, after Pieter Gaal, 1853 print Netherlands paper etching cow

The two riders (Bartsch 79) Herman van Swanevelt (1600-1655). The two riders (Bartsch 79). Floor, 17th century.

Fishing ca. 1770 Angélique Moitte French. Fishing. Angélique Moitte (French, active ca. 1770). ca. 1770. Intaglio. Prints

Two men by a Wall, Hermanus Fock, 1781 - 1822 print A man points with a long stick to a wall in a forest and looks at a second man who sits against a tree. Amsterdam paper etching forest, wood (+ landscape with figures, staffage)

Hackaert, Jan, Netherlands, Forest, Anthonie van den, Mountainous landscape, verso - stamped, Two hikers walk on a path through a valley. On the left a waterfall., print, prints, height 155 mm, width 135 mm, 1763 - 1838-01-01, print maker, printmaker, 1778 - 1838, paper, papier, etching, etchings, aquatint, print drawing, 1628 - 1705, intermediary draughtsman

Priest walks past the wounded traveler, Anonymous, After Paul Bril, After Johann Sadeler (I), After Crispijn van de Passe (I), 1568 - 1676 print In a wooded river landscape, the wounded, robbed traveler is under a tree. A priest with an open book in his hand looks at him, but walks past the wounded and offers no help. On the right two figures in a rowing boat. There is a chapel in the background. To the Bible story from Luc. 10: 25-37. Low Countries paper etching a priest and/or a Levite passing by without attending to the wounded man ~ parable of the Good Samaritan

Souvenir of Ostia Made 1855 France. ClichÈ-verre in brown on photosensitive paper . Jean Baptiste Camille Corot

Landscape with walkers, a shepherd and many other figures, draughtsman: anonymous, draughtsman: David Vinckboons (I), (rejected attribution), 1600 - 1699, paper, pen, brush, h 192 mm × w 468 mm

of 3