19th Century Genre Scenes

Engravings depicting scenes of daily life and social interactions in elaborate settings. Reflecting the fashion and customs of the era.

After. 1736. Hogarth, William, 1697-1764. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

The Death of Arcite, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Gavin Hamilton, 1723-1798, British, active in Italy (1744-48 and 1756 on), 1790, Engraving, bed, curtains, death, mourning, religious and mythological subject

A woman in a cloak trimmed with fur opens the door to a fishmonger. He takes off his hat; under his arm he has a basket of fish. On her arm she has a young girl watching a dog. Behind the man, on the sidewalk, two children are playing. The print was made after a painting by Jacob Ochtervelt in the Mauritshuis in The Hague, Fishmonger at the Door of a Distinguished House A Fishmonger (title on object) The Royal Museum in The Hague (series title on object), print maker: Gijsbertus Craeyvanger, (mentioned on object), Jacob Ochtervelt, (mentioned on object), printer: Desguerrois & Co., (mentioned on object), print maker: Netherlands, Netherlands, printer: Amsterdam, publisher: Amsterdam, 1833, paper, h 543 mm × w 380 mm

Le Roy et la Reine des Nabots arrivés nouvellement à Londre. Grands amateurs de la coeffure nouvelle. Artist: Anonymous, French, 18th century. Dimensions: sheet: 13 9/16 x 9 7/8 in. (34.5 x 25.1 cm). Date: 18th century. Museum: Metropolitan Museum of Art, New York, USA.

A boy with a gun and two girls with a bird, Nicolo Cavalli, After Antonio Marinetti, 1740 - 1822 print On the left a boy who fires a gun. In the middle a girl with a bird in a cage. On the right a second girl. In the foreground a jug and a piece of bread. Text in STUDMARGE. print maker: Veniceafter painting by: Italy paper engraving / etching firearms. bird in a cage. children's games and plays

The Family Promenade, also called Philippe Mercier, His First Wife, and Family Made 1724-1725 France. Etching in black on cream wove paper . Philippe Mercier

Le baiser rendu: Le baiser rendu. Medium: etching and engraving. Museum: National Gallery of Art, Washington DC. Author: Charles Louis Lingée after Jacques Louis François Touzé.

Charles Rolls, 1800-active 1830, British, The Play Scene - "Hamlet", Act III, Scene II. Engraving.

Photography of lithography (oleodruk) according to the image: Jan Matejko (1838-1893), Zygmunt and Barbara; Photography from the series "The album of photography from paintings of Polish painters" (No. 22); Brandel, Konrad (1838-1920), Altenberg, Herman and Robiczek, Maurycy (Warsaw; Publisher; 1872-1879); 1876 (1876-00-00-1876-00-00);

Regency gentleman and two elegant ladies with feather headdresses, fans and gloves at a ball. Handcoloured copperplate engraving by Francis Eginton from Christopher Anstey's "The New Bath Guide," John Browne, 1807.

Shakspeare. Merchant of Venice, act II, scene V : Shylock's house : Shylock, Jessica, and Launcelot , Houses, Interiors, Shakespeare, William, 1564-1616, Characters, Shakespeare, William, 1564-1616. Merchant of Venice. Thomas Pennant Barton Collection

Hannah More (1745-1833) English religious writer and playwright, and member of the Blue Stocking circle of intelligent educated women, being introduced to Society by the Duchess of Gloucester. Wood engraving.

Portrait of a richly dressed couple in a landscape, Antoine de Marcenay de Ghuy, after Rembrandt van Rijn, after Ferdinand Bol, 1755 print Paris paper etching / engraving historical persons. marriage, married couple, 'matrimonium'

Illustration to Alexander Pushkins poem “The Mermaid"; illustration from the periodical `Zorza polarna`, vol. I. F.A. Brockhaus (Amsterdam, Lipsk, Wiesbaden ; wydawnictwo ; 1808-1953 ), printing house, unknown, graphic artist, Henkel, W. E. (Petersburg ; wydawnictwo ; ca 1850-1870), publisher, Trutovskij, Konstantin Alexandrovič (1826-1893), painter

Moicing company. There is a company of nine people around a table. Sung, violin and lute are played. Music books lie on the table.

Lion, Ludwig.

He Goeth after Her straightway as an Ox Goeth to the Slaughter (Proverbs, Chapter VII, Verse 22), John Raphael Smith, 1752-1812, British, ca. 1780, Graphite, black chalk, white chalk, and red chalk with gray ground on thick, textured, cream laid paper, Sheet: 14 x 10 1/8in. (35.6 x 25.7cm) and Sheet: 14 1/8 × 10 1/4 inches (35.9 × 26 cm)

Antoine Marie Chamans, comte de Lavalette (1769 -1830). French politician and general. Madame de Lavalette, asking for clemency for her husband. Engraving.

CARATACUS British Chieftain Resisted the Roman invasion of Emperor Claudius. He is defeated and exhibited in Rome, where he is pardoned.

The Queen At The Palace, (1885).Artist: Moreau

The chess piece

Historic steel engraving by Johann Baptist Wilhelm Adolf Sonderland, 1805 - 1878, a German illustrator, a scene from Intrigue and Love, a drama by Johann Christoph Friedrich von Schiller

Nederlandsche Maatschappij van Schoone Kunsten, Schmidt, Willem Hendrik, Netherlands, Waanders, Franciscus Bernardus, Saphira, The governor of Zeeland and Saphira, ca. 1474, The governor of Zeeland (or Gelderland) has the death warrant of the man (P. Stalins) of Saphira signed. Saphira kneels pleadingly before the governor. Scene from the story of the jurisdiction of Charles the Bold over the governor of Zeeland, ca. 1474. Also known as the story of Rhynsault and Saphira., print, history print, prints, Frederik Muller History plates, height 515 mm, width 400 mm, Dutch, 1809-05-26 - 1880-12-29, print maker, printmaker, 1841 - 1841, second quarter 19th century, paper, lithography (technique), 1809-04-12 - 1849-06-01, after, after painting by, Publication (Event), Publication, publisher

Musicing couple at the table, Anonymous, After Gerard ter Borch (II), After Jacob Ochtervelt, after c. 1675 - 1681 drawing Musicing couple at the table; A standing man watches. paper. chalk brush instrumental and vocal music together

Visit Se Maiestät of the Emperor of Austria Franz I Bey the royal Bavarian General of the Cavalry G, von Wreden, Visit of Emperor Franz I to General of Wreden after his wounding in October , Unknown

Ludwigs last encounter, with his family before his execution on January , Carlo Lasinio -, Copper Engraver, After, Charles Benazech -, Peinstre, Darbi,

Mary Queen of Scots Published 1779 Italy. Engraving on ivory wove paper . Francesco Bartolozzi

The Father's Admonition, Luigi Schiavonetti, 1765-1810, Italian, after Francis Wheatley, 1747-1801, British, 1801, Stipple, basket, bonnets, books, chair, dog (animal), genre subject, Gun, jacket

Romain Girard after Nicolas Lavreince, Valmont and Emilie, 1788 Valmont and Emilie

The Drawing Lesson. Dated: 1777. Dimensions: sheet: 32.5 x 37.7 cm (12 13/16 x 14 13/16 in.) overall (framed): 57.2 x 61.6 cm (22 1/2 x 24 1/4 in.). Medium: brush and brown wash over graphite on cream laid paper, laid down, with a framing line in brown ink. Museum: National Gallery of Art, Washington DC. Author: François-André Vincent.

The effects of temperance on a man and his household. Lithograph, c. 1840, after Gunthorp.

Belgium, Nous entrons en amis. Bruxelles, Septembre 1830, Dutch atrocities in Brussels, 1830, verso - stamped, Dutch soldiers attack a Brussels family in the bedroom, September 1830. Two soldiers assault the women while a third steals jewelry and the fourth threatens the man of the house with a sword, print, engraving, prints, engravings, Frederik Muller Historieplaten, height 247 mm, width 332 mm, print maker, printmaker, 1830 - 1831, paper, papier, lithografie (technique)

Johann Wolfgang von Goethe (1749-1832). German writer. The Sorrows of Young Werther, 1774. Engraving depicting Werther surprises Charlotte surrounded by children. Edition of 1837.

January and May, symbolic English colour engraving about unequal couples, 1782

LEOPOLDO O'DONNELL RECIBIENDO DE ISABEL II EL ESCAPULARIO AL PARTIR A LA GUERRA DE AFRICA- S XIX. Location: MUSEO DEL ROMANTICISMO-GRABADOS. MADRID. SPAIN. ISABEL II REINA DE ESPAÑA (1830-1904). FRANCISCO DE ASIS (1822-1902). LEOPOLDO O DONNELL (1809-1867) I DUQUE DE TETUAN. LEOPOLDO O'DONNELL (1809/1867) I DUQUE DE TETUAN.

Ouderdom, Nicolas de Larmessin (III), After Nicolas Lancret, 1735 print publisher: ParisFrance paper etching / engraving Old age, 'old'; "Vecchiezza '(Ripa)

. A room interior. Joachim von Carpzov, officer in East Friesland, stands for a bed and recommends the execution of his wife because of alleged unfaithfulness. His wife is kneeling next to him, with the drain with the sword behind her.

James Graham: addressing a lady walking on the High Bridge, Edinburgh. Etching by J. Kay, 1785.

Portrait of Grinling and Elizabeth Gibbons, John Smith (print maker/ publisher), after John Closterman, c. 1691 - 1742 print paper historical persons. couple of lovers. cupids: 'amores', 'amoretti', 'putti'

Acteurs, French Revolution

Poedinok posle maskarada.. Timm, Vasili Fëdorovich, 1820-1895. Prints. 1851 - 1862. Rare Book Division. Russia , Social life and customs, Russia , History, Arts, Russian

Luigi Schiavonetti after Francis Wheatley, Milk below Maids, 1793 Milk below Maids

King Louis XV of France (1710-1774) next to his mistress Marie-Anne of Mailly-Nesle, Duchess of Chateauroux (1717-1744), saying goodbye to the Queen Maria Leszczynska (1703-1768). Engraving by Dupre, 1851. Colored.

Louis Le Coeur after Nicolas Lavreince, Colin maillard, 1789 Colin-maillard

Pope Pius VII is arrested by the French general Radet and taken to Firenze, nominally for his own protection

Abruzzo Citta Sant'Angelo S. Francesco4. Hutzel, Max 1960-1990 Medieval: Architecture, architectural sculpture (14th century) Post-medieval: Architecture, cupola (18th century) German-born photographer and scholar Max Hutzel (1911-1988) photographed in Italy from the early 1960s until his death. The result of this project, referred to by Hutzel as Foto Arte Minore, is thorough documentation of art historical development in Italy up to the 18th century, including objects of the Etruscans and the Romans, as well as early Medieval, Romanesque, Gothic, Renaissance and Baroque monuments. Images are organized by geographic region in Italy, then by province, city, site complex and monument.

Interesting engraving of Queen Victoria at Winsor Castle in the drawing- room, presenting gifts to her guests in 1846. The room was surrounded by several German Christmas trees nearly eight feet in height, placed in green stands, some frosted to resemble icicles and snow and others were beautifully ornamented with decorations and each tree brilliantly lighted with seventy-two wax candles and suspended with bon-bons, inclosed intastefully ornamented bags and boxes for the presentation as Christma

Print made by Thomas Burke, 1749-1815, British, Content and Innocence, 1797. Hand-colored stipple engraving on moderately thick, smooth, cream wove paper.

Meeting of Princess Wilhelmina with her brother King Frederick III of Prussia in Kleve, 1788. Draughtsman: Willem Joseph Laquy. Dating: 1788 - 1798. Measurements: h 440 mm × w 593 mm. Museum: Rijksmuseum, Amsterdam.

Louis Durameau, A Game of Cards, 1767 A Game of Cards

Paris, Le Père & Pierre-Michel Avaulez, Charles, France, Eisen, Charles Joseph Dominique, Voyez, Nicolas Joseph, La Dame de Charité, Interior with an old man lying in bed, surrounded by several figures, verso - stamped, An old man lies in bed in a poor interior, surrounded by relatives and a nurse. On a chair beside his bed sits a woman of high birth, who offers him a pouch., print, prints, height 453 mm, width 322 mm, French, 1742 - 1806, print maker, printmaker, 1773 - 1773, paper, papier, etching, etchings, engraving, engraving (printing process), stippelwerk, 1720-08-17 - 1778-01-04, intermediary draughtsman, after a drawing by, Publication (Event), Publication, publisher

The morning.

Heineken, Christian Heinrich .

Forming course of life years, work is the citizen's adornment, blessing is the price of toil / Bilderserie Bildende Lauf der Lebensjahre, Arbeit ist des Bürgers Zier, Segen ist der Mühen Preis, Liebigbild, digital improved reproduction of a collectible image from the Liebig company, estimated from 1900, pd / digital restaurierte Reproduktion eines Sammelbildes von ca 1900, gemeinfrei,.

De Soubturer, Abraham Delfos, After Louis de Moni, 1795 drawing paper. chalk. watercolor (paint) brush reading. letter, envelope

after Paul Delaroche, 1797-1856, French, Prince Edward in Scotland, 1833. Etching and mezzotint on medium, slightly textured, cream wove paper.

Family group in interior. Draughtsman: anonymous. Dating: 1700 - 1800. Measurements: h 98 mm × w 69 mm. Museum: Rijksmuseum, Amsterdam.

Femmes d'Alger. Dated: 1833. Dimensions: image: 16 x 22.2 cm (6 5/16 x 8 3/4 in.) sheet: 22.1 x 30.2 cm (8 11/16 x 11 7/8 in.). Medium: lithograph on laid japan paper. Museum: National Gallery of Art, Washington DC. Author: EUGENE DELACROIX.

Print made by Thomas Gaugain, 1748-1812, French, Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10), 1797. Stipple engraving, open letter proofs.

The harlots nurse, or modern procuress Boitard sculpt.. British Cartoon Prints Collection . Prostitution,England,1740-1760. , Women,England,1740-1760. , Relations between the sexes,England,1740-1760.

What is love according to the image of Jean P. A. Antigny. Sch., A. EOn, Jean Pierre Alexandre (1817 1878)

Eugène Delacroix (French, 1798 - 1863). Jane Shore, 1828. Lithograph. Only state.

The love poem, historical illustration, 1877

Francis David Soiron, Born 1764, A Tea Garden, 1790. Stipple engraving, printed in color.

Alphonse Leon Noël, La Promenade, 1817-1884, lithograph on paper.

Fille Turque, prenant le Caffé sur le Sopha 1714-15 After Jean Baptiste Vanmour. Fille Turque, prenant le Caffé sur le Sopha. Plate 48; from "Recueil de cent estampes représentent differentes nations du Levant". After Jean Baptiste Vanmour (French, Valenciennes 1671-1737 Istanbul (Constantinople)). 1714-15. Etching and engraving. Jacques le Hay. Prints

King George II and Queen Caroline with their ten children (). Etching.

Amsterdam, Ledden Hulsebosch, J. van, Netherlands, Claessens, Lambertus Antonius, Allegorical grave monument for Prince William V, 1806, verso - stamped, died on 9 April 1806. At the tomb of the prince, the Historia writes history. A genius with a lyre in his hand inspires her. Bottom left a portrait of the prince in three-quarters to the right, with a Bible and a map. The print comes with a sheet with an explanation., print, prints, Frederik Muller Historieplaten, height 232 mm, width 140 mm, Noord-Nederlands, 1763-11-21 - 1843-10-06, print maker, printmaker, 1800 - 1800, paper, papier, stippelets, Publication (Event), Publicatie, Nederlands, publisher, uitgever, 1806 - 1806

Four women at a table during trip to Falmouth, Jan Brandes, 1778 drawing Color drawing of four women in dresses, with headscarves behind a table, visible from their waist. This is a part of the dinner company whose table arrangement is drawn on the back of this sheet. Part of Jan Brandes' sketchbook, dl. 2 (1808), p. 81. Falmouth paper. pencil. watercolor (paint) brush adult woman. sitting figure - AA - female human figure Falmouth

The Prodigal Son Returned to HisFather. Lithographer: Unknown After: D. W. Kellogg & Co., active Hartford, Conn., 1830-40 After: Amos Doolittle, American, 1754-1832

The amiable society, Louis Marin Bonnet, after Hambert, 1787 print Central group of three women for a child surrounded by other women and a young man. The company consisting of members of the Polignac family is depicted in the lodge of a theater. paper mother and baby or young child. mother-love. boxes, loges ~ theatre, etc.

Rijn, Rembrandt van, The presentation in the temple: dark plate, verso central, print, prints, verso lower left, verso middle top, height 210 mm, width 161 mm, Northern Netherlands, 1606-07-15 - 1669-10-08, print maker, printmaker, 1652 - 1656, third quarter 17th century, paper, etching, etchings, drypoint, dry needle, Work conception, after own design by

Printed by Thomas Ryder, 1746-1810, Irish, Female Curiosity, 1799. Etching and line engraving on medium, slightly textured, cream wove paper.

Artist: Carl Johan Billmark, Swedish, 1804-1870, Printer: Rose-Joseph Lemercier, French, 1803-1887, Bedroom of Countess Wrangel - SKOKLOSTER, 19thcentury, Color lithograph, image: 25.8 × 37 cm (10 3/16 × 14 9/16in.), Made in Sweden, Swedish, 19thcentury, Works on Paper -Prints

As You Like It. Act IV. Scene III. The Forest. Rosalind, Celia and Oliver. From The Boydell Shakespeare Gallery published late 19th century. After a painting by Robert Smirke.

Lord Buckhorst and sister.. 1695. Prints, Portraits. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

Almanac of the famous French (TI)

French costumes of the late 15th century. French noblewoman in fur-lined dress visited by a bourgeois man or scholar in broad shoes who kneels before her. Heraldic coat of arms at bottom. From a miniature painting in a parchment codex of the Life of St. Jerome translated into French in Stuttgart Library. Chromolithograph from Hefner-Alteneck's Costumes, Artworks and Appliances from the Middle Ages to the 17th Century, Frankfurt, 1889. Illustration by Dr. Jakob Heinrich von Hefner-Alteneck, lithographed by C. Regnier. Dr. Hefner-Alteneck (1811 - 1903) was a German museum curator, archaeologist, art historian, illustrator and etcher.

John Dixon, ca. 1740-1811, Irish, Elizabeth, Countess of Pembroke and Montgomery, with Her Son, Honorable, George, Lord Herbert, 1771. Mezzotint on moderately thick, moderately textured, beige, laid paper.

Ludovico Sforza, Duke of Milan, 1452-1508, and wife Beatrice dEste, Duchess of Bari, 1475-1497. With their children Massimiliano and Francois, from the painting La Pala Sforzesca by an unknown master, 1494 Lodovio il Moro e Beatrice dEste. Handcoloured copperplate engraving by Giarre and Stanghi from Giulio Ferrarios Costumes Ancient and Modern of the Peoples of the World, Il Costume Antico e Moderno, Florence, 1845.

Louis Marin Bonnet, Le tambour national, 1746-1793, colored aquatint and stipple engraving on laid paper.

L'Innocente du Jour. Dated: 1810. Medium: aquatint and etching. Museum: National Gallery of Art, Washington DC. Author: Philibert-Louis Debucourt.

Dames en Manteaux. Dated: 1720s(). Dimensions: plate: 16.1 x 24.8 cm (6 5/16 x 9 3/4 in.) sheet: 23.6 x 33.5 cm (9 5/16 x 13 3/16 in.). Medium: engraving with etching on laid paper. Museum: National Gallery of Art, Washington DC. Author: published by Jacques Chéreau.

The Sailor's Wife, William S. Leney, 1769-1831, British, after Emma Crew, active 1783, British, 1793, Colored stipple engraving, Sheet: 9 5/8 x 7 5/8in. (24.4 x 19.4cm)

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