19th Century Genre Scenes

Engravings depicting scenes of daily life and social interactions in elaborate settings. Reflecting the fashion and customs of the era.

After. 1736. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Resentment of Queen Catherine (Paul de Rapin, History of England). Artist: After William Hamilton (British, London 1751-1801 London). Dimensions: Sheet (trimmed within plate): 13 1/2 × 12 3/4 in. (34.3 × 32.4 cm). Engraver: John Ogborne (British, Chelmsford, Essex 1755-1837 London). Publisher: John Thane (British, London 1748-1818). Date: 1790. Museum: Metropolitan Museum of Art, New York, USA.

The dancing lesson. Longhi, Pietro, 1702-1785. Prints. 1760 - 1769. Jerome Robbins Dance Division. Dance teachers, Ballroom dancing , 18th century

Lady affects consciousness while writing a letter. .

Kneeling woman for a man with beard, Gérard René le Villain, After Clément Pierre Marillier, 1785 - 1789 print paper etching kneeling figure. torch

Jeanne Deny or Martial Deny after Niclas Lafrensen II, Le restaurant, 1782 Le restaurant

Jean Michel Moreau depicted Saonmusik using black pen and brush with gray wash.

UIT scene from '' Heptameron François "', Sigmund Freudenberger, 1770 - 1780 drawing Design for a print in '' Hptameron François, Les Nouvelles de Marguerite, Reine de Navarre '' (for Nouvelle III, Vol. I, opposite p. 22) paper. ink pen / brush specific works of literature. communal rooms. open hearth, fire-place

John Eginton, active 1763-1800, Setting out for the Fair, 1792. Stipple engraving.

After. 1736. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Jean Louis Delignon after Nicolas Lavreince, Les offres seduisantes, 1782 Les offres seduisantes

Ridder is helped with dressing, Wilhelmus Cornelis Chimaer van Oudendorp, after Henri Leys (Baron), 1840 - 1843 print De Ridder is in the middle of a room. He is surrounded by an old and one young woman and two boys. They help him attract his armor. print maker: Netherlandsafter design by: Antwerppublisher: The Hague paper armour. dressing oneself, getting dressed

Don Quixote and Sancho at a speaking bust. Don Quixot, Sancho and others are in a leaving around a table at a speaking bust. The walls are decorated with paintings of landscapes and portraits.

Waverley.

Interior with spiritual, lady and young man. Draughtsman: Jacobus Buys. Dating: 1734 - 1801. Measurements: h 137 mm × w 79 mm. Museum: Rijksmuseum, Amsterdam.

Young man kisses the hand of a young woman, David Weiss, 1785 - 1846 print Vienna paper etching kissing the hand (lovers). mask. chandelier, candelabrum

Meeting between Signe and Hialtes, Daniel Nikolaus Chodowiecki, 1781 print Numbered at the top right: IV. paper etching lovers' meeting. armour. forest, wood

Le coucher. Medium: etching and (engraving). Museum: National Gallery of Art, Washington DC. Author: Louis Bosse after Sigmund Freudenberger.

Man in gezelschap gekroond; La Belle aux Cheveux d'or.A man is crowned in a group by a crown-wagon woman with scepter in her hand. In the foreground are broken handcuffs on a chain. Print at the top right labeled: No. 3. PAG. 67.

Lady Gorget raising Recruits for Cox Heath, Print made by unknown artist, eighteenth century, Published by Carington Bowles, 1724-1793, British, 1781, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 14 1/8 × 10 1/2 inches (35.9 × 26.7 cm) and Image: 13 × 9 7/8 inches (33 × 25.1 cm)

After Jean Jacques François Le Barbier I, Joconde Le depart Joconde: Le depart

Death of Sophonisbe, Ludwig Gottlieb Portman, after Jacobus Buys, 1796 print Sophonisbe, the daughter of Hasdrubel, receives the cup with poison from a servant that was sent by Masinissa. Amsterdam paper death of Sophonisbe: she receives from a servant a cup of poison sent to her by Masinissa

Before December 15, 1736 William Hogarth British. Before 399572

Le danger du tête-à-tête 18th century After Pierre Antoine Baudouin. Le danger du tête-à-tête. After Pierre Antoine Baudouin (French, Paris 1723-1769 Paris). 18th century. Etching and engraving. Prints

Graham, Mary Ann .

1785 ,. Paul Gavarni (1804-1866). Lithographs and Other Works

L'Heureux moment. A young woman is sitting in Négligé in a departure on a divan. On the head a dormise (night cap) she is embraced by a gentleman who is on the knees for her. On the left a low room screen and a seat on which the and head lid.

Johan de Witt by his daughter absorbed his captured brother not to visit, 1672. Johan de Witt by his daughter thrills his captured brother Cornelis in the prison gate not to visit, August 20, 1672. With the caption: Reassured is my shield. Legal education labeled: bl. 294.

Woman keeps the door open for a man, Reinier Vinkeles (I), 1800 print In a departure, a woman keeps the door open for a man. She hands the man a rolled up letter. Amsterdam paper etching / engraving open door. letter, envelope

The Fortune Teller, 1900. Samuel Arlent-Edwards (American, 1862-1938). Mezzotint;

Carl Bloch (1834-1890), the young man and DOED, Before 1890

Joconde: Le depart. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: after Jean-Jacques-François Le Barbier I.

A mother brings her children into the room to meet their governess. Engraving.

The Curious Maids, Print made by John Greenwood, 1727-1792, American, active in Britain (from 1763), Published by Robert Sayer, 1725-1794, British, 1768, Mezzotint on moderately thick, moderately textured, cream laid paper, Sheet: 17 3/8 x 11 3/4 inches (44.2 x 29.8 cm), Plate: 13 7/8 x 9 15/16 inches (35.3 x 25.2 cm), and Image: 12 1/2 x 9 15/16 inches (31.7 x 25.2 cm), bowl, bows (costume accessories), candle, chairs, coat, costume, cravat, curtains, drapery, flounces, genre subject, gowns, humor, interior, jewelry, laughing, maids, men, necklaces, night, pearls, sleeping, sword, tricking, tricorne, women

Ludwig Philipp II., Duke of Orléans.

Fortune teller, Nicolaas Verkolje, 1683 - 1726 print In front of the entrance to a house, a fortune teller reads the hand of a young woman, while the man who stands next to her whispers something in the ear. A fountain in the background. Delft paper fortune-teller ~ pleasure fair and circus. divination ~ human corpse, necromancy. garden fountain

Two women and child with doll in an interior, Pierre Etienne Moitte, After Jean -Baptiste Greuze, 1732 - 1780 print Paris paper engraving / etching mother and daughter(s) (family group). (playing with) dolls

Shakspeare. Twelfth night, act III, scene IV : Olivia's house : Olivia, Maria, & Malvolio , Houses, Interiors, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Twelfth night. Thomas Pennant Barton Collection

François-Robert Ingouf, Monument du Costume, 9: La Promenade du Soir, 1773, etching and engraving on laid paper.

The Last Words of Jean Jacques Rousseau Made 1775 Germany. Etching on laid paper . Heinrich Guttenberg

Charles Clement Bervic after Louis Rolland Trinquesse, La Declaration La Declaration

Few and rushing woman, Jacob Ernst Marcus, 1803 print In a landscape, a woman rushes to a man who is shocked by his arm. A woman next to him. The company is surrounded by three more men. Amsterdam paper etching arm raised upward. recognizing

Pierre Maleuvre after Sigmund Freudenberger, Le boudoir Le boudoir

Koning Andrason and his court ladies Mana, Sora, Lato and Mela dress a mannequin near candlelight, Daniel Nikolaus Chodowiecki, 1787 print Berlin paper etching night. candle. model, mannequin. mask. dressing someone else

Handicraft -performing woman in conversation with a man, Reinier Vinkeles (I), 1779 print In a room a man and a woman are talking at a table while the woman does handicraft. There are writing items on the table. Amsterdam paper etching / engraving sewing. writing tools. conversation, dialogue; conversation piece. picture, painting

The Hague, Royal Dutch Lithographic Printing House of CW Mieling, Bles, David, Man and woman in an eighteenth-century interior, The woman stands in front of the mirror, the man sits next to her on a chair. On the left is a laid table with an overturned chair., print, prints, height 230 mm, width 290 mm, Dutch, 1821-09-19 - 1899-09-03, print maker, printmaker, 1831 - 1899, paper, papier, toonlithografie, blinddruk, printer, drukker

London, Palmer, William, England, Hume, David, Italy, Cipriani, Giovanni Battista, Bartolozzi, Francesco, The Dukes of Northumberland and Suffolk praying Lady Jane Grey to accept te crown, verso - handwritten in pencil, The Dukes of Northumberland and Suffolk presenting a crown and sceptre to Lady Jane Grey and asking her to accept them. Title and text in English in the lower margin., print, prints, verso - stamped, No. 1460, height 322 mm, width 390 mm, Italian, 1727-09-25 - 1815-03-07, print maker, printmaker, 1786-02-14 - 1786-02-14, paper, etching, etchings, stipple engraving, colour printing, Work conception, 1727 - 1785-12-14, after a design by, English, 1711-04-26 - 1776-08-25, writer, Publication (Event), Publication, British, publisher

Le Baiser à la Derobée (The Stolen Kiss). Medium: stipple etching proof before engraved title. Museum: National Gallery of Art, Washington DC. Author: Nicolas François Regnault after Jean-Honoré Fragonard.

French Revolution. After the assault on the Tuileries Palace on 10 August 1792, the Legislative Assembly had to decree the suspension of the functions of King Louis XVI, who, together with his family, had taken refuge in the Assembly. King Louis XVI of France and his family taking refuge in the Legislative Assembly. Drawing by Hippolyte de la Charlerie. Engraving by Theodor Meyer-Heine. "History of the French Revolution". Volume I, 1876. Author: Hippolyte de la Charlerie (1827-1869). Belgian artist.

Young Bride is addressed by her mother, Adolf Wagenmann, After Robert Heck, 1849 - 1908 print Stuttgart paper etching dressing the bride

"Copper engraving and etching by Jean Jacques Avril depicting the double reward for merit, showing figures, gestures, presentation, and compositional elements in 1784."

Jean Baptiste Tilliard and Antoine Jean Duclos after Jean Honoré Fragonard, Le mari confesseur Jean de La Fontaine (1621-1695) Alternative names J. de La Fontaine; Jean de la Fontaine Description French writer Date of birth/death 8 July 1621 13 April 1695 Location of birth/death Chteau-Thierry Paris

Young woman reads a letter, Louis Bernard Coclers, 1780 print A young woman is sitting at a table and reads a letter. In addition to her, a maid keeps a jewelry box open. There is a mandolin and a book with sheet music on the table. There are two portraits in oval lists on the wall. On the right, behind a curtain, a corridor suffers to the front door. Two women are talking in the hallway. Leiden paper etching / drypoint lover with love-letter. maid ~ house personnel

Maria Ludovika, Infantin of Spain.

Young women at a fortune teller, Louis Michel Halbou, after Johann Eleazar Schenau, 1770 print In a messy attic room with an open window, an old fortune teller is sitting at the table with playing cards for her playing cards. Next to her is a young woman to whom the fortune teller addresses. Behind the young lady's chair a standing young woman with dog. On the right in a corner a young man in a cage under a curtain. print maker: Parispublisher: ParisParisFrance paper etching / engraving fortune-teller ~ pleasure fair and circus - AA - fortune-teller (female). card games

BYBLIS writes her brother Caunus a love letter; Metamorphoses from Ovid. Byblis is in love with her brother Caunus and writes him a love letter in which she explains her feelings. A cat and a monkey watch. In the background a served Caunus gives the letter.

La cage symbolique (The Symbolic Cage). Dated: 1738. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Etienne Fessard after Charles Lepeintre.

The flight of Hugo de Groot from Slot Loevestein, Simon Fokke, 1742 print Hugo de Groot gets into a book box and says goodbye to his wife Maria van Reigersberg. Above the passage to the next departure is the text: De Vlugt of Huyg de Groot. This print is made for the eponymous comedy of Frederik Duim (1742). Amsterdam paper etching / engraving law and jurisprudence (+ escape from prison) Slot Loevestein

Byblis writes her brother Caunus a love letter, c. 1636 - 1670 print Byblis is in love with her brother Caunus and writes him a love letter in which she explains her feelings. A cat and a monkey watch. In the background, a servant Caunus gives the letter. paper engraving Byblis falls in love with her brother Caunus, who scorns her love

Study for Lucain's La Pharsale , Canto II 1756-1773 France. Pen and black ink, with graphite, on pale gray laid paper, incised for transfer and perimeter mounted on ivory laid paper . Hubert François Gravelot

Don Quixote is served by the Hof Dames of the Duchess, Louis Surugue, After Charles-Antoine Coypel, 1724 print publisher: ParisFrance paper etching / engraving Don Quijote. Sancho Panza

Shakspeare. Tempest, act V, scene I : Ferdinand & Miranda playing at chess , Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Tempest. Thomas Pennant Barton Collection

Parental Joys. Daniel Nikolaus Chodowiecki (Germany, Danzig, 1726-1801). Germany, 1795. Prints; etchings. Etching

Drawing by Pieter Holsteyn the Younger depicting the prodigal son receiving his inheritance, executed in gray and black pen.

Joseph de Longueil, Le retour a la vertu Le retour a la vertu

La Françoise /paratrioted (ti)

James S. King, 1852-1925, American, Jack Falstaff and Doll Tearsheet, 1885. Etching.

The knight is standing in the center of a room. He is surrounded by an old and a young woman and two boys. They help him put on his armor, Knight is helped to dress, print maker: Wilhelmus Cornelis Chimaer van Oudendorp, (mentioned on object), Henri Leys (baron), (mentioned on object), publisher: Nederlandsche Maatschappij van Schoone Kunsten, (mentioned on object), print maker: Netherlands, Antwerp, publisher: The Hague, 1840 - 1843, paper, h 255 mm × w 205 mm

Print made by Richard Earlom, 1743-1822, British, Susanna and the Elders, 1769. Mezzotint on medium, slightly textured, cream wove paper.

The Washington Family. Dimensions: image: 47.94 x 62.39 cm (18 7/8 x 24 9/16 in.) sheet: 53.02 x 69.06 cm (20 7/8 x 27 3/16 in.). Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Edward Savage.

French Revolution. After the assault on the Tuileries Palace on 10 August 1792, the Legislative Assembly had to decree the suspension of the functions of King Louis XVI, who, together with his family, had taken refuge in the Assembly. King Louis XVI of France and his family taking refuge in the Legislative Assembly. Drawing by Hippolyte de la Charlerie. Engraving by Theodor Meyer-Heine. ""History of the French Revolution"". Volume I, 1876.

Philibert Louis Debucourt, Les Bouquets, ou la Fete de la Grand'Maman, 1788 Les Bouquets, ou la Fete de la Grand'Maman

A Miserable Family Published 1822 France. Lithograph on cream chine, laid down on ivory wove paper (chine collÈ) . Pierre Paul Prud'hon

Comme ils en étaient là, arrive l'oncle. Artist: Jean Michel Moreau the Younger (French, Paris 1741-1814 Paris). Dimensions: 11 5/8 x 8 3/4 in. (29.6 x 22.3 cm). Date: ca. 1778. Museum: Metropolitan Museum of Art, New York, USA. Author: Jean Michel Moreau the Younger.

John Raphael Smith, The Promenade at Carlisle House, 1781, mezzotint on paper.

Paul Gavarni, La Jeunesse de Jean-Jacques Rousseau, no. III: Rousseau et Madame Basile, 1814-1866, lithograph on paper.

Lodewijk XVI says goodbye to his family, 1792, Reinier Vinkeles (I), After Charles Benazech, 1792 - 1794 print Amsterdam paper etching / engraving revolution, revolt

Contrat de mariage. Vanloo, Carle, 1705-1765. 1737 - 1765. Lépicié, Renée-Elisabeth Marlie, -1773. Avery, Samuel Putnam, 1822-1904. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Print made by unknown artist, eighteenth century, Damon and Pastora, 1786. Mezzotint on medium, slightly textured, cream laid paper.

Francisco de Goya y Lucientes / 'Que sacrificio!'. 1797 - 1799. Etching, Drypoint, Burnished aquatint on ivory laid paper. Museum: Museo del Prado, Madrid, España.

Allegory of the inauguration of Prince William Frederick as sovereign, 30 March 1814 The Dutch Virgin leading the prince to his throne To the right, Liberty and the Dutch Lion, to the left soldiers holding the flags of the allies Russia, Great Britain, Austria and Prussia In the caption an eight-line verse, Allegory of the Inauguration of Prince William Frederick as Sovereign, 1814 The Elevation of Prince William the Sixth Tot Souverein der Vereenigde Nederlanden , print maker: Jan Lucas van der Beek, (mentioned on object), intermediary draughtsman: Johannes Jelgerhuis, (mentioned on object), publisher: Fels & Gebr. Gazan, (mentioned on object), print maker: Netherlands, publisher: Rotterdam, 1814, paper, etching, engraving, h 273 mm × w 229 mm

Print, Acte I

Jean-Jacques et Mlle.Merceret. Artist: Paul Gavarni, French, 1804-1866

Fortune Officer (IFF 86) (Factitious Title)

Love declaration, David van der Kellen (1804-1879), After Braekeleer (I), Ferdinand de, 1828 - 1843 print A woman looks in thought to a bunch of flowers that is presented by the man next to her. He leans over the balustrade and holds her hand. With his left hand he points to his heart. To his left is a statue of Amor, on the floor is a lute. The company is in a garden house under a wingerd. Utrecht paper. proposal, declaration of love. cut flowers; nosegay, bunch of flowers. (story of) Cupid, Amor (Eros). lute, and special forms of lute, e.g.: theorbo. vine

L'Orange, ou le moderne Jugement de Paris. Dated: 1801. Medium: aquatint and etching. Museum: National Gallery of Art, Washington DC. Author: Philibert-Louis Debucourt.

Gebhard Ontmoet Agnes van Mansfeld in de Tuin, Daniel Nikolaus Chodowiecki, 1800 print In the vegetation behind the couple lies Gebhard's episcopal clothing and weaponry as a sign of repelling his title as Elector and Bishop's seat. Berlin paper etching History. lovers' meeting. insignia of bishop, e.g. mitre, crozier

Deplorable effet de lusage immodere des pates orientales.. Artist: Paul Gavarni, French, 1804-1866

Illustration for the play of clay from W.H. Sels ..

Reproduction of a painting of hauer: the farewell of Louis XVI to his family. (TF)

The Promenade at Carlisle House, John Raphael Smith, 1752-1812, British, after John Raphael Smith, 1752-1812, British, 1781, Mezzotint on wove paper, proof, Plate: 12 3/4 x 15 3/8in. (32.4 x 39.1cm) and Sheet: 14 5/16 x 16 1/8in. (36.4 x 41cm)

Sending flowers, Anonymous, after Marie Louveau-Rouveyre, After Auguste Toulmouche, c. 1800 - c. 1900 print A woman sits next to a table on which flowers lie. cardboard.

Shakspeare. As you like it, act V, scene IV , Forests, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. As you like it. Thomas Pennant Barton Collection

Rozmowa, scenka rodzajowa en grisaille, pendant do Min. 1120. Le Prince, Jean-Baptiste (1734-1781), painter, unknown, painter

William Nutter, 1754-1802, British, The Benevolent Cottager, 1788. Stipple.

Silvia .

To say the book of Józef Poniatowski from his families; unknown, fontana (couples; Publisher; 1822-1839); 1822-1839 (1822-00-00-1839-00-00);Poniatowski, Józef (1763-1813), Poniatowski, Józef (1763-1813)-iconography, children, Napoleonic era (1799-1815), farewell, family, army

L'amour frivole. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: Jacques-Firmin Beauvarlet after Pierre-Antoine Baudouin.

The Wife 1829 Asher Brown Durand American. The Wife 394446

Copper engraving and etching by Johann Georg Wille from 1730-1808 depicting a scene of reciprocal offers, showing two figures exchanging objects in interaction.

John Raphael Smith, 1752-1812, British, The Promenade at Carlisle House, 1781. Mezzotint (scratched letters).

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