Allegorical and Mythological Themes

Drawings featuring allegorical figures and classical themes, representing concepts like peace and creativity. Rich in symbolism with a focus on human emotion and artistic expression.

Design for a painting, Allegory of Peace, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, pen, brush, h 328 mm × w 210 mm

Sagittarius and a farmer with poultry; Medallions with ambiguous peripherals. Two medallions with an ambiguous randograft in German. On the left medallion let a Sagittarius a young woman feel the tip of an arrow. She makes a disapproving gesture. On the right medallion is a farmer with poultry with a young woman in a shed. The woman shows him a reel.

James Barry, 1741-1806, Irish, Horatius. Etching.

Design for a painting, Allegory of Peace, draughtsman: Elias van Nijmegen, 1677 - 1755, paper, pen, brush, h 328 mm × w 210 mm

Design for a fan: Worship of Venus by Art, Pencil, pen and ink, brown wash, Before a classic portico, a female figure with the attributes of the Visual Arts kneels in adoration before a statue of Venus. Cupid flies above. Other figures, including a river god at lower right., Italy and France, 1750-70, costume & accessories, Drawing, Drawing

Recto: Phantasie und Künstler (Imagination and the Artist); Verso: Studie zu Phantasie und Künstler (Study for Imagination and the Artists) 1873 Max Klinger Phantasie und Künstler is a design for an invitation to a party at the Karlsruhe Akademie where Klinger was a student in 1872-73. An inventive and exuberant work, the sketch on the verso shows an alternate design for the composition and provides insight into Klinger's workiing method. The subject is the combination of art and Eros that pervades the artist's oeuvre and for which he was famous.. Recto: Phantasie und Künstler (Imagination and the Artist); Verso: Studie zu Phantasie und Künstler (Study for Imagination and the Artists). Max Klinger (German, Leipzig 1857-1920 Großjena). 1873. Recto: Pen and black ink, black chalk and pencil; Verso: Pencil and pen and black ink. Drawings

A Winged Figure, two Women, and a Man early-mid-16th century Biagio Pupini Italian. A Winged Figure, two Women, and a Man. Biagio Pupini (Italian, born Bologna, active 1511-51) (). early-mid-16th century. Pen and brown ink, brush and brown and gray wash, heightened with white on blue paper.. Drawings

Study for the Monument to Naval Captains William Bayne, William Blair and Lord Robert Manner, Joseph Nollekens, 1737-1823, British, ca. 1782, Brown wash and pen and gray ink over graphite on medium, slightly textured, cream laid paper, Sheet: 21 7/16 x 15 3/16in. (54.5 x 38.6cm)

Saint Luke Painting the Madonna and Child Artist's working dates 1708-1737 France. Pen and brown ink over traces of black chalk on cream laid paper . François Le Moyne

Heinrich Schöpfer's drawing 'Truth Denied by Wisdom' (1883) rendered in coal, showing an allegorical scene.

Bliżej Kultury Normand, Charles (1765 1840), Le Sueur, Eustache (1616 1655)

A pencil drawing by Josef von Führich titled 'Expectation II', depicting a figure in a composed scene of expectation.

Pygmallon en Galatea, c. 1701 Pygmalion kneels at the statue of Venus, later called Galatea, that he had cut himself and that he had fallen in love with. With his right hand, Pygmalion touches the belly of the image. On the ground are a hammer, chisel, a sculpted bust and head. Leaf 46 Recto from a sketchbook with 63 sheets. paper. pencil Pygmalion kneels at the statue of Venus, later called Galatea, that he had cut himself and that he had fallen in love with. With his right hand, Pygmalion touches the belly of the image. On the ground are a hammer, chisel, a sculpted bust and head. Leaf 46 Recto from a sketchbook with 63 sheets. paper. pencil

Design for allegorical print featuring a woman standing by an anchor on one side of a globe, a woman nursing a child and standing beside two young children on the other side. Above them a third woman holds a book | Library of Congress

Terpsichore, Muse of Dance and Erato, Muse of Love Poetry, Felice Giani, Italian, 1758-1823, Felice Giani, Italian, 1758-1823, Graphite on laid paper, Two classically dressed women dancing. The one at left plays a lyre; the one at right raises her arm., Italy, ca. 1820, figures, Drawing, Drawing

Design for a memorial medal, Giovanni Lorenzo Bernini, 1608 - Before 1669 drawing paper. ink pen / brush the Franciscan monk Peter of Alcantara; possible attributes: book, crucifix, discipline, dove, pen and ink, skull. the Carmelite nun of Florence, Mary-Magdalene of Pazzi; possible attributes: chain, Christ-child, crown of thorns, instruments of the Passion, stigmata. Holy Ghost represented as a dove (in flames)

Allegory on the city of Antwerp. An allegorical figure is between symbols for art and sciences. Behind her on a stone is a hand charted and the name of the city of Antwerp. The show is closed by a semicircular arc.

Porch with Statuary, Easton Neston, Northants, Charles Hamilton Smith, 1776-1859, Belgian, undated, Graphite, pen and black ink on medium, slightly textured, cream wove paper, Sheet: 4 7/8 × 6 1/2 inches (12.4 × 16.5 cm), architectural subject, country house, porch, religious and mythological subject, statues, England, Europe, Northamptonshire, Towcester, United Kingdom

Design for an Arabesque Motif, Etienne de Lavallée-Poussin, French, 1735-1802, Pen and brown ink with ink wash, graphite on paper, The motif consists of three Fates shown either seated or standing on shelves supported from a central core, and attended by putti., France, 1770, Drawing, Drawing

Niche with image of standing woman; Elevation et coupe d'une niche avec figures; Niches; 35th Cahier. Front and side view of a niche with a picture of a standing woman under a shell pattern. Above a tablet with a sitting woman with a book and two putti. Print number 206.

Belisane and Percival Under the Enchantment of Urma. Artist: After Henry Fuseli (Swiss, Zürich 1741-1825 London). Dimensions: Plate: 9 3/4 × 12 5/8 in. (24.8 × 32 cm)Sheet: 13 9/16 × 19 3/16 in. (34.4 × 48.8 cm). Engraver: Johann Heinrich Lips (Swiss, Kloten 1758-1817 Zurich). Series/Portfolio: Heinrich Fuessli's Sämmtliche Werke, 1807, part II, no. 16. Date: 1806. Museum: Metropolitan Museum of Art, New York, USA.

Studies of standing men and a kneeling woman. Procaccini, Giulio Cesare (1574-1625), draughtsman, cartoonist

Ink, spring, and oil drawing by Friedrich Ohmann depicting the war god Vulkan, showing figure, posture, and attributes, with laved shading.

Esther for ahasverus (in box with 43 drawings). .

Pencil sketch sheet by Rudolf Weyr showing figure studies, gestures, and details of objects on paper.

Samson destroys the temple.

Thiersch Friedrich von (1852-1921), sketches on architectural jewelry (without date): Plan content N.N. detected. Tusche watercolor on the box, 22.3 x 23.4 cm (including scan edges) Thiersch Friedrich von (1852-1921): Skizzen zu architektonischem Schmuckwerk

Clair-obscur woodcut by Antonio da Trento depicting Saint Paul, created with two plates around 1524-1527.

Depiction of Hermes with Herse and Aglauros from Ovid's Metamorphoses, showing three mythological figures in gray feathered brushwork, emphasizing classical poses.

Amsterdam, Ploos van Amstel, Cornelis, Bruyn, Nicolaes de, Leyden, Lucas van, Brouwer, Judgment of Solomon, verso print - handwritten in pencil, King Solomon sits on his throne and passes judgment. He orders the baby to be cut in two to determine who the mother of the child is. On the right a man draws his sword. Before the throne the two women who both claim the motherhood of the child., print, prints, verso cardboard and verso print - stamped, No 3, height 270 mm, width 214 mm, Northern Netherlands, 1735 - 1803-03-31, print maker, printmaker, 1782 - 1782, paper, papier, prenttekening, etching, etchings, doordruk, 1494-06 - 1533-08, intermediary draughtsman, after a drawing by, Southern Netherlands, 1571 - 1656-10, 1726-01-04 - 1798-12-20, supervision, transfer

Brown ink drawing by Giulio Romano depicting the human soul being led to heaven, with black pen detailing and squared grid, dated 1528-1529.

Edward Francis Burney, 1760-1848, British, Designs for Illustrations to Beethoven's Works, undated. Pen and gray ink, gray wash, and graphite on medium, slightly textured, cream wove paper.

Isaac Taylor, 1730-1807, British, Town and Country Magazine - Frontispiece for 1769 (1st issue therefore no Vol. no.), undated. Gray wash with pen and black ink on medium, slightly textured, laid wove paper.

Arcadic scene with a woman and a putto. Draughtsman: Abraham van Strij (I). Dating: 1763 - 1826. Measurements: h 580 mm × w 670 mm; h 465 mm × w 470 mm. Museum: Rijksmuseum, Amsterdam.

An Audience, Domenico Mondo, Italian, 1723 - 1806, Pen and brown ink, brush and brown wash over black chalk on paper, Two figures in foreground and several in the background. The figure at right sits in a chair with a circular back; he looks and gestures at his companion. The other stands with his right hand pulled to his body and his left extended toward the seated figure., Italy, ca. 1740-1806, figures, Drawing, Drawing

A dying little girl is held by her mother in bed, while another child consoles the grieving father. Transfer lithograph.

Drawing, Decoration of a Panel; Architect: Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash on off-white laid paper; Image: 17.2 x 22.6 cm (6 3/4 x 8 7/8 in.)

Copper engraving and etching by Jean Charles Le Vasseur from 1780-1805 depicting a milk woman, showing figure, milk pail, and domestic setting.

Cartoon for Printed Cotton Textile: The Four Elements Les Quatre Élements, Hartmann et Fils, (Munster, France), Pen and gray ink, brush and wash on white paper, mounted, Horizontal rectangle. A design composed of four vignettes separated by wreaths: upper left, Apollo and Daphne (personifying Air); lower left, Jupiter and an eagle (personifying Fire); upper right, a river god (personifying Water); lower right, Deucalion and Pyrrha (personifying Earth). In center, a trophy composed of a torch, bow and quiver suspended from a garland, and a pair of doves appears at the repeat horizontally. Wreaths encircle the vignettes showing Air and Earth., Probably Munster, France, 1810-20, textile designs, Drawing, Drawing

Decorative Motifs with Garlands (verso). Dated: 1620s. Dimensions: sheet: 24 × 20.5 cm (9 7/16 × 8 1/16 in.). Medium: pen and brown ink with gray wash on brown paper. Museum: National Gallery of Art, Washington DC. Author: Gerrit van Honthorst.

Klomp Johannes Franziskus (1865-1946), unaffected altars, church facility, sculptures and ornaments (0-0): Kreuzweg XIV (for church in Berlin-Lankwitz) (Atelier Ferdinand Busch). Pencil on paper, 22.7 x 15.9 cm (including scan edges) Klomp Johannes Franziskus (1865-1946): Unzugeordnete Altäre, Kircheneinrichtung, Skulpturen und Ornamente

Half figure with outstretched arm. Draughtsman: anonymous. Dating: c. 1650 - c. 1750. Place: Netherlands. Measurements: h 264 mm × w 189 mm. Museum: Rijksmuseum, Amsterdam.

Reason allegory (in box with 43 drawings). .

Mythological representation of Paris who hands Venus de Appel (), Louis Fabritius Dubourg, 1703 - 1775 drawing paper. ink pen / brush the Judgement of Paris (Mercury present)

Studies of Two Men, James Bruce, 1730-1794, British, undated, Graphite on medium, slightly textured, beige laid paper, Sheet: 9 × 12 1/2 inches (22.9 × 31.8 cm)

Lange Ludwig (1808-1868), Greek relief: god dispute and parisonal judgment (without dat.): View. Ink on transparent, 25.7 x 49.5 cm (including scan edges)

Three figures in Toga, 1658 - 1728 Page 30 Verso from a sketchbook with 33 sheets. paper. ink. pencil pen standing figure. arm stretched sidewards - AA - both arms or hands

Photo reproduction of drawing by F. Barria: Virgilius scene from the Aeneidos, struggle.

London, Head of a pastoral staff, Ivory crown of a crook, recto - printed, photomechanical print, page, photographs, photographically illustrated books, Fourteenth Century., No. 214-65., height 177 mm, width 102 mm, maker, manufacturer, 1867 - 1872, paper, Woodburytype

MEDAL project in honor of the Concordat Augustin Dupr� (1748-1833). Medal project in honor of the Concordat. The genius of France welcoming peace and religion in front of Janus Temple. Graphic art cabinet document. Lead Mine on Bistre, around 1802.

Cleopatra swallowing a pearl in vinegar while masturbating Mark Antony. Two slave girls attend them. Cleopatre, a table avec Marc-Antoine, avale une perle detrempee dans du vinaigre. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Photo production to illustration of Quinti Horatii Flacci Carminum, man at the table in atrium with lier and amphora.

John Flaxman, 1755-1826, British, The Expulsion of the Money Changers, from Lorenzo Ghiberti's Baptistery Doors, Florence, 1787. Graphite, pen and black ink, and gray wash on medium, slightly textured, cream laid paper bound in vellum.

Portrait of three unknown children. .

Samson destroys the temple, anonymous, 1600 - 1699, draughtsman: anonymous, draughtsman: Jacopo Titiaan, (rejected attribution), 1600 - 1699, paper, h 404 mm × w 514 mm

Sketch for a Round Panel or Window, Francis Augustus Lathrop, American, 1849 - 1909, Graphite on paper, Two classical figures, with female figure seated at right and male figure standing at left. Center, a statue of Mercury on a pedestal. Verso: two borders crossed out, in pen and black ink, crayon, and graphite., USA, ca. 1895, figures, Drawing, Drawing

Jean Auguste Dominique Ingres, Joan of Arc Standing at the Altar at Reims Cathedral, c 1844 Joan of Arc Standing at the Altar at Reims Cathedral

Paris Troost Helena, Elias van Nijmegen, 1677 - 1755 drawing Design for a painting. paper. ink. watercolor (paint). pencil brush / pen Paris in Greece

A red chalk drawing by Sébastien Le Clerc depicting the goddess of victory between pillars of Hercules, with circular edging and horizontal lines in black, laminated on blue compartment paper, around 1702.

The Rape of the Sabine Women. Date/Period: 1747/1785. Watercolor over pencil on laid paper. Width: 20.5 cm. Height: 17.8 cm (sheet). Author: Giovanni Battista Cipriani.

Drawing, Decoration of a lateral panel of a coach; Italy; brush and gray watercolor, pen and ink, black chalk on paper.; 9.6 x 16.8 cm (3 3/4 x 6 5/8 in.)

Design for the East Portal, Grand Gallery, Villa Albani, Rome, Italy, Carlo Marchionni, Italian, 1702-1786, Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper, Above the door frame is a half circle with a trophy of arms of Cardinal Albani. Above the straight entablature of the door-case, in the center, is a vase with dolphins beside it and garlands hanging cross-like from the backs of crouching sphinxes. A prior suggestion has been erased. The entablature is richly decorated and subdivided horizontally by consoles with ram's heads. In the frieze, in the place of triglyphs, alternate a female herma and two figures beside a candelabrum. Above, a wall of a pointed vault into which is inscribed a half circle with a shell on top and a mask at the point. In the lunette, the star and the threemount of the Albani appear upon a pedestal in front of a shell, in the center of a broken pediment on the cornices of which sit satyrs with palm branches. In the door, a lady wit

The Stoning of the Elders 16th century Pseudo-Aert Ortkens Netherlandish. The Stoning of the Elders. Pseudo-Aert Ortkens (Flemish, 1510-1540). 16th century. Pen and brown ink. Drawings

Stucco image in the stairwell of Huis ter Meer in Maarssen, representing the caution, c. 1875 - c. 1900 photograph House Ter Meer cardboard. photographic support albumen print sculpture. interior ~ representation of a building. Prudence, 'Prudentia'; 'Prudenza' (Ripa) ~ one of the Four Cardinal Virtues. mirror House Ter Meer

Barbarigo, Giovanni Francesco, Rome, Audenaerd, Robert van, Numismata virorum illustrium ex Barbadica gente, Personification of Merit or Reward, verso - stamped, A console with a man in a toga. In his right hand an oak branch and a palm branch. In his left hand a crown and a laurel wreath. The print is part of an album., print, album sheet, prints, height 183 mm, width 181 mm, 1663 - 1743, print maker, printmaker, 1673 - 1743, paper, engraving, engraving (printing process), Italian, 1658-04-29 - 1730-01-27, patron

Crowning ofMars. After: Peter Paul Rubens, Flemish, 1577-1640

Allegory of the 'Treaty of Friendship and Commerce between the States General of the United Netherlands and the United States of America', The Hague, 7 October 1782. Dating: 1782 - 1785. Place: Netherlands. Measurements: h 101.5 cm × w 161 cm × t 3.7 cm. Museum: Rijksmuseum, Amsterdam.

Interior scene of public house, dance party Constantin Ernest Adolphe Hyacinthe Guys (1802-1892), draftsman and French painter. Interior scene of public house, dance party. Feature features, greyish wash. 1880-1885.

Photo production of mosaic with pigeons in the Capitoline museums in Rome, James Anderson, After Anonymous, c. 1857 - c. 1875 photograph This photo is part of an album. Capitoline Museums paper albumen print doves, pigeons Capitoline Museums

Sarcophagus and allegorical figures. Pen and brown ink, brush and brown wash on off-white laid paper, lined. Date: 1746-1809. Museum: Cooper Hewitt, Smithsonian Design Museum.

Drawing, Sketch for a Round Panel or Window; Francis Augustus Lathrop (American, 1849 - 1909); USA; graphite on paper; 14.7 × 18.7 cm (5 13/16 × 7 3/8 in.); 1914-38-207

Woman with her foot leaning on the sphere on top of which attributes of the arts, Anonymous, 1600 - 1699 print France paper engraving the arts; artists. mask. palette

Sketches for the Design of a Casket (recto); Battle of the Centaurs and Lapiths() (verso) 1545-55 attributed to Girolamo da Carpi (Girolamo Sellari) Italian. Sketches for the Design of a Casket (recto); Battle of the Centaurs and Lapiths() (verso). attributed to Girolamo da Carpi (Girolamo Sellari) (Italian, Ferrara 1501-1556 Ferrara). 1545-55. Pen and brown ink. Drawings

Bas Relief from the Church of Sts. John and Paul in Venice. Carlo Naya (Italian, 1816 - 1882)

Personification of judgment, Robert van Audenaerd, 1673 - 1743 print A console with a man sitting on a rainbow. In his hands a compass, ruler, square and level. The print is part of an album. paper engraving rainbow. Judgement, Discrimination; 'Giuditio' (Ripa). measuring-instruments

RVD / Royal House photo collection. Palace on Dam Square in Amsterdam. Different interior recordings. 1976. Amsterdam, Noord-Holland

Italy, Photo reproduction of a painting by Botticelli, Photo reproduction of a painting by Botticelli., photograph, photo, photos, height 46 mm, width 99 mm, photographer, 1860 - 1880, third quarter 19th century, fourth quarter 19th century, cardboard, photographic paper, photo paper, gelatin silver print, gelatin silver print development

Sitting man with drinking glass and dog and two men on board a ship, Adolphe Mouilleron (Possible), 1830 - 1881 print paper drinking. pipe ~ tobacco (+ taking (particular) foodstuffs: eating, drinking, smoking, chewing, etc.)

Cybele and Three Attendants 1801 or 1802 Antoine Léonard Du Pasquier French. Cybele and Three Attendants 339161

Allegory of Gluttony. Jacopo Ligozzi (Italian, 1547 - 1627)

Fryderyk and Barbarossa Z He Beatrycze and Burgundzk a class of three In the type of throne, according to the time at home in Würzburg; Lesser, Aleksander (1814-1884); 25.9.1839 (1839-00-00-1839-00-00);Beatrycze and Burgundy (Queen of Germany - 1145-1184), Beatry and Burgundy (Queen of Germany - 1145-1184) - iconography, Fryderyk and Barbarossa (Roman -German Emperor - 1122-1190), Fryderick and Barbarossa (Roman Emperor - 1122 -1190) -iconography, Lesser, Aleksander (1814-1884), Lesser, Aleksander (1814-1884) -collections, Lesser, Wiktor Stanisław Zygmunt (Baron -1853-1935), Lesser, Wiktor Stanisław Zygmunt (Baron -1853-1935 ) - collection, Germany, throne of grace (iconogr.), Trinity, Würzburg (Germany), gift (provenance), personalities, foreign personalities, sculpture (artist), German sculpture

Edward Francis Burney, 1760-1848, British, Pamphilia, undated. Pen and black ink, gray wash and brown wash on medium, slightly textured, cream wove paper mounted to card.

Antonio Tempesta's pen and ink drawing depicts a half-length portrait of a woman in a standing oval, with a frieze detail on the right, executed with lavated technique.

Sketch of a Painted Family Portrait "in situ". Artist: Anonymous, German, 19th century. Dimensions: 9 5/16 x 13 3/8 in. (23.7 x 34 cm). Illustrator: Rudolf Pfnor (French, Darmstadt 1824-1909 Paris). Date: 19th century. Museum: Metropolitan Museum of Art, New York, USA.

Figures in gown and a standing naked man. Leaf 32 Recto from a sketchbook with 33 sheets.

Drawing, Inkstand; Designed by Giuseppe Barberi (Italian, 1746-1809); Italy; pen and brown ink, brush and brown wash, graphite on off-white laid paper; Image: 30.7 x 44.9 cm (12 1/16 x 17 11/16 in.) Mat: 40.6 x 55.9 cm (16 x 22 in.) Frame H x W x D: 44.8 x 60.3 x 2.5 cm (17 5/8 in. x 23 3/4 in. x 1 in.) Mount: 34.1 x 45.7 cm (13 7/16 in. x 18 in.)

Agrippina Minor tries to seduce her son Emperor Nero, but he rejects her and chooses the freedwoman Claudia Acte. Agrippine, pour recouvrer son autorite, offre ses charmes a son fils: celui-ci est sure le point den jour, mais Acte, sa concubine, lentraine et se fait donner la preference. Copperplate engraving from Pierre-Francois d'Hancarvilles Monumens de la Vie Privee des Douze Cesars, Chez Sabellus, Capri (Monuments of the Private Lives of 12 Caesars, Leclerc, Nancy) 1780. From imaginary Spintria, medals and cameos.

Greek goddess of youth Hebe holding the cup of ambrosia, the nectar of the gods. Hebe tenant la coupe du nectar des Dieux. Copperplate engraving from Pierre-Francois dHarcanvilles Monumens du Culte Secret des Dames Romaines, Sabellus, Capri (Monuments to the Secret Cult of Roman Women, Leclerc, Nancy) 1780. Based on imaginary Spintria, medals and cameos.

Design for a Wall Fountain. Artist: Anonymous, Italian, Lombard, 16th century. Dimensions: 14 5/8 x 9 3/4 in. (37.2 x 24.7 cm). Series/Portfolio: 65.653.1-65.653.17. Date: 1550-1620. Museum: Metropolitan Museum of Art, New York, USA.

Allegorical Figure Representing Arithmetic 1760 Giovanni Battista Tiepolo Italian Like the other frescoes in this gallery, this allegorical figure of Arithmetic, identified by the inscription on the base of the feigned statue, is from the Palazzo Valle Marchesini Sala in Vicenza. The simulated architecture, foreshortened from a viewing point in the center of the room, was carried out by a specialist in this type of work, Girolamo Mengozzi Colonna, who collaborated with Tiepolo on a number of commissions. The frescoes were probably commissioned by Count Giorgio Marchesini, and their iconography may reflect his particular interest in Freemasonry. They were detached from the palace about 1900.. Allegorical Figure Representing Arithmetic. Giovanni Battista Tiepolo (Italian, Venice 1696-1770 Madrid) and Workshop. 1760. Fresco, transferred to canvas. Paintings

Copper engraving and etching by Christian Gottfried Schultze around 1818 depicting Hercules in a standing pose, showing anatomy and heroic figure.

Drawing by an anonymous artist depicting King David, executed with feather and gray brush between 1700 and 1800.

The Holy Family with Saint John, c. 1710-1715. Cosimo Mogalli (Italian, 1667-1730), after Andrea del Sarto (Italian, 1486-1530). Engraving;

Bacchanaal, 1766 - 1806 print satin. ink etching / brush types of nymphs. satyrs, fauns, Sileni

Sofa, Giuseppe Barberi, Italian, 1746-1809, Pen and brown ink, brush and brown wash, graphite on beige laid paper, Sofa., Rome, Italy, 1746-1809, furniture, Drawing, Drawing

Study for 'Scientific Group', Daniel Huntington, American, 1816-1906, Graphite on squared cream wove paper, Composition study for scientific group, never painted. Men in a hall, with desk, center. Men sitting in a row, center right, standing in a row, at left. Others seated and standing in a circle, at right., London, United Kingdom, USA, 1858, figures, Drawing, Drawing

Edward Francis Burney, 1760-1848, British, Telemachus and Mentor Landing on the Island of Calypso, undated. Pen and brown ink, graphite and gray wash on medium, slightly textured, beige laid paper.

David Bespelt de Harp, Francesco Villamen, after Ippolito Andreasi, 1603 print In an architectural space, the crowned King David is playing on his harp. On the right a dog and on the left a table with opened book and a bow. A string instrument leans against the table. print maker: Italyafter design by: Italypublisher: RomeVaticaanstad paper engraving David as musician, usually playing the harp. string instruments (bowed). harp

Francisco Bayeu / 'Two Figures of Moors'. 1779. White chalk, Red chalk on dark toned paper. Museum: Museo del Prado, Madrid, España.

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