19th Century Genre Scenes

Engravings depicting scenes of daily life and social interactions in elaborate settings. Reflecting the fashion and customs of the era.

After. 1736. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

A scene from Shakespeare's comedy, The Merry Wives of Windsor, in which Falstaff is concealed in a laundry basket by the merry wives, Mistress Ford and Mistress Page.

Portrait of Prince Willem III. Portrait bust to the right of the acclaimed Willem III, Prince of Orange-Nassau and King of England, wrapped in a harness. The portrait is caught in a circular picture frame and is revealed by an allegorical woman's figure that blows the trumpet. Left next to the portrait are a branch with apple apples from orange and a plushed helmet. In the margin is a four-line predictor in Dutch. This print forms the pendant of the portrait of the Count of Monterey.

Marriage a la Mode Toilette scene From the original picture by Hogarth from The Works of Hogarth published London 1833

Tartuffe or the hypocritical deceiver. Interior with a lady, Elmire and a Lord, Tartuffe. In the background is under a table a second man, Orgon. Scene from the play of Tartuffe van Molière from 1664: the lady, Elmire, dressed in a dress with deep cleavage sits on a chair, her right arm leaning on a thick book on a table. Behind her is the character Tartuffe, who tries to seduce her. In the background you can see how under a table her husband Orgon the two gade hits. Elmire convinces her husband through this list that his blind confidence in Tartuffe, a faith fanatic is being abused.

after Charles Eisen, Dame a sa toilette, etching

Milton, John .

Scene from the art of Der Gerade Weg Ist der Beste (with a fragment of the text in German). Monogramista M.W.

'Angelica Kaufman in Joshua Reynolds's Studio', c18560-1923, (1923). Artist: Helen Paterson Allingham.

Collin, Photo reproduction engraving 'Carmosine', photograph, photo, photos, height mm, width mm, photographer, 1855 - 1867, third quarter 19th century, albumen print

Thomas Rowlandson, Doctor Gallipot placing his Fortune at the feet of his Mistress, 1808 Doctor Gallipot placing his Fortune at the feet of his Mistress

Mr. Leoni as Carlos and Mrs. Isabella Mattocks as Louisa in "Duenna.". Isabella Mattocks (1746-1826), nee Hallam, played the original Louisa in Sheridan's comic opera "Duenna.". Leoni was a very popular Italian singer of the era, whose voice sounded "more like the tones of a fine oboe than those which proceed from the human pipe." Handwritten note states that Leoni died in Jamaica in 1796.. Copperplate engraving from 1777 by unknown artist.

Le mari confesseur. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Jean-Baptiste Tilliard and Antoine-Jean Duclos after Jean-Honoré Fragonard.

Le Billet doux. Dated: 1778. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Nicolas Delaunay after Nicolas Lavreince.

Jean Baptiste Blaise Simonet after Jean Michel Moreau, L'amant de lui mesme, 1778 L'amant de lui-mesme

Young man visits the poet Joost van den Vondel, Willem Steelink (I), after Charles Rochussen, 1855 print A young man visits the poet Joost van den Vondel in his study. Vondel is at his desk. Amsterdam paper steel engraving / etching scholar in his study. visiting; receiving guests; elegant company

The Promenade on the Boulevard 1755-1765 France. Gabriel de Saint-Aubin is prized today for his evocation of 18th-century Parisian society. This glimpse of personnages de qualitÈ (as the work was once titled) relates to one of the very few paintings known by him and captures fashionable life around 1760. The black chalk underdrawing includes ruled lines mapping the perspective of the boulevard, reflecting the artistís role as a professor in an architecture academy.. Black chalk, with brush and black, brown and gray wash, heightened with white gouache, on cream laid paper . Gabriel Jacques de Saint-Aubin

Jacob Wilhelm Mechau shows Don Sylvio and Donna Felicia together in a garden, drawn in black pen and gray brush over pencil, lavated, around 1772.

A bound book from 1773, published in Paris by De Lormel, features red crushed levant morocco leather. The binding is embellished with gilt tooling, including three fillets on the sides, and intricate inside dentelles. The spine is tooled and lettered, with panels mitred and cornered, stamped with a lyre motif. The book includes marbled end papers and gilt edges over rough cuts. It contains engravings

The conclusion of the Treaty of Troye where Henry V King of England receives the Princess of France in marriage. (IT)

FRIENDS OF FLOWERS, FROM THE PICTURE BY W.J. MARTENS, IN THE LATE EXHIBITION OF THE ROYAL ACADEMY, 1874 engraving

Lady Smith and her Children March 15, 1789 Francesco Bartolozzi Italian. Lady Smith and her Children 376638

Love couple at a rock, Ludwig Gottlieb Portman, after Louis Moritz, 1803 print A love couple hides with a rock. On the left in the background a group of soldiers on horseback who is looking for them. Illustration of a scene from 'The Rock of Geliefen'. Amsterdam paper etching specific works of literature. couple of lovers. rocks

Innocent Mischief, Christian Josi, Dutch, ca. 1765 - 1828, Richard Westall, English, 1765 - 1836, Stipple engraving on paper, Children at play. Two little girls and a boy pursue a butterfly that has landed on a hollhawk bloom near a large sculpted urn., Netherlands, 1796, Print, Print

Conclusion of the Treaty of Troyes, Francesco Bartolozzi, After William Hamilton, 1788 print Catharina van Valois marries Hendrik V. Left is Karel VI of France on a bed. There are two soldiers on the right. Text in English and French in the lower margin. London paper etching historical events and situations; historical persons. (civil) marriage ceremonies

Children of Caspar Netscher on the window, Christian Gottlieb Geyser, After Caspar Netscher, 1752 - 1803 print paper engraving / etching child. open window - AA - feigned window. sculpture

The Continence of the Chevalier Bayard.

The Wedding Ring. Dated: 1885. Dimensions: plate: 597 x 337 mm image: 502 x 261 mm sheet: 638 x 498 mm. Medium: etching. Museum: National Gallery of Art, Washington DC. Author: Thomas Hovenden.

Oh! Adorable good! / You have some beautiful children! / N � 2 (title registered) | Seventh album1827 (IFF 46) (set of all)

John Collet, ca. 1725-1780, British, The Doctor's Pill, undated. Graphite, watercolor, pen and black ink, gray wash on slightly textured, medium, cream laid paper.

Peter Simon, 1750-1810, Credulous Lady and Astrologer, 1786. Colored stipple engraving.

Anker Smith, 1759-1819, British, Goldsmith's "Deserted Village", 1800. Engraving.

Portia, from the Merchant of Venice, Photogravure Print from the Original 1881 Painting by Alexandre Cabanel, The Masterpieces of French Art by Louis Viardot, Published by Gravure Goupil et Cie, Paris, 1882, Gebbie & Co., Philadelphia, 1883

The Fruit Barrow, John Raphael Smith, 1752-1812, British, after Henry Walton, 1746-1813, British, 1780, Mezzotint, Sheet: 20 3/4 x 15 1/4in. (52.7 x 38.7cm)

Sabine of Bavaria begs Alva to release her husband, Count of Egmond, June 1568. Draughtsman: Jacobus Buys. Dating: 1783 - 1785. Place: Netherlands. Measurements: h 150 mm × w 90 mm. Museum: Rijksmuseum, Amsterdam.

Sabine van Bavaria begs Alva to release her husband, the count of Egmond, June 1568, Jacobus Buys, 1783 - 1785 drawing Interior with kneeling woman for man. Sabina van Bavaria begs the Duke of Alva for grace for her man -condemned man, the count of Egmond, early June 1568. Design for a print. Netherlands paper. ink pen / brush historical persons. historical events and situations. granting mercy; free pardon

Faust and Margaret. Szumacher, I. (Petersburg ; zakład graficzny ; ca 1860-1870), printing house, WT (fl. ca 1860-1870), graphic artist, Scheffer, Ary (1795-1858), painter

Shakspeare. King Henry VIII, act III, scene I : A room in the Queen's apartments : The Queen, and some of her women, at work : Cardinals Wolsey & Campeius , Castles & palaces, Interiors, Queens, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. King Henry VIII. Thomas Pennant Barton Collection

Design for a painting, Jacob flees from his parental home., draughtsman: Elias van Nijmegen, 1677 - 1755, paper, brush, pen, h 330 mm × w 210 mm

Precautions. / Moors and customs of the former Paris / Period of Louis XVI (1777) / The life of a quality lady

John Faber the Younger, ca. 1695-1756, Netherlandish, active in Britain, The Celebrated Mrs Clive, late Miss Rafter, in the character of Philida. Mezzotint.

Mary, Queen of Scots and Lord Darnley ca. 1816 Robert Dunkarton British. Mary, Queen of Scots and Lord Darnley. Robert Dunkarton (British, London 1744-1811). ca. 1816. Mezzotint. Samuel Woodburn (British, 1786-1853). Mary, Queen of Scots (British, Linlithgow 1542-1587 Fotheringhay). Prints

France, Louis XVI (King of France), Moreau, Jean Michel, Helman, Isidore Stanislas Henri, French costume prints from the eighteenth century, Le Monument du Costume. Second Suite of Stamps, for the History of Fashion and Costume in France, In the Second Century, The Perfect Accord, Interior with a Woman Playing the Harp and Two Men, lower left - engraved, Elegant company, making music in a room. Céphise, in negligee, plays the harp and listens to the commentary of a young man next to her. A second man sits in an armchair with his hat on his knees. On the left a harpsichord or pianoforte. Numbered lower left: No. 20., print, engraving, costume print, prints, engravings, Helman sculp. 1777, lower right - engraved, JM Moreau le J. inv., L'accord parfait, lower center - engraved, APDR, No 16, height 399 mm, width 313 mm, 1743 - 1809-01-15, print maker, printmaker, 1777 - 1777, paper, papier, etching, etchingsen, engraving (printing process), stippelwerk, Work conception, French, 1741-03-26

Poster for the Opera "Dimitri" by Victorin de Joncières, Lamy, Pierre-Auguste (1827-c. 1880)

Charles Knight, 1743-c.1826, British, Landlord's Family, 1800. Colored stipple engraving.

Le Matin, Nicolas de Larmessin (III) (mentioned on object), 1741, paper, engraving, h 330 mm × w 374 mm

HER TREASURE. AFTER PAULSEN

Coming out of the theatre , Arrivals & departures, Theaters. Thomas Rowlandson (1756-1827). Prints and Drawings

Emmanuel Jean Nepomucène de Ghendt after Pierre Antoine Baudouin, Le matin Le matin

Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation, Peter Simon, 1750-1810, after John Downman, 1750-1824, British, 1789, Engraving, couch, dress, embrace, literary theme, window, England, Somerset, United Kingdom

The flight of Hugo de Groot from Loevestein, 1621, Gerard Sibelius, 1768 - 1771 print The maid Elsje van Houweningen caught Hugo de Groot, who, helped by his wife Maria van Reigersberg, tries the book box, March 1621. Northern Netherlands paper etching law and jurisprudence (+ escape from prison) Slot Loevestein

Peter Paul Rubens (1577-1640). Flemish Baroque painter. Engraving after a painting by Rubens entitled ""Self-Portrait with his wife Elizabeth Brant"", 1609, during the first year of marriage. The Spanish and American Illustration (La Ilustracion Espanola y Americana), 1884.

The jester at the reel according to the image of Hermann Kaulbach. Sluing for Niwy 1888, No. 35, p. 865 Brend'amour, Franz Robert Richard (1831 1915), Kaulbach, Hermann von (1846 1909)

Mary, Queen of Scots and Francis II mid-19th century Alexandre Lacauchie French. Mary, Queen of Scots and Francis II. Alexandre Lacauchie (French, active 1833-46). mid-19th century. Lithograph. Maison Martinet-Hautecoeur, Frères (Paris). Mary, Queen of Scots (British, Linlithgow 1542-1587 Fotheringhay). Prints

Goldsmith's 'Deserted Village', Anker Smith, 1759-1819, British, after Francis Wheatley, 1747-1801, British, 1800, Engraving

The Prosecutor. (Registered Title (letter))

The Face, Jacob Gole, After Cornelis Dusart, 1670 - 1724 print Three men look at a woman who holds a candle. One of the men wears glasses. The print is part of a series of five prints with the five senses. print maker: Amsterdamafter print by: Haarlem paper sight, looking (one of the five senses). eyeglasses, spectacles. candle

Le concert agreable. Medium: engraving and etching. Museum: National Gallery of Art, Washington DC. Author: Charles Nicolas Varin after Nicolas Lavreince.

JACQUES-HENRI BERNARDIN DE SAINT-PIERRE Depicted reading his sentimental romance 'Paul et Virginie' in the salon of Madame Necker. Date: 1737 - 1814

The Dinner 1787-89 Louis Marin Bonnet. The Dinner. Louis Marin Bonnet (French, Paris 1736-1793 Saint-Mandé, Val-de-Marne). 1787-89. Stipple and wash manner. Prints

An English Family Group late 18th century Antonio Zucchi Italian. An English Family Group. Antonio Zucchi (Italian, Venice 1726-1796 Rome). late 18th century. Pen and brown ink, brown wash. Drawings

Lion in love. copy of a painting. Unknown

Francia. El duque de Anjou, Felipe V de Borbón (1683-1746) declarado rey de España el 16 de noviembre de 1700. Grabado de 1853.

Compliance, Print made by unknown artist, eighteenth century, Published by Haines & Son, active 1795-1809, British, 1796, Mezzotint on medium, slightly textured, cream laid paper, Sheet: 15 7/8 × 11 inches (40.3 × 27.9 cm), Plate: 14 × 10 inches (35.6 × 25.4 cm), and Image: 12 3/4 × 10 inches (32.4 × 25.4 cm)

A Peep at Christies; or Tally-ho, & His Nimeney-Pimmeney Taking the Morning Lounge. Date/Period: 1796. Etching and aquatint, hand colored. Width: 25.2 cm. Height: 35.4 cm (sheet). Author: JAMES GILLRAY.

Print made by Daniel Nikolaus Chodowieki, German, 1726-1801, German, 'Henry IV, Part I,' Act II, Scene III, undated. Etching on moderately thick, slightly textured, beige laid paper.

Staberls travel adventure by Nestroy Gallerie Droller Scenen for the theater newspaper, st year, No, Johann Wenzel Zinke -, Copper Engraver, after, Johann Christian Schoeller -, artist

Ah! If I had what you miss! (IT)

Dansend lady en Heer, Daniel Nikolaus Chodowiecki, 1780 print Numbered at the top right: 11. paper etching ball, formal dance. one pair dancing; man and woman dancing as a couple

Canto VI, Verse 294. Dated: 1803. Medium: engraving. Museum: National Gallery of Art, Washington DC. Author: William Blake after Mary Ann Flaxman.

Spring, Reinier Vinkeles (I), 1769, Spring: a girl in a garden with walkers., draughtsman: Reinier Vinkeles (I), 1769, paper, pen, brush, h 170 mm × w 103 mm

THE FATAL SPINDLE. GUSTAVE DOR

Ludwig Xiv., King of France painting by Antoine Watteau, engraved by Nicolas de Larmness

A young woman has a vision, A young woman is sitting on the edge of a bed. She has a vision of a child with a scale in his hand., Johann Wilhelm Kaiser (I) (mentioned on object), 1846, paper, engraving

Print made by unknown artist, eighteenth century, The Feathered Fair, Feeding the Feathered Fowl, 1783. Mezzotint on medium, slightly textured, cream laid paper.

Interview between Queen Elizabeth I and the Earl of Sussex. After a print originally featured in Robert Bowyer's Historic Gallery, published between 1793 and 1806.

Little Lady, 1778, Pierre Thomas Le Clerc, French, born 1740, 9 3/4 x 7 in. (24.77 x 17.78 cm) (sight), Sepia, France, 18th century

. A farmer's (Claudine) resists quasi against a lover that tries to kiss her. While she wins his hands and lips, she laughs. Her basket hangs on the branch of a tree.

Pamela asks Sr. Jacob Swinford for his blessing, Louis Truchy, 1845 print Pamela kneels and asks Sr. Jacob Swinford to her blessing. Behind them, Mr. B. Lady Davers with three other figures on the right. England paper etching / engraving male literary characters (Pamela). interior of the house. Pleading

Jean François Janinet after Jean Jacques Lagrenée II, L'oisseau prive L'oisseau prive

Charles Louis Lingée after Jean Honoré Fragonard, Joconde Le lit Joconde: Le lit

Two water straps rest, Henricus Wilhelmus Couwenberg, After Wijnand Nuijen, 1830 - 1845 print Amsterdam paper steel engraving resting - BB - out of doors

'Marriage A La Mode - Breakfast Scene', c1832. Artist: TE Nicholson.

Plate 2. Good advice from an old servant to the young ones; Diligence an Dissipation. The old server focuses the word to the good maid, while the loose faint.

The Continence of Bayard from a set of The History of France Designed 1777; Woven 1788-92 Louis Jean Jacques Durameau French. The Continence of Bayard from a set of The History of France 226932

No. 3 and 4 in the 8 stages of growth of the Surinam Frog, Archibald Robertson, 1748-1788, after James Bruce, 1730-1794, British, 1796, Engraving

Conversation according to the image of Fritz Werner. A clip from a German magazine. Brend'amour, Franz Robert Richard (1831 1915), Werner, Fritz (1827 1908)

Kaulbach, Wilhelm von, Adelheid. Goetz von Berlichingen, Photographic reproduction of a drawing of Adelheid from Goethe's Götz von Berlichingen by Wilhelm von Kaulbach, This photograph is part of a cover with 22 photographs., photograph, photo, reproduction, photos, photographically illustrated books, height 211 mm, width 178 mm, height 121 mm, width 98 mm, photographer, 1858 - 1900, cardboard, photographic paper, photo paper, albumen print, albumine print, German, 1805-10-15 - 1874-04-07, intermediary draughtsman

Print made by George Cruikshank, 1792-1878, British, Illustrations from Mr. Lambkin, plate 18, undated. Etching with hand coloring in watercolor on medium, slightly textured, cream wove paper.

Mrs Skyring welcoming the Young Pretender, 18th century (19th century).Artist: TE Nicholson

Les Lorettes, 1842. Paul Gavarni (French, 1804-1866). Lithograph;

Kitty Clive as Lady Easy in 'The Careless Husband', Print made by John Faber the Younger, ca. 1695-1756, Netherlandish, active in Britain, after Philippe Mercier, 1689 or 1691-1760, Franco-German, active in Britain (from 1716), 1739, Mezzotint on medium, moderately textured, cream laid paper, Sheet: 10 7/8 × 13 inches (27.6 × 33 cm) and Image: 9 3/4 x 12 13/16 inches (24.7 x 32.6 cm), adultery, chairs, cheating, coat, costume, drapery, frill, gowns, husband, interior, literary theme, love, man, play, The Careless Husband, 1704, The Steinkirk Scene, theater (discipline), wife, women

Members of the travelling party in conversation with the Princess of Biscaris, Louis Ducros, 1778, Drawing from the album 'Voyage en Italie, en Sicile et à Malte', 1778., draughtsman: Louis Ducros, 1778, paper, brush, pen, h 160 mm × w 227 mm

Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), Venus attired by the Graces, 1784. Engraving.

Mary Queen of Scots, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Frederico Zuccheri, 1540/43-1609, Italian, 1779, Engraving, Sheet: 15 1/16 x 10 15/16in. (38.3 x 27.8cm)

Family group in Interieur, Anonymous, 1700 - 1800 drawing paper. oil paint (paint) brush family group, especially parents with their child(ren)

. An elegant company including four dancing women in a forest. Links two musicians with flute and bagpipes. Arrival of the inn daughters on the Wedding of Gamache; The rich nobleman watching the left with his wife. On the right there are Don Quixote and Sancho Panza. Scene from the story of Don Quixote from La Mancha. Mounted below: Chapter 22.

Garden with sleeping man and watching man, Mauclerc, 1700 - 1799 print print maker: Francepublisher: Paris paper engraving French or architectonic garden; formal garden. lovers spied upon. lover with love-letter. sleeping; unconsciousness - BB - out of doors

Watercolor by Erzherzogin Marie Christine Habsburg-Lothringen depicting a person reading a letter, 18th century.

Shakspeare. Merry wives of Windsor, act II, scene I , Houses, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Merry wives of Windsor. Thomas Pennant Barton Collection

Minuet Dance Artist Unknown Engraving Culver Pictures Inc.

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