17th Century Landscape Art

Etchings and drawings of serene landscapes featuring trees, figures, and natural scenes. Dark, subdued tones evoke a tranquil atmosphere.

Grimaldi, Giovanni Francesco, France, Caylus, Anne Claude Philippe, Cabinet du Roy, Wooded landscape with a stream and a rock on which trees, verso - stamped, print, prints, height 284 mm, width 426 mm, 1692 - 1765-09-05, print maker, printmaker, 1702 - 1765, paper, papier, etching, etchings, Italian, 1606 - 1680-11-28, intermediary draughtsman

Plate 2: a hunter aiming with his gun, kneeling next to a large rock at right, a male figure with three chamois on a rock at left, from 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's) ca. 1700-25 Franz Joachim Beich. Plate 2: a hunter aiming with his gun, kneeling next to a large rock at right, a male figure with three chamois on a rock at left, from 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's). 'Landscapes in the manner of Salvator Rosa' (Die Landschaften in Sal. Rosa's). Franz Joachim Beich (German, Ravensburg 1665-1745 Munich). ca. 1700-25. Etching; second state of three. Prints

Landscape. Artist: Jean-Baptiste-Claude Chatelain (British, London () ca. 1710-1758 London). Dimensions: Sheet (Trimmed): 7 7/8 × 7 7/8 in. (20 × 20 cm). Date: ca. 1730-58. Museum: Metropolitan Museum of Art, New York, USA.

Man Up Use, Hermanus Fock, 1781 - 1822 print A man stands on a narrow wooden bridge over a ditch. On the bank a jetty with a bucket and in the background the roof of a farm. Amsterdam paper. pencil etching landscape with bridge, viaduct or aqueduct

Landscape with aFarm. Etcher: Simon Wynhoutsz Frisius, Dutch, ca. 1580-1629 After: Abraham Bloemaert, Dutch, 1566-1651

Plate 3: two horsemen crossing a river to right, a woman with two baskets atop a donkey to left, trees to the left and right, a bridge in the background, from 'Various landscapes' (Divers paysages). Artist: Stefano della Bella (Italian, Florence 1610-1664 Florence). Dimensions: Sheet: 4 1/2 x 10 1/16 in. (11.5 x 25.6 cm). Publisher: Israël Henriet (French, Nancy ca. 1590-1661 Paris). Series/Portfolio: 'Various landscapes' (Divers paysages). Date: ca. 1641. Museum: Metropolitan Museum of Art, New York, USA.

The Flight into Egypt, by Thomas (Flemish), afterMillet. After: Francois Millet, French, 1644-1680

Face on zoeterwoude and lamberschans, 1574; Of this fifth vacch / of the tower of Voorschoten; Designs for wall decorations with events from the 80-year war. Landscape with a face between trees on Zoeterwoude and the lambschans during the siege of Leiden, 1574. Two carrier pigeons fly in the air. Design for a wall decoration.

unknown artist, eighteenth century-nineteenth century, Man Crossing Hump-Backed Bridge Over a River with Cattle Watering, undated. Graphite and gray wash on medium, slightly textured, cream laid paper.

Félix Bracquemond, A Rainbow Landscape with Two Women Viewing it from Above, 1856 A Rainbow Landscape with Two Women Viewing it from Above

Two Figures Fishing in a Landscape. Dimensions: sheet: 19.2 x 25.2 cm (7 9/16 x 9 15/16 in.) mount: 24.4 x 31.8 cm (9 5/8 x 12 1/2 in.). Medium: pen and brown ink with brown wash over black chalk on laid paper. Museum: National Gallery of Art, Washington DC. Author: Francesco Allegrini.

Around Muckendorf 1818 Johann Christoph Erhard German. Around Muckendorf 368198

Horseman and Attendants at the Edge of a Wood. Dimensions: Overall: 14.6 x 20.1 cm (5 3/4 x 7 15/16 in.) support: 18.1 x 23.6 cm (7 1/8 x 9 5/16 in.). Medium: black chalk and gray wash on laid paper. Museum: National Gallery of Art, Washington DC. Author: Roelant Roghman.

Der Wolff in dem Schlag-Eisen.. Ridinger, Johann Elias (1698-1767). Prints, Illustrations, Scientific illustrations. 1740. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection. Animals, Hunting, Game & game birds

Landmann, Bl. 7, Op. XI. Klinger, Max (1857-1920), graphic artist

Death of Adonis; Adonis story. In a hilly landscape with tree ladies and a water feature, the dying Adonis lies with raised left leg next to his spear. To the right of him are two dogs to see and it is boar that has attacked him. At the bottom, the episode is explained in the story in a four-line, French text.

The Ford Made 1862 France. ClichÈ-verre on cream photographic paper . Charles François Daubigny

Plate 28 from Blatt Baum und Landschafts Studien. Lorenz Ekemann Alesson; Swedish, 1791-1828. Date: 1805-1815. Dimensions: 319 x 230 mm (image); 470 x 325 mm (sheet). Lithograph on paper. Origin: Sweden. Museum: The Chicago Art Institute, Chicago, USA.

Ash and Alder on the Greta, from The Park and the Forest. James Duffield Harding (English, 1798-1863); printed by Charles Joseph Hullmandel (English, 1789-1850); published by Thomas McLean (English, 1788-1875). Date: 1841. Dimensions: 285 × 408 mm (image); 369 × 541 mm (sheet). Lithograph in black, with gray tint from a second plate, on ivory wove paper, laid down on ivory wove paper (chine collé). Origin: England. Museum: The Chicago Art Institute, Chicago, USA.

Landscape with Herder and Herderin, Abraham Delfos, after Dirk Kuipers, 1764 - 1765 print paper etching herding, herdsman, herdswoman, shepherd, shepherdess, cowherd, etc.

Outside of Kronberg near Frankfurt am Main. Draughtsman: Ernst Willem Jan Bagelaar. Dating: 1800. Measurements: h 85 mm × w 110 mm. Museum: Rijksmuseum, Amsterdam.

London, Pillement, Jean Baptiste, Canot, Pierre Charles, Recueil de Plusieurs Jeux d'Enfants Chinois, Children with blowpipes and hopping children, verso - stamped, Above: A Chinese child, accompanied by two other children, takes aim with a blowpipe at a round shooting board. Below: Two Chinese children hopping on a narrow platform, a third child looks at them. Both representations are surrounded by trees., print, engraving, ornamental print, prints, engravings, ornamental prints, height 423 mm, width 272 mm, French, 1710 - 1777, print maker, printmaker, 1759-12-26 - 1759-12-26, paper, papier, etching, etchings, Work conception, 1728-05-24 - 1808-04-26, after a design by, Publication (Event), Publication, publisher

Rehberg, Friedrich, Rome, Figure prese dal vero, Scenes from everyday life in Italy, Landscape with a resting man and a rock with a title, verso - stamped, print, title print, prints, height 204 mm, width 266 mm, German, 1785-10-22 - 1835-08-20, print maker, printmaker, 1793 - 1793, paper, papier, etching, etchings, intermediary draughtsman

Family Resting. Anthoni Waterlo; Dutch, 1609-1690. Date: 1630-1690. Dimensions: 136 x 166 mm (image); 139 x 169 mm (sheet). Etching on paper. Origin: Holland. Museum: The Chicago Art Institute, USA. Author: Anthonie Waterloo.

Landscape with ruin. Landscape with ruin and four figures. In the foreground is a tree.

Landscape with three men near a clearing in the woods, print maker: Adriaen Frans Boudewyns, (mentioned on object), Adriaen Frans Boudewyns, (mentioned on object), publisher: Martinus van den Enden (II), (mentioned on object), Antwerp, c. 1660 - c. 1674, paper, etching, h 230 mm × w 290 mm

John Scott, 1774-1828, British, Aske Hall, 1818-1823. Line engraving, engraver's proof on thick, moderately textured, cream, wove paper.

A man stands on a narrow wooden bridge over a ditch. On the bank a scaffold with a bucket and in the background the roof of a farm., Man on Bridge, print maker: Hermanus Fock, Amsterdam, 1781 - 1822, paper, etching, h 146 mm × w 185 mm

Wash Women at the bank of a river; Laboring Italians. .

'Landscape with the Statue of Agrippina'. From the Album No 1 "Souveni d'Italie". 1785. Dimensions: 27,4x37,6 cm. Museum: State Hermitage, St. Petersburg. Author: Jean François Thomas de Thomon.

Liber Veritatis: No. 50, A River Scene with Tobias and the Angel, 1774. Richard Earlom (British, 1743-1822), after Claude Lorrain (French, 1604-1682). Etching and mezzotint;

Souvenir d'un Vallée en Bourgogne. Alphonse Legros (French, 1837-1911). Etching;

Pejzaż z kuszeniem Chrystusa. Reinhart, Johann Christian (1761-1847), graphic artist

The Woman on the Hinny. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jan Both.

Jacob struggles with the angel; Salutary obstinatio; Emblemata sacra è praecipuis Utrimique Testamenti Historiis Concinnamata (Old Testament); Imagines and Figurae bibliorum. Boomy landscape. In the middle, Jacob struggles with the angel by the Jabbok River. In the background, caravan (Gen. 32:23). With a motto in Latin above the performance and a four-line caption in Latin under the print. The print is part of an album.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), various landscapes, the fisherman who carries his tramail. Sixth number of a suite of 12 pieces (A. de Vesme 762. Dutuit 88) (Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Putti by the sea, Jacob van der Schley, 1725 - 1779 print Four putti on a rocky beach by the sea. Shells and seaweed lie on the beach. paper etching / engraving Cupids: 'Amores', 'Amoretti', 'Putti'. beach

Near the Mill (Pres du moulin). Medium: etching and drypoint (photo process). Museum: National Gallery of Art, Washington DC. Author: Alphonse Legros.

Evening, Print made by John Browne, 1741-1801, British, after John Browne, 1741-1801, British, Published by John Boydell, 1720-1804, British, Published by Josiah Boydell, 1752-1817, British, ca. 1797, Etching and line engraving on moderately thick, moderately textured, cream wove paper, Sheet: 13 5/16 x 17 3/16 inches (33.8 x 43.7 cm), Plate: 11 9/16 x 15 1/2 inches (29.4 x 39.3 cm), and Image: 9 1/2 x 14 5/16 inches (24.1 x 36.4 cm), architectural subject, casement windows, church, cottage, distaff, dog (animal), door, dresses, evening, genre subject, hats, hills, hut, landscape, log, man, river, ruins, sheep, shepherd, spinning (textile process), staff (walking stick), sun, sunlight, sunset, thatched roof, thatching, trees, women

Hercules Doodt of Hydra Van Lerna, François-Louis Français, After Claude-Félix-Théodore Caruelle d'Aligny, 1842 print Paris paper (2) the Hydra of Lerna is killed by Hercules

Drawing by Christian Wilhelm Ernst Dietrich titled 'Ciper', using stone chalk and light brown brush, created and lavished in 1757.

Nine Barrow Down, 1877. Francis Seymour Haden (British, 1818-1910). Drypoint;

Title print with two figures at a rock in the water, Jean Jacques de Boissieu, 1763 print print maker: Franceafter own design by: Francepublisher: Paris paper etching rocks. landscapes (+ landscape with figures, staffage)

Two men at Stenen Cartouche, Hermanus Fock, 1801 print A man with a dog points to a large stone cartouche between two trees. He looks at a second man who takes his hat. Amsterdam paper etching baring the head, lifting one's hat. landscapes (+ landscape with figures, staffage)

Heuvellandschap met wandelaars ; Twenty certainly was a night to our desire to see the store and expect to be moaning aloud bulls . .

Rocky Landscape with Distressed Hut, Carl Friedrich Holtzmann (Possibly), 1750 - 1811 print Dresden paper etching / counterproof landscape with ruins. hut, cabin, lodge. rock-formations

Wooded Point. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 5 9/16 × 6 3/4 in. (14.2 × 17.2 cm)Plate: 4 × 5 1/8 in. (10.1 × 13 cm). Date: 1923. Museum: Metropolitan Museum of Art, New York, USA.

Landscape with well and sun, print maker: Schelte Adamsz. Bolswert, (mentioned on object), after: Peter Paul Rubens, (mentioned on object), publisher: Schelte Adamsz. Bolswert, 1638, paper, engraving, h 293 mm × w 422 mm

The Laundresses , 1838. Eugene Bléry (French, 1805-1886). Etching on chine collé;

Grape Harvest at the Gulf of Naples 1770-1825 Christoph Heinrich Kniep German. Grape Harvest at the Gulf of Naples. Christoph Heinrich Kniep (German, Hildesheim 1755-1825 Naples). 1770-1825. Brush and brown ink, over a graphite sketch. Framing line in pen and black ink. Drawings

Bilam and De Ezel, Willem van Nieulandt (II), After Paul Bril, 1594 - 1635 print Bileam urges his donkey to drive, but it is stopped by an angel with a sword. To the Bible story in Num. 22: 21-23. Print from a series of Italian landscapes. paper etching / brush an angel holding a sword bars the way and causes Balaam's ass to turn aside; the angel is invisible to Balaam. landscapes in the temperate zone

Classical Landscape 1720-65 George Lambert British. Classical Landscape. George Lambert (British, 1699/1700-1765 London). 1720-65. Pen and black ink, brush and gray wash, over graphite. Drawings

Alphonse Legros, Footbridge (La passerelle) Footbridge (La passerelle)

Vue de Grèce (View ofGreece). Artist: Maxime Lalanne, French, 1827-1886 After: François-Édouard Bertin, French, 1797-1871

Fifth vision of Ezra, Nicolaes de Bruyn, 1630 - 1684 print The fifth vision of Ezra. In a bunch, a lion roars to heaven, where a burning eagle with three heads devours itself. On the left in the foreground, an angel explains the vision to the prophet Ezra (2 Ezra). print maker: Antwerppublisher: Amsterdam paper engraving Ezra's vision of the eagle and the lion (2 Esdras 11-12) (+ angel(s))

Hylas abducted by the nymphs, Salomon Gesner, 1771 print paper etching forest, wood. Hylas abducted by the nymphs whilst fetching water

Le colporteur , Collectors, Walking, Alphonse Legros (1837-1911)

Landscape with Peasants Fording a Stream. Artist: Jean-Baptiste Le Prince (French, Metz 1734-1781 Saint-Denis-du-Port). Dimensions: 12 5/16 x 16 1/8 in. (31.3 x 41 cm.). Date: 1756. Museum: Metropolitan Museum of Art, New York, USA.

Della Bella, Stefano (dit Étienne de la Belle) (n.1610-05-18-D.1664-08-22), pleasant diversity of figures, the two nurses sitting on the ground with their infants. Sixth number of a series of 13 pieces (A. de Vesme 122. Dutuit 84) (Main title). Etching. Petit Palais, Museum of Fine Arts of the City of Paris.

Print made by John Browne, 1741-1801, British, Evening, ca. 1797. Etching and line engraving on moderately thick, moderately textured, cream wove paper.

Picturesque Landscape. Artist: Anonymous, British, 18th century. Dimensions: sheet: 18 3/16 x 14 5/16 in. (46.2 x 36.3 cm)image: 11 7/16 x 8 7/16 in. (29.1 x 21.4 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

TheOmval. Artist: Rembrandt (Rembrandt van Rijn), Dutch, 1606-1669

Landscape with two figures in a boat, Round representation of a landscape with a river. On the river a boat with two figures in it., print, prent, prints, height 169 mm, width 131 mm, print maker, prentmaker, 1700 - 1800, paper, papier, etching, etchings, engraving, engraving (printing process)

Third view of Zugro (Bartsch 64) Herman van Swanevelt (1600-1655). Third view of Zugro (Bartsch 64). Etching. 1653. Museum of Fine Arts in the city of Paris, small palace.

Arcadian landscape with antique ruin and two men, Jacob van Liender, 1706 - 1759 drawing paper. ink. watercolor (paint) brush / pen

A Man Resting Under a Tree. Artist: Egbert van Drielst (Dutch, Groningen 1746-1818 Amsterdam). Dimensions: sheet: 13 7/8 x 10 7/16 in. (35.2 x 26.5 cm). Date: n.d.. Museum: Metropolitan Museum of Art, New York, USA.

Artist in a Rocky Landscape Made 1816 France. Lithograph in black on ivory wove paper . Pierre Antoine Mongin

The Quarry. Drawing. Brown ink and brown wash over graphite on medium, smooth, cream wove paper. Height: 324 mm (12.75 in); Width: 406 mm (15.98 in). Author: James Ward.

Dromore Vale. Artist: Ernest Haskell (American, Woodstock, Connecticut 1876-1925 West Point, Maine). Dimensions: Sheet: 8 1/2 × 10 9/16 in. (21.6 × 26.8 cm)Plate: 6 7/8 × 8 11/16 in. (17.5 × 22.1 cm). Date: 1900-1925. Museum: Metropolitan Museum of Art, New York, USA.

Berchem, Nicolaes Pietersz., Amsterdam, Gronsveld, Johannes, Landscapes with shepherds and cattle, Mountain landscape with shepherds and cattle, verso lower left - stamped, Mountain landscape with shepherds and cattle. In the foreground cows in a stream and a shepherd riding a donkey. Third print from a series of four with landscapes with shepherds and cattle., print, prent, prints, prenten, height 147 mm, width 195 mm, 1645 - 1728-03-17, print maker, printmaker, 1679 - 1728, paper, papier, etching, engraving, engraving (printing process), Noord-Nederlands, 1620 - 1683-02-18, intermediary draughtsman

Le Buisson Kercassier ca. 1875-80 Charles Jacque. Le Buisson Kercassier. Charles Jacque (French, Paris 1813-1894 Paris). ca. 1875-80. Etching. Prints

Pejzaż z potokiem wśród skał i wędrowcem. Reinhart, Johann Christian (1761-1847), graphic artist

. Some women do the laundry in a river. In the background a triumphal arch.

Artist: Albrecht Altdorfer, German, ca. 1480-1538, The Child Jesus with St. Christopher, from the series The Fall and Redemption ofMan, ca.1513, Woodcut, block: 12.3 × 9.5 cm (4 13/16 × 3 3/4in.), Made in Germany, German, 16thcentury, Works on Paper -Prints

A Landscape with Two Horses Grazing and Ruins on the Right, William Hodges, 1744-1797, British, between 1781 and 1783, Gray wash and graphite on laid paper, laid down on 19th Century wash mount, Sheet: 19 5/8 x 26 1/4in. (49.8 x 66.7cm)

View of Ponte Lupo near Tivoli Ponte Lupo a Tivoli Malerisch radirte Prospekte aus Italien , print maker: Albert Christoph Dies, (mentioned on object), Rome, (possibly), 1792, paper, etching, h 371 mm × w 278 mm

. Two landscapes. Above a landscape with a building and a man leaning on a stick. Under a landscape with a man at a monumental garden vase and on the right a building. Leged at the top right: PL. XLIV.

Landscape with two men and a dog, Anna Maria de Koker, 1640 - 1698 print View of a landscape where two men and a dog walk on a road, in a circular frame. To the right next to the Landweg a hill with trees and in the background the tower of a village church, above which birds fly. paper etching dog. church (exterior). walking, hiking (recreation). landscapes

Breuhaus de Groot, J., Woman on forest path, verso - stamped, print, prints, height 85 mm, width 55 mm, print maker, printmaker, 1900 - 1999, 20th century, paper, etching, etchings

Arthur-Joseph Guéniot (1866-1951). Old tree on the edge of a terrace. Graphite pencil. Museum of Fine Arts of the City of Paris, Petit Palais. Drawing, 19th XIXth 19th 19th 19th 19th century, 20th XXth XX 20th 20th 20th century

The Flight into Egypt. Adolphe Marie Timothée Beaufrère; French, 1876-1960. Date: 1914. Dimensions: 173 × 185 mm (image/plate); 220 × 229 mm (sheet). Etching on cream laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

A Subiaco (pejzaż z myśliwym i psem na pierwszym planie). Reinhart, Johann Christian (1761-1847), graphic artist

ConnecticutLandscape. Artist: Emil Carlsen, American, 1853-1932

Winter landscape with a skater on the ice pushing a sled, with a pollard willow in the foreground. In the background a windmill, Skater with sled by pollard willow, print maker: Johannes Franciscus Hoppenbrouwers, (mentioned on object), The Hague, 1829 - 1866, paper, etching, h 212 mm × w 157 mm

unknown, France, Langlois, François, Bella, Stefano della, Paysages et ruines de Rome, Landscapes and ruins at Rome, Landscape with waterfall, verso - stamped, A landscape with a waterfall. In the background houses and a shepherd with a herd of cattle., print, prints, height 131 mm, width 130 mm, Italian, 1610-05-18 - 1664-07-27, print maker, printmaker, 1620 - 1664, paper, papier, etching, etchings, Work conception, after own design by, Publication (Event), Publication, French, 1589-05-12 - 1647-01-14, publisher, uitgever van privilege

The battery piece (IFF 2). (Title registered (letter))

Paris, Lesueur, Eustache, Amsterdam, Cootwijck, Jurriaan, Hagar in the desert, verso cardboard and verso print - stamped, Hagar lies on the ground in a mountainous landscape. An angel points her to a source of water. On the right lies Ishmael, the child of Hagar, hidden under a bush., print, prent, prints, prenten, height 146 mm, width 185 mm, Noord-Nederlands, 1714-05-10 - 1798-01-16, print maker, prentmaker, 1759 - 1759, paper, papier, endruktekening, doordruk, Frans, 1617-11-19 - 1655-04-30, intermediary draughtsman

The Country Dance (Large Plate) ca. 1637 Claude Lorrain (Claude Gellée) French. The Country Dance (Large Plate) 384313

The Zanderij of the Lord Hope. Draughtsman: Pieter Pietersz. Barbiers. Dating: c. 1759 - 1842. Measurements: h 216 mm × w 300 mm. Museum: Rijksmuseum, Amsterdam.

Karel Dujardin (1622-78). The goujat and the two donkeys and the two muleters, two prints on the same sheet (Dutuit 19 and 20). Eat, 1659. Museum of Fine Arts of the City of Paris, Petit Palais. XVIIEM XVIIth XVII 17th 17th 17th century, engraving

David Vinckboons, Dutch (1576-c. 1632), Landscape with Elisha Mocked, c. 1610, pen and brown ink with green, blue, brown, and pink wash over black chalk on laid paper

Mountain landscape with castle and figures, draughtsman: Lambert Doomer, 1690, paper, pen, brush, h 270 mm × w 310 mm

Visser and two children in front of their house on the Waterkant, Salomon Gesner, 1764 - 1765 print paper etching hut, cabin, lodge. ladder. fisherman showing catch. child

Anonymous drawing of the biblical scene of young Tobias startled by a fish, executed in brown ink with wash over graphite on tinted paper, mid-17th century.

Landscape with company for a table; Landscapes in ovals. A landscape with a company at a table for an inn, a village in the background. Print from a series of eight with landscapes representations, all in an oval.

Jean Baptiste Camille Corot, Souvenir of Italy (Souvenir d'Italie), 1866 Souvenir of Italy (Souvenir d'Italie)

Three boys with dogs, Anthonie Waterloo, 1773 - 1832 print Along a forest path, three boys with dogs are depicted. A second forest path runs on the left and a house can be seen in the distance. At the top right, the letter C is depicted. Paris paper etching forest, wood. rural housing, e.g. country-house, villa, cottage. boy (child between toddler and youth). dog

A Lock on the Stour 1830 David Lucas British In 1827, Constable began work on the project that would occupy his attention until his death seven years later: the publication of a series of prints based on his paintings that would stand as a summary of his achievements. The painter collaborated closely with the engraver David Lucas to create prints that would illustrate Constable's didactic intentionto illustrate the "chiaroscuro of nature." The medium of mezzotint, in which the design is developed from dark to light using a wide range of velvety tones, was eminently suited to the project.. A Lock on the Stour. David Lucas (British, Northamptonshire 1802-1881 London). 1830. Mezzotint on chine collé; proof before published state. Prints

Vue de la Colline Entre le Tonnelles & Lar Prês de Spa, Henry Swinburne, 1743-1803, British, undated, Pen and brown ink, black ink and gray wash on medium, moderately textured, cream, laid paper, mounted on, moderately thick, slightly textured, cream, wove paper, Mount: 16 3/8 × 11 inches (41.6 × 27.9 cm) and Sheet: 4 1/2 × 5 15/16 inches (11.4 × 15.1 cm)

Landscape with nymphs. On the left in the foreground two nymphs and a putto. Behind it a landscape and on the left a ruin.

A 1707 drawing by Isaac de Moucheron depicting Narcissus at a fountain within an Arcadian landscape, executed in pen with brown and gray tones.

of 3