Academic Studies of Male Nudes

Detailed engravings of male nudes portraying classical and academic art styles, focusing on anatomy and dynamic poses.

Study of a male nude. Academic study of a sitting male nude.

Statue of the Bithynian Greek youth Antinous, lover of the Roman Emperor Hadrian. Copperplate engraving after an illustration by Giacomo Bossi from Pietro Paolo Montagnani-Mirabili's Il Museo Capitolino (The Capitoline Museum), Rome, 1820.

Study of a male nude. Academic study of a sitting male nude.

Poesia. Image of a picture of a naked young man with laurel wreath. A swan at his feet.

Sater as a cariatide. A Sater with Bokoke Pots and horns carries a part of a building on its head. About the capital on his head hangs a cloth that forms a sheath for the figure.

Seated MaleNude. Artist: Unknown

Apollo Belvedere. Stipple engraving by G. Demarteau after Grangé.

"Copper engraving by Marcantonio Raimondi around 1505-1515 depicting the Roman god Apollo, showing the figure, posture, and symbolic attributes."

Statue of the young Marcus Aurelius; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of the young Marcus Aurelius, a cloak over the shoulders, with a bullet in his left hand. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome.

Statue of Hercules, wearing the Nemean lion skin, with his child Telephos. Roman copy of a Greek statue of the 4th century BC. Also known as the Emperor Commodus dressed as Hercules. Found in Tivoli, now in the Louvre. Herculis Commodiani statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Venus and Cupid. Marcantonio Raimondi; Italian, c. 1480-1534. Date: 1510-1512. Dimensions: 204 x 82 mm (image/plate); 221 x 101 mm (sheet). Engraving printed in black on ivory laid paper. Origin: Italy. Museum: The Chicago Art Institute, USA. Author: Marcantonio Raimondi.

Standbeeld van eros en anteros, Giovanni Luigi Valesio, 1636 print Statue of Eros and Anteros. Eros approaches the sleeping Anteros. On the base the crowned eagle and castle of the coat of arms of Vincenzo Giustiniani. Print is part of a series of prints to sculptures in the collection of Giustiniani in Rome. Rome paper engraving Eros and Anteros. piece of sculpture, reproduction of a piece of sculpture

Statue of a young man; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of a naked young man, with arms raised. Possibly a statue of Apollo. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

This copper engraving by Hendrick Goltzius depicts the Apollo Belvedere statue, showing classical human form, contrapposto posture, and drapery, created in 1617.

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Pictura (painting). Pictura Painting Personification Meteres Pigments in its studio. There is a painting on a donkey. There are two putti on the floor that make a drawing of her. Under the show a French fresh.

Print made by Adamo 'Ghisi' Scultori, ca.1530-1585, Male Nude from Panel of "Creation of Eve", 1550 to 1585. Engraving on medium, slightly textured, cream laid paper.

Venus and Amor standing in Nis ..

Gladiateur, Recueil des marbres antiques qui se trouvent dans la galerie du roy de Pologne., Staatliche Kunstsammlungen Dresden. Skulpturensammlung., Engraving, 1733

Drawing of 17th century silver belonging to an album, Anonymous, c. 1725 - c. 1728 album Amsterdam paper drawing

Herme van Priapus, seen from the front, Hubert Quellinus, 1646 - 1670 print The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst. paper engraving piece of sculpture, reproduction of a piece of sculpture. Priapus-herm

Vulcan, Hans Collaert (1), after Lambert Lombard, 1530 - 1580 print Vulcanus, the god of fire and the forge, in a niche. A staff in his hands. There is a hammer next to him on the ground. The print is part of a series with designs of well -known people from the Bible, mythology and antiquity as the subject. print maker: Antwerpafter design by: Liège paper engraving (story of) Vulcan (Hephaestus)

Bandinelli, Baccio, Italy, Veneziano, Agostino, Death of Cleopatra, verso - stamped, Cleopatra stands before a curtain. The snake has wrapped itself around her arm and is biting her breast. Her right foot is on a pedestal and she leans on an amphora with her right arm. In the background a village., print, prent, prints, prenten, height 222 mm, width 137 mm, Italian, 1490 - 1536, print maker, prentmaker, 1515 - 1515, paper, papier, engraving, engraving (printing process), Work conception, 1493 - 1560-02-07

A Naiad, Francesco Bartolozzi RA, 1728-1815, Italian, active in Britain (1764-99), after Giovanni Battista Cipriani RA, 1727-1785, Italian, active in Britain (1755-85), 1779, Engraving

Waterimf Camerina, Philips Galle, 1587 print The Water Nimmf Camerina, seated on a stone block. The print is part of a seventeen-part series about electricity and water nymphs. Antwerp paper engraving other Nereids (or sea-nymphs) (with NAME)

Standbeeld Van Amor, Michel Natalis, After Giovanni Battista Ruggieri, 1640 print Statue of winged Amor, an arrow in his right hand, in his left hand an excerpt of an arc. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Cupid, Amor (Eros). attributes of Cupid: arrow(s). monument, statue. piece of sculpture, reproduction of a piece of sculpture

Herme van Priapus, seen from behind, Hubert Quellinus, 1646 - 1670 print The print is part of an album with a series of prints to the sculptures in the collection of Gerard Reynst. paper engraving piece of sculpture, reproduction of a piece of sculpture. Priapus-herm

Plate 4: Juno standing in a niche, viewed from behind, stroking a peacock to her right, from a series of mythological gods and goddesses 1526 Giovanni Jacopo Caraglio Italian. Plate 4: Juno standing in a niche, viewed from behind, stroking a peacock to her right, from a series of mythological gods and goddesses 368124

Naakte man die een kous aantrekt.A naked man (possibly bacchus) is sitting on the floor and pulls a stocking over his left foot. Above him are different bones and joints that he uses with this movement. The bones, such as arm, elbow, leg and foot are literate a-e.

Mercury statue with helmet, Michel Natalis, After Joos de Pape, 1640 print Statue of the naked Mercury with a helmet on the head, a stick in his right hand, standing next to a tree trunk. In the middle of the base the coat of arms of Vincenzo Giustiniani. Print from a series to the sculptures in the collection in the Galleria Giustiniani in Rome. paper engraving (story of) Mercury (Hermes). monument, statue. piece of sculpture, reproduction of a piece of sculpture

Lucretia; Roger Fenton (English, 1819 - 1869); 1858; Salted paper print; 21.7 x 13.7 cm (8 9,16 x 5 3,8 in.)

Valeria Messalina, Emperor Claudius wife, offering 14 myrtle wreaths to Priapus for her triumphs. Messaline consacre a Priape quartorze couronnes de myrthe, pour marque dautant de victoires qulle a remportees. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Statue of Meleager, mythical hero of Aetolia, with his hunting dog and the head of the Calydonian boar. Copy of a Greek original of the 4th century BC attributed to Skopas. Now in the Vatican. Meleagri statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Sitting naked from the Sistine chapel; Michelangelo's Ignudi from the Sistine Chapel. Sitting male nude, partly turned to the side.

Naked woman with a torch on a pedestal, Claude Mellan (Possible), After Claude Mellan, 1648 print print maker: Franceafter own design by: Francepublisher: Paris paper engraving the (nude) human figure; 'Corpo humano' (Ripa) - AA - female human figure. torch. piece of sculpture, reproduction of a piece of sculpture

Venus and Cupid standing in a niche ca. 1500-1527 Marcantonio Raimondi Italian. Venus and Cupid standing in a niche. Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()). ca. 1500-1527. Engraving. Prints

Self -knowledge inspires conscience with horror, Dirck Volckertsz. Coornhert, after Maarten van Heemskerck, 1550 print The naked person looks in a mirror. The rod in his hands refers to the horror that comes with self -knowledge. The print has a Latin caption and is part of a fourteen -part series on the subject of the way to achieve eternal salvation. paper etching Eternal Bliss; 'Felicití eterna' (Ripa) (+ symbolical representation of concept). Human Being, Man in General. mirror. rod, birch ~ punishment at school

Soldier with a shield, Salvator Rosa, c. 1656 - c. 1657 print A standing soldier, leaning with both hands on an octagonal shield. Italy paper etching the soldier; the soldier's life. protective weapons: shield

Southern Netherlands, Cardon, Antoine Alexandre Joseph, Saturn and Cybele, Sculpture of Saturn and Cybele. Statue made by Henry Coussyns. Numbered top right in the plate: 12. Part of the collection of figures and statues made of snow in the streets of Antwerp in January 1772., print, book, Frederik Muller Historieplaten, height 171 mm, width 97 mm, 1739-12-07 - 1822-09-10, print maker, printmaker, 1772 - 1773, paper, papier, etching, engraving, engraving (printing process)

Moon (Luna); LVNA; Seven planet gods; September Planetae. Oval list of centrally on a base the naked goddess Diana, also called Luna. She stuck arrow and bow and carries a crowbar as a headband. The print has a Latin caption and is part of a series about the seven planets and their gods.

A drawing by an anonymous artist, circa 1780, showing a seated figure facing left, executed in brown-red, emphasizing posture and form.

Statue of Bacchus; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of Bacchus, an animal sheet diagonally over the shoulder, with a grape food in his left hand. In his hair he wears wingerd leaves and grape fees. In the middle of the tree trunk The coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Bacchus sculpture, Anonymous, 1600 - 1699 print Caption in Latin. Print is part of an album. paper etching / engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Bacchus (Dionysus), Liber

Jacques Louis David, Seated Woman and Man Sprawling on the Ground, 1775 80 Seated Woman and Man Sprawling on the Ground

Joseph of Arimathea. Nicolas Beatrizet (French, 1515-after 1565); after Michelangelo Buonarroti (Italian, 1475-1564). Date: 1545-1560. Dimensions: 378 × 190 mm (plate); 379 × 190 mm (sheet). Engraving on ivory laid paper. Origin: France. Museum: The Chicago Art Institute, USA.

Copper engraving by Giovanni Giacomo Caraglio from 1526 depicting Pallas Athene, showing the goddess with armor, helmet, and classical attributes.

Seated and a standing naked young man.

Statue of the Discophoros, Roman copy of a bronze sculpture by the classical Greek sculptor Polyclitus. Discobuli statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Etching by Jean Baptiste Perronneau from 1738 depicting a male nude figure in a classical composition.

unknown artist, Views in the Levant: Death of Wolfe, Study of a Gem, undated. Graphite on moderately thick, smooth, cream wove paper,.

Francesco Villamenas copper engraving depicts Pallas Athene, showing the goddess in classical attire with armor, helmet, and symbolic attributes such as spear and shield.

Memorial for Johan Diederich Deiman. Two allegorical figures at a grave monument. The godliness is personalized by an angel with flame on the head, which points to a light beam. The friendship is depicted by a weeping woman with a skull under her foot and a laurel wreath and a few books on the floor next to her. She shows the silhouette portrait of J.D. Deiman. Under the show six lines of text in Dutch.

Eutichio Ajello / 'Pharaoh ()'. Mid-XVIIIcentury. Pencil on paper. Museum: Museo del Prado, Madrid, España.

Seller of Saints Prints and Rosaries; Street vendors in Bologna; L'ARTI PER VIA. A street vendor with in the left-hand prints with Maria with child and in the other hand prints from fighting figures and the caption 'Femine Sola Fuit'. To his left arm hang rose wreaths. Italian verse in undermarge.

Sculpture van Venus and Amor, Anonymous, 1584 print Caption in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. Venus and Cupid (Cupid not being mere attribute). bath of Venus. toilet of Venus

Photograph of print: Marcantonio Raimondi (c. 1470 or 1482 - 1527 or 1534) according to Raphael (1483-1520), Apollon ; sheet from: Notice sur la vie de Marc Antoine Raimondi Graveur Bolonais accompagnée de reproductions photographiques de quelques unes de. Delessert, Benjamin (1817-1868), photographer, Blanquart-Évrard, Louis-Désiré (1802-1872), reproduction atelier, Goupil & Cie (Paryż ; firma wydawniczo-fotograficzna ; 1850-1884), publisher, Colnaghi, D. & Co. (Londyn ; galeria sztuki ; 1760- ), publisher

L'enfant Prodigue (1st plate) , Swine, Troughs, Crying, Biblical events, Prodigal son Parable, Alphonse Legros (1837-1911)

Reddish and black chalk drawing by an anonymous artist depicting a halberdier, 1557.

Study for Madonna and Child. Butavand, Lucien (1808-1853), engraver, Rafael (1483-1520), painter

Pye Corner, Smithfield, unknown artist, after unknown artist, 1791, Aquatint

Leiden, Luchtmans, Samuel (I), Neptune altar found near Domburg on Walcheren, verso on cardboard - stamped, A Neptune altar found near Domburg on Walcheren. The god Neptune standing with a fish in one hand and his trident in the other., print, engraving, book illustration, prints, engravings, height 128 mm, width 70 mm, print maker, engraving maker, 1715 - 1715, paper, etching, etchings, Publication (Event), Publication, Dutch, 1685-11-20 - 1757-01-13, publisher

Laocoöngroep, anonymous, 1688 - 1698 print Laocoön and his sons are attacked by two snakes. Netherlands paper engraving Laocoon and his twin sons are strangled by two serpents during the preparations for a sacrifice. piece of sculpture, reproduction of a piece of sculpture

Albrecht Beiling says goodbye to wife and child, 1426, 1842 - 1844 print Albrecht Beiling, commander in Schoonhoven, convicted by Jacoba van Beieren to be buried alive, says goodbye to wife and child, January 1426. Netherlands paper steel engraving Schoonhoven. Netherlands

The sculpture is on a pedestal. Mercury has his staff in his left hand. He is looking at Bacchus who he carries on his right arm. After a sculpture by Louis Royer, Sculpture of Mercury taking care of the young Bacchus, print maker: Pieter Gerardus Bernhard, (mentioned on object), Louis Royer, (mentioned on object), printer: A. Collings & van den Hout, (mentioned on object), print maker: The Hague, printer: Rotterdam, 1823 - 1880, paper, h 555 mm × w 420 mm

Allegory of Christianity. 1501 - 1600. Beham, Hans Sebald, 1500-1550. Prints. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Print Collection

. Susanna is sitting on the edge of a fountain and wants to take a bath. In the background the two elders who started her. In the margin a two-legged caption in Latin.

Asinga Ascon Ascon fundator stavriae Frisian rulers , print maker: Simon Frisius, publisher: Jan Lamrinck, print maker: Northern Netherlands, publisher: Franeker, 1622, paper, etching, letterpress printing, h 166 mm × w 98 mm

Sitting nude, Adamo Scultori, After Michelangelo, c. 1585 print Naked man sitting on a pillow, turned to the right. One of the 'Ignudi' (naked men) of Michelangelo's ceiling painting. Numbered below: 14. Print Maker: ItalyaFter Painting by: Vatican City paper engraving the (nude) human figure; 'Corpo humano' (Ripa)

Copper engraving by Israhel van Meckenem depicting a naked woman holding roses, showing figure, posture, and floral elements, created in the late 15th century.

Tethis, Antoine Alexandre Joseph Cardon, 1772 - 1773 Sculpture of Tethis sitting on a dolphin. Image made by Jan Engelbert Pompe together with fellow students from the Academy. Numbered at the top right of the plate: 2. Part of the collection of figures and images made of snow in the streets of Antwerp in January 1772. Southern Netherlands paper etching / engraving Antwerp Sculpture of Tethis sitting on a dolphin. Image made by Jan Engelbert Pompe together with fellow students from the Academy. Numbered at the top right of the plate: 2. Part of the collection of figures and images made of snow in the streets of Antwerp in January 1772. Southern Netherlands paper etching / engraving Antwerp

Italia according to the sculpture of Antonio Tantardini. A clipping of ears 1873 (2) 247 Unknown, Tantardini, Antonio (1829 1879)

Sculpture of a Sater; Satyri Effigies Romae in Aedibus fallsibus; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Dutch school. Seated Female Nude. 1638. Engraving. Madrid, National Library. Author: REMBRANDT HARMENSZOON VAN RIJN. Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Sculpture of Mercury; Belvedere Antinüs; Milo Alys Antinous Romae in Vaticano; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

The sovereign people Augustin Dupr� (1748-1833). The sovereign people. Black stone.

River god ..

Statue of a Bacchante, follower of the Roman god of wine Bacchus, with grapes. Copperplate engraving by Francois-Anne David from Museum de Florence, ou Collection des Pierres Gravees, Statues, Medailles, Chez F.A. David, Paris, 1787. David (1741-1824) drew and engraved the illustrations based on Roman statues, engraved stones and medals in the collection of the Museum de Florence and the cabinet of curiosities of the Grand Duke of Tuscany.

Two sculptures from a Faun; Galleria Giustiniana del Marchese Vincenzo Giustiniani II. Two Roman sculptures. Above the bust of a faun with horns on the head. Under the bust of a Faun, with wingerd leaves and grapes in the hair, a goat sheet over the shoulders. Middle front both images The coat of arms of Vincenzo Giustiniani. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

W: Kunnst and textbooks for the hitting boys . Amman, Jost (1539 1591), Walther, Johann Georg

Two Fighting Children, Jan De Bisschop, After François du Quesnoy, 1648 - 1671 drawing paper. chalk brush piece of sculpture, reproduction of a piece of sculpture. playing toddler; child amusing itself

Mercury Abducting Psyche. Artist: Jan Muller (Netherlandish, Amsterdam 1571-1628 Amsterdam); Adriaen de Vries (Netherlandish, The Hague ca. 1545-1626 Prague). Dimensions: 44.5 x 25.0 cm. Publisher: Harmen Jansz. Muller (Netherlandish, Amsterdam ca. 1540-1617 Amsterdam). Date: ca. 1622. Museum: Metropolitan Museum of Art, New York, USA. Author: Adriaen de Vries. Jan Muller.

Plate 7: Diana; statue of the nude goddess standing on a socle, wearing a crescent moon in her hair and holding a bow and arrow; from 'Statues of Roman Gods' after Jacques Jonghelinck 1586 Philips Galle Netherlandish One of eight numbered plates from the series 'Statues of Roman Gods', after Jacques Jonghelinck. The plates illustrate Bacchus and the seven planetary gods and was originally displayed in the town hall of Antwerp. The series was published by Philips Galle in 1585 in Antwerp and again in 1586.. Plate 7: Diana; statue of the nude goddess standing on a socle, wearing a crescent moon in her hair and holding a bow and arrow; from 'Statues of Roman Gods' after Jacques Jonghelinck. Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp). 1586. Engraving. Philips Galle (Netherlandish, Haarlem 1537-1612 Antwerp)

The Spanish Venus & Prince of Joinville

A deity known as Averrunci to the Romans, Apotropaei to the Greeks. Their statues stood at Sicyon near the tomb of Epopeus. Averrunci statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Statue of the Tiber River, with oar and cornucopia, Romulus and Remus at his side. Found in the Temple of Isis and Serapis in Rome, now in the Louvre. Tiberis Fluvii statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

A brown ink sketch sheet by Rudolf Weyr showing figures, compositional studies, and preliminary details.

Die römische Göttin Diana, Marmorstatue aus dem antiken Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, Originaldat...

Seated Female Nude 1647-1678 Holland. Pen and brown ink and brush and brown wash, with traces of black chalk and opaque white watercolor, on cream laid paper, laid down on cream laid paper . Samuel van Hoogstraten

Copper engraving by Francesco Villamena depicting Vulcan, the classical god of fire and metalworking, showing figure, forge, hammer, and symbolic composition, 1526-1624.

Standing male nude, with a relief on which a fertility goddess (Isis) And a shield with the emblem of Felix Meritis, Hendrik de Flines, 1789 drawing Standing male nude, with a relief on which a fertility goddess (Isis) And a shield with the emblem of Felix Meritis. No. 47. paper. chalk standing figure. Amsterdam

Wallerant Vaillant, Young Man with a Statue of Cupid Young Man with a Statue of Cupid

Holocauste. Félicien Victor Joseph Rops (Belgium, Namur, 1833-1898). Belgium, no date. Prints; etchings. Etching

Superficial anatomy of the woman: anterior view. Engraving by S.F. Ravenet after G. Bidloo, 1750.

Seated Female Nude, Govert Flinck, 1647, draughtsman: Govert Flinck, 1647, paper, h 315 mm × w 265 mm

Domitian, 24 October 51, 18 September 96, was Roman Emperor from 14 September 81 until his death, historical Rome, Italy, digital reproduction of an 18th century original, original date not known, Europe

This 1530 copper engraving by Lucas van Leyden shows Temperance, personifying moderation, with symbolic objects emphasizing balance and harmony in composition.

. The personified Wellus; A women's figure with a birdie and a flower branch in a landscape, next to her a goat.

Image of a male nude, presumably Apollo Lyceus, Anonymous, 1584 print Image of a male nude with an arm above the head. In the inscription this figure is interpreted as Hermaphroditus, but the figure is very similar to the type of Apollo Lyceus. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Apollo (Phoebus). (story of) Hermaphroditus

Painting depicting the martyrdom of Saint Sebastian. Unknown, photographer about 1865-1885 Painting depicting a young male with his arms bound to a tree above his head. There are two arrows sticking out of his torso, one on the side of his ribcage and the other above his heart. The man has cloth wrapped around his waist.

Napoleo Dious, statue composed by the constitutional ... (IT)

The Borghese Gladiator seen from the left. Etching by F. Perrier.

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