Academic Studies of Male Nudes

Detailed engravings of male nudes portraying classical and academic art styles, focusing on anatomy and dynamic poses.

Study of a male nude. Academic study of a sitting male nude.

Two allegorical figures near a funerary monument. The godliness is personified by an angel with a flame on his head, pointing to a ray of light. The friendship is represented by a weeping woman with a skull under her foot and a laurel wreath and some books on the ground next to her. She shows the silhouette portrait of J.D. Deiman. Below the scene six lines of text in Dutch, Memorial to Johan Diederich Deiman., print maker: Marten Houtman, (mentioned on object), Marten Houtman, Monogrammist AB (18e eeuw ; schrijver), (mentioned on object), Amsterdam, 1783, paper, etching, engraving, letterpress printing, h 226 mm × w 157 mm, h 339 mm × w 238 mm

Love and Death, plate ten from Los Caprichos 1797-1799 Spain. Etching and aquatint on ivory laid paper . Francisco José de Goya y Lucientes

Netherlands, Weissenbruch, Isaac, Mercury with a number of allegorical objects from the trade, print, prints, height 167 mm, width 148 mm, Dutch, 1826-08-27 - 1912-11-13, print maker, printmaker, 1836 - 1912, paper, wood engraving

Study of the female nude, Pieter van Gunst, After Gerard de Lairesse, 1685 print Face of the back of a naked woman. Her body parts are numbered with Roman figures. At the top on the right numbered T. 3. In the background an antique vase and a Frisian. Amsterdam paper engraving human figure of ideal proportions, e.g. academic nude - AA - female human figure (+ back view)

March, Anonymous, 1550 - 1600 drawing Personification of the month of March: a standing man with pruninges at a vine; There is a ram at his feet. paper. ink pen / brush March ~ other concepts (+ with zodiacal signs)

Badly advised is often / in pain. (IFF 144) (registered title) | Joyful and pleasant proverbs. Book II. (IFF 30-272) (Title of the whole)

Hope. Artist: Attributed to Hans Ulrich Jegli (Swiss, 1604-1654). Dimensions: mount: 3 7/16 x 4 13/16 in. (8.7 x 12.2 cm). Date: 1604-54. Museum: Metropolitan Museum of Art, New York, USA.

Speculum Romanae Magnificentiae: The Three Graces. Artist: Marco Dente (Italian, Ravenna, active by 1515-died 1527 Rome); After Marcantonio Raimondi (Italian, Argini () ca. 1480-before 1534 Bologna ()); Designed by Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483-1520 Rome). Dimensions: sheet: 18 1/2 x 13 3/16 in. (47 x 33.5 cm)plate: 14 3/16 x 9 13/16 in. (36 x 25 cm). Series/Portfolio: Speculum Romanae Magnificentiae. Date: ca. 1515-27.This print comes from the museum's copy of the Speculum Romanae Magnificentiae (The Mirror of Roman Magnificence) The Speculum found its origin in the publishing endeavors of Antonio Salamanca and Antonio Lafreri. During their Roman publishing careers, the two foreign publishers - who worked together between 1553 and 1563 - initiated the production of prints recording art works, architecture and city views related to Antique and Modern Rome. The prints could be bought individually by tourists and collectors, but were also purchased in larger g

Table of the Temple of Muses: The Statue of Memnon (Dutuit 36, White 107) Cornelis II Bloemaert, said the young person (1603-1692). Table of the Temple of Muses: The Statue of Memnon (Dutuit 36, White 107). Burin, 1655. Museum of Fine Arts in the city of Paris, small palace.

Altar with statue of Neptunus or another Sea beings, 1713 - 1717 print Altar with statue of Neptunus or another sea creature. Netherlands paper etching altar ~ Roman religion. (story of) Neptune (Poseidon)

Study for 'The Sources of Wealth,' Union Trust Company Building, Cleveland, OH, Kenyon Cox, American, 1856-1919, Graphite on paper, A young male figure standing with arms extended. The paper is squared for transferring the image., USA, 1902, figures, Drawing, Drawing

Bliżej Kultury Ferdinand Schenk Verlag für Kunst und Kunstfäwer, Vienna, Francia, Francesco (Ca 1447 1517)

Adonis says goodbye to Venus for hunt, Angelo Bertini, After Giovanni Tognolli, After Antonio Canova, 1793 - 1838 print Sculpture by Adonis and Venus who say goodbye by the Italian sculptor Antonio Canova. Italy paper engraving Venus and Adonis as lovers. piece of sculpture, reproduction of a piece of sculpture

Giovanni Francesco Bezzi illustrated Pluto walking left carrying a trident over his right shoulder using chalk and feather with wash on blue paper, highlighting posture and figure.

"Copper engraving and etching by Pierre Charles Lévesque depicting Amor sharpening its arrows, showing a mythological figure and symbolic composition from 1770."

Theseus Overwint De Centaur, Pietro Bonato, After Giovanni Tognolli, After Antonio Canova, 1775 - 1827 print Back view of a sculpture of Thesisus who beats a centaur by the Italian sculptor Antonio Canova. Italy paper engraving aggressive, unfriendly activities and relationships of Theseus. centaurs. piece of sculpture, reproduction of a piece of sculpture

Ravenswood andCaleb. Artist: Eugène Delacroix, French, 1798-1863

Drawing (Italy); Felice Giani (Italian, 1758-1823)

Woman who combs her hair, Adamo Scultori, After Michelangelo, c. 1585 print Figure from Michelangelo's ceiling painting. Numbered below: 61. Print Maker: ItalyaFter Painting by: Vatican City paper engraving comb, brush and other tools (care of the hair) - AA - ~ women

COMMISSAIRE DE MARINE.. Artist: Paul Gavarni, French, 1804-1866

Print, Fortune; Designed by Hubert-François Gravelot (French, active England, 1699 - 1773); Print Maker: Louis-Simon Lempereur (French, 1728 - 1808); France; etching on paper; 1919-10-14

Copper engraving by Jan Pietersz. Saenredam depicting the Fall of man, created after 1605.

Hercules, Greek mythical hero, defeating the Cretan bull, on aquamarine in the Duke of Devonshire's collection. Copperplate engraving by Thomas Worlidge from James Vallentin's One Hundred and Eight Engravings from Antique Gems, 1863.

Amor are bow exciting, Jacques Bouillard, after Parmigianino, 1789 print paper engraving / etching Cupid handling his weapons. armorial bearing, heraldry

An angel and a child on a cloud, Pieter van Avont, 1622 - 1652 print An angel and a child play with each other. They are on a wollk. paper etching / engraving angels. child

Luca Ciamberlano, Print from Drawing Book, c 1610 1620 Print from Drawing Book

Sitting man; Paintings in the Sixtin Chapel. Figure from Michelangelo's ceiling painting. Numbered at the bottom right: 60. The print is part of an album.

Painted in room V, consistent with the floorplan., 1783., Paris. Publisher, Molini et de Lamy. Wreaths, Male nude in art

A copper engraving by Marcantonio Raimondi created around 1516-1518 titled 'Justice', illustrating early 16th-century Renaissance allegorical representation of justice.

Statue of the naked Julius Caesar; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Statue of the Naked Julius Caesar. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Diversarum Iconum... Artist: After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503-1540 Casalmaggiore); Anton Maria Zanetti the Elder (Italian, Venice 1680-1767 Venice); Giovanni Antonio Faldoni (Italian, ca. 1690-ca. 1770); Andrea Zucchi (Italian, Venice 1679-1740 Dresden). Dimensions: 13 3/16 × 1 × 18 7/8 in. (33.5 × 2.5 × 48 cm). Series/Portfolio: Diversarum Iconum.... Date: ca. 1749.This bound album contains a woodcut title, a portrait of Zanetti by Faldoni after Carriera, 39 chiaroscuro woodcuts, as well as etchings and engravings by Zanetti, Faldoni, and Zucchi. Museum: Metropolitan Museum of Art, New York, USA.

Der römische Gott Bacchus, Marmorstatue aus dem antiken Rom, Italien, digitale Reproduktion einer Originalvorlage aus dem 18. Jahrhundert, Originaldat...

David standing with crossed legs and holding the head of Goliath on a pedestal at left, a sword on the ground, after Reni ca. 1635-1670 Engraved by Giacomo Piccini Italian After a painting by Reni. Verso not visible as print is laid to another sheet of paper.. David standing with crossed legs and holding the head of Goliath on a pedestal at left, a sword on the ground, after Reni 669211

Lying woman with putto; Galleria Giustiniana del Marchese Vincenzo Giustiniani I. Image of a woman on a leashing, at the headboard is a putto. Perhaps Amor and Venus were suggested here. In the middle of Vincenzo Giustiniani coat of arms. Print is part of an album with a series of prints to the sculptures in the collection in the Galleria Giustiniani in Rome.

Love and Death, plate ten from Los Caprichos. Francisco José de Goya y Lucientes; Spanish, 1746-1828. Date: 1797-1799. Dimensions: 190 x 134 mm (image); 217 x 151 mm (plate); 301 x 207 mm (sheet). Etching and aquatint on ivory laid paper. Origin: Spain. Museum: The Chicago Art Institute, Chicago, USA.

Venere, che scherza con Cupido; nel Prato di là dall'Isolotto in Boboli; Opera d'antico Scultore.. Vascellini, Gaetano, 1745-1805. Soldini, Francesco Maria. Prints. 1789. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Sculpture , Italy , Florence

Sculpture group with pan that Daphnis teaches flute games; Satiri Signum Puerum Dercentis Romae in Aedibus Cesys; Antique sculptures in Rome; Antiquarum Statuarum Urbis Romae Quae in Publicis Locis Visuntur Icones. Caption in Latin. Print is part of an album.

Amor shooting with arrow and bow.

Telemachos, in Greek myth the son of Odysseus and Penelope, meets Odysseus disguised as a beggar at the shepherd Eumaios, after a painting by Christoffer Wilhelm Eckersberg (2 January 1783) (22 July 1853), Historical, digitally restored reproduction from a 19th century original

Amor with Pijl en Bow, Jean Daullé, After Charles-Antoine Coypel, 1755 print print maker: Francepublisher: Paris paper steel engraving Cupid handling his weapons

Statua in marmo d'un David; di Lodovico Salvetti: ed altra Statua Simile d'un Crcole; d'incerto Autore; ambedue poste a capo d'un Viale in vicinanza al nuovo Stanzone degli Agrumi in Boboli.. Vascellini, Gaetano, 1745-1805. Soldini, Francesco Maria. Prints. 1789. The Miriam and Ira D. Wallach Division of Art, Prints and Photographs: Art & Architecture Collection. Sculpture , Italy , Florence

Venus of Cnidos, by Praxiteles. Dated: published 1829. Medium: lithograph proof before letters. Museum: National Gallery of Art, Washington DC. Author: George Childs after John Flaxman.

Raphael, Raimondi, Marcantonio, Delessert, Benjamin, Marc Antoine Raimondi, Danse d'Amours, Photo reproduction of an engraving of dancing putti by Marcantonio Raimondi, photograph, photo, reproduction, page, photos, photographically illustrated books, height 121 mm, width 161 mm, French, 1817 - 1868, photographer, 1848 - 1853, photographic paper, photo paper, salted paper print, salt print, Work conception, Italian, 1482 - 1534, after a print by, 1483-04-07 - 1520-04-07, intermediary draughtsman

Edelfelt, Albert, work, Sketch book, drawing, 14.5 cm x 25 cm, Edelfelt, Albert, Albert Gustaf Aristides Edelfelt 1854 - 1905, Finnish painter. Painting in a naturalistic style and with a Realist approach to art. He lived in Finland

Cupid and Psyche is a very common subject in the visual arts of antiquity and modern times and a popular theme in fiction and music, Cupid and Psyche, 1881, digitally restored reproduction of a 19th century original, exact date unknown

The Dying Gaul, ancient Roman marble statue by Epigonus, now in the Capitoline Museum. With characteristic Celtic hairstyle and moustache with a Celtic torc around his neck. Formerly known as the Dying Gladiator. Mirmillonis Moribundi statua vetus marmorea. Copperplate engraving by Giovanni Battista Cannetti from Copperplates of the most beautiful ancient statues of Rome, Calcografia di piu belle statue antiche a Roma, engraved by Cannetti all'Arco della Ciambella, published by Gaetano Quojani, Rome, 1779.

Image of sleeping child, lying on a pillow, c. 1657 - c. 1658 drawing Zwolle paper. ink. chalk brush

Jakob Gauermann black ink and feather drawing from 1798 depicting Adam and Eve after the fall, showing figures, landscape, and symbolic elements.

Apollo of Belvedere is an ancient marble sculpture rediscovered at the end of the 15th century in Villa Nero in Anzio / Apollo von Belvedere ist eine antike Marmorskulptur, die Ende des 15. Jahrhunderts in der Villa Neros in Anzio wiederentdeckt wurde, Historisch, historical, digital improved reproduction of an original from the 19th century / digitale Reproduktion einer Originalvorlage aus dem 19. Jahrhundert.

Bacchus with Glass Venus, Bacchus and Ceres (series title), print maker: Jacob Matham, (mentioned on object), publisher: Jacob Matham, (mentioned on object), Haarlem, 1599 - 1600, paper, engraving, d 197 mm

Jupiter sculpture, Anonymous, 1584 print Caption in Latin. Print is part of an album. paper engraving piece of sculpture, reproduction of a piece of sculpture. (story of) Jupiter (Zeus)

Relthous farmer dressed in rags; Some farmers.

News. / 273 // You wanted it, John Bull! / 77.

Two putti by a plant in Pot, Pietro Antonio Cotta, After Guido Reni, 1675 - 1685 print Italy paper etching cupids: 'amores', 'amoretti', 'putti'. potted plants

The Die, also called the Weight of Passions 1867-1877 France. This page from a sketchbook relates closely to Redonís lithograph The Player, plate 5 in his 1879 album The Dream. In his novel Against the Grain (A Rebours) of 1884, Joris-Karl Huysmans described a contemporary charcoal drawing that could have been inspired by this work ìAn enormous die where a sad eyelid blinked.î. Graphite with pen and black ink, heightened with white lead (discolored) on cream wove paper . Odilon Redon

Putto with a slingshot. Leaf 39 Recto from a sketchbook with 91 sheets.

Apollo wearing a mantle and holding a laurel branch and violin 1784 Victor Marie Picot. Apollo wearing a mantle and holding a laurel branch and violin 396215

Crows, Domenico.

Mars Ares: the Ludovisi Mars. Engraving by F. Piranesi, 1783, after L. Corazzari.

Saint Ludmilla. Engraving after E. Max.

Hottentote A Tablier. Prints, Illustrations. 1795. Schomburg Center for Research in Black Culture, Manuscripts, Archives and Rare Books Division

David standing with crossed legs and holding the head of Goliath on a pedestal at left, a sword on the ground, after Reni. Artist: Anonymous; After Guido Reni (Italian, Bologna 1575-1642 Bologna). Dimensions: Sheet (Trimmed): 9 1/16 in. × 6 in. (23 × 15.2 cm). Date: 1600-1700.After a painting by Reni. See 17.3.1013 for another impression of this print with complete inscription. Verso not visible as print is laid to another sheet of paper. Museum: Metropolitan Museum of Art, New York, USA.

The dance of death at Basel: death and the count. Lithograph by G. Danzer after H. Hess.

Venus, the Roman goddess of love, erotic desire, and beauty, Vatican Museum, Rome, Italy, Historical, digitally restored reproduction of a 19th-century original.

A seated female nude on a stone with a rose bush behind her, Seated Female Nude, print maker: Jacob Ernst Marcus, (mentioned on object), Amsterdam, May-1810, paper, etching, h 136 mm × w 177 mm

Copper engraving 'Leader Playing Satyr' by Sebald Beham, 1548, depicting a satyr engaged in musical activity in detailed composition.

Residents of Guyana, Ludwig Gottlieb Portman, after Jacques Kuyper, 1805 print A man is lying under a shelter in a hammock. In his hands he has a piece of mirror and a whistle. His wife offers him the parrot that she has just shot. Amsterdam paper etching human races; peoples; nationalities (+ costume). ornamental birds: parrot (+ man and animal). hammock Guyana

A black child displaying areas of white skin across her entire body (vitiligo). Etching with watercolour, 1818.

Front and back view of an idealized, fully proportioned nude woman. From Giambattista della Porta's work, DE HUMANA PHYSIOGNOMONIA, 1586.

Odysseus, made prisoner by the cyclops Polyphemus, makes him drunk with strong wine

Etching by Monogrammist AC from the first half of the 16th century depicting the mythological figures Hercules and Dejanira in classical style.

Image of naked boy sitting next to a skull. Artist: anonymous. Draughtsman: Moses ter Borch. Dating: c. 1657 - c. 1658. Place: Zwolle. Measurements: h 274 mm × w 120 mm. Museum: Rijksmuseum, Amsterdam.

A virtuous Athenian woman pouring incense on to a flaming tripod. Engraving by J.J. Flipart after J.M. Vien.

Greco-Roman portrait sculpture. Knight, Charles, 1791-1873. Prints, Illustrations. 1858. Science, Industry and Business Library: General Collection. Art, Industrial arts, Sculpture, Greco-Roman, Portrait sculpture, Classical

Reading child, Jean Baptiste Bourgeois, After Pierre Prud'hon, 1770 - 1825 print Paris paper etching reading

Statue eines verletzter Murmillo, myrmillo, mirmillo, mormillo, war ein schwerbewaffneter römischer Gladiator, aus dem Museum des Kapitol, aus Calcogr...

Personification of History, Marino Bovi, After Giovanni Battista Cipriani, 1797 print A winged figure with a writing spring, bent over a sheet of paper. Personification of history. print maker: Londonafter drawing by: Italy paper etching angels. History

Costumes de Différents Pays, 'Paysannes du Pérou'. L. F. Labrousse (France, Bordeaux, active late 18th century)Jacques Grasset de Saint-Sauveur (France, 1757-1810). France, circa 1797. Prints; engravings. Hand-tinted engraving on paper

Venus and Love, by Lucas Cranach the Elder, (1472-1553) Germany, Dresden, Staatliche Kunstsammlungen Dresden

Fresco from Pompeii: A naked man with an erection attacks a woman who tries to fight him off with a vase. Handcoloured lithograph from Cesar Famin's "Musee royal de Naples (The Royal Museum at Naples)," Abel Ledoux, Paris, 1836. This rare volume is a catalog of the collection of erotic paintings, bronzes and statues excavated in Pompeii and Herculaneum and stored in a Secret Cabinet at Naples.

Roman gladiator with helmet, shield and sword, with his leg on a shield. Engraved on carnelian and dactylotheca from the collection of art dealer Thomas Moore Slade. Mezzotint copperplate engraving by John Spilsbury from his Collection of Fifty Prints from Antique Gems, John Boydell, London, 1785.

Fresco from Pompeii. Erotic scene showing a naked woman riding on top of a man on a mattress on a bed with cords fixing the legs. Handcoloured lithograph from Cesar Famin's "Musee royal de Naples (The Royal Museum at Naples)," Abel Ledoux, Paris, 1836. This rare volume is a catalog of the collection of erotic paintings, bronzes and statues excavated in Pompeii and Herculaneum and stored in a Secret Cabinet at Naples.

Print at the top right labeled: fol. 66.

Andiron (one of pair). Dated: c. 1936. Dimensions: overall: 27.3 x 21.6 cm (10 3/4 x 8 1/2 in.) Original IAD Object: 11 1/2" high. Medium: graphite on paper. Museum: National Gallery of Art, Washington DC. Author: Mildred Ford.

Print at the top right numbered: 178.

From 1746 to 1749, the Swedish ship Gotha Lejon sailed on a mercantile mission to Canton. Several accounts of what transpired have survived. A handwritten journal has been attributed to Carl Fredrik von Schantz (1727-92). Another account of the mission of Gotha Lejon was compiled by Carl Johan Gethe (1728-65), a cartographer and natural historian. His diary is titled 'Diary of a Journey to East India begun on 18 October 1746 and ending June 20, 1749'. The Swedish East India Company (Swedish: Svenska Ostindiska Companiet or SOIC) was founded in 1731 in Gothenburg, Sweden, for the purpose of conducting trade with the Far East, and grew to become the largest trading company in Sweden during the 18th century. It closed in 1813.

Paris Commune 26 March-28 May 1871. Louis Adolphe Thiers as the serpent tempting Liberty and the Commune (Eve) to surrender. Thiers finally suppressed the revolutionary commune at the end of May 1871. French France Politician

To protect his mother, Danae, the mythical Greek hero Perseus accepted the task assigned him by a king named Polydictes of slaying the monster Medusa, whose hair was snakes and whose eyes turned all to stone who gazed at them. In this 1914 illustration Perseus, prepares to slay Medusa. Helping him find Medusa was his guide, the messenger god Hermes (Mercury to the Romans), and Athena. With them he had found the three daughters of Porcus and Ceto (who was a sister to the Gorgons). They were named Enyo, Pephredo, and Deino and were old from birth. They shared one eye and one tooth, as seen here, which they took turns using. Perseus took the eye and tooth until the sisters gave him the magic knapsack, winged sandals, and helmet that rendered him invisible-all of which are seen here and helped him get to Medusa and kill her. Elihu Vedder (1836-1923) was an American symbolist painter, book illustrator, and poet, born in New York City. He is best known for his fifty-five illustrations for Ed

The constellation of Cassiopeia, wife of Cepheus, king of Ethiopia, and mother of Andromeda. Date: 19th century

Print marked at upper right corner: fol. 342., print maker: Jan Luyken, publisher: Jan Claesz ten Hoorn, Amsterdam, 1680 - 1688, paper, etching, h 137 mm × w 81 mm

CUPIDO Y PSIQUIS. Author: JOHN FLAXMAN (1755-1826). Location: BIBLIOTECA NACIONAL-COLECCION. MADRID. SPAIN.

Tarjeta postal. Cartel de la V Exposition Internationale d'Art. Ville de Barcelone. Avril de 1907.

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